Paris

first edition.
Bound in brown half shagreen, back with four nerves decorated with double gilded boxes decorated with gold floral patterns, marbled paper plates, paper contreplats guards and to the tank.
autograph dedication of the author autograph signed by Ferdinand André Fabre Theuriet.

first edition.
Bound in red half shagreen with corners, back with five nerves set with black fillets, framing of double net gilded on the boards of marbled paper, guards and contreplats of handmade paper, gilded head, preserved covers.
Signed autograph Ferdinand Fabre to his nephew Leon Garnier.

Illustrated edition with a portrait of the author as frontispiece
Full dark green morocco binding, spine with five raised bands set with black fillets decorated with double black compartments, gilt roulettes on the headcaps, double black fillet frame on the covers, a small discoloration stain on the first cover, marbled endpapers and pastedowns, gilt dentelle frame on the pastedowns, gilt fillet on the leading edges, all edges gilt, elegant contemporary binding signed by Lefèvre.
Study on the life and works of André Chénier, variants, notes and commentaries, lexicon and index by L. Becq de Fouquières.
Some foxing.

Edition of wich no leading copies exists.
autograph dedication of the author autograph dated and signed Alcanter Brahm Henry Fevre.
A small tear without gravity environment of the back, nice copy.

Edition, review copy.
Precious autograph signed by Pierre Jean Jouve to Léon-Paul Fargue.
First flat slightly curled back with a small, clear wetting minor Length.

MANET Edouard & MALLARMé Stéphane. L'Après-midi d'un faune [Afternoon of a Faun]
Léon Vanier, Paris 1887, 15,5 x 23,5 cm, Bradel binding
Third edition, with first printing of frontispiece, ex-libris, fleurons, and endpiece by Edouard Manet.
Contemporary green Bradel cloth binding with moiré highlights, black shagreen title-piece (a little rubbed), covers preserved.
A good copy of this sought-after work, on account of its reproductions of Manet's drawings (cf Clouzot).

First edition.
Illustrated with drawings by Hans Arp.
Handsome inscription from Tristan Tzara to Julien Gracq.
A few slight insignificant scuffs to covers.
With a black morocco-like shagreen chemise and edged slipcase.

Second edition.
Rare autograph dated and signed by Réal to master Laurent Moutinot.
Book illustrated with a reproduction of a painting by the author on the cover.
Réal, writer, painter and prostitute, is a great figure of the romantic end of the twentieth century. Lover, activist, fighter and poet, she shoved the morals of Geneva society. She is now buried at the Cemetery of the Kings in Geneva between John Calvin and Jorge Luis Borges.
Black is a color evokes his youth, his elopement with an American military to years of forced prostitution.
If literature saves of his condition, yet she péripatétitienne resume its business by turning it into a philosophy of life, fighting all his life for the social recognition and for the rights of prostitutes.

Iconography, nice copy.

First edition for which there were no large paper copies.
Spine slightly faded as usual, small spots to lower cover, a good copy considering the poor quality of the paper of the time.

first edition on the current paper.
Bel autograph signed by Patrick Modiano to the writer and journalist Jean-Claude (Lamy): "... I have found a document that will interest you for a writer with whom you made ??a book of interviews ... I can not tell you more ... soon, with all my friendship. Patrick ".
Complete copy of his trailer.

Edition of wich no leading copies exists, review copy.
autograph dedication of the author autograph signed by Patrick Modiano to the writer and journalist Jean-Claude (Lamy): "... with all my loyal friendship and waiting for the" spinesier "Patrick Julliard.".
spine slightly insolated, minor traces of folds on upper cover.

New edition.
autograph dedication of the author autograph signed by Marcel Ayme to miss Yvonne Dehlert.
Back insolated, a little lack Length of second course which also includes some minor bites angular head.

Edition printed in small number, ours on strong paper from Holland paper.
Binding half black shagreen, back with five nerves decorated with gilded initials of Maxime du Camp repeated five times, some rubbings on spine, marbled paper plates, guards and contreplats of handmade paper, gilded head, then binding .
Book illustrated with a portrait of François Hotman frontispiece.
autograph dedication of the author signed autograph of Charles Read, below the justification of the draw, to: "My old friend Maxime du Camp that made ??me approve of citing, naming it, and p.VI, without naming, P. 115. Charles Read. "
Provenance: Library of Maxime du Camp with his bookplate engraved and glued on a contreplat.
Nice copy.