Jacques ZOUBALOFF
Clos joli. Etudes de fleurs et fruits
Charles Moreau|Paris 1929|32 x 35.50 cm|2 volumes en reliures de l'éditeur sous étui
First edition printed in 325 copies, ours unnumbered.
Publisher's binding in half sky blue flexible boards, smooth and unlettered spine in sand-colored cloth, a vignette representing a rose glued to the center of the first board of the first volume, a vignette representing a pear at the center of the first board of the second volume.
Work illustrated with 100 watercolors hors-texte reproduced by Daniel Jacomet.
Introduction by Guillaume Janneau.
Handsome copy.
€450
Roger GRENIER
Ciné-roman
Gallimard|Paris 1972|14 x 21.50 cm|broché
First edition, one of 45 numbered copies on pure laid paper, the only deluxe copies.
Spine and boards lightly and marginally sunned without consequence, otherwise a handsome copy.
€80
Alain-René LESAGE
Histoire de Gil Blas de Santillane
Par les libraires associés|A Paris 1747|10 x 17 cm|4 volumes reliés
Definitive, important edition, revised by the author, and on which all future editions will be based. It should not be confused with the counterfeit (which can be distinguished by some differences) published on the same date and which is only a reprint of the first editions published in 1715 (first 2 volumes), 1724 (third volume) and 1735 (fourth volume) where the figures are reversed and of rather mediocre printing (thus the canon in the first figure appears on the right whereas he should be on the left).
This edition is rare and sought after. "This edition, which has become uncommon, presents numerous corrections and considerable additions by the author, which amount to no less than a
€900
Alain MABANCKOU
Le monde est mon langage
Grasset|Paris 2016|14 x 20.50 cm|broché
First edition with no mention of deluxe copies.
Handsome copy complete with its illustrated dust jacket.
Dated and signed autograph inscription from Alain Mabanckou to a photographer named Valérie, enhanced with a self-portrait face drawing.
€100
Émile ZOLA (Arthur MEYER)
Lettre autographe datée et signée adressée au magnat de la presse Arthur Meyer à qui il recommande Louis de Robert "... vous trouveriez sans doute en lui un excellent rédacteur pour "Le Gaulois"
Paris 5 Avril 1893|13.50 x 20.50 cm|une page et demie
Autograph letter dated and signed by Emile Zola, 23 lines in black ink on a page and a half, addressed to press baron Arthur Meyer
Folds inherent to postal delivery.
Emile Zola intervenes with Arthur Meyer, proprietor of the high-circulation newspaper "Le Gaulois", on behalf of his friend Louis de Robert: "Vous sentirez comme moi que c'est un garçon d'avenir, et je suis convaincu que vous l'utiliserez... Je le connais et je désire qu'il travaille." ["You will feel as I do that he is a young man with a future, and I am convinced that you will make use of him... I know him and I want him to work."] in whom he recognizes a talented writer: "Me
€1,500
(Léo MALET) Bruno de MONES
Léo Malet - Portrait 3
S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
Original photograph. Period gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of writer Léo Malet.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would continue until the mid-nineteen-nineties.
€350
Georges DUMÉZIL, Bruno de MONES
Georges Dumézil portrait
S. n.|s. l. • [Paris] mars 1986|24 x 30.50 cm|une feuille
Original photograph. Period silver print in black and white. Artist's proof signed on verso.
Portrait of writer Georges Dumézil.
In 1983 Bruno de Monès began a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.
€300
(Léo MALET) Bruno de MONES
Léo Malet - Portrait 4
S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
Original photograph. Period gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of writer Léo Malet.
In 1983 Bruno de Monès began a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.
€350
André GILL
La corde au cou
Marpon & Flammarion|Paris 1876|12 x 19 cm|broché
First edition illustrated with an original etching by the author as frontispiece.
Shaded parchment covers with some foxing, handsome interior condition.

€70
Joseph SIMA
Le livre de mariage
S. n.|Paris 1922|12 x 20 cm|en feuilles
First printing of the 31 original woodcuts in black by Joseph Sima, one of 210 numbered copies on Montval laid paper, ours unnumbered.
Handsome copy complete with its fragile glassine paper covers.

€450
André DHÔTEL
Les premiers temps
Gallimard|Paris 1953|12 x 19 cm|broché
First edition, a Service de Presse (advance) copy.
Spine very slightly sunned, the first gathering was poorly cut causing a small lack at the head of the first endpaper.
Autograph inscription signed by André Dhôtel to journalist Evelyne Schlumberger.

€60
Géo LEVY-SAY
Maïka
Librairie Delalain|Paris 1953|12 x 19 cm|broché
First edition printed on alfa paper, no mention is made of deluxe copies.
Work illustrated with illustrations in the text.
Manuscript signature of Géo Lévy-Say at the head of the title page.
€150
Charles VILDRAC (à Henri BARBUSSE)
Lettre autographe datée et signée à propos de la constitution d'une Ligue Internationale des écrivains contre le fascisme
Paris 5 Janvier 1935|21 x 18.50 cm|une page sur un feuillet
Autograph letter dated and signed by Charles Vildrac to Henri Barbusse; one page with his monogram blind-stamped in the upper left corner and written in black ink on one leaf, 18 lines.
Postal folds, a small tear at the foot of the letter without any damage to the text.
Charles Vildrac congratulates Henri Barbusse for his militant devotion and dynamism: "J'ai pris connaissance du Manifeste appel pour une ligue internationale des écrivains et j'y adhère sans réserves en applaudissant à votre généreuse initiative." ["I have read the Manifesto calling for an international league of writers and I join it without reservation, applauding your generous ini
€250
(Léo MALET) Bruno de MONES
Léo Malet - Portrait 1
S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
Original photograph. Contemporary gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of writer Léo Malet.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would last until the mid-nineteen-nineties.

€400
(Fernand BRAUDEL) Bruno de MONES
Fernand Braudel - Portrait 1
S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
Original photograph. Period gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of writer Fernand Braudel.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would last until the mid-nineties.

€300
(Michel FOUCAULT) Bruno de MONES
Michel Foucault. Portrait 5
S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
Original photograph. Period gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of philosopher Michel Foucault seated on a chair.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would last until the mid-nineties.
€400
Alejo CARPENTIER
La harpe et l'ombre
Gallimard|Paris 1979|14 x 20.50 cm|broché
First edition in French, a Service de Presse (advance) copy.
Minor scuffs to the slightly wrinkled spine.
Signed autograph inscription by Alejo Carpentier, in French, to journalist Evelyne Schlumberger

€150
(Michel FOUCAULT) Bruno de MONES
Michel Foucault - Portrait 7
S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
Original photograph. Vintage gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of philosopher Michel Foucault.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.

€400
(Jean-Louis BORY) Bruno de MONES
Jean-Louis Bory. Portrait avec son ami
S. n.|s. l. • [Paris] Septembre 1985|24 x 30.50 cm|une feuille
Original photograph. Vintage silver gelatin print in black and white. Artist's proof signed on verso.
Portrait of writer Jean-Louis Bory and his friend.
In 1983 began for Bruno de Monès a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.

€300
(Michel FOUCAULT) Bruno de MONES
Michel Foucault. Portrait 6
S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
Original photograph. Vintage gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of philosopher Michel Foucault.
In 1983, Bruno de Monès began a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.

€400
(Léo MALET) Bruno de MONES
Léo Malet - Portrait 2
S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
Original photograph. Vintage gelatin silver print in black and white. Artist's proof signed on verso.
Portrait of writer Léo Malet.
In 1983, Bruno de Monès began a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.
€350
Théodore MONOD, Bruno de MONES
Théodore Monod - Portrait 1
S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
Original photograph. Vintage black and white gelatin silver print. Artist's proof signed on verso.
Portrait of writer Théodore Monod.
In 1983, Bruno de Monès began a regular collaboration with Le Magazine littéraire which would last until the mid-1990s.
€300
(Jorge AMADO) Bruno de MONES
Jorge Amado. Portrait
S. n.|s. l. • [Paris] s. d. [circa 1980]|24 x 30.50 cm|une feuille
Original photograph. Vintage black and white gelatin silver print. Artist's proof signed on verso.
Portrait of writer Jorge Amado.
In 1983, Bruno de Monès began a regular collaboration with Le Magazine littéraire which would last until the mid-1990s.
€300
Julien GREEN
Mille chemins ouverts
Grasset|Paris 1964|12 x 19 cm|broché
First edition, a Service de Presse (advance) copy.
Handsome copy despite the slightly ridged spine.
Signed autograph inscription from Julien Green to journalist Evelyne Schlumberger.
€80
Julien GREEN
Journal - Ce qui reste de jour 1966-1972
Plon|Paris 1972|13 x 20 cm|relié
First edition, one of 28 copies on Madagascar paper from Navarre paper mills, deluxe copy.
Half-binding in glazed brown box calf with bands, smooth spine with six compartments separated by gilt fillets and decorated with diagonal applications of glazed brown and ivory box calf, gilt date at foot of spine, light grey kromekote paper boards, covers and spine preserved, top edge gilt on witness, slipcase with brown glazed box calf borders, binding signed by Jean-Paul Miguet.
Superb copy very elegantly bound by Jean-Paul Miguet.

€2,300
Charles MANGIN
Autour du continent latin avec le "Jules Michelet"
Pierre Roger & Cie|Paris 1923|14.50 x 19.50 cm|broché
First edition, one of 130 copies on laid Arches paper, ours specially printed for the President of the French Republic Alexandre Millerand, the only deluxe copies.
Work illustrated with 18 plates and 1 map.
Library shelf label pasted at foot of endpaper.
Autograph inscription signed by General Charles Mangin to President of the Republic Alexandre Millerand on the shaded endpaper.
€250
Pierre MOURGUE (LARSEN)
"La soirée au théâtre" Smoking et cape "Priola", de Larsen (pl.57, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une double page
Original color print, printed on laid paper, signed at the bottom right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturie
€80
DAVID (BIANCHINI-FERIER)
Hermine et velours imprimé et lamé de métal, tissu de Bianchini (Croquis N°I, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these luxurio
€100
DAVID (BIANCHINI-FERIER)
Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these luxurio
€100
DAVID (BIANCHINI-FERIER)
Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at bottom right.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. Fro
€100
DAVID (BIANCHINI-FERIER)
Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at bottom left of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great cou
€100
DAVID (BIANCHINI-FERIER)
Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these lu
€100
DAVID (BIANCHINI-FERIER)
Hermine et lamé argent et or, tissu de Bianchini (Croquis N°VIII, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at the bottom right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great cou
€100
DAVID
Manteau d'antilope et d'écureuil (Croquis N°L, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed lower right on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the height of the Art Deco movement.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by grea
€80
DAVID
Manteau de suède bordé de zibeline (Croquis N°LV, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed lower right on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the height of the Art Deco movement.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by grea
€80
DAVID
La taupe - Manteau en taupe et peau de chamois (Croquis N°LIII, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, on laid paper, signed lower left of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is notably illustrated with 573 color plates and 148 sketches representing models by great couturiers. From
€80
Pierre MOURGUE (LARSEN)
Nemrod ou le départ pour la chasse, Costume de chasse de Larsen (La Gazette du Bon ton, 1922 n°8)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une double page
Original color print, on laid paper, signed lower right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is notably illustrated with 573 color plates and 148 sketches representing models by great couturiers. Fro
€100
George BARBIER, VAUDREUIL
Velours et lamé (La Gazette du Bon ton, 1922 n°8)
Lucien Vogel éditeur|Paris 1922|19.50 x 24.50 cm|une feuille
Text on double page by Vaudreuil illustrated with four original color prints finely heightened with palladium, printed on laid paper, signatures of George Barbier on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies an
€120
Mario SIMON, Marcel ASTRUC
La Citröen et les sports - L'aviation 10 HP. Torpédo-sports (La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19.50 x 24.50 cm|une feuille
Text "Flacons" on double page by Marcel Astruc illustrated with five original colored drawings in the text by Mario Simon.
Original print by Mario Simon on the last page of the double sheet.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in
€120
Helen SMITH (RODIER)
"Automne ou la chasse dans les bois". Costume de chasse de Larsen (La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur|Paris 1922|19.50 x 24.50 cm|une double page
Original colour print, printed on laid paper, signed at bottom left of the plate.
On a double leaf, text by Georges Armand Masson "Le bain des enfants" ["Children's bath"] illustrated with 5 sketches in the text by Helen Smith.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the full flowering of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief.
€120
DAVID
L'hermine - Veste de loutre garnie d'hermine (Croquis N°LVI, La Gazette du Bon ton, 1922 n°7)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these luxurious pu
€90
Nathalie SARRAUTE
Le planétarium
Gallimard|Paris 1959|12 x 19 cm|broché
First edition, a Service de Presse (advance) copy.
A small tear at the foot of the slightly sunned spine, small stains on the boards.
Signed autograph inscription from Nathalie Sarraute to journalist Evelyne Schlumberger.

€150
John RUSKIN, Robert de LA SIZERANNE
Ruskin et la religion de la beauté
Hachette & Cie|Paris 1897|13 x 19 cm|broché
First edition, one of the rare copies on Holland paper of which no mention is made.
Small tears at the foot of the spine, some minor foxing, a full-margined copy.
Signed autograph inscription by Robert de La Sizeranne to the diplomat, politician and historian Gabriel Hanotaux on the shaded half-title page.

€300
DAVID
Bénédictine-Bernardine réformée de Port-Royal (Croquis N°I, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at the bottom right of the plate.
A tiny tear in the right margin of the plate without damage to the illustration.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2,000 copies and is illustrated notably with 5
€90
DAVID
Prélat de petit manteau (Rome) (Croquis N°V, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color engraving, printed on laid paper, signed lower right on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturi
€90
DAVID
Chartreux - Robe de maison (Croquis N°VIII, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color engraving, printed on laid paper, signed lower right on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturi
€90
DAVID
Soeur bénédictine de Rome (XVIIIe siècle) (Costume de veuve) (Croquis N°VII, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at lower right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturi
€90
DAVID
Moine minime de St-François de Paule (Croquis N°VI, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. Upon their publication, these l
€90
DAVID
Immaculée conception (XVIIIe siècle) (Croquis N°III, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these luxuri
€90
DAVID
Abbé (Croquis N°III, La Gazette du Bon ton, 1922 n°10)
Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signature at bottom right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturie
€90
Louis ARAGON
La mise à mort
Gallimard|Paris 1965|14 x 20.50 cm|broché
First edition, a Service de Presse (advance) copy.
Spine very slightly sunned and creased without gravity, small stains on the second cover.
Signed autograph inscription from Louis Aragon to the journalist Evelyne Schlumberger.

€250
Jacques AUDIBERTI
Les jardins et les fleuves
Gallimard|Paris 1954|14 x 20.50 cm|broché
First edition, one of the Service de Presse (advance) copies.
Spine slightly sunned with small tears at head and foot, three marginal stains on the back cover, covers slightly soiled.
Signed and inscribed by Jacques Audiberti to journalist Evelyne Schlumberger: "... homage from a baroque..." enriched with a drawing reproducing her face.
€120
Dominique FERNANDEZ
L'art de raconter
Grasset|Paris 2006|12.50 x 20.50 cm|broché
First edition, one of 30 numbered copies on pure rag vellum, the only deluxe copies.
A handsome copy.
€250
Sonia RYKIEL
Et je la voudrais nue...
Grasset|Paris 1979|13.50 x 201 cm|broché
First edition, one of 29 numbered copies on Lana laid paper, ours one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

€280
Hervé BAZIN
Lève-toi et marche
Grasset|Paris 1952|14 x 21 cm|broché
First edition, one of 80 numbered copies on Montval paper, ours unnumbered but properly justified with Montval at the foot of the spine and below the print run justification, deluxe copy.
Handsome full-margined copy.
€350
Émile ZOLA
La débâcle[The Debacle]
Charpentier|Paris 1892|12.50 x 19 cm|relié
First edition.
Half red morocco binding, spine with five raised bands, date gilt at foot, restoration to head of one joint, marbled paper boards, endpapers and pastedowns of combed paper, bookplate mounted at head of one pastedown, top edge gilt, contemporary binding.
Occasional light foxing.
A handsomely bound copy.
Autograph inscription signed by Emile Zola to Léopold Kahn who was Calmann-Lévy's principal collaborator.

€2,000
Jérôme Pierre GILLAND, George SAND
Les conteurs ouvriers, dédiés aux enfants des classes laborieuses par Gilland, ouvrier serrurier
Chez l'auteur|Paris 1849|14 x 20.50 cm|broché
First edition published in a small number of copies.
Small marginal tears on the covers as well as at head and foot of spine, slight corner losses and small stains on the covers.
Preface by George Sand.
Rare signed autograph inscription from the son of the locksmith Jérôme-Pierre Gilland to Monsieur A. Patay.

€800
Erwan BERGOT
La 2eme D.B.
Presses de la Cité|Paris 1980|15.50 x 24 cm|broché
The first edition, of which there were no deluxe copies
Handsome copy despite the covers marginally lightened.
Preface by General Massu, iconography.
Autograph inscription dated and signed by Erwan Bergot to Gilbert Naumer: "... sur les traces de Leclerc... pour faire partager mon admiration envers les soldats..." ["... following Leclerc's footsteps... to share my admiration for the soldiers..."]

€100
Georges LEPAPE (MARTIAL & ARMAND)
La cape admirable. Robe et manteau, pour l'après-midi, de Martial et Armand. (pl.64, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print on laid paper, signed at lower left of the plate.
Fine copy.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From the
€150
BENITO (RODIER)
"Tant de chagrin..." ou L'Infidèle. Robe d'après-midi, en crêpe tchina et agnella, de Rodier. Jaquette brodée, pantalon et gilet, de Kriegck (pl.65, La Gazette du Bon ton, 1922 n°9)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print very finely heightened with palladium, printed on laid paper, signed at bottom left of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models b
€150
Paul CHAMBOT, Ambroise GIRIER
La Chanson des Cabots
Librairie Gueteville|Paris 1895|12.50 x 19.50 cm|broché
First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen.
Spine cracked at head and foot.
Autograph inscription dated and signed by Paul Chambot, with the additional signature of Ambroise Girier, to A. Patay.

€120
Graham GREENE
Routes sans lois
La Table Ronde|Paris 1949|14.50 x 19.50 cm|broché
First edition in French, one of 170 numbered copies on alfa paper, the only deluxe copies.
A small tear of no consequence at the foot of the first cover, handsome copy.

€200
Graham GREENE
La saison des pluies
Robert Laffont|Paris 1960|12.50 x 20.50 cm|broché
First edition in French, one of 100 numbered copies on pur fil du Marais paper, deluxe copy.
Handsome copy despite a small tear to upper left corner of front cover.
€200
Georges DUMÉZIL
L'oubli de l'homme et l'honneur des dieux - Esquisses de mythologie
Gallimard|Paris 1985|13.50 x 22 cm|broché
First edition, of which there were no deluxe copies.
Handsome copy despite the very last pages very slightly dog-eared at head.
Autograph inscription dated and signed by Georges Dumézil to the historian specializing in medieval history Jean Schneider.

€150
Jean MARAIS
Histoires de ma vie
Albin Michel|Paris 1975|15.50 x 24 cm|broché
First edition on ordinary paper.
The work also includes a Poetic Suite composed of one hundred and fifteen unpublished poems by Jean Cocteau.
Iconography and drawings by Jean Cocteau.
Spine slightly creased as usual, otherwise handsome copy.
Autograph inscription signed by Jean Marais to Claude Wingerter.
€120
Marcel MARCEAU
Pimporello
Belfond|Paris 1987|17.50 x 27 cm|broché
The first edition, of which there were no deluxe copies.
Work illustrated with drawings by Marcel Marceau.
Spine slightly creased as usual, otherwise handsome copy.
Autograph inscription dated and signed by Marcel Marceau to Michel Caffier enriched with a small drawing representing a vase in which a flower is perched.
€150
Michel TOURNIER
Gilles et Jeanne
Gallimard|Paris 1983|10.50 x 19.50 cm|broché
First edition on ordinary paper.
Spine and covers marginally discoloured.
Autograph inscription signed by Michel Tournier to Michel Caffier.

€100
Pierre BRISSAUD (LARSEN)
"Neuf heures...il faut que je rentre dîner" Costumes veston, de Larsen (pl.57, La Gazette du Bon ton, 1922 n°8)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original colour print, printed on laid paper, signed bottom left on the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consisted of 69 issues printed in only 2000 copies and was illustrated notably with 573 colour plates and 148 sketches representing models by great couturiers.
€70
George BARBIER (Gustave BEER)
La Promeneuse mélancolique. Robe d'après-midi de Beer (pl.63, La Gazette du Bon ton, 1922 n°8)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print finely heightened with gold, printed on laid paper, signed in the top left of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the twentieth century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches repr
€200
Pierre MOURGUE (Camille ROGER)
Les Cinq sens. Le Goût. Chapeaux, de Camille Roger (pl.56, La Gazette du Bon ton, 1922 n°8)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print, printed on laid paper, signed in the top left of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the twentieth century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great cou
€100
Charles MARTIN
"Aphrodite" Dans les Jardins de la Déesse (pl.43, La Gazette du Bon ton, 1914 n°5)
Lucien Vogel éditeur|Paris Mai 2014|36.50 x 24 cm|une feuille
Original double color print heightened with gold, printed on laid paper, unsigned.
Some small stains at bottom left of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 c
€250
Henry de MONTHERLANT
Un assassin est mon maître
Gallimard|Paris 1971|14 x 20.50 cm|broché
First edition, a Service de Presse (advance) copy.
Handsome copy despite three small stains on the front cover.
Autograph inscription signed by Henri de Montherlant to the journalist and writer Evelyne Schlumberger.
€150
Tristan TZARA
Vigies. - In Sixième cahier de habitude de la poésie
GLM|Paris 1937|9.50 x 14.50 cm|agrafé
First edition printed on green paper.
Handsome copy despite boards very slightly and marginally discolored as usual.

.
€60
Curzio MALAPARTE
La Peau
Denoël|Paris 1949|12 x 19 cm|broché
First edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe copies after 50 on pure thread paper.
Worming to boards, blue spots to spine, light interior foxing, dampstain to head of pages in one signature, ballpoint pen numbering to upper right corner of first endpaper.
Copy expanded with a press clipping extract: "Malaparte mis au "ban de la ville" de Naples."
Rare but in this condition.
€180
Antoine de SAINT-EXUPÉRY
Vol de nuit
Nrf|Paris 1931|12 x 19 cm|relié
First edition, false statement of edition.
Autograph inscription signed by Antoine de Saint-Exupéry on the half-title page: "à Mademoiselle Josette Arnaud dont le frère est déjà un vieux pilote de quarante six heures de vol... Et dont le père est un vieil ami" ["to Miss Josette Arnaud whose brother is already an experienced pilot with forty-six hours of flight time... And whose father is an old friend"]
Half blue morocco binding, spine with five raised bands, gilt date at foot, paper boards, grey paper endpapers and pastedowns, top edge gilt on deckled edges, binding signed P. Goy and C. Vilaine.
It was undoubtedly in 1926 that young Antoine, freshly hired by
€6,000
Jacques PRÉVERT
Fatras
Gallimard|Paris 1966|13.50 x 19 cm|broché
First edition illustrated with 57 images by the author.
Traces of rubbing to the joints as usual.
Autograph inscription dated and signed by Jacques Prévert to his friend and neighbor Baudy.
€500
George BARBIER (John REDFERN)
"Isola Bella" Robes du soir de Redfern (pl.57, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
Original double color print heightened with gold and palladium, printed on laid paper, signed lower left on the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated
€350
Pierre BRISSAUD (Jeanne LANVIN)
Au pré catelan. Robes de fillettes et tailleurs de Jeanne Lanvin (pl.55, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
Original double color print, printed on laid paper, signed at bottom left of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color
€250
Charles MARTIN
Carrosse automobile de grand gala (pl.53, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|24 x 18 cm|une feuille
Original double color print heightened with gold, printed on laid paper, signed at bottom left of the plate. One of the rare prints that does not feature a clothing model.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consist
€120
Georges LEPAPE
Le Cerf-volant. Blouse d'été (pl.52, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|24 x 36.50 cm|une feuille
Original double print, printed on laid paper, signed lower left on the plate. One of the rare double plates in portrait format.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and
€250
Jean-Louis BOUSSINGAULT (Paul POIRET)
Robes de Paul Poiret selon Boussingault (pl.56, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
Original double color print, printed on laid paper, signed lower left on the plate. One of the rare plates with Cubist inspiration. Boussingault's collaboration with the Gazette caught Poiret's attention, who commissioned him an important decorative ensemble for his boutiques.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925
€350
Pierre BRISSAUD (Jacques DOUCET)
On aurait pu nous inviter aussi... Robes d'après-midi et robe du soir de Doucet (pl.61, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
Original double color print, printed on laid paper, signed at lower right of plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flowering of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148
€250
Charles MARTIN
L'Eté (pl.41, La Gazette du Bon ton, 1922 n°6)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print, printed on laid paper, signed at the bottom right of the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
This famous fashion magazine founded in 1912 by Lucien Vogel was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these lu
€80
Georges LEPAPE (MARTIAL & ARMAND)
L'Entrevue matinale. Tailleur, de Martial et Armand. Pardessus, de Lus et Befve (pl.46, La Gazette du Bon ton, 1922 n°6)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
Original color print, printed on laid paper, signed at the bottom left of the plate.
Some discrete red stains affecting the plate.
La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
This famous fashion magazine founded in 1912 by Lucien Vogel was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by
€120
Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)
M. Bergson a promis de venir. Robe de dîner de Worth (pl.30, La Gazette du Bon ton, 1914 n°3)
Lucien Vogel éditeur|Paris Mars 1914|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at the top right of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plat
€120
Pierre BRISSAUD (Jeanne LANVIN)
Tu diras bonjour...Robes de jeunes filles et d'enfant pour l'après-midi de Jeanne Lanvin (pl.26, La Gazette du Bon ton, 1914 n°3)
Lucien Vogel éditeur|Paris Mars 1914|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at the bottom right of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists during the flourishing of Art Deco.
The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color p
€80
Pierre BRISSAUD
La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."
Lucien Vogel éditeur|Paris 1914|19.50 x 25 cm|une feuille
Original color print on laid paper, signed at bottom left of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French designers and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2,000 copies and is illustrated notably with 573 color plates and 148 sketches representi
€80
André-Edouard MARTY (Georges DOEUILLET)
L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)
Lucien Vogel éditeur|Paris Mars 1914|19 x 24.50 cm|une feuille
Original color print on laid paper, signed at bottom right of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French designers and artists during the flourishing of Art Deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2,000 copies and is illustrated notably with 573 color plates and 148 s
€150
André-Edouard MARTY (Georges DOEUILLET)
La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)
Lucien Vogel éditeur|Paris Avril 1914|19 x 24.50 cm|une feuille
Original color print, printed on laid paper, signed at top left of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates an
€120
Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)
Les Jeux innocents. Robes d'après-midi de Worth (pl.58, La Gazette du Bon ton, 1914 n°6)
Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
Original double color print, printed on laid paper, signed at bottom left of the plate.
Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color
€250

Paris

Clos joli. Etudes de fleurs et fruits

Ciné-roman

Histoire de Gil Blas de Santillane

Le monde est mon langage

Lettre autographe datée et signée adressée au magnat de la presse Arthur Meyer à qui il recommande Louis de Robert "... vous trouveriez sans doute en lui un excellent rédacteur pour "Le Gaulois"

Léo Malet - Portrait 3

Georges Dumézil portrait

Léo Malet - Portrait 4

La corde au cou

Le livre de mariage

Les premiers temps

Maïka

Lettre autographe datée et signée à propos de la constitution d'une Ligue Internationale des écrivains contre le fascisme

Léo Malet - Portrait 1

Fernand Braudel - Portrait 1

Michel Foucault. Portrait 5

La harpe et l'ombre

Michel Foucault - Portrait 7

Jean-Louis Bory. Portrait avec son ami

Michel Foucault. Portrait 6

Léo Malet - Portrait 2

Théodore Monod - Portrait 1

Jorge Amado. Portrait

Mille chemins ouverts

Journal - Ce qui reste de jour 1966-1972

Autour du continent latin avec le "Jules Michelet"

"La soirée au théâtre" Smoking et cape "Priola", de Larsen (pl.57, La Gazette du Bon ton, 1922 n°9)

Hermine et velours imprimé et lamé de métal, tissu de Bianchini (Croquis N°I, La Gazette du Bon ton, 1922 n°9)

Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)

Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)

Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)

Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)

Hermine et lamé argent et or, tissu de Bianchini (Croquis N°VIII, La Gazette du Bon ton, 1922 n°9)

Manteau d'antilope et d'écureuil (Croquis N°L, La Gazette du Bon ton, 1922 n°7)

Manteau de suède bordé de zibeline (Croquis N°LV, La Gazette du Bon ton, 1922 n°7)

La taupe - Manteau en taupe et peau de chamois (Croquis N°LIII, La Gazette du Bon ton, 1922 n°7)

Nemrod ou le départ pour la chasse, Costume de chasse de Larsen (La Gazette du Bon ton, 1922 n°8)

Velours et lamé (La Gazette du Bon ton, 1922 n°8)

La Citröen et les sports - L'aviation 10 HP. Torpédo-sports (La Gazette du Bon ton, 1922 n°10)

"Automne ou la chasse dans les bois". Costume de chasse de Larsen (La Gazette du Bon ton, 1922 n°7)

L'hermine - Veste de loutre garnie d'hermine (Croquis N°LVI, La Gazette du Bon ton, 1922 n°7)

Le planétarium

Ruskin et la religion de la beauté

Bénédictine-Bernardine réformée de Port-Royal (Croquis N°I, La Gazette du Bon ton, 1922 n°10)

Prélat de petit manteau (Rome) (Croquis N°V, La Gazette du Bon ton, 1922 n°10)

Chartreux - Robe de maison (Croquis N°VIII, La Gazette du Bon ton, 1922 n°10)

Soeur bénédictine de Rome (XVIIIe siècle) (Costume de veuve) (Croquis N°VII, La Gazette du Bon ton, 1922 n°10)

Moine minime de St-François de Paule (Croquis N°VI, La Gazette du Bon ton, 1922 n°10)

Immaculée conception (XVIIIe siècle) (Croquis N°III, La Gazette du Bon ton, 1922 n°10)

Abbé (Croquis N°III, La Gazette du Bon ton, 1922 n°10)

La mise à mort

Les jardins et les fleuves

L'art de raconter

Et je la voudrais nue...

Lève-toi et marche

La débâcle[The Debacle]

Les conteurs ouvriers, dédiés aux enfants des classes laborieuses par Gilland, ouvrier serrurier

La 2eme D.B.

La cape admirable. Robe et manteau, pour l'après-midi, de Martial et Armand. (pl.64, La Gazette du Bon ton, 1922 n°9)

"Tant de chagrin..." ou L'Infidèle. Robe d'après-midi, en crêpe tchina et agnella, de Rodier. Jaquette brodée, pantalon et gilet, de Kriegck (pl.65, La Gazette du Bon ton, 1922 n°9)

La Chanson des Cabots

Routes sans lois

La saison des pluies

L'oubli de l'homme et l'honneur des dieux - Esquisses de mythologie

Histoires de ma vie

Pimporello

Gilles et Jeanne

"Neuf heures...il faut que je rentre dîner" Costumes veston, de Larsen (pl.57, La Gazette du Bon ton, 1922 n°8)

La Promeneuse mélancolique. Robe d'après-midi de Beer (pl.63, La Gazette du Bon ton, 1922 n°8)

Les Cinq sens. Le Goût. Chapeaux, de Camille Roger (pl.56, La Gazette du Bon ton, 1922 n°8)

"Aphrodite" Dans les Jardins de la Déesse (pl.43, La Gazette du Bon ton, 1914 n°5)

Un assassin est mon maître

Vigies. - In Sixième cahier de habitude de la poésie

La Peau

Vol de nuit

Fatras

"Isola Bella" Robes du soir de Redfern (pl.57, La Gazette du Bon ton, 1914 n°6)

Au pré catelan. Robes de fillettes et tailleurs de Jeanne Lanvin (pl.55, La Gazette du Bon ton, 1914 n°6)

Carrosse automobile de grand gala (pl.53, La Gazette du Bon ton, 1914 n°6)