Paris

Paris

Local nameParis
CountryFrance
DepartmentParis
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59525 results
Paris (France)
  1. Vue d'optique - La Place royale à Paris

    Vue d'optique - La Place royale à Paris

    Chez Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Place Royale in Paris.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €200
  2. Vue d'optique - Vue du Palais de la Bourse

    Vue d'optique - Vue du Palais de la Bourse

    Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Palace of the Stock Exchange.
    Optical views, also called vues, perspectives, or "mondo nuovo," are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be viewed through a series of mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the forerunners of three-dimensional images and stereoscopes, which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlor entertainments. The process was first developed in Paris, then London, and...
    €200
  3. Vue d'optique - Vue du château royal de Compiègne

    Vue d'optique - Vue du château royal de Compiègne

    Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the royal château of Compiègne.
    Optical views, also called vues, perspectives, or "mondo nuovo," are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be viewed through a series of mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the forerunners of three-dimensional images and stereoscopes, which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlor entertainments. The process was first developed in Paris, then London, and...
    €150
  4. Vue d'optique - Vue de l'école royale militaire

    Vue d'optique - Vue de l'école royale militaire

    Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view enhanced with watercolor, depicting a view of the Royal Military School, taken from Avenue Vaugirard.
    Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The process was...
    €230
  5. Vue d'optique - Vue de la Porte Saint Martin

    Vue d'optique - Vue de la Porte Saint Martin

    Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view enhanced with watercolor, depicting a view of the Porte Saint Martin taken from the Boulevard Saint Denis.
    Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The process was...
    €200
  6. Vue d'optique - Vue de la Nouvelle galerie

    Vue d'optique - Vue de la Nouvelle galerie

    Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the New Gallery of the Cabinet of Natural History at the Jardin du Roi.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a system of multiple mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to have appeared in the 1740s and were salon entertainments. The...
    €180
  7. Vue d'optique - Le Château royal de Versailles du côté de l'avenue de Paris

    Vue d'optique - Le Château royal de Versailles du côté de l'avenue de Paris

    Chez Daumont|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view representing the Royal Château of Versailles from the Paris avenue side.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The...
    €200
  8. Vue d'optique - Galerie élevée dans la place de Grêve à l'occasion de la naissance de Msgr le Dauphin
    ANONYME

    Vue d'optique - Galerie élevée dans la place de Grêve à l'occasion de la naissance de Msgr le Dauphin

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view representing the gallery erected in the Place de Grève on the occasion of the birth of Monseigneur le Dauphin.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and...
    €230
  9. La bataille de Pharsale
    Claude SIMON

    La bataille de Pharsale

    Les Editions de Minuit|Paris 1969|14.50 x 19.50 cm|broché
    First edition, one of 92 numbered copies on pur fil Lafuma, tirage de tête.
    A very attractive copy.
    €380
  10. Nouveau recueil
    Francis PONGE

    Nouveau recueil[New collection]

    Gallimard|Paris 1967|14.50 x 21.50 cm|broché
    First edition, one of 36 numbered copies on Hollande, tirage de tête.
    A fine copy.
    €500
  11. Degrés
    Michel BUTOR

    Degrés

    Gallimard|Paris 1960|-|broché
    First edition, one of 80 numbered copies on pur fil, the only large paper copies after 25 Hollande.
    A very attractive copy.
    €100
  12. Les petits messieurs de Nèvres
    Paul JARACH, Henri de RÉGNIER

    Les petits messieurs de Nèvres

    Editions A. & P. Jarach|Paris 1944|16.50 x 24 cm|relié
    Edition illustrated with original designs by Paul Jarach engraved on wood by G. Poilliot, one of 425 numbered copies on Rives laid paper, the only copies after 5 Japan and 25 hors commerce.
    Half brown shagreen binding with corners, spine sunned with five raised bands set with gilt fillets decorated with triple gilt compartments, gilt date at foot, frame of gilt fillets on mauve paper boards, mauve paper endpapers and pastedowns, covers and spine preserved, top edge gilt,
    €60
  13. Explication historique des fables, ou l'on decouvre leur origine & leur conformité avec l'histoire ancienne
    Abbé BANIER

    Explication historique des fables, ou l'on decouvre leur origine & leur conformité avec l'histoire ancienne

    Chez François Le Breton|à Paris 1715|9 x 17 cm|3 volumes reliés
    New edition, partly in first edition and expanded with a third volume, after the first published in 1711 in two volumes; it is illustrated with a title-frontispiece by Scotin engraved by Delamonce.
    Contemporary full brown sheep binding. Decorated spine with raised bands. Red morocco title label, and brown morocco volume label. Head-caps worn. Tail-cap of volume I split. Overall rubbed. 10 corners slightly bumped.
    Endowed with the thesis that poets were the first historians, Abbé Banier undertakes to decipher the historical meaning of mythology and the true sources of fables. The work became a classic and enjoyed great success. The whole is written in the form of dialogues, a...
    €250
  14. Les conflits intersexuels et sociaux
    Edouard TOULOUSE DOCTEUR

    Les conflits intersexuels et sociaux

    Charpentier|Paris 1904|11.50 x 18.50 cm|relié
    First edition.
    Bradel binding in half fir green cloth, smooth spine decorated with gilt fleuron, double gilt fillet at foot, marbled paper boards marginally stained, corners and edges slightly bumped, contemporary binding.
    Autograph inscription signed by Edouard Toulouse to Madame Jeanne Schnahl.
    €50
  15. Sécurité des sexes
    Céleste Aristide BOUGLE DOCTEUR

    Sécurité des sexes

    Jules Rousset|Paris 1913|12 x 19 cm|broché
    New edition.
    Spine and covers marginally sunned, not serious, spots to covers, internally good.
    Rare.
    €50
  16. Diagnostic gynécologique, organes génitaux et mamelles
    Spiro CLADO DOCTEUR

    Diagnostic gynécologique, organes génitaux et mamelles

    A. Maloine|Paris 1902|12 x 19 cm|broché
    First edition.
    Illustrated with 109 figures.
    Spine slightly faded with a small tear at head, some minor marginal tears without significance to boards, handsome interior condition despite some light foxing.
    €60
  17. Black power
    Yves LOYER

    Black power

    E.D.I.|Paris 1968|13.50 x 21 cm|broché
    First edition.
    Illustrated covers.
    Pencil annotations in margins of some pages.
    Small angular fold marks on covers, one light harmless tear at foot of spine.
    €40
  18. L'enseignement de Rémy de Gourmont
    Raoul DUFY, Marcel COULON

    L'enseignement de Rémy de Gourmont

    Editions du siècle|Paris 1925|13 x 16.50 cm|broché
    First edition, one of 725 numbered copies on laid paper.
    Illustrated with a portrait of Rémy de Gourmont by Raoul Dufy.
    Light rubbing to spine, handsome interior condition.
    €20
  19. Les aventures du chevalier de Faublas
    Jean-Baptiste LOUVET DE COUVRAY

    Les aventures du chevalier de Faublas

    J. Mallet & Cie|Paris 1842|16 x 24 cm|relié
    Illustrated edition in first printing with 300 in-text wood-engraved vignettes by Nanteuil, Baron, Français... Text within a decorative border.
    Contemporary half midnight blue shagreen binding with corners. Smooth spine decorated with romantic elongated ornaments. Ornaments and fillets on boards and corners. Very fine marbled paper. Green moiré endpapers. Slight traces of fading, without consequence. Some scattered foxing, but on white paper (despite some browned gatherings in the first volume).
    Very handsome copy, solidly bound.
    Fine edition with romantic vignettes that takes its place among the other editions of classics produced by the illustrator duo Baron and Nanteuil...
    €500
  20. Oeuvres choisies 1900-1910
    Charles PÉGUY

    Oeuvres choisies 1900-1910

    Grasset|Paris 1911|11.50 x 19 cm|relié
    First edition on ordinary paper
    Contemporary vellum-effect paper-backed Bradel binding over marbled paper boards, light brown shagreen title piece (rubbed), covers preserved

    Handsome autograph inscription signed and dated by Charles Péguy to the Academician Gabriel Hanotaux: "..
    Samedi 29 Avril 1911 / Exemplaire pour monsieur Gabriel Hanotaux de l'Académie Française / en hommage très respectueux
    / Charles Péguy [Saturday 29 April 1911 | A copy for Monsieur Gabriel Hanotaux of the Académie Française | with very best wishes
    | Charles Péguy]." A little spotting (not serious) to endpapers.
    €3,000
  21. Des problèmes de droit judiciaire que pose l'union économique franco-sarroise
    Eugène SCHAEFFER

    Des problèmes de droit judiciaire que pose l'union économique franco-sarroise

    Librairie générale de Droit et de Jurisprudence R. Pichon & R. Durand-Auzias|Paris 1953|16.50 x 25 cm|broché
    First edition.
    Autograph inscription signed by Eugène Schaeffer to the great Resistance fighter Gilbert Grandval: "... ambassadeur de la France en Sarre, grâce auquel cet ouvrage a vu le jour, en signe de reconnaissance, de la part de l'auteur..." ["... ambassador of France to the Saar, thanks to whom this work came to light, as a token of gratitude, from the author..."]
    Two small tears of no consequence at head and foot of spine.
    €50
  22. Neurasthénie et arthristisme.Urologie, régime alimentaire, traitement
    Romain VIGOUROUX

    Neurasthénie et arthristisme.Urologie, régime alimentaire, traitement

    A. Maloine|Paris 1893|11.50 x 18 cm|reliure de l'éditeur
    First edition.
    Publisher's brown cloth binding, smooth spine, small foxing to boards.
    Preface by Dr. F. Levillain.
    Autograph inscription signed by the preface writer to his colleague Dr. Bérillon.
    One stain to edges.
    €70
  23. Le libéralisme
    Émile FAGUET

    Le libéralisme

    Société française d'imprimerie et de librairie|Paris 1902|-|broché
    First edition.
    One small lack to head of upper cover, small stains to covers.
    €30
  24. Le spiritisme (fakirisme occidental)
    Paul GIBIER

    Le spiritisme (fakirisme occidental)

    Octave Doin|Paris 1891|11.50 x 18.50 cm|broché
    Third edition with some parts in first edition as revised and corrected.
    Work illustrated with figures in the text.
    Light tear with minimal lack at head of first board, two slight marginal lacks on second board, some foxing.
    Rare.
    €100
  25. France, christianisme et civilisation
    Gaston BONET-MAURY

    France, christianisme et civilisation

    Hachette et Cie|Paris 1907|12 x 19 cm|broché
    First edition.
    Signed autograph inscription from Gaston Bonet-Maury to Monsieur Lachelier.
    Preface by Anatole Leroy-Beaulieu.
    Two lacks at head and foot of spine, two corner lacks at foot of boards, minor rodent damage to margins of final pages not affecting text.
    €80
  27. L'ethnogénie de l'Europe occidentale
    Ernest-Théodore HAMY

    L'ethnogénie de l'Europe occidentale

    Charles Reinwald|Paris 1884|15.50 x 23.50 cm|broché
    First edition published in a small number of copies of this offprint from anthropology courses at the Museum.
    Spine and covers lightly and marginally sunned, front cover with a small tear at head.
    Rare pamphlet.
    €50
  29. La France des minorités
    Paul SÉRANT

    La France des minorités

    Robert Laffont|Paris 1965|13.50 x 21.50 cm|broché
    First edition of which there were no large paper copies.
    A good copy.
    €30
  30. Louis et François Watteau dits Watteau de Lille
    André MABILLE DE PONCHEVILLE

    Louis et François Watteau dits Watteau de Lille

    André Delpeuch|Paris 1928|15 x 20.50 cm|relié
    First edition on ordinary paper.
    Half caramel sheep binding, spine with two raised bands decorated with a central gilt fleuron, double gilt fillets at foot, minor traces of rubbing to spine without significance, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, one lower corner slightly bumped, contemporary binding.
    Inscribed by André Mabille de Poncheville to the poet Jean Ott: "... cette étude sur deux peintres qu'il ne peut manquer de connaître..." ["...this study on two painters whom he cannot fail to know..."]
    Work illustrated with reproductions of works by the Watteaus.
    €50
  31. Adolescence tropicale
    Enéas FERRAZ

    Adolescence tropicale

    Albin Michel|Paris 1931|12 x 18 cm|relié
    First edition in French, of which there were no deluxe copies.
    Half caramel sheep binding, spine with two raised bands decorated with a central gilt fleuron, double gilt fillets and gilt date at foot, traces of rubbing to spine, citron shagreen title label, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Inscribed by the translator to the poet Jean Ott: "... au poète de l'Effort des races, ce livre où ne se retrouvent guère les couleurs de notre "adolescence boréale". Mais le maître n'a-t-il pas écrit : j'en lis qui sont du Nord et qui sont du Midi..." ["...to the poet of l'Effort des races, this book...
    €80
  32. Sous le signe de la rose. I
    Fernand PINAL, Jean OTT

    Sous le signe de la rose. I

    Imprimerie O. Dousset|Paris 1933|14.50 x 22.50 cm|broché
    First edition printed in a small number of copies on alfa paper.
    Work illustrated with original woodcuts by Fernand Pinal.
    Preface by Albert Acremant, president of the Rosati.
    Handsome copy.
    €40
  33. Mélanges
    Gustave GLOTZ

    Mélanges

    P.U.F.|Paris 1932|16.50 x 25.50 cm|2 volumes brochés

    First edition.
    Rare autograph inscription from Gustave Glotz to a friend : "... à Simone, bien affectueusement."
    Illustrated.
    Occasional foxing (not serious), a clear stain to lower cover of the second volume.

    €350
  34. La route du bagne
    Francis CARCO (inscribed to André DIGNIMONT)

    La route du bagne[he Road to the Penal Colony]

    Ferenczi|Paris 1935|12 x 19 cm|broché
    First edition on ordinary paper, from which only 5 Holland and 20 vellum deluxe copies were printed.
    Precious signed autograph inscription from Francis Carco to his friend the Montmartre painter (André) Dignimont: " à mon vieil ami André Dignimont en souvenir de la chanson des Bat' d'Af' / très affectueusement / Francis Carco." ["to my old friend André Dignimont in memory of the song of the Bat' d'Af' / most affectionately / Francis Carco."]
    Spine lightly sunned without gravity.
    €450
  35. Leçons de physique expérimentale.
    Abbé NOLLET

    Leçons de physique expérimentale.

    Chez Durand|à Paris 1749 - 1764|9 x 16 cm|6 volumes reliés
    New edition, the volumes comprising three different editions (1749, 1753 and 1764), as is very often the case for this work when it is in a uniform binding, with editions and reprints spread over time. Illustrated with a frontispiece and 116 folding plates; particularly appreciated illustrations, especially astronomy plates.

    End-of-18th century half calf binding. Spines richly decorated in gilt. First volume with a 2 cm split at the upper edge. A tear with missing spine-end on volume 2. Worm damage to tail of volume 3. Title pages of volumes 2 to 6 with two pieces of paper pasted, probably to conceal stamps. Page 102 of volume V cut at the bottom of the page (not affecting the...
    €1,300
  36. L'affaire Courilof
    Irène NÉMIROVSKY

    L'affaire Courilof[The Courilof Affair]

    Grasset|Paris 1933|12 x 19 cm|broché

    First edition, one of numbered copies on alfa.

    A good copy.
    Autograph inscription from Irène Némirovsky to monsieur Maier.

    €800
  37. La guérison des maladies
    Charles Ferdinand RAMUZ

    La guérison des maladies[The Cure of Diseases]

    Grasset|Paris 1924|12 x 19 cm|broché
    Second edition but first for many parts, one advance (service de presse) copy.
    Rare autograph inscription signed by Charles-Ferdinand Ramuz to Pierre de Massot.
    Spine and back lightly sunned as usual.
    €500
  39. Ivan, pièce dramatique en 1 acte, en vers
    Jean OTT

    Ivan, pièce dramatique en 1 acte, en vers

    Imprimerie O. Dousset|Paris 1932|14 x 19 cm|agrafé
    First edition of the adaptation by Jean Ott, of which there were no deluxe copies
    Spine and covers slightly and marginally sunned, handsome copy.
    €20
  42. Personal copy of poet Emmanuel Louis Nicolas Viollet-le-Duc, father of famed architect and restorer of Notre-Dame
    Contes en prose et en vers, suivis de Pièces fugitives, du poème d'Erminie, et de Metastase à Naples
    Étienne François de LANTIER (Emmanuel Louis Nicolas VIOLLET-LE-DUC)

    Contes en prose et en vers, suivis de Pièces fugitives, du poème d'Erminie, et de Metastase à Naples

    Chez F. Buisson|à Paris 1806|12 x 20 cm|2 volumes reliés

    Statement of second edition, illustrated with three figures engraved by Tardieu. The first edition appeared in 3 vols. 18mo, the same year.
    Full marbled brown sheep binding. Decorated spine with raised bands. Red long grain morocco title-label and volume labels. A tear with loss at head of first volume. Rubbing. 2 corners slightly bumped. Headcap of volume II partly worn away.
    Collection of light and gallant tales by François de Lantier. Verses he wrote for Madame du Barry earned him a pension from Choiseul and a position in Dresden. He is the author of the voyages d'Anténor. Of his tales, he himself wrote in his preface: "it is better to write fairy tales than political dreams and...

    €350
  44. Les conquérants des forêts
    Stewart Edward WHITE, Léon BOCQUET

    Les conquérants des forêts

    Albin Michel|Paris 1927|11.50 x 18.50 cm|relié
    First edition in French translation for which no deluxe copies are mentioned.
    Half marbled caramel sheep binding, spine with two raised bands decorated with central gilt fleuron, gilt date and double fillet at foot, traces of rubbing to spine, chocolate shagreen title-label, joints rubbed, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Autograph inscription signed by the translator, Léon Bocquet, to the poet Jean Ott.
    €50
  45. Théâtre complet : 4 fois 7, 28. - L'enfant chérie
    Romain COOLUS

    Théâtre complet : 4 fois 7, 28. - L'enfant chérie

    Albin Michel|Paris 1923|11.50 x 18.50 cm|relié
    New edition.
    Half marbled caramel sheep binding, spine with two raised bands decorated with gilt central fleuron, gilt date and double fillet at foot, traces of rubbing to spine, chocolate shagreen title label, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Autograph inscription signed by Romain Coolus to the poet Jean Ott: "... en sympathie - sans le connaître - puisqu'il est ami d'Acremant..." ["... in sympathy - without knowing him - since he is a friend of Acremant..."]
    €50
  46. Le père Terroir, roman du sol
    Émile POITEAU

    Le père Terroir, roman du sol

    Eugène Figuière|Paris 1927|11.50 x 18 cm|relié
    First edition on ordinary paper.
    Half brown shagreen binding, spine lightly with five raised bands set with double black fillets, gilt date at foot, traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, contemporary binding.
    Autograph inscription signed by Emile Poiteau to the poet Jean Ott and his wife: "... aimé de tous... les Félibres du Nord..." ["... loved by all... the Félibres of the North..."]
    €50
  47. Dans la clarté des âmes
    Jacques de CHASTELLUS, Émile POITEAU

    Dans la clarté des âmes

    Edition de la Revue des indépendants • Nouvelle société anonyme du Pas-de-Calais|Paris • & Arras 1926|14 x 22.50 cm|relié
    Second edition.
    Half fir green shagreen binding, spine faded with five raised bands set with black double fillets, gilt date at foot, traces of rubbing to spine, one restored tear at foot, joints rubbed, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Very fine full-page autograph inscription signed by the author to the poet Jean Ott.
    Work illustrated by Jacques de Chastellus.
    €50
  48. Le vertige de l'or
    Stewart Edward WHITE, Léon BOCQUET

    Le vertige de l'or

    Albin Michel|Paris 1930|11.50 x 18.50 cm|relié
    First edition in French of which there were no deluxe copies, a Service de Presse (advance) copy.
    Half caramel marbled sheep binding, spine faded with two raised bands decorated with a central gilt fleuron, gilt date and double fillet at foot, traces of rubbing to spine, lemon shagreen title-label, joints rubbed, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Autograph inscription signed by the translator, Léon Bocquet, to the poet Jean Ott.
    €50
  49. René Mongeot
    Emile JOUVENEL

    René Mongeot

    Eugène Figuière & Cie|Paris 1913|12 x 19 cm|relié
    First edition on ordinary paper.
    Half mauve cloth binding, smooth spine faded, decorated with a central gilt fleuron, gilt date and double fillet at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Autograph inscription signed by Emile Jouvenel to poet Jean Ott: "... à mon maître et à l'ami dont l'âme noble me console des lâches, si nombreux dans les lettres..." ["... to my master and to the friend whose noble soul consoles me for the cowards, so numerous in letters..."]
    €50
  50. Chez les marsouins. Mémoires. - Journal de bord. - Lettres et nouvelles
    Emile JOUVENEL

    Chez les marsouins. Mémoires. - Journal de bord. - Lettres et nouvelles

    Eugène Figuière & Cie|Paris 1914|13 x 19 cm|relié
    First edition printed on laid paper.
    Half mauve cloth binding, smooth spine faded decorated with a central gilt fleuron, double gilt fillet at tail, marbled paper boards, marbled endpapers and pastedowns, covers preserved, top edge gilt, contemporary binding.
    Autograph inscription signed by Emile Jouvenel to his friend the poet Jean Ott which has been slightly trimmed at head.
    €50
  51. La suite dans les idées
    Pierre DRIEU LA ROCHELLE

    La suite dans les idées

    Au sans pareil|Paris 1927|12 x 19 cm|broché
    First edition, one advance (service de presse) copy.
    With an autograph inscription from Pierre Drieu la Rochelle to Gabriel Reuillard.
    Two tiny lacks, not serious, to head of spine, small foxings on the first endpaper, wich contains the inscription.
    €580
  52. Choléra - Exemplaire de Jacques Rigaut
    Joseph DELTEIL (inscribed to Jacques RIGAUT)

    Choléra - Exemplaire de Jacques Rigaut

    Editions du Sagittaire|Paris 1923|13 x 18 cm|broché
    First edition, one of the review copies service.
    Back slightly insolated as generally.
    Precious and very rare autograph signed by Joseph Delteil to Jacques Rigaut: "... to MJ Rigaut / cordial tribute / J. Delteil".
    Superb dedication, at the crossroads of "isms": while Delteil is just enthralled surreal by the "pope" André Breton in his Manifesto that ranks among those who have made "act of absolute surrealism", Rigaut, for his part is definitely moving away from Dadaism following his friend Tzara.
    An emblematic figure of the literary genius consumed by drugs and despair, Jacques Rigaut did not publish anything during his lifetime (except...
    €2,500
  53. Le voleur d'enfants
    Jules SUPERVIELLE

    Le voleur d'enfants

    Gallimard|Paris 1949|12 x 19 cm|broché
    First edition of the theatrical adaptation, one of 8 numbered copies on Holland paper, deluxe copy.
    A tiny tear of no consequence at the head of the first cover, a very light shadow at the head of the justification page and on the facing page left by the numbering bookmark, handsome copy.
    €400
  54. Les vingt et un jours d'un neurasthénique
    Octave MIRBEAU

    Les vingt et un jours d'un neurasthénique

    Charpentier|Paris 1901|12 x 18.50 cm|relié
    First edition on ordinary paper.
    Contemporary half shagreen over marbled paper boards, spine with a gilt cartouche with gilt decorative motifs, gilt date to foot of spine, a frame of gilt fillets to covers, marbled endpapers and pastedowns, covers preserved, top edge gilt.
    Handsome autograph inscription from Octave Mirbeau to Lucien Guitry : "... bonjour... mais chut... ne lisez pas ça... Avec toute mon amitié...[hello…but damn it…don't read this…With all friendship…]"
    Tiny tears with occasional miniscule lacks (not significant) to head of the final few pages.
    €1,500
  55. Bons pour la mort ou les trop purs
    Stephen HECQUET

    Bons pour la mort ou les trop purs

    Nagel|Paris 1949|12 x 19 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Stephen Hecquet to Jacqueline Durnerin.
    Two small tears to foot of the covers.
    €100
  56. La grande chance de Marie-Madeleine cardiaque
    Stephen HECQUET

    La grande chance de Marie-Madeleine cardiaque

    Nagel|Paris 1953|12 x 19 cm|broché
    First edition printed on ordinary paper.
    Signed autograph inscription from Stephen Hecquet to Jacqueline Durnerin: "... ce livre qui n'en est pas un..." ["... this book which is not one..."]
    Handsome copy.
    €100
  57. Boccace
    Julien LUCHAIRE

    Boccace

    Flammarion|Paris 1951|15 x 21 cm|broché
    First edition, one of 55 numbered copies on alfa paper, the only large paper copies.
    A good copy.
    €80
  58. Refuges
    Léon-Paul FARGUE

    Refuges

    Emile-Paul frères|Paris 1942|12.50 x 19 cm|broché
    First edition, one of 30 numbered copies on pur fil, the only large paper copies.
    Small and clear trace of sunning, to head and foot of spine, a good copy.
    €600
  59. La "Bande à Bonnot"
    Emile BECKER

    La "Bande à Bonnot"

    Debresse|Paris 1968|-|broché
    First edition.
    Illustrated cover slightly rubbed.
    €30
  60. Notre armée
    Emile MANCEAU

    Notre armée

    Charpentier|Paris 1901|12 x 19 cm|relié
    New edition.
    Half brown shagreen binding, spine with five raised bands set with double black fillets, gilt date at foot, some traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
    Signed autograph inscription from Emile Manceau to the poet Jean Ott.
    €50
  61. Jehan Bodel avec des commentaires sur le "Congé de Baude Fastoul"
    Émile LANGLADE

    Jehan Bodel avec des commentaires sur le "Congé de Baude Fastoul"

    F.R. de Rudeval|Paris 1909|16 x 25 cm|relié
    First edition, of which no deluxe copies were issued.
    Half brown shagreen binding, spine with five raised bands set with double black fillets, gilt date at foot, traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
    Signed autograph inscription from Emile Langlade to the poet Jean Ott.
    €60
  62. Pèlerinage en Artois
    Arthur MAYEUR, Émile POITEAU

    Pèlerinage en Artois

    Editions Maurice d'Hartoy|Paris 1933|18 x 24 cm|relié
    First edition, one of 100 service de presse copies on colored paper.
    Half marbled caramel sheep binding, spine with two raised bands decorated with gilt central fleuron, gilt date and double fillet at foot, some light rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, one upper corner bumped, top edge gilt, contemporary binding.
    Very fine signed autograph inscription from Emile Poiteau to the poet Jean Ott ending in verse.
    Illustrated with wood engravings and drawings by Arthur Mayeur.
    €60
  63. Vers salutaires, poésies humoristiques
    André LAVEZZARI, Ernest DEPRÉ

    Vers salutaires, poésies humoristiques

    Imprimerie Frazier-Soye|Paris 1926|18 x 24.50 cm|relié
    First edition, one of 94 numbered copies on Rives laid paper.
    Half brown shagreen binding, spine with five raised bands set with black double fillets, gilt date at foot, some light rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, two corners slightly bumped, contemporary binding.
    Fine signed autograph inscription from Ernest Depré to the poet Jean Ott in the form of a quatrain.
    Illustrated with 37 drawings by André Lavezzari.
    Preface by Jean Richepin.
    €60
  64. L'Hexagramme. Revue adamite, tête de collection du N°1 de la 1ère année au N°76 de la 7ème année
    COLLECTIF

    L'Hexagramme. Revue adamite, tête de collection du N°1 de la 1ère année au N°76 de la 7ème année

    L'Hexagramme|Paris Janvier 1907 - Novembre-Décembre 1913|15.50 x 24 cm|76 fascicules reliés en 6 volumes
    First edition of this rare review blending poetry and esotericism.
    Half black cloth bindings, smooth spines decorated with gilt double fillets, gilt dates, marbled paper boards, one board with a scratch, marbled endpapers and pastedowns, some rare original covers preserved, contemporary bindings.
    Contributions by Camille de Sainte-Croix, Victor-Emile Michelet, Jean Ott, Han Ryner, Georges & Edmond Simon-Savigny, Charles Delmont, Manoel Gahisto...
    We include 7 autograph letters signed by Georges Simon-Savigny to Jean Ott relating to the review's activity.

    Rare cornerstone of this curious Adamite review.

    Provenance: from the personal...
    €700
  65. L'enfant d'Austerlitz
    Paul ADAM

    L'enfant d'Austerlitz

    Paul Ollendorff|Paris 1902|12 x 18.50 cm|relié
    First edition on ordinary paper.
    Half pink cloth binding, smooth faded spine decorated with gilt floral motif, gilt double fillet and date at foot, marbled paper boards, original wrappers preserved, top edge gilt, binding signed by A. Mertens.
    Signed autograph inscription from Paul Adam to the poet Jean Ott.
    Our copy is enhanced with a signed autograph postcard from the author addressed to the same.
    We also include the funeral announcement for the requiem mass for the repose of Paul Adam.
    Work illustrated with plates.


    €80
  66. Vue d'optique - Vue du palais royal à Bruxelles.

    Vue d'optique - Vue du palais royal à Bruxelles.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Royal Palace of Brussels.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €180
  67. Djamila Boupacha
    Simone de BEAUVOIR, Gisèle HALIMI

    Djamila Boupacha

    Gallimard|Paris 1962|14.50 x 21 cm|broché
    First edition, one of 125 numbered copies on pure thread, the only deluxe paper copies.
    Illustrations.
    A fine copy.
    €1,500
  68. Vue d'optique - Vue perspective du pont de la Trinité de Florence.

    Vue d'optique - Vue perspective du pont de la Trinité de Florence.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Trinity Bridge in Florence.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €150
  69. Vue d'optique - Vue intérieure de Saint Pierre de Rome.

    Vue d'optique - Vue intérieure de Saint Pierre de Rome.

    Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolour, depicting an interior view of St. Peter's Basilica in Rome.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlour entertainments. The process was first developed in Paris, then London and...
    €150
  70. Vue d'optique - Vue du fameux théâtre de Marcellus à Rome.

    Vue d'optique - Vue du fameux théâtre de Marcellus à Rome.

    Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolour, depicting a view of the Theatre of Marcellus in Rome.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlour entertainments. The process was first developed in Paris, then London and...
    €180
  71. Vue d'optique - Vue intérieure de la cathédrale de Dorth.

    Vue d'optique - Vue intérieure de la cathédrale de Dorth.

    Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting an interior view of Dorth Cathedral.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and...
    €150
  72. Vue d'optique - Vue de l'église St Giles à Édimbourg.

    Vue d'optique - Vue de l'église St Giles à Édimbourg.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of St Giles Church in Edinburgh.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and...
    €180
  73. Vue d'optique - Vue de la chapelle St Paul à Édimbourg prise de la place d'Yorck.

    Vue d'optique - Vue de la chapelle St Paul à Édimbourg prise de la place d'Yorck.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Hand-colored aquatint optical view, depicting a view of St Paul's chapel, taken from York Place in Edinburgh.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlour entertainments. The process was first developed in Paris...
    €180
  74. Vue d'optique - La grande rue et l'église Ste Marie de Londres.

    Vue d'optique - La grande rue et l'église Ste Marie de Londres.

    Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Hand-colored aquatint optical view, depicting a view of the high street and St Mary's church in London.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlour entertainments. The process was first developed in Paris, then...
    €150
  75. Vue d'optique - La grande procession de Florence, le jour de la fête de Dieu.

    Vue d'optique - La grande procession de Florence, le jour de la fête de Dieu.

    Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the procession of Florence on the feast day of Corpus Christi.
    Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a system of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onward. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The...
    €180
  76. Vue d'optique - Vue de la fontaine des eaux chaudes et de la place d'Aix la Chapelle.

    Vue d'optique - Vue de la fontaine des eaux chaudes et de la place d'Aix la Chapelle.

    Chez Jacques Chereau|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the hot springs fountain and the square of Aix-la-Chapelle.
    Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a system of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onward. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The process...
    €200
  77. Vue d'optique - Le marché aux chevaux à Francfort sur le Mein.

    Vue d'optique - Le marché aux chevaux à Francfort sur le Mein.

    Chez Daumont et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the horse market in Frankfurt am Main.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the end of the 18th and beginning of the 19th century. They were intended to be observed through a set of multiple mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first...
    €200
  78. Vue d'optique - Vue du pont de Vienne en Autriche.

    Vue d'optique - Vue du pont de Vienne en Autriche.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the bridge of Vienna.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the end of the 18th and beginning of the 19th century. They were intended to be observed through a set of multiple mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris...
    €150
  80. Vue d'optique - L'hôtel des ambassadeurs, à la Cour de Vienne, prise côté du jardin.

    Vue d'optique - L'hôtel des ambassadeurs, à la Cour de Vienne, prise côté du jardin.

    Chez Jacques Chereau|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view enhanced with watercolor, depicting a view of the ambassadors' hotel in Vienna, taken from the garden side.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and are salon entertainments. The process was...
    €150
  81. Visages
    WOLS, Jean-Paul SARTRE

    Visages

    Seghers|Paris 1948|12.50 x 19.50 cm|broché
    First edition, one of 900 numbered copies on crèvecoeur du Marais paper, the only printing, with 15 on China and 10 hors commerce.
    With 4 original drypoint illustrations by Wols.
    Two miniscule marginal wormholes to foot of lower cover, a good copy.
    €1,200
  82. Vue d'optique - Vue de la place et des casernes de Top-Hané à l'entrée du port de Constantinople.

    Vue d'optique - Vue de la place et des casernes de Top-Hané à l'entrée du port de Constantinople.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view enhanced with watercolor, depicting a view of the square and barracks of Top-Hané at the entrance to the port of Constantinople.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and are salon...
    €300
  83. Terre toscane
    Germain BEAUCLAIR

    Terre toscane

    Emile-Paul frères|Paris 1938|13 x 21.50 cm|broché
    First edition, one of 30 numbered copies on Arches vellum, the only deluxe copies.
    Siena, Livorno, Lucca, Florence...
    Spine very lightly sunned without consequence, endpapers uniformly and lightly shaded, a full-margined copy.
    €80
  84. L'état de siège
    Albert CAMUS

    L'état de siège

    Gallimard|Paris 1948|12 x 19 cm|broché
    First edition, an advance (service de presse) copy.
    Autograph inscription signed by Albert Camus to Henri Gouhier.
    Paper yellowed as usual, spine sunned, retaining its advertising slip.
    €1,800
  85. Actuelles II - Chroniques 1948-1953
    Albert CAMUS

    Actuelles II - Chroniques 1948-1953

    Gallimard|Paris 1953|12 x 19 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Albert Camus to J.P. Loiseau : "... pour le remercier encore...[to thank him once more]."
    Spine lightly sunned.
    €1,800
  86. Oeuvres choisies précédées d'un essai sur sa vie et ses écrits par M. Campenon
    Jean-Baptiste-Louis GRESSET

    Oeuvres choisies précédées d'un essai sur sa vie et ses écrits par M. Campenon

    Janet & Cotelle|Paris 1823|13.50 x 22 cm|relié
    New edition.
    Full green calf binding, faded spine with five raised bands decorated with gilt wavy fillets ornamented with gilt floral friezes, gilt roulettes on headcaps, traces of rubbing on headcaps and joints, frame of gilt floral frieze and another stamped in blind on boards, three small stains on second board, frame of gilt floral dentelle on pastedowns, marbled endpapers and pastedowns, all edges gilt, gilt fillet on leading edges, elegant contemporary Romantic binding signed by Bibolet.
    Work illustrated with an engraving as frontispiece.
    Scattered foxing.
    €80
  88. La Marne
    Georges BLOND

    La Marne

    Presses de la Cité|Paris 1962|13.50 x 21.50 cm|relié
    First edition printed on ordinary paper.
    Publisher's binding in full boards, with the illustrated dust jacket.
    Signed autograph inscription from Georges Blond to Marcel Aymé's daughter, Colette Magne, and to her husband, Raymond: "A Colette Magne avec qui j'ai livré la bataille de l'hôtel Continental et à Raymond, en souvenir d'autres combats plus dramatiques" ["To Colette Magne with whom I fought the battle of the Continental Hotel and to Raymond, in memory of other more dramatic battles"].
    Iconography, handsome copy.
    €50
  89. Le confort intellectuel
    Marcel AYMÉ

    Le confort intellectuel

    Flammarion|Paris 1949|13.50 x 19.50 cm|broché
    First edition, one of 110 numbered copies on pure Lana rag paper, deluxe printing after 50 on laid paper.
    Spine and boards slightly and marginally sunned, a full-margined copy.
    €200
  90. Le chemin des écoliers
    Marcel AYMÉ

    Le chemin des écoliers

    Gallimard|Paris 1946|12 x 19 cm|broché
    First edition, one of 105 numbered copies on pur fil, this one of a few hors commerce copies justified by Gaston Gallimard, tirage de tête after 19 Hollande.
    Spine slightly sunned.
    €300
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