Paris

First edition, one of 950 numbered copies on laid paper by Nelson.
Work illustrated with 6 drawings by the author.
Spine and boards lightly and marginally sunned without consequence.

First edition, one of the 80 copies numbered on pur-fil paper, deluxe copies.
Illustrated with 40 photographs from the movie.
Beautiful and rare copy.

First edition, one of 99 numbered copies on pur fil paper.
Handsome copy.

First edition, one of 100 numbered copies on Japan, deluxe edition.
illustrated book of 12 dry points and 20 original typographical ornaments Louis Morin.
Signed autograph of publisher, L. Conquet Pierre Lano.
A small lack head back, bites on the guards.

First edition of the French translation established by Victor Llona, one of 750 numbered copies on Rives, the only issue with 50 on Japan paper.
Spine slightly sunned, otherwise a handsome copy.

First edition printed in 1500 numbered copies on Rives laid paper.
A handsome copy.

Edition with some parts in first edition as corrected and expanded.
Half red shagreen binding, spine with four raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
Occasional light foxing.

Edition illustrated with 24 original color lithographs by Alexandre Lunois, one of 500 numbered copies on vélin du Marais.
Half blue shagreen binding, spine with five raised bands, gilt date at foot, marbled paper boards, one scratch to head of front board, marbled endpapers and pastedowns, original wrappers preserved, top edge marbled.
Handsome copy.

Edition with original illustrations by Lucien Métivet.
Bradel binding in half grey cloth, smooth spine decorated with a gilt fleuron, double gilt fillet at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Some foxing.

Second edition published by the same publisher and the same year as the first edition.
Half brown shagreen binding with corners, smooth lightened spine decorated with gilt allegories as well as floral motifs stamped in blind, slight rubbing on the headcaps, gilt fillets framing the marbled paper boards, contemporary Romantic binding signed by Torchet at foot of spine.
Pen gift inscription at head of one pastedown, two small wormholes at heads and feet of the very last leaves.

First edition, one of 5 numbered copies on Japan paper, deluxe copy.
Spine sunned and with a small stain in the middle, handsome interior condition.

First edition, one of 36 numbered copies on laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 50 numbered copies on Arches paper, deluxe copies.
Nice copy.

First edition, one of 50 numbered copies on Arches paper, deluxe copies.
Nice copy.

First edition printed on ordinary paper, with statement of thirteenth edition.
Worming to rear board.

First edition, review copy.
Signed autograph of Charles Pierre Bourgeade the Quintrec.
Iconography.
Nice copy.

First edition of the adaptation by Jean-Paul Sartre, one of 80 numbered copies on Holland paper, deluxe copy.
A handsome copy.

Rare first edition printed on laid paper.

Full binding green shagreen, back with five nerves decorated with a grotesque decor, back with five nerves decorated with a grotesque decor, triple net gilded framing boards, double net gilded on the cuts, domestic gold lace all edges gilt, contemporary binding signed Lortic father.

Signed autograph from the author: "To His Excellency the Minister of State and the home of the Emperor's very obliged and grateful H. Barbet de Jouy".

Bookplate engraved (J. Pelletier).

Very nice and valuable copy in a binder perfectly established time Lortic, bookbinder Charles Baudelaire.

Fifth edition, expanded with the volume of Histoire des ouvrages pour & contre les théâtres. The first volume appeared in 1756 under the title: Lettre de M. Desp. de B. à M. le chevalier de ***. The histoire des ouvrages [...] was inserted for the first time in the third edition, and was expanded in the fourth. The booksellers have added extracts from journals on Desprez de Boissy's work. La lettre sur les spectacles is followed by that of Monsieur de Campigneulle on Desprez de Boissy's work.
Contemporary full red morocco bindings. Decorated spine with raised bands. Red morocco title and volume labels. Triple gilt rule frame on covers. Edges gilt. Slight lack at head of volume II. Spine of volume II faded. 4 corners slightly bumped. pp. 180 to 190 in volume I, large brown stain, otherwise copy relatively fresh. Handsome copy in contemporary morocco.
Rational and reasoned criticism not only against theater and shows but especially against the frequentation and pleasures one seeks there. The work by the Jansenist lawyer Despez de Boissy takes its place in a vast quarrel that extended throughout the second half of the 18th century regarding education and good morals and the pernicious roles of shows and particularly of theater in relation to these. The second volume is particularly interesting for the history of theater and public theaters, as well as shows, and provides a valuable bibliography.
19th-century engraved bookplate of A. Kuhnholtz-Lordat signed J. Dupont, armorial.

first edition on the current paper.
Signed autograph of one of the Tharaud brothers historian and politician Gabriel Hanotaux.
A small bright spot in minor foot of the spine.

First edition, one of 100 numbered copies on Hollande paper, the only grand papier (deluxe) copies.
Handwritten signature of André Breton under the justification.
Cover illustrated with lithograph by Douanier Rousseau.
A nice copy.

First edition, review copy.
Signed autograph Tristan Tzara J. Van Heeckeren.
Back insolated, marginally weak and brittle sheets as usually.

Edition on current paper, false entry of second edition.
Signed autograph Tristan Tzara Francis Cohen.
Yellowed paper as usually.

Edition partly original, one of the review copies service.
Binding half navy blue morocco, back with five nerves, golden date tail, marbled paper plates, guards and contreplats of blue paper, preserved covers, gilded head, binding signed P. Goy & C. Vilaine.
Precious autograph dedication signed by Henri Michaux to René Laporte.
Full copy of his prayer to insert mounted on tab.

New revised and recast edition, illustrated with 16 plates and 2 figures enhanced and hand-colored on heavy paper, totaling 32 figures (the drawing is charming, often animated with several characters). Third edition statement, the first having appeared in 1838.
Bound in full black romantic shagreen. Smooth spines richly decorated with rocaille tooling. Covers decorated with a rocaille frame and double fillet border. Interior frieze. White moiré endpapers. All edges gilt. Relatively fresh, with foxing at the tissue guards and the plates more brown; some scattered browning. Multiple pagination, each part having its own pagination. 3 corners slightly bumped.
Very handsome copy, rare in this condition.

First edition, one of 50 numbered on "pur-fil" paper Lafuma only leading copies.
Signed autograph of Claude Seignolle his friend Paul Aveline: "... it Lafuma an aspect ignored his tenacious friend ..."
Nice full copy of his illustrated jacket that has scratches on the back and small marginal tear heads and feet flat.

Complete collection of these 6 booklets published in first edition and each printed on different colored paper.
Publisher's full sand-colored boards, smooth unlettered spine.
Handsome copy.

First edition, one of 30 numbered copies on pur fil paper, ours unnumbered but properly justified "pur fil" at the foot of the second cover, the only deluxe copies.
Spine and covers uniformly sunned, handsome interior condition.

First edition illustrated with two drawings by Georges Rouault, with fourth edition statement.
Spine and covers marginally discolored as usual, first endpaper partially shadowed, two lacks to foot of front cover and first endpaper.

First edition, one of 25 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, review copy.
Signed autograph Henry Poulaille Pierre Dominique.
illustrated cover of a wood Tcherkessoff.
spine and boards slightly and marginally insolated, two spots on the second flat.

First edition, one of 950 numbered copies on alfa paper, the only deluxe copies after 15 pur fil Johannot and 35 pur fil.
Handsome copy.

First French edition, translated by Louis Félix Guynement de Kéralio, and illustrated with one figure and one folding plate of music.
Contemporary full marbled calf bindings. Decorated spine with raised bands. Red morocco title and volume labels. One lack at head of volume I. Volume label missing from volume I. Upper joint cracked at head of volume II. Volume II begins at pagination xx, without lack and in conformity with copies held by the National Library of Scotland, and by the Zoological Society of London. Handsome copy.
Gmelin, as botanist and chemist of the Academy of Sciences, was sent to explore Siberia by Empress Anne with numerous other scientists as part of a vast governmental exploration project, and the voyages took place between 1733 and 1743. Keralio, in an interesting preface, notably on the deformation of Russian names, admits having deliberately reduced the original to 2 volumes, the author's exhaustive journal spread over 10 years being very tedious, he therefore concentrated on descriptions and everything relating to the voyage itself (mines, peoples, customs, food...) by classifying the voyage by explanatory chapters, the themes thus being easily found through the table. The voyage is completed by a history of Russian navigations and discoveries in the glacial and northern sea of the south (Kamchatka), with Bering's navigations. The work undoubtedly forms a very precious source of information on Siberia.
In his account, Gmelin did not neglect to make known the physical and moral character, the religious practices and habits of the different peoples of the vast region of Siberia, but he applied himself more particularly still to describing the mines and foundries which are the principal wealth of this country, and he did so as a scholar initiated in this field.

First edition, one of 475 numbered copies on pure rag Lafuma paper.
Work illustrated with a frontispiece watercolor portrait of Georges Bernanos by Jean Texcier.
Spine faded with two small tears at head and foot, light foxing to endpapers.

First edition, one of 200 numbered copies on pure laid paper, the only deluxe copies.
Endpapers lightly and entirely shaded, otherwise handsome full-margined copy.

First edition, review copy.
Signed autograph of Georges Suarez Charles Laval.
Small tear in foot of the back, complete copy of his prayer to insert.

First edition in French, one of the Service de Presse (advance) copies.
A gift inscription at the head of the first endpaper, otherwise a handsome copy.

New edition, one of the numbered copies at press.
Spine sunned with small tears at head and foot.

First edition.
Front cover marginally soiled, some foxing.

Edition of wich no leading copies exists.
Bel autograph signed by Henri Jeanson Paul Aveline: "... that says sé skeptical (if I understood correctly), from someone who is not even this degree of wisdom. all friendly. "
Nice full copy of his trailer.

First edition, review copy.
Signed autograph Marcel Sauvage Henri Bidou.
illustrated book of portraits and autographs facsimile.

New edition, one of 1012 numbered copies on alfa paper, the only printing after 330 copies on Holland paper.
Spine slightly sunned.

First edition, review copy.
Signed autograph Henri Jeanson Jeanne Delhomme.
A foot folding of the first flat.

first edition.
Binding of the editor in full black fabric, smooth back, full copy of his illustrated jacket.
autograph dedication of the author autograph signed and dated by KRH Sonderborg enriched with an original Desson Francoise Giroud.
Iconography.

first edition.
Binding of full blue canvas editor, smooth back, full copy of his illustrated jacket.
Signed autograph Ionel Jianou Francoise Giroud.
Art editor Alex Grall stamp printed on the half-title page where the shipment as an bookplate.
Iconography.

First edition, one of 70 copies hors commerce numbered on cloth of annonay, ours specially printed for Madame Jacqueline Zay, only large paper.
Signed autograph of Louis Charles Royer Jacqueline Zay below the justification of the draw ". ... Hoping that this bold deceive the Naiad"
Cover art by Jean-Denis Maillant.
Nice copy.

First edition, one of 800 numbered copies on fine bouffant alfa paper, the only deluxe copies after 15 Japan and 100 Rives vellum.
Handsome copy.
The author was among the first writers to perish in the battles of 1914.

First printing of the 20 original woodcut by Hermann-Paul, one of 50 numbered copies on vergé ancien du Japon, deluxe edition after 20 grand vélin Turkey.
Nice copy.

First edition, of which there were no large paper copies.
Early 20th century pastiche half brown calf over marbled paper boards, blindtooled fleurons and double gilt fillets to spine, marbled paper endpapers and pastedowns, covers preserved.
A very rare autograph inscription signed by Gérard de Nerval to Monsieur Ferdinand Langlé, the founder of the Pompes Funèbre in 1828, but also involved in literature, theatre and journalism under the pseudonyms of Ferdinand, Eusèbe and Charles Odry.
A little spotting.
Autograph inscriptions by Gérard de Nerval are of the utmost rarity.

First edition on current paper, it was printed 100 copies on Holland paper in large papers.
Binding half shagreen red, back with four purposes nerves set with golden dots adorned with gilded fleurons and nets cold patches of marbled paper, guards and contreplats of handmade paper, speckled slices, Contemporary binding signed Derveaux son.
Rare foxing mainly affecting the margins of some leaves.
Exceptional autograph signed by Victor Hugo to his son François-Victor on the fake title page: "To my beloved Victor. V. »
In 1872, only two of the five children that Victor Hugo had with his wife Adèle Foucher are still alive: François-Victor, whom he calls simply Victor and on whom he defers his affection, and Adèle, walled in madness, who has just been interned on his return from Barbaspine. Hugo notes in his notebooks: "Just a year ago, I was leaving for Bordeaux with Charles [his other son] who was not going back alive. Today I see Adele again. What shagreen! But the tragedies will continue to strike the old writer: the "beloved" Francis Victor will succumb the following year, in 1873, tuberculosis.
François-Victor Hugo is the author of a monumental translation of the complete works of William Shakespeare, the first respectful of the language of the English playwright: "For those who, in Shakespeare, want all Shakespeare, this translation was missing", wrote with emotion Hugo in the preface.
Nice copy enriched with a very moving dedication of Victor Hugo to his son.

First edition, the first volume being at the right date of 1832, which is very rare according to Clouzot.
Binders in half navy blue morocco navy corners, smooth back decorated with cartridges decorated with golden floral friezes, golden dates in tails, gilt fillets on the plates of marbled paper, guards and contreplats of handmade paper, blankets and back preserved, elegant bindings in the romantic style signed by Champs.
Rare and pleasant copy set in a perfect romantic binding of Champs.

New edition by Barbou from the collection of Latin authors, illustrated with a frontispiece by Eisen and 16 title vignettes by Delafosse.
Contemporary full marbled sheep binding. Decorated smooth spine with thistle ornaments. Red morocco title label. Triple fillet frame on boards. Gilt edges. Upper joint narrowly cracked in several places. Binding rubbed.
Handsome, well-printed edition. At the end: Variae lectiones.

First edition, one of 30 numbered copies on ivory laid paper, the only deluxe copies.
Signed autograph inscription from Claude Seignolle to his friend Paul Aveline.
Introduction by Jacques Bergier.
Cover illustrated by Drouin.
Spine creased, otherwise a handsome copy.

First edition on ordinary paper.
Bradel binding in half dark green morocco, smooth spine faded, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with a frontispiece by Félicien Rops.

First edition, one of 40 numbered copies on Chine, the tirage de tête.
Usual foxing mostly in the margins of some leaves.

First edition printed on vergé.
Half morocco, spine slightly discolored, covers stained preserved, top edge gilt.
Foxing on the endpapers and in the margins of some leaves.

Edition of the year of the original, ninth edition of mention.
Signed autograph of Audiberti Jacques Pierre Verdier.
Foxing on covers, yellowed paper.

Collected edition, first in parts, published in a small number of copies and for which there were no large paper copies.
Contemporary half blue cloth Bradel binding over marbled paper boards, central gilt fleuron to spine, date and double gilt fillet to foot, brown shagreen title-piece (slightly rubbed), covers preserved, corners bumped.
A little light insignificant spotting, mostly to endpapers.
Rare.

First edition, one of 30 numbered copies on pur fil paper, the only deluxe copies.
A handsome copy.

First edition, one of the numbered copies on alfa bouffant paper.
Illustrated with photographic plates.
A handsome copy.

Illustrated edition with original etchings by Léon Lebègue, one of 30 numbered copies on deluxe Japan paper, deluxe issue.
Our copy, as stipulated in the justification page, is indeed complete with the triple state of the engravings.
Handsome copy.

First edition on ordinary paper, only 10 copies were printed on Holland paper in deluxe format.
Bradel binding in red half-cloth, smooth spine, double gilt fillet at foot, marbled paper boards, original wrappers preserved.
Cover and drawings by Bernard Naudin including one double-page spread.

First edition, one of 25 numbered copies on Holland paper, deluxe copy.
Preface by Noël Arnaud, postface by Patrick Besnier.
Handsome copy.

Edition printed on Alfa paper.
Signed autograph Francis Carco to A. Nony.
Nice copy.

First edition, one of 30 numbered copies on pur fil, deluxe copy.
Printed bibliophile stamp as bookplate facing the title page.
Handsome copy.

First edition, one of 145 numbered copies on pur fil paper, ours one of 75 reserved for the Club de l'édition originale, the only deluxe copies.
Printed bibliophile stamp as bookplate facing the half-title page.
Handsome copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Printed bibliophile stamp on the justification page.
Handsome copy.

First edition, one of 142 numbered copies on pure vellum wire, only 1 draw after Japan, 7 Shanghai.
Precious autograph signed by Francis Carco Andre Dignimont: "A gentleman Dig for" Corner of "Sincerely."
bibliophile print buffer next to the half-title page in by way of bookplates.
Pleasant copy despite the back and slightly and marginally minor insolated boards.

First edition, one of 75 numbered copies on Holland paper.
Half red morocco binding, smooth spine very slightly sunned, marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.
Fine copy handsomely bound.

first edition for which there is no mention of leading copies.
Precious autograph signed Cami Albert Dubout "A Dubout unique In friendly remembrance." Enriched with a self-portrait in the smoking cigarette.
printed bibliophile buffer next to the half-title page by way in bookplate.

First edition, one of 30 numbered copies on Madagascar vellum, deluxe copy.
Handsome copy.

First edition, one of 298 numbered copies on Rives vellum.
Signed autograph Francis Carco to Frédéric Lefèvre.
printed bibliophile buffer next to the half-title page by way in bookplate.
Nice copy.

First edition, one of 15 numbered copies on Arches paper, deluxe copies after 6 Japan.
Half brown shagreen binding with corners, spine with five raised bands slightly faded, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt.
Endpapers entirely shaded.
Beautiful cover illustrated by Lobel-Riche.
Handsome copy nicely bound of this sequel to Jésus-la-Caille.

First edition printed in only 30 copies on Holland paper.
Endpapers lightly and partially shaded, otherwise a rare and handsome copy.

First edition, one of 25 numbered copies on pur fil paper, the only deluxe copies.
A rare and handsome copy.

Edition of wich no leading copies exists.
Signed autograph of Louis Althusser to the art editor Alex Grall: "... the answer is - like any answer- a result of" issues "impertinent (in both senses of the word) with my deepest sympathy. "

First edition printed in 1500 numbered copies.
Work illustrated with 30 reproductions of works by Bruno Capacci.
Handsome copy.

First edition, one of 30 numbered copies on pure laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 750 numbered copies on white laid paper, the only deluxe copies after 50 Japan and 50 hors commerce.
Work decorated with a self-portrait of the artist as well as illustrations hors-texte, letter-preface by Claude Aveline.
Endpapers lightly shadowed.

First edition, one of 470 numbered copies on coated paper, the only deluxe copies after 30 Coronado "Lys de Gand".
Work illustrated with 21 drawings by Ferro.
Light and minor foxing without significance on the title page.

First edition in French.
Publisher's full blue cloth binding, smooth spine, with the illustrated dust jacket.
Work decorated with 20 color plates and 133 black illustrations.
Handsome copy.

First edition printed in 767 numbered copies on pur fil du Marais paper.
Illustrated with 24 hors-texte plates reproducing Magnelli's works exhibited at Galerie Drouin.
Spine and boards slightly sunned, tears at head and foot of joints, handsome interior condition.

New edition of the French translation, the latter by Xavier Marmier and preceded by a notice of the translator.
Contemporary binding in half black shagreen, back smoothes decorated with blind fillets and golden, golden tail frieze, friction marks on the back and a hooked tail, flat black cardboard, guards and contreplats of handmade paper, small rips on the cuts, contemporary binding.
Precious autograph signed Xavier Marmier the Princess Murat: "To the Duchess of Elchingen, tribute translator".
Copy virtually free of freckles.

First edition printed in 500 numbered copies on Arches wove paper.
Work illustrated with 28 plates hors-texte reproducing the works of Aristide Maillol.
Text by Maurice Denis.
Handsome copy

First edition, one of 500 numbered copies on vellum, one draw and 20 after 5 Japan Holland paper.
Handwritten signature of Jean Paulhan Length of the first guard.
Illustrated book with a sticker of André Derain on the cover.
spine and boards evenly insolated as often, two tears in the bottom and top of the back, small lacks the foot of the title page that has been poorly cut.

First edition, one of 250 numbered copies on Alfa paper and reserved to the author.
Signed autograph of Charles Chassé Guy Lavaud.
Book decorated with 10 illustrations and 2 unpublished drawings.
spine and boards evenly insolated, nice interior state.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated Alfred Sauvy Monique Landon.
Pleasant copy despite back slightly past.

First edition, one of 20 numbered copies on Arches vellum, the only deluxe copies.
Spine very lightly sunned at foot, handsome copy.

New edition revised by Barbeau de la Bruyère.
Contemporary full marbled sheep bindings. Spines with raised bands decorated. Red morocco title labels and green morocco volume labels. Head caps partly worn. Top joint of volume I cracked. Top joint of volume 2 cracked at head. Traces of dampstaining to outer margin of volume I.
The work met with some success and was reprinted numerous times until the 19th century. It contains a treatise on the sphere, universal geography (Europe, Africa, Asia, America) and ecclesiastical geography with the archbishoprics and bishoprics of the Catholic and schismatic churches.