Paris

First edition, one of 25 numbered copies on handmade paper, ours unnumbered, the only deluxe copies.
Spine lightly sunned, the first gathering was badly cut, causing small angular lacks of no great consequence to the affected leaves.

First edition, one of 36 numbered copies on pur fil, the only deluxe copies.
Spine lightly sunned at foot, handsome copy.

First collected edition, one of 31 numbered copies on pur fil, deluxe copy.
Spine very lightly sunned, handsome copy.

First edition of the French translation which appears to have been published before the German edition, one of 50 numbered copies on Holland paper initialed by the publisher, the only deluxe copies.
Endpapers lightly and entirely shaded, otherwise a handsome copy.

First edition, one of 25 numbered copies on Holland paper initialed by the publisher, the only deluxe copies.
Spine sunned, endpapers lightly and entirely shaded, a shadow on the page facing the justification page.

New edition, after the very rare first edition of 1617.
Contemporary full brown sheep binding. Smooth spine decorated with restoration tools, roulettes and multiple fillets. Havana morocco title label. Framing frieze on boards. Central medallion with the emblem of the Hallays-Dabon Institution (famous educational institute in Paris). Joints restored as well as the upper headcap, some cracks remain visible but the volume is now solid. 2 corners slightly bumped. Overall rubbed. Scattered foxing.
Mocquet, apothecary to the king, obtained authorization from King Henri IV to travel in order to bring back curiosities to supply the royal collections. Over a period of eleven years, Mocquet

First edition, one of 1650 copies on chestnut paper, the only issue after 5 hors commerce copies on Holland paper.
Spine lightly sunned, otherwise a handsome copy.

First edition, one of 40 numbered copies on pure linen paper, the only deluxe copies.
Spine sunned, otherwise a handsome copy.

First edition, one of 55 numbered copies on light blue vellum, the only deluxe copies.
Spine and boards lightly and marginally sunned, otherwise a handsome copy.

First edition.
A nice copy.

First edition, one of 20 numbered copies on handmade paper, the only deluxe copies.
Preface by Paul Eluard.
Spine lightly sunned, title page shaded.

First edition, one of 84 numbered copies on pure thread paper, the only deluxe copies after 1 Chamois reserved for the author.
Spine slightly sunned.

first edition printed 100 numbered copies on Holland paper.
Our copy is complete, frontispiece, engraving by Jean Coulon it signed and justified.
Rare copy and pleasant.

First edition, one of 24 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one copy of the printed press service on rod.
Precious autograph signed Delteil Joseph Guy Lavaud.
Back passed and insolated.

Banner edition of the first type, second edition after the shell binding. General title leaf bearing the date 1873. Catalogue no. 2 at the end.
Binding known as "À la bannière" or "Au ballon bicolore", royal blue on bordeaux. First plate with balloon. Back cover signed at bottom Lenègre in blind (Lenègre b type), with hexagonal medallion in blind. Gilt edges. Green endpapers. Fine first plate with bright colors and gilt. Spine fairly good, but small scratched areas, one black stain at foot (restoration). Traces of rubbing to edges, headcaps, joints and corners. Dark areas on back cover. Pale scattered foxing, often in margins, but overall rather fresh.
Quite handsome copy.
Nov

First edition, one of 63 numbered copies on pur fil, the only deluxe copies.
Spine lightly sunned, otherwise handsome copy.

First edition.
Publisher's full blue cloth binding, smooth spine, complete with illustrated dust jacket with marginal sunning.
Iconography.
Handsome copy.

First edition, one of 28 numbered copies on pur fil, the only deluxe copies.
Spine slightly sunned at foot and with a small tear in the middle, otherwise a handsome copy.

first edition on the current paper.
Signed autograph of Peter Michel Mohrt Loiselet.
Back slightly insolated.

First edition of the French translation, one of 60 copies numbered and justified by the publisher, frontispiece, the lithography Max Ernst shot in bistre on China and signed by the artist, only leading copies. One of the 20 copies in which there is an additional state of the lithograph drawn in blue on China and also signed by Max Ernst.
Stamp of the Alex Grall collection.
Rare and beautiful copy.
The

First edition in French, one of 750 numbered copies on alfama paper, the only deluxe copies after 25 on Marais paper and a few hors commerce copies.
Work illustrated with a cover by Max Ernst.
Spine and boards slightly and marginally discolored as is often the case, otherwise a handsome copy.

Edition of wich no leading copies exists.
Precious autograph signed by Michel Rachline "For Marcel Jouhandeau In memory of the past ...."
Nice full copy of his prayer to insert.

First edition, one of 41 numbered copies on Holland paper, the only deluxe copies after 24 Holland copies.
A handsome copy.

New edition with 8 illustrations printed separately from the text.
Spine and covers slightly and marginally sunned, small corner losses to covers, one fold at head of half-title page.

First edition on ordinary paper.
Work illustrated with a frontispiece by Berthold Mann.
Handsome copy.

First edition, one of 60 numbered copies on pure linen Marais paper.
Two small tears at head and foot of spine which also shows light dampstains, two light stains on first cover, one fore-edge sunned.
A full-margined copy.

First edition, one of 56 numbered copies on pur fil, the only deluxe copies after 26 on Holland paper.
Handsome copy.

first edition on paper current, fourth edition of mention.
Signed autograph of Alain Bosquet Yves Bayer.
Illustrated book of drawings by Gus Bofa.
A small tear in foot glued back.

first edition for which there is no mention of leading copies.
autograph dedication of the author autograph signed and dated Olivier Quéant George and Raymond Dreyfus.
A head fold of the first flat.

first edition on the current paper.
Signed autograph of Jean Galtier-Boissière to Mr. Carlin.
Some discoloration spots on some volume beginning in sheets.

First edition, one of 950 numbered copies on Rives vellum, the only deluxe copies after 25 Holland and 50 Japan.
Spine slightly sunned, otherwise handsome copy.

First edition, one of 30 numbered copies on pure linen paper, the only deluxe copies.
A tear without loss to the head of the back cover.
Handsome copy.

First edition, one of 55 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 79 numbered copies on pur fil paper, the only deluxe copies after 36 Holland.
Handsome copy despite the spine very lightly sunned.

First edition, one of 33 numbered copies on Holland paper, deluxe copy.
Two light traces of sunning at head and foot of spine, minimal spotting without consequence on the first endpaper.

First edition, review copy.
Signed autograph ML Bidal Peter Desgraupes.
Book illustrated with a portrait of Jean Giraudoux frontispiece.
Back slightly wrinkled.

First edition, one of the numbered copies to the press and with the author.
Signed autograph of Jean Giraudoux Guy Lavaud.
Back insolated with two gaps at the head and foot.

Edition on current paper, press service of buffer almost faded in the middle of the back.
Signed autograph of Jean Giraudoux Madame Fernande Lawrence.

First edition of the French translation by Jean Cassou, one of 700 numbered copies on Ingres paper, the only issue with 50 on Japan paper.
Spine slightly sunned.

First edition, review copy.
Signed autograph of Jean Galtier-Boissière to Mr. and Mrs. Dorbon.

First edition dated 1865 on the title page and 1864 on the front cover, with mention of second edition.
Bradel binding in half almond-green cloth, smooth spine decorated with gilt floral motif, rubbed beige sheep title-label, double gilt fillet at foot of spine, marbled paper boards, original wrappers preserved, some nicks to leading edges, contemporary binding.
Rare.

Edition for which he was not drawn large paper, review copy.
Signed autograph of André Gorz to a close friend.
Rare.

The first edition, of which there were no deluxe copies.
Rare and handsome copy.

First edition, one of 110 numbered copies on pure laid paper and reimposed in Tellière quarto format.
Handsome copy.

first edition on the current paper.
Signed autograph Andre Verdet Rene Colombi "... fraternally in memory of Saint Paul de Vence and friends there.
illustrated book of Dauphin designs.
spine and boards marginally thinned, otherwise nice copy.

First edition, one of 504 numbered copies on pure laid paper.
Handsome full-margined copy.

First edition, one of 412 numbered copies on vellum reserved for the "Editions de Minuit" bookshop, the only deluxe copies after 15 on pure thread.
Spine slightly very sunned at head and foot, a small crease at foot of first cover, handsome interior condition.

First edition, one of 1500 copies on laid in the form of Arches paper.
Funny autograph signed Marcel Bouteron "! Bedouck wear my wishes to my friends Ripert MB!"
Nice copy.

Second edition with some parts in first edition, one of the numbered copies printed at the press.
Tears at head and foot of sunned spine.

Edition for which he was not drawn large paper, a copy of the press service.
Signed autograph Claudine Chonez to a friend.
Nice full copy of his prayer to insert.

First edition on ordinary paper.
Front endpaper lightly soiled, otherwise handsome copy.

Edition of wich no leading copies exists.
Funny autograph signed Jacques Sternberg: "To the barricades Paul Aveline apartment with warriors feelings of Sternberg."
Cover and color illustrations of Barrué.
Pleasant copy despite the slightly thinned back.

First edition, one of the 65 copys numbered on "pur-fil" paper only leading copies.
Back slightly insolated, otherwise nice copy.

First edition, one of 65 numbered copies on pur fil, the only deluxe copies.
Spine slightly sunned, otherwise a handsome copy.

first edition on the current paper.
Signed autograph of Jacques Baron a Mr. Sacy.
illustrated book with a portrait of Jacques Baron Gaston-Louis Roux.
A small tear without gravity on the back.

Fifth and best edition, expanded with the eulogy of M. de Pouilly (lieutenant general of the presidial court of the city of Reims which Levesque de Pouilly endeavored to embellish), by Abbé de Saulx, the text that would be engraved on a fountain erected in his honor, the 2 speeches he delivered in Reims on March 6, 1748 and February 17, 1750 and the description of a monument discovered in the city in 1738. This edition is illustrated with a frontispiece, two folding plates at the end of the work, three title vignettes, and a title headpiece, all designed by De Seve and engraved by J. Robert. This is the finest edition of this text.
Full red straight-grained morocco binding (Russia leath

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower left of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the ti

original print in color, printed on laid paper, signed on the top left of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for t

original print finely enhanced color to gold, printed on laid paper, signed lower left of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower center of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print finely enhanced color to gold, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the t

First edition, one of 92 numbered copies on select bouffant paper, the only deluxe copies.
Handsome copy.

First edition, one of 412 numbered copies on laid paper, the only deluxe copies after 17 on pure thread paper.
Handsome copy despite the spine being slightly warped.

First edition, one of 412 numbered copies on vellum reserved for the "Editions de Minuit" bookshop, the only deluxe copies after 17 on pur fil.
Spine lightly sunned at head and foot, handsome interior condition.

Rare first edition, illustrated with several diagrams in the text and 3 plates of leveling instruments invented by Picard for the leveling of the château de Versailles. Edition produced by Philippe de la Hire, after Jean Picard's death, and from manuscripts found at his residence.
Contemporary full speckled brown sheep binding. Decorated spine with raised bands. Brown calf title label. 3 corners slightly bumped. Rubbing. Good copy.
The work is divided into distinct chapters, the first being a theory of leveling in relation to the earth's surface, those that follow being an application of this theory and practical examples of leveling. One finds there for example the way to bring wa

First edition of the French translation by Benjamin Goriely, press service of cold buffer.
autograph dedication of the author autograph signed and dated Benjamin Goriely Jean Cassou: "... for an old friendship ..."
spine and boards slightly and marginally idécolorés not serious.

First edition.
Publisher's full black cloth binding, smooth spine, complete with illustrated dust jacket and flexible cardboard slipcase.
Iconography.
Handsome copy.

First edition, review copy.
Signed autograph Maurice Toesca Louis Pauwels: "... this travel book and what a trip!"
Back slightly insolated.

First edition, one of 300 numbered copies pure cloth, one draw after 13 Chinese and 37 Japanese.
Signed autograph Francis Carco Paul Lombard.
Book illustrated with 18 original woodcuts by Deslignieres.
A small lack in foot of the first flat, flat with slight angles.

Edition illustrated with original lithographs by Julien Pavil, one of 900 numbered copies on pur fil Johannot paper, the only issue after 100 copies on vélin d'Arches variously enriched.
Spine of chemise lightly stained.
Handsome copy.

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, signed upper right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, unidentified signature at the bottom right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 cop

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower left of the board.
A small purple spot on the right side of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.

original print in color, printed on laid paper, signed lower center of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t

original print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the t