Brussels

First edition, illustrated with three reproductions of works by Victor Brauner, Jacques Hérold and Yves Tanguy. One of 450 numbered copies on satin-finish paper.

Illustrated wrappers. A fine copy.

First edition published anonymously, the work of the Bayonne man of letters Coste d'Arnobat (1732–1808), probably based on accounts provided by English merchants (cf. Barbier IV 1060).

Contemporary half sheep in dark brown, smooth spine tooled with gilt floral motifs, gilt initial “V” at the foot, some rubbing to spine and joints, a small marginal loss at the head of the spine, marbled paper boards, yellow sprinkled edges.

A dampstain affecting the folds of the final ten leaves.

An account of Bambouc, a region of Upper Senegal particularly noted for its gold mines and inhabited by the Mandinka people.

This narrative, later translated into German, offers highly...

First edition.

Our copy is preserved in its original wrappers, under a provisional violet paper cover.

A vertical crease runs through the entirety of the booklet.

Inscribed and signed by Lambert-Adolphe Quetelet to Edmond Becquerel at the head of the title page.

A naturalist, mathematician, and astronomer, Lambert-Adolphe Quetelet (1796–1874) was the founder of the Brussels Observatory.

Head of collection of this important medical periodical, whose significance needs no further demonstration. It was published until 1914 (volume XLII) and included most of the essential contributions to the advancement of medical science in the 19th century.

The set is illustrated with 61 plates hors-texte, some lithographed and/or folding.

Half cherry calf bindings, smooth spines decorated with gilt fillets, romantic arabesques and blind-stamped fleurons, a few small rubs to some headcaps or joints, marbled paper boards, marbled endpapers and pastedowns, some corners slightly bumped, marbled edges, period bindings.

Beautiful set in a contemporary romantic binding...

Edition from the year of the original, illustrated with a portrait and 22 plates including 2 maps (cf. Taylor Pacific Bibliography p. 520. Cammack & Saito no. 346. Edridge, Solomon Island Bibliography, p. 250.).

Half purple sheep binding, spine with four raised bands tooled with gilt garlands and decorated double panels, traces of rubbing and restorations to spine and joints, gilt fillet framing the black blind-stamped boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.

Pleasant internal condition despite occasional foxing.

First edition in Spanish, printed simultaneously with the French edition (Not cited by Sabin, who records only the French version under no. 39838).

Contemporary mottled tan sheep bindings, spines with four raised bands decorated with gilt dentelle and floral tools, red morocco lettering- and volume-pieces, headcaps shaved, gilt dentelle framing on the boards, marbled endpapers, corners rubbed, bindings signed "Felipe Montilla, Merida de Yucatán".

Joints split at head and foot of the first volume, joints rubbed, small marginal tears to a few leaves of the first volume without loss of text, light waterstaining to the edges of both volumes.

This collection of documents...

First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »

First edition, printed in very small numbers, of this offprint from the Bulletins de l'Académie royale de Belgique, 3rd series, vol. IV, no. 12.

No copy in the CCF. A single copy in Worldcat.

Traces of a label and of a distribution stamp in the left margin of the upper cover, a few small spots of foxing.

The physicist Charles Montigny (1819-1890) was director of the science section of the Académie royale des Sciences et Belles-Lettres de Bruxelles, of which he had been a member since 1867.

Inscribed by Charles Montigny to Admiral Ernest Mouchez (1821-1892), a specialist in hydrological and astronomical observations, director of the Paris...

First edition, illustrated with a portrait of the author after Sir Thomas Lawrence in the text volume, and, in the atlas volume, with 1 engraved map (numbered 1) and 74 lithographed plates (numbered 2 to 75; plate 27 misnumbered 17), including 8 hand-coloured plates: plates 28 (Fresco of Dieudonné de Gozon), 41 (Tomb of Fabrice Caretti), and 61 to 66 (Frescoes from the crypts of Our Lady of Philerme).

See Atabey 1056. Blackmer 1450. Loukia Droulia 1474. Weber, I, 163.

Text volume bound in contemporary green half shagreen, spine with four raised bands adorned with gilt garlands and floral tools, marbled paper boards, marbled endpapers, rubbed corners; atlas volume in...

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the...

Elzevirian "à la sphère" edition based on the first one printed in 1623, with the same features, including a red-and-black title page for the first volume and a black title page for the second. Brunet suggests it may have been printed in Brussels (IV, 1050).

Numerous headbands, culs-de-lampe, and initials.

Full dark green morocco binding, spine with five raised bands, with gilt fleurons and framed in blind, gilt date at foot. Covers with a Du Seuil-style double panel of blind-ruled borders, gilt fleurons at the corners of the inner panel, marbled endpapers and pastedowns, inner gilt dentelle, gilt edges, edges and spine-ends ruled in gilt.  Binding signed "Petit succede...

First edition.

Full blue percaline binding, smooth spine gilt with a central floral motif, date and double gilt rules at foot, brown shagreen title label with minor scuffing along the left edge, original wrappers preserved, slightly later binding signed in blind by Pierson.

Ink initials on the front endpaper and upper wrapper, serving as an ex-libris.

A handsome copy, tastefully bound by Pierson and virtually free of foxing.

First edition clandestinely printed in 175 copies on laid paper, each individually numbered.
 
Bound in full mint green morocco, spine with five raised bands framed by black fillets, subtle restoration to spine colour, date gilt at foot, endpapers and pastedowns of combed paper, gilt fillet border on pastedowns, original wrappers and spine preserved, all edges gilt, chemise edged in mint green morocco, covers of cat's eye paper, white felt interior, an elegant binding signed by Alix.
 
A very rare and handsome copy bound by one of the most distinguished binders of the second half of the twentieth century.

 

A rare Belgian pirate edition in 8 tomes bound in 4, published shortly after the novel's first serial appearance in the Journal des débats from August 28, 1844 to January 15, 1846. Complete with all half titles and title pages. They are all dated 1845, except for the last two (vol. 7-8) dated 1846. The edition includes the misprint "Christo" for "Cristo", present in the pre-first edition of the Journal des débats, and corrected for the first time at the end of 1846 in the first illustrated edition.

Rare pirate pre-first edition of the greatest revenge novel of all time. Given the extreme rarity of the French first edition in book form, these...

First edition.

Contemporary half brown shagreen bindings, spines with four raised bands framed by blind fillets, gilt floral tools at head and tail, marbled paper boards, marbled endpapers and pastedowns, bookplates mounted at the head of the pastedowns, sprinkled edges.

A few minor spots of foxing, with press cuttings loosely inserted and leaving offsetting to the front endpapers of the first volume.

Signed autograph presentation inscription by Jules Claye, the printer of this work, to Ferdinand Taillefer on the front of the first volume: "... souvenir typographique à mon ancien et excellent collaborateur..."

First edition, issued without any edition statement.
Contemporary half mottled fawn sheep bindings, smooth spines ruled in gilt with double fillets, red sheep lettering pieces bearing the author's name "Works of V. Hugo", sky-blue sheep title and volume labels, marbled paper-covered boards, decorative endpapers and pastedowns.
Some occasional foxing, small holes at the head of the half-title leaf of the first volume.
Widely regarded as Hugo's masterpiece in the realm of fiction, a dark and baroque work in which his poetic style, built upon antitheses and oxymora, is carried to its furthest limits, anticipating qualities later embraced by the Surrealists.

First edition.

Contributions by Paul Léautaud “Lettres 1902-1919 (1ère partie)”, Edmond Gréville “Porte donnant sur la voie”, Jean Lurçat “U.S.A.”, P.G. van Hecke “Spectacles américains à Paris”, Pierre Courthion “Bar du Dôme”, Jean Perros “A bas le pittoresque”...

Issue illustrated with photographs by Man Ray, Germaine Krull, Bérénice Abbott, Florence Henry, Eli Lotar and drawings by Paul Klee, Marc-Eemans, Gustave de Smet, Frits van der Berghe...

Reproductions of paintings by Pablo Picasso, René Magritte, Paul Klee, André Derain, Raoul Dufy, Marc Chagall, Max Ernst, Georges Braque, André Masson, Juan Gris...

A stain to the upper cover, spine and covers lightly...

First edition.

Contributions by Albert Valentin "Eugène Atget", Morely Callaghan "Une passion de rustre", E.L.T. Mesens "Hans Arp", Pierre Mac Orlan "L'aube", Denis Marion "La découverte de l'Amérique", Paul Fierens "Vénus et les mannequins", Franz Hellens...

Issue illustrated with photographs by Eugène Atget, Man Ray, Germaine Krull, Mylander and drawings by Marc-Eemans, Ramah, Frits van der Berghe, Hans Arp, Fernand Léger, Léopold Survage...

Spine and covers slightly and marginally sunned, not affecting the soundness of the copy, internally well preserved.

First edition.

Contributions by Pierre Mac Orlan "Accordéons", P.G. Van Ecke "L'envoûte ou la destinée des peintres", Denis Marion "A double tour", Gille Anthelme "Un aspect décisif des Ballets Diaghilew : Léonide Masside", Frans Vervoot "Nine, ou l'avant-propos", Albert Valentin "Aux soleils de minuit (IV)", Paul Fierens "Des rues et des carrefours", Franz Hellens...

Issue illustrated with photographs and drawings by Hans Arp, Jean de Bosschère, Marc Chagall, Gustave de Smet, Edgar Tytgat, Frits van der Berghe...

Spine and covers slightly and marginally sunned, small losses and tears to the spine, a pleasing copy internally.

Rare first edition.

Small tears and losses to the head and foot of the spine, spine and covers marginally sunned.

Signed autograph inscription from Jacques Mesnil to Charles Albert.

Some manuscript corrections and reading marks in blue pencil in the margins of certain paragraphs.

Rare first edition. No copies located in U.S. libraries (not listed in WorldCat). 

Spine and boards slightly and marginally sunned, without seriousness.

First edition, illustrated at the end of the volume with 28 hors-texte plates of Chinese ideograms (cf. Cordier, Sinica, 1735-36; Backer & Sommervogel II, 1168 (2)).

The table of plates lists 27; Backer records 29; our copy contains 28, whereas most copies indeed call for 27.

Modern half fawn calf, smooth spine ruled in gilt with double fillets and gilt floral tools, brown speckled paper-covered boards, speckled top edge. The sole edition of a work thoroughly informed on the ideogrammatic origins of Chinese characters, thereby contradicting the thesis advanced by the English orientalist Needham concerning the supposed analogy between Chinese writing and the Egyptian...

One of the first collected editions of these seven comic novellas, initially printed separately, by the Sieur de Préfontaine, regarded as a first-rate author by Charles Louandre: "without seeking to diminish in any way the merit of Boileau, without disputing his title as legislator of taste, one may say that Charles Sorel, Furetière, Préfontaine, [...] contributed alongside him and before him to cleansing the French Parnassus."

The first edition of one of the short stories contained in this volume...

Expanded new edition including a notice and an appendix providing a catalogue of the principal violin makers from the fifteenth to the nineteenth century, a description of the most sought-after violins, their dates of manufacture, their market value, and the distinguishing features by which they may be identified, by L. de Pratis.

Half chocolate-brown morocco binding with corners, spine with five raised bands ruled in black, gilt date at foot, marbled paper sides, marbled endpapers and doublures, illustrated wrappers and spine preserved (with a small loss at foot), gilt top edge, signed binding by H. Blanchetière.

A fine copy attractively bound in a signed binding.

Third edition and the last revised by the author, partly original as 25 poems appear here for the first time, bringing the total to 151 poems (as against 100 in the 1857 edition). Copy of the second issue, with a title page dated 1869 and bearing the statement of third edition.
Illustrated with a steel-engraved portrait of Charles Baudelaire by Nargeot as frontispiece.
A few minor spots of foxing, as often encountered.
The upper cover and the half-title page bear the wording: "Oeuvres complètes". According to Clouzot, the volume was sold either separately on its own or as the first volume of the collected works, whose publication extended over several years.
It should...

First edition of this important pre-Revolutionary economic pamphlet. (See INED 3994. Stourm 152. Not in Kress, Goldsmith, or Einaudi.)

Our copy is preserved in its original wrappers and plain paper covers.

A marginal waterstain to the left edge of the leaves.

"Ruelle, an advocate of physiocratic economic principles, demonstrates that the burden of taxation ultimately always falls upon landowners. He argues for the necessity of consolidating all taxes into a single direct income tax. Combined with unrestricted freedom of trade, this tax would constitute the only means of restoring the finances of the State. A critique of public borrowing and a defence of property." See...

Second edition of this French version (the first having appeared in 1781), approved by the author, of the Memorial most humbly addressed to the sovereigns of Europe, on the present state of affairs (London, July 1780) (cf. Sabin 64827).

Disbound copy, presented in a modern marbled paper wrapper.

This text had in fact been the subject of an earlier translation based on the Translation of the memorial by Edmund Jennings and John Adams, which failed to satisfy Pownall (namely the Pensées sur la Révolution de l'Amérique-Unie, issued with the Amsterdam imprint in 1780).

The substance of the various versions nonetheless converges, forming a...

First editions of each of the pamphlets.

Contemporary full speckled calf binding, smooth spine richly gilt in the grotesque style, beige calf lettering piece, patterned paper endpapers and pastedowns, worn corners, red edges, period binding.

Some rubbing to the spine.

Founded in December 1722 by the Holy Roman Emperor Charles VI, the Imperial Company of Commerce and Navigation established Ostend, in the Austrian Netherlands (roughly present-day Belgium), as its home port and warehouse. However, neighbouring powers, in particular the two Dutch East India Companies and the English East India Company, strongly opposed this new enterprise, which threatened their commercial...

First edition of this essential work on the subject.

The first volume is illustrated with an engraved portrait of the author hors texte; the second contains one folding plate hors texte.

Contemporary half aubergine sheep bindings, smooth spines slightly faded and tooled with gilt and blind fillets, a few scuffs to the marbled paper boards, marbled endpapers and pastedowns, speckled edges.

New edition, partly original, revised and enlarged (cf. Vicaire 56; Bitting 231; Oberlé, Fastes, 466).

Contemporary-style half tan sheep, smooth spine decorated with gilt and blind fillets and blind-stamped ornaments, black shagreen lettering-piece, marbled paper boards, modern binding.

A few instances of foxing. 

The author of this work, born in Grasse in 1767 and died in 1839, was appointed physician to Joseph Bonaparte, King of Naples, in 1806.

His dictionary is a mine of highly valuable information on food products from throughout the world, with historical, literary, anecdotal, scientific, gastronomic, and medical entries. It also...

First edition (the work was reissued in 1838–1839); an atlas was planned but appears never to have been published (its prospectus is bound at the beginning of volume IV), cf. Mennessier de La Lance I, 657.

Half blond calf bindings, spines with four raised bands framed with gilt garlands and decorated with gilt fillets and vine motifs, as well as blind-stamped scrolls, marbled paper boards showing some rubbing with small losses, marbled endpapers and pastedowns, sprinkled edges, contemporary bindings.

Two headcaps shaved, some foxing, small loss along one joint of the volume entitled Elève d’Alfort. Hurtrel d’Arboval (1777–1839) was particularly interested in equine...

Victor HUGO
Les Misérables
A. Lacroix & Verboeckhoven & Cie, Bruxelles 1862, 14,5x22cm, 10 bound volumes.

First edition without statement published concomitantly with the Pagnerre's Paris edition.
Bound in half blue sheepskin, spine in four compartments decorated with double gilt fillets, blue paper plates, marbled paste-down and endpapers, mottled edges, English bindings of the time.
Scattered foxings, title page of the third volume slightly and marginally soiled, paper plates a little rubbed and a few tears on some edges, some joints repaired.

Rare first edition, with the wrapper and title page dated 1874.

Half black morocco binding with corners, spine with five raised bands, date at foot, gilt fillet on boards, combed paper pastedowns and endpapers, original wrappers preserved, top edge gilt, binding signed Alix.

Printed in 1869 by Lacroix, this edition was not released for sale for fear of censorship. Only about ten copies were stitched and given to the author (five have been recorded to date). In 1874, Jean-Baptiste Rozez, another Belgian publisher-bookseller, acquired the stock and published the work with a wrapper and cancel title page dated 1874, without publisher's imprint. It was in his...