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Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
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Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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The Ancient AuthorsThe Ancient Authors
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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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ANONYME
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  • ALLELUIA Révérend Père
  • FOL ERMITE DES TOMBEAUX

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ANONYME
  1. Photographie originale - Séchage du théPhotographie originale - Séchage du thé
    ANONYME

    Photographie originale - Séchage du thé

    Japon [Japan] s. d. [circa 1880]|27.50 x 21 cm|une photographie
    Original albumen photograph, mounted on heavy paper and enhanced with watercolor.
    This image shows a group of young women and a man proceeding with tea drying.
    €250
  2. Photographie originale - DoctorPhotographie originale - Doctor
    ANONYME

    Photographie originale - Doctor

    Japon [Japan] s. d. [circa 1880]|26.40 x 20.50 cm|une photographie
    Original albumen photograph heightened with watercolor.
    Caption at bottom right of the photograph: "Doctor".
    Fine proof, finely heightened.
    €250
  3. Photographie originale - Street amazake seller, a kind of drink made of fermented ricePhotographie originale - Street amazake seller, a kind of drink made of fermented rice
    ANONYME

    Photographie originale - Street amazake seller, a kind of drink made of fermented rice

    Japon [Japan] s. d. [circa 1880]|34 x 26 cm|une photographie
    Original albumen photograph, mounted on card and heightened with watercolor.
    Caption at bottom right of the photograph: "Street amazake seller, a kind of drink made of fermented rice".
    Fine proof with good contrast and finely heightened.
    €250
  4. Manuscrit érotique tibétainManuscrit érotique tibétain
    ANONYME

    Manuscrit érotique tibétain

    1900|7.80 x 19 cm|autre

    Erotic manuscript consisting of two beveled wooden boards with two paintings and 10 leaves with a painting on the recto and a handwritten Tibetan text on the recto. The text is the same on the 10 leaves, it is a mantra. On two of the leaves it is almost completely erased. On the recto of the two wooden boards there are also two different handwritten mantras. The paintings are executed directly on the wood and the leaves. The dimensions of the paintings vary somewhat, from 5.5 cm, 6 cm to 12, 14 cm in width.
    This form, 2 pieces of wood with leaves in the middle, is traditional. The whole was often attached by a string, or by holes in the wood through which a string was passed. Very good...

    €750
  5. Pensées philosophiques, politiques, et morales en prose rimée sur le monde et sur le bonheur de l'homme relativement à celui de l'EtatPensées philosophiques, politiques, et morales en prose rimée sur le monde et sur le bonheur de l'homme relativement à celui de l'Etat
    ANONYME, Ferdinand LANDERER

    Pensées philosophiques, politiques, et morales en prose rimée sur le monde et sur le bonheur de l'homme relativement à celui de l'Etat

    [ Johann Trattner]|[Wien] [Vienna] 1771|21 x 26.70 cm|relié
    The rare first edition, illustrated with an engraved title featuring a large vignette within a portico, the title on the pediment, 4 beautiful figures finely engraved and drawn by Landerer (including Camp of the royal troops in Moravia, mausoleum erected by the empress for the Prince of Lichtenstein...) and 2 vignettes at the bottom of the page (View of Schloschof castle).
    Contemporary full raspberry vellum binding. Smooth spine decorated. Spine and joints heavily worn overall. The gilt on the spine is almost invisible. Head cap detached and tail cap torn off. 2 corners bumped, the other 2 rubbed.
    In 55 short chapters, the author composed rhyming maxims on human happiness, the...
    €400
  6. Methode curieuse et facile pour la connoissance des tableaux et sculptures, par qui ils sont faits, avec l'explication du sujet qu'ils représentent, pour la Flandre et BrabantMethode curieuse et facile pour la connoissance des tableaux et sculptures, par qui ils sont faits, avec l'explication du sujet qu'ils représentent, pour la Flandre et Brabant
    ANONYME

    Methode curieuse et facile pour la connoissance des tableaux et sculptures, par qui ils sont faits, avec l'explication du sujet qu'ils représentent, pour la Flandre et Brabant

    Chez J. Moris|A Amsterdam& • se vend a Bruxelles [Brussels] 1772|10 x 16.50 cm|relié

    First edition.



    Worn contemporary half brown sheep binding. Spine with raised bands and ornament. Beige morocco title label. Head torn away with first compartment partly lacking. Tail trimmed. Upper joint cracked, lower joint split with losses. Corners cut. Trace of label on second compartment.
    Two large sections divide this work. The first catalogs and describes the paintings present in the churches and castles from Lille to Antwerp, and this for all the cities of Flanders (Dunkirk, Brussels, Bruges...). The second part consists of biographies of famous painters of Flanders: Rubens, Van Dyck, Otto Van Veen, Jordaens, Van Cleef, Van Oost, etc.

    €180
  7. La tactique moderne de l'infanterie à propos des derniers réglements extrait de la Revue des Deux MondesLa tactique moderne de l'infanterie à propos des derniers réglements extrait de la Revue des Deux Mondes
    ANONYME

    La tactique moderne de l'infanterie à propos des derniers réglements extrait de la Revue des Deux Mondes

    La Revue des deux mondes|Paris 15 Avril 1895|15.50 x 23.50 cm|relié
    First edition of this article from the Revue des Deux Mondes.
    Bradel binding in sienna half-cloth, smooth spine decorated with gilt floral motif, marbled paper boards, orange paper endpapers and pastedowns, contemporary binding.
    Foxing.
    Gift inscription in pen from a previous owner of the work who specified the date of the article and its probable author: Abraham Mikhaïlovitch Dragomirof or Dragomirov, Russian White general.








    €50
  8. Histoire de Médard Bonnart, chevalier des ordres royaux et militaires de Saint-Louis et de la Légion d'Honneur, capitaine de gendarmerie en retraiteHistoire de Médard Bonnart, chevalier des ordres royaux et militaires de Saint-Louis et de la Légion d'Honneur, capitaine de gendarmerie en retraite
    ANONYME

    Histoire de Médard Bonnart, chevalier des ordres royaux et militaires de Saint-Louis et de la Légion d'Honneur, capitaine de gendarmerie en retraite

    Madame veuve Fiévet|Epernai [Épernay] 1828|14 x 23 cm|2 volumes reliés
    First edition published anonymously.
    Bradel bindings in half sienna cloth, smooth spines decorated with gilt fleurons, double gilt fillets at foot, marbled paper boards.
    Gift inscriptions in ink from a previous owner on the half-title pages, scattered foxing.
    Work complete with its 4 portraits, 2 facsimiles and 12 line plates of uniforms.





    €500
  9. Histoire de l'ex-garde, depuis sa formation jusqu'à son licenciement, comprenant les faits généraux des campagnes de 1805 à 1815, son organisation, sa solde, ses indemnités, le rang, le service, la discipline, les uniformes de ses divers corps, terminée par une biographie des chefs supérieurs de la GardeHistoire de l'ex-garde, depuis sa formation jusqu'à son licenciement, comprenant les faits généraux des campagnes de 1805 à 1815, son organisation, sa solde, ses indemnités, le rang, le service, la discipline, les uniformes de ses divers corps, terminée par une biographie des chefs supérieurs de la Garde
    ANONYME

    Histoire de l'ex-garde, depuis sa formation jusqu'à son licenciement, comprenant les faits généraux des campagnes de 1805 à 1815, son organisation, sa solde, ses indemnités, le rang, le service, la discipline, les uniformes de ses divers corps, terminée par une biographie des chefs supérieurs de la Garde

    Delaunay|Paris 1821|13 x 21 cm|relié
    First edition published anonymously.
    Half green sheep binding, smooth faded spine decorated with wide gilt friezes, a fleuron and gilt imperial eagle, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding signed by Saingy.
    Pen gift inscription from a previous owner on the half-title page.
    Rare and handsome copy almost entirely free from foxing.



    €400
  10. Les évangiles des quenouillesLes évangiles des quenouilles
    Maurice LEROY, ANONYME

    Les évangiles des quenouilles

    La tradition|Paris 1948|25.50 x 33 cm|en feuilles sous chemise et étui
    Edition illustrated with 44 original drypoints by Maurice Leroy, one of 50 numbered copies containing a proof state of the drypoints with remarques.
    Slipcase spine sunned.
    Handsome copy.
    €100
  11. Historique du 7e régiment d'infanterie 1569-1890Historique du 7e régiment d'infanterie 1569-1890
    ANONYME

    Historique du 7e régiment d'infanterie 1569-1890

    E. Dentu|Cahors 1890|13.50 x 21 cm|relié
    First edition.
    Bradel binding in half sienna cloth, smooth spine decorated with gilt floral motifs, double gilt fillets at tail, black shagreen title-label, marbled paper boards, orange paper endpapers and pastedowns, original wrappers preserved.
    Gift inscription in pen by a previous owner on the half-title page, minor foxing without significance.
    Work illustrated with an engraving as frontispiece and a folding map at the end of the volume.


    €200
  12. Historique du 2e régiment du génieHistorique du 2e régiment du génie
    ANONYME

    Historique du 2e régiment du génie

    Henri Charles-Lavauzelle|Paris 1893|12.50 x 19.50 cm|relié
    First edition.
    Binding in the bradel in half percaline Siena, smooth back decorated with a golden floret, double gilded nets in tail, title piece of black shagreen, marbled paper plates, guards and contreplats of orange paper, Contemporary binding .
    Illustrated book of inset figures.
    Signed autograph from a soldier to an officer by way of present.
    Rare and nice copy.


    €100
  13. Heures choisies des dames chrétiennes. Tiré des manuscrits du XIIe au XVIIe siècle provenant du cabinet de Mr. H. Baudot, à DijonHeures choisies des dames chrétiennes. Tiré des manuscrits du XIIe au XVIIe siècle provenant du cabinet de Mr. H. Baudot, à Dijon
    ANONYME

    Heures choisies des dames chrétiennes. Tiré des manuscrits du XIIe au XVIIe siècle provenant du cabinet de Mr. H. Baudot, à Dijon

    Lesort|Paris 1874|12 x 15.50 cm|relié
    First edition, illustrated with a frontispiece and 207 chromolithographs, including 5 engravings, with a different chromographic border for each page and several chapter headings. Superb chromographic illustration inspired by medieval books of hours.
    Publisher's binding in full brown morocco. Spine with 5 raised bands in Jansenist style. Title in blind. Upper cover with a monogram composed of an L and D intertwined in chased silver, 4 small chased silver ornaments at the corners, which are found on the lower cover with a larger central ornament. Edges gilt. Wide and rich interior border. Red silk endpapers. Light rubbing to headcaps, corners and gilt. Fine scratches on the covers.
    €500
  14. Le voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'AlibonLe voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'Alibon
    ANONYME

    Le voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'Alibon

    S. n.|s. l. 1704|9 x 15 cm|relié
    First edition, rare.
    Contemporary full vellum binding. Smooth unlettered spine. Top headcap torn. Lack to lower edge of back board.
    Two princes disguised as bourgeois make the journey on horseback to the very famous fair of Guibray, in Normandy. Their journey, recounted by their squire, is a succession of chance encounters. The narrator gives an ample description of the Guibray fair while continuing the gallant and comic adventures of the two princes.

    NB: This work is available at the bookshop on request within 48 hours.
    €450
  15. Critique du "Juif errant". Roqueplan embété par Jules JaninCritique du "Juif errant". Roqueplan embété par Jules Janin
    ANONYME

    Critique du "Juif errant". Roqueplan embété par Jules Janin

    Imprimerie Pilloy frères|Paris 1852|12 x 18.50 cm|relié
    Rare first edition published anonymously.
    Half green sheep binding, smooth spine, red shagreen title-label covering almost the entire height of the spine, marbled paper boards with marginal tears, marbled endpapers and pastedowns, engraved bookplate pasted at head of one pastedown, original wrappers preserved, contemporary binding.
    Foxing.
    Rare.
    Provenance: from the library of Maurice Clouard with his bookplate pasted on one pastedown.
    €100
  16. Paul Verlaine et ses contemporains par un témoin impartialPaul Verlaine et ses contemporains par un témoin impartial
    ANONYME

    Paul Verlaine et ses contemporains par un témoin impartial

    Bibliothèque de l'Association|Paris 1897|14.50 x 19.50 cm|broché
    First edition with no deluxe copies printed. Work illustrated with 2 portraits of P. Verlaine, one unpublished, by G. Bonnet. Some minor foxing.
    €100
  17. Catalogue descriptif des dessins de maîtres anciens exposés à l'Ecole des Beaux-Arts mai-juin 1879Catalogue descriptif des dessins de maîtres anciens exposés à l'Ecole des Beaux-Arts mai-juin 1879
    ANONYME

    Catalogue descriptif des dessins de maîtres anciens exposés à l'Ecole des Beaux-Arts mai-juin 1879

    Georges Chamerot|Paris 1879|14 x 22.50 cm|relié
    First edition printed in a small number of copies on laid paper.
    Bradel binding in half green cloth with corners, smooth spine, date and double gilt fillet at foot, marbled paper boards, original wrappers preserved, red top edge, contemporary binding.
    Handsome copy almost free of foxing.
    €80
  18. Catalogue de tableaux et dessins originaux des plus grands maîtres des différentes écoles ; morceaux à gouasse, terres cuites, pierres gravées & pâtes de composition, &c. qui composaient le Cabinet de feu Charles Natoire, ancien professeur et directeur de l'Académie de France à Rome. Catalogue de tableaux et dessins originaux des plus grands maîtres des différentes écoles ; morceaux à gouasse, terres cuites, pierres gravées & pâtes de composition, &c. qui composaient le Cabinet de feu Charles Natoire, ancien professeur et directeur de l'Académie de France à Rome.
    ANONYME

    Catalogue de tableaux et dessins originaux des plus grands maîtres des différentes écoles ; morceaux à gouasse, terres cuites, pierres gravées & pâtes de composition, &c. qui composaient le Cabinet de feu Charles Natoire, ancien professeur et directeur de l'Académie de France à Rome.

    Chez Chariot • chez P. A. Paillet|à Paris Lundi 14 décembre 1778|13 x 20 cm|relié
    First edition.
    Later Bradel binding in half black morocco, smooth spine with gilt title lettered along the length, marbled paper boards, red top edge.
    Some rubbing to headcaps and spine.
    Numerous contemporary manuscript annotations in margins (results and sometimes names of highest bidders).
    Charles-Joseph Natoire (1700-1777) was a French painter who, after winning the Premier Grand Prix de Rome in 1721, became a pensioner at the French Academy in Rome, of which he became director from 1751 to 1775.
    Bookplate of Henry Pannier's library pasted on front pastedown: a small basket framed by the initials "ENRY" and the motto "Shows them but does not lend them." Henry...
    €1,000
  19. Vue de la ville de GenèveVue de la ville de Genève
    ANONYME

    Vue de la ville de Genève

    Italie [Italy] circa. 1825|22.50 x 18 cm|une feuille sous marie-louise
    Original gummed print.
    This print, depicting the Bay of Naples overlooking the bluish silhouette of Vesuvius, was later added to a set of Italian landscapes in an amicorum album among engravings, lithographs, drawings, and washings.
    Executed in the first quarter of the 19th century, these prints summarize the stages of the "Grand Tour" of Italy, the obligatory journey of the post-Napoleonic nobility who came to Italy to make an artistic and bucolic pilgrimage to the great achievements of the Renaissance, City views and charming Lombard and Piedmont mountain lakes. The European aristocracy was therefore fond of these prints of good graphic quality enhanced...
    €230
  20. Dessin original à l'encre : Paysage italien Dessin original à l'encre : Paysage italien
    ANONYME

    Dessin original à l'encre : Paysage italien

    Italie [Italy] circa. 1825|8 x 11.50 cm|3|une feuille sous marie-louise

    Original ink wash drawing. Of pleasant sepia color, in perfect state of preservation. It represents an Italian landscape, executed in the first quarter of the 19th century. The author signed his drawing at lower right.
    Rome in the 19th century was a place of convergence for European artists. The finest among them came there to train by copying paintings of Renaissance masters. It was also an opportunity for them to paint or draw the landscapes and nature of Latium.

    €200
  21. Le prince après sa mortLe prince après sa mort
    ANONYME

    Le prince après sa mort

    Rome [Rome] circa.1825|10.50 x 14 cm|une feuille sous marie-louise
    The prince after his death: an original copy on a copy, probably of Prince Henry of Prussia.
    Post-mortem portrait of Heinrich Friedrich Karl, Prince of Prussia, died in Rome in November 1846 in his apartment on the first floor of a house in via del Corso. Son of King William II of Prussia, born in December 1781, he was an army general at the time of the Quadruple Alliance against Napoleon, and lived in Berlin after the peace of 1814. From fragile health he obtained from his brother King Frederick -Guillaume III to go to Italy to recover, and settled in Rome in 1819 before falling seriously ill. Henry of Prussia was...
    €120
  22. Portrait fémininPortrait féminin
    ANONYME

    Portrait féminin

    Italie [Italy] circa. 1825|8.50 x 12.50 cm|une feuille sous marie-louise
    Original drawing in pencil, probably from the first half of the nineteenth century.
    Portrait of an elderly lady, dressed and dressed in the fashion of the 1820s, curly hair above the ears, separated in the middle of the forehead and enclosed in a cap trimmed with ribbons. The hair; Very worked by the artist, frames a face with simple and severe features.
    This drawing is part of a collection of pencil portraits of the Prussian aristocracy made in Rome, collected in an amicorum album among engravings, lithographs, etchings, drawings, and washings of landscapes and Italian architecture.
    €150
  23. Liste du Théâtre français et du Théâtre italienListe du Théâtre français et du Théâtre italien
    Donatien Alphonse François de SADE, ANONYME

    Liste du Théâtre français et du Théâtre italien

    s. d. [circa 1790]|16 x 20.10 cm|3 pages sur un double feuillet
    List of 38 plays (15 plays performed at the Théâtre-Français and 23 at the Comédie-Italienne), probably written by one of the Marquis's secretaries.
    Annotations, erasures, deletions and corrections in the Marquis de Sade's hand.
    This list corresponds to theatrical plays performed from 1783 to 1785 at the Théâtre français (present-day Théâtre de l'Odéon) and at the Théâtre italien (known today as the Opéra-Comique or Salle Favart). The Marquis was in the habit of having the Almanach des spectacles sent to him each year in order to keep informed of current events on the Parisian stage. Thus in a letter of December 1784 to his wife Renée-Pélagie, he requests...
    €2,300
  24. Costumes parisiens. Toilettes de promenade (pl.81, Journal des Dames et des Modes, 1913 n°36)Costumes parisiens. Toilettes de promenade (pl.81, Journal des Dames et des Modes, 1913 n°36)
    ANONYME

    Costumes parisiens. Toilettes de promenade (pl.81, Journal des Dames et des Modes, 1913 n°36)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, unidentified signature at the bottom right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279...
    €60
  25. Costumes parisiens. Robe en velours de laine bleu avec longue jaquette de même étoffe doublée et garnie de velours à petit damier (pl.23, Journal des Dames et des Modes, 1912 n°13)Costumes parisiens. Robe en velours de laine bleu avec longue jaquette de même étoffe doublée et garnie de velours à petit damier (pl.23, Journal des Dames et des Modes, 1912 n°13)
    ANONYME

    Costumes parisiens. Robe en velours de laine bleu avec longue jaquette de même étoffe doublée et garnie de velours à petit damier (pl.23, Journal des Dames et des Modes, 1912 n°13)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    Some small bites, mainly high margin, almost without affect the engraving.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of...
    €50
  26. Regla y constitutiones de la cofradia del Sanctissimo sacramento de la yglesia de San Christoval de Granada - Manuscrit autographe enrichi de trois grandes enluminuresRegla y constitutiones de la cofradia del Sanctissimo sacramento de la yglesia de San Christoval de Granada - Manuscrit autographe enrichi de trois grandes enluminures
    ANONYME

    Regla y constitutiones de la cofradia del Sanctissimo sacramento de la yglesia de San Christoval de Granada - Manuscrit autographe enrichi de trois grandes enluminures[Rule and constitutions of the confraternity of the Most Holy Sacrament of the church of Saint Christopher of Granada]

    S. n.|s. l. • [Grenade] [Granada] 1569|21.50 x 30.50 cm|relié
    [ILLUMINATED MANUSCRIPT] ANONYMOUS
    Regla y Constitutiones de la Cofradia del Sanctissimo Sacramento
    de la Yglesia de San Christoval de Granada
    Autograph manuscript with three miniatures
    no publisher | [Granada] 1569 | folio (21.5 x 30.5 cm – upper margin: 35 mm, bottom margin:
    50 mm, interior margin: 30 mm, exterior margin: 40 mm), 31 ff. | 16th-century full calf gilt
    Manuscript on vellum, comprising 31 leaves: 50 pages of text, ruled and lined and 3 full-page miniatures in colours, heightened in gold. The four final leaves were numbered and partly ruled but left empty. Contemporary manuscript ex-libris on front endpaper...
    €45,000
  27. Via veritas et vita [Novum testamentum]Via veritas et vita [Novum testamentum]
    ANONYME

    Via veritas et vita [Novum testamentum]

    Frederici Leonard|Parisiis [Paris] • (Paris) 1697|7 x 12.50 cm|relié
    Edition decorated with a title-frontispiece signed Pitau, which contains as title only Via verita et vita with in the pediment a verse extracted from the Gospel according to Saint John, the title in a book designated by Christ and held by cherubim. Address in the lower banner: Typis Frederici Leonard. Parisiis. 1697. A folding plate containing several maps including the Holy Land, Jerusalem...
    Armorial copy of Pierre Francis de Lastre, with three escutcheons, 2 azure and one gold.
    Full brown morocco binding of the 18th century. Jansenist raised-band spine. Boards stamped with arms in blind with armorial cornerpieces. All edges gilt. Upper joint partly cracked with very slight...
    €500
  28. Les pseaumes de David, mis en vers françoisLes pseaumes de David, mis en vers françois
    ANONYME

    Les pseaumes de David, mis en vers françois

    Chez Zacharie Chatelain|à Amsterdam 1738|8.50 x 15 cm|relié
    New edition, illustrated with a frontispiece by Bernard Picart and 305 pages of musical score.
    Contemporary German full brown calf binding. Raised bands spine decorated. Boards decorated with a large central tool and frames composed of several tools. Edges gilt. Tail headcap partly torn away. Split to upper joint at head and foot along 3 compartments. Tear to leaf 51 with loss at bottom of page. Corners very bumped. Rather rare German binding.
    Music and text of psalms, as well as several canticles. Table of psalms and prayers.

    €350
  29. Règlement de la loge de la ConcordeRèglement de la loge de la Concorde
    ANONYME

    Règlement de la loge de la Concorde

    à Dijon s. d. [1810]|12 x 19 cm|cousu sous couverture d'attente
    [FREEMASONS]
    Règlement de la loge de la Concorde
    Dijon n.d. [1810], 12 x 19 cm, stitched in temporary binding.
    First edition.
    Blue temporary binding with a few dampstains, otherwise a very good and very fresh copy. With it, on two loose leaves, a Cantique sur l'air de la Fête des Bonnes Gens printed in Metz, chez la Veuve Verronnais.
    This publication gives precise details of the rules of the Lodge, its makeup and the rights and duties of each member, in function of their status. This is followed by general and specific dispositions of the Lodge (conditions of admission and voting, affiliation).
    A very good and rare copy.
    €800
  30. Rose de Paris. Robe du soir, de Callot soeurs (pl.50, La Gazette du Bon ton, 1924-1925 n°7)Rose de Paris. Robe du soir, de Callot soeurs (pl.50, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (Soeurs CALLOT)

    Rose de Paris. Robe du soir, de Callot soeurs (pl.50, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
    €90
  31. Hôtel de Madame Melet-Lanvin par Rateau (pl.51, La Gazette du Bon ton, 1924-1925 n°7)Hôtel de Madame Melet-Lanvin par Rateau (pl.51, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (Armand RATEAU)

    Hôtel de Madame Melet-Lanvin par Rateau (pl.51, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Photographic sepia board, printed on laid paper, unsigned.
    A small tear without lack in margin left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148...
    €120
  32. Nocrion, conte allobroge d'après l'édition originale de 1747 avec une préface et des notes de Jamet suivi du fabliau de Garin Le chevalier qui faisoit parler les c... et c.ls avec un glossaire et une post-face par Albert de La FizelièreNocrion, conte allobroge d'après l'édition originale de 1747 avec une préface et des notes de Jamet suivi du fabliau de Garin Le chevalier qui faisoit parler les c... et c.ls avec un glossaire et une post-face par Albert de La Fizelière
    ANONYME

    Nocrion, conte allobroge d'après l'édition originale de 1747 avec une préface et des notes de Jamet suivi du fabliau de Garin Le chevalier qui faisoit parler les c... et c.ls avec un glossaire et une post-face par Albert de La Fizelière

    Gay et Doucé|Bruxelles [Brussels] 1881|12 x 19 cm|broché
    New edition printed in a small number of copies on vergé paper.
    Spine cracked and with small lacks, a spot to lower cover, internally good.
    €60
  33. Les spectacles de Paris, ou calendrier historique & chronologique des théatresLes spectacles de Paris, ou calendrier historique & chronologique des théatres
    ANONYME

    Les spectacles de Paris, ou calendrier historique & chronologique des théatres

    Chez La veuve Duchesne|à Paris 1776|6.20 x 12 cm|relié
    First edition.
    Copy with unidentified arms, a cross accompanied by 4 mallets.
    Contemporary full red morocco binding. Decorated smooth spine. Red morocco title labels. Boards stamped with arms, triple fillet frame with corner tools. Gilt edges. One lack at head. Yellow dampstain on the first 10 leaves. Handsome copy in very desirable condition.
    This almanac had existed for 25 years and catalogued everything of interest in the theatrical and musical entertainment of Paris, not only the venues, but also the actors, musicians, and the repertoire performed. Of note is a review of the opera Iphigénie en Aulide given by Gluck in 1776.
    €400
  34. Les hommes du mouvement et hommes de la résistance, biographie politique des ministres, de tous les membres de la chambre des députés, des principaux pairs de France et de quelques autres hommes politiquesLes hommes du mouvement et hommes de la résistance, biographie politique des ministres, de tous les membres de la chambre des députés, des principaux pairs de France et de quelques autres hommes politiques
    ANONYME

    Les hommes du mouvement et hommes de la résistance, biographie politique des ministres, de tous les membres de la chambre des députés, des principaux pairs de France et de quelques autres hommes politiques

    Pagnerre|Paris 1831|9 x 14.50 cm|relié
    First edition.
    Bradel binding in full boards covered with marbled paper, smooth spine lightly darkened, gilt date at foot, navy blue shagreen title-label, covers and spine preserved, pastiche binding signed by Jarrigeon.
    Some foxing.
    €80
  35. Souvenirs de Lulworth, d'Holy-Rood et de BathSouvenirs de Lulworth, d'Holy-Rood et de Bath
    ANONYME

    Souvenirs de Lulworth, d'Holy-Rood et de Bath

    G.A. Dentu|Paris 1831|10.50 x 15.50 cm|relié
    First edition printed on laid paper.
    Full cardboard binding in imitation vellum, smooth spine very lightly browned, gilt date at tail, brown shagreen title label with small scratches, marbled endpapers and pastedowns, top edge gilt, bookplate pasted at head of one pastedown, original wrappers preserved.
    Some minor light foxing, gift inscriptions facing the half-title page.
    Provenance: from the library of Eugène de Forgues with his bookplate pasted on a pastedown.
    €80
  36. Biblia ad vestustissima exemplaria castigataBiblia ad vestustissima exemplaria castigata
    ANONYME

    Biblia ad vestustissima exemplaria castigata

    Joannes Stelcius|Antverpiae [Antwerp] • (Anvers) [Antwerp] 1570|6.50 x 11 cm|relié
    New edition of this bible, bearing the privilege on the verso of the title page dated January 20, 1558. Preface by Johannes Hentenius, and probably establishment of the text. Printer's device on title page. Decorated initials. Colophon on verso of last leaf: Excudebat Antverpiae Amatus Tavernerius, anno M.D. LXIX. The text is found in the Vulgate version of the very famous Louvain edition of 1547; Charles V had indeed expressly requested a new, more accurate version of the Bible and this was made from Greek, Aramaic and Hebrew texts.
    This Old Testament comprises the Pentateuch: Genesis, Exodus, Leviticus, Book of Numbers, Deuteronomy, and Joshua as well as the Book of Judges and Ruth...
    €1,400
  37. Procès criminel des ex-ministres, orné de leur portrait gravés avec soin, contenant le rapport du roi, les ordonnances de juillet, le rapport de M. Bérenger, l'acte d'accusation, les interrogatoires, la relation exacte et détaillée de tous les débats, séance par séance, dépositions, plaidoyers et incidens de cette cause célèbre, recueillis par les meilleurs sténographes Procès criminel des ex-ministres, orné de leur portrait gravés avec soin, contenant le rapport du roi, les ordonnances de juillet, le rapport de M. Bérenger, l'acte d'accusation, les interrogatoires, la relation exacte et détaillée de tous les débats, séance par séance, dépositions, plaidoyers et incidens de cette cause célèbre, recueillis par les meilleurs sténographes
    ANONYME

    Procès criminel des ex-ministres, orné de leur portrait gravés avec soin, contenant le rapport du roi, les ordonnances de juillet, le rapport de M. Bérenger, l'acte d'accusation, les interrogatoires, la relation exacte et détaillée de tous les débats, séance par séance, dépositions, plaidoyers et incidens de cette cause célèbre, recueillis par les meilleurs sténographes

    Terry jeune|Paris 1830|8.50 x 14 cm|2 volumes reliés
    First edition.
    Half hazelnut calf bindings, smooth spines decorated with gilt friezes and fleurons, three tears with small lacks to headcaps, marbled paper boards, marbled endpapers and pastedowns, marbled edges, corners slightly bumped, contemporary bindings.
    Work illustrated with 4 engraved portraits hors-texte.
    Some light foxing.
    Rare.

    €250
  38. Recueil de tables astronomiques, perpétuelles, et de la table des logarithmes, des sinus, des tangentes & des nombres naturels, dressées à l'usage de la navigationRecueil de tables astronomiques, perpétuelles, et de la table des logarithmes, des sinus, des tangentes & des nombres naturels, dressées à l'usage de la navigation
    ANONYME

    Recueil de tables astronomiques, perpétuelles, et de la table des logarithmes, des sinus, des tangentes & des nombres naturels, dressées à l'usage de la navigation

    Chez Les libraires associés|à Paris 1764|12 x 20 cm|relié

    First edition.
    Contemporary limp parchment binding. Smooth, unlettered spine. Brown stains on both boards, more extensive on the upper board. Binding detached from upper board. Tears to the lower margin of leaf li.
    Complete set of navigation tables (latitudes, moon, winds, ports...), with 64 pages explaining these tables.


    €300
  39. Les journées des 4, 5 Novembre 1880 à Saint-Brieuc chez les pères salvatoristes et les père maristes. Congrégations dissoutes - Expulsions - Fermeture de chapelleLes journées des 4, 5 Novembre 1880 à Saint-Brieuc chez les pères salvatoristes et les père maristes. Congrégations dissoutes - Expulsions - Fermeture de chapelle
    ANONYME

    Les journées des 4, 5 Novembre 1880 à Saint-Brieuc chez les pères salvatoristes et les père maristes. Congrégations dissoutes - Expulsions - Fermeture de chapelle

    L. Prud'homme|Saint-Brieuc 1880|10.50 x 17 cm|relié
    First edition.
    Half grey cloth binding, smooth spine decorated at head with gilt inscription "Saint-Brieuc", marbled paper boards, original wrappers preserved with small corner lacks, bookplate of Brigadier General Richard Benoni pasted on pastedown.
    Tiny insignificant lacks at head of first few leaves, diminishing throughout.
    Rare.
    €60
  40. La grande danse macabre des hommes et des femmes précédée du dict des trois mors et des trois viez, du débat du corps et de l'âme, et de la complaincte de l'âme dampnéeLa grande danse macabre des hommes et des femmes précédée du dict des trois mors et des trois viez, du débat du corps et de l'âme, et de la complaincte de l'âme dampnée
    ANONYME

    La grande danse macabre des hommes et des femmes précédée du dict des trois mors et des trois viez, du débat du corps et de l'âme, et de la complaincte de l'âme dampnée

    Baillieu|Paris s. d. [1862]|20 x 26 cm|broché
    Reprint on laid paper published by Horemans in Lille, using the woodblocks from the edition by Jehan Lecocq in Troyes in 1539.
    This work consists of the reproduction of 56 woodcuts after 15th-century xylographs.
    Spine faded, front board detached, angular crease mark at head of rear board, handsome interior condition.
    €250
  41. Journal de l'insurrection du 18 Mars et des évènements qui l'ont précédée par un spectateur philosopheJournal de l'insurrection du 18 Mars et des évènements qui l'ont précédée par un spectateur philosophe
    ANONYME

    Journal de l'insurrection du 18 Mars et des évènements qui l'ont précédée par un spectateur philosophe

    Jules Taride|Paris 1871|11.50 x 18.50 cm|relié
    Edition published anonymously.
    Half red shagreen binding, spine with four raised bands decorated with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, contemporary binding.
    Some foxing.
    Rare.
    €300
  42. Le monde criminel. Histoire des prisons d'état, des prisons criminelles, des galères, des bagnes et de leurs habitants; suite des récits et des révélations à l'instar des Mémoires de Vidocq et des Mystères de Paris. - Journal d'un forçat, histoire des bagnesLe monde criminel. Histoire des prisons d'état, des prisons criminelles, des galères, des bagnes et de leurs habitants; suite des récits et des révélations à l'instar des Mémoires de Vidocq et des Mystères de Paris. - Journal d'un forçat, histoire des bagnes
    ANONYME

    Le monde criminel. Histoire des prisons d'état, des prisons criminelles, des galères, des bagnes et de leurs habitants; suite des récits et des révélations à l'instar des Mémoires de Vidocq et des Mystères de Paris. - Journal d'un forçat, histoire des bagnes

    B. Renault|Paris 1846|14.50 x 23 cm|2 volumes reliés en 1
    First edition.
    Half purple sheep binding, smooth spine faded and decorated with double gilt fillets, upper headcaps rubbed with some loss, two small holes on spine at joint level, marbled paper boards, contemporary binding.
    Illustrated with 15 out-of-text engravings, some folding, and tailpieces.
    Some foxing.
    Rare.
    €250
  43. Mémoires d'un policemanMémoires d'un policeman
    ANONYME

    Mémoires d'un policeman

    Alexandre Cadot|Paris s. d. [circa 1860]|11 x 17.50 cm|relié
    New edition of the French translation established by Perceval and published by Alexandre Dumas.
    Half dark green shagreen binding, smooth spine slightly faded decorated with double black compartments, marbled paper boards, speckled edges, contemporary binding.
    Minor foxing of no significance.
    €100
  44. Lettres patantes du roy. Portans Permission d'Establir dans ceste ville de Paris & autres de ce Royaume des Chaizes à bras, pour y faire porter de rues à autres Ceux & Celles qui desireront s'y faire porter. Verifiées en Parlement le unziesme Decembre 1617Lettres patantes du roy. Portans Permission d'Establir dans ceste ville de Paris & autres de ce Royaume des Chaizes à bras, pour y faire porter de rues à autres Ceux & Celles qui desireront s'y faire porter. Verifiées en Parlement le unziesme Decembre 1617
    ANONYME

    Lettres patantes du roy. Portans Permission d'Establir dans ceste ville de Paris & autres de ce Royaume des Chaizes à bras, pour y faire porter de rues à autres Ceux & Celles qui desireront s'y faire porter. Verifiées en Parlement le unziesme Decembre 1617

    Sylvestre Moreau|Paris 1617|10 x 16 cm|relié
    First edition of this very rare piece concerning the establishment of public sedan chairs in France. Arms of France engraved on wood to the title.
    Nineteenth-century binding in half cherry red calf with corners, signed E. Niédrée. Spine with five raised bands decorated with gilt fillets. Blind fillet on the boards.
    From the library of Henri Gallice, with his bookplate, an eminent bibliophile who assembled at the end of the 19th and beginning of the 20th century a formidable collection on hunting, subsequently acquired en bloc by Marcel Jeanson.
    Small red ink stamp of F. Plane.
    €450
  45. Journal du siège de Paris en 1590 rédigé par un des assiégés Journal du siège de Paris en 1590 rédigé par un des assiégés
    ANONYME, Alfred FRANKLIN

    Journal du siège de Paris en 1590 rédigé par un des assiégés

    Léon Willem|Paris 1876|13 x 20 cm|relié
    Edition published from the original manuscript in the Mazarine Library, one of 320 numbered copies on Holland paper, the only printing with 30 on Whatman.
    Half blue morocco binding, faded spine with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times, one joint slightly cracked at head, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, near-contemporary binding.
    Text preceded by a study on the customs and manners of Parisians in the 16th century by Alfred Franklin.
    Work illustrated with a double frontispiece plate.
    Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin...
    €100
  46. Nouveau testament de notre seigneur Jésus Christ Nouveau testament de notre seigneur Jésus Christ
    ANONYME

    Nouveau testament de notre seigneur Jésus Christ

    Chez Gaspard Migeot|à Mons 1668|9 x 15.50 cm|2 tomes reliés en un volume
    Fourth edition of the so-called Port-Royal translation established by Ant. Le Maistre, and continued by Antoine Arnauld and Louis-Isaac Le Maistre de Sacy. The first was published in 1667.
    Contemporary binding in full midnight blue morocco. Spine with five raised bands decorated with gilt compartments and fillets. Gilt fillet framing the boards. All edges gilt. Some worm damage at foot of spine. One corner slightly damaged. Some rubbing.
    While the translation was received with the greatest favor in Jansenist circles, it was quickly criticized and censures (banned by the Council of State and the Pope) and attacks followed, notably from the Jesuits. This translation would be...
    €600
  47. Le Tygre, satyre sur les gestes mémorables des Guisards, 1561Le Tygre, satyre sur les gestes mémorables des Guisards, 1561
    ANONYME

    Le Tygre, satyre sur les gestes mémorables des Guisards, 1561

    Berger-Levrault|Strasbourg 1851|15 x 22 cm|relié
    New edition printed in 60 numbered copies, ours one of 2 numbered copies on green paper, deluxe copies after 1 on Mouton paper.
    Half dark green morocco binding, spine faded with four raised bands set with double gilt fillets decorated with double gilt compartments, minor rubbing to headcaps, boards, endpapers and pastedowns of marbled paper, two corners slightly bumped, contemporary binding.
    A handsome and rare copy.
    €230
  48. [PSAUTIER] Les pseaumes en forme de prieres. Paraphrases[PSAUTIER] Les pseaumes en forme de prieres. Paraphrases
    ANONYME

    [PSAUTIER] Les pseaumes en forme de prieres. Paraphrases

    Chez Daniel Horthemels|à Paris 1690|10 x 17 cm|relié
    First edition. A ruled copy. French translation of Latin text on same page.
    This copy bears unidentified initials.
    Contemporary lined red morocco, spine in compartments with two tools, crowned initials BD and a third letter (most likely a ‘T') and two hands shaking hands inside a heart (the arms of the town of Sées in Normandy); these tools repeated on the corners of the covers (with a triple fillet frame). The morocco lining also has these tools in the corners, with a personalized central tool consisting of a crowned medallion with an angel facing a kneeling figure preparing to receive the Holy Spirit. Gilt edges. Slightly rubbed along joints.
    A fine copy in the rarest of...
    €1,600
  49. Maistre Pierre Pathelin, farce du quinzième siècleMaistre Pierre Pathelin, farce du quinzième siècle
    Maurice BERDON, ANONYME

    Maistre Pierre Pathelin, farce du quinzième siècle

    Pour Les Bibliophiles du Palais|Paris 1927|19 x 27 cm|broché sous chemise et étui
    Illustrated with 28 original lithographs by Maurice Berdon and printed in a numbered edition of 200 copies on handmade laid paper from the Rives mills.
    A handsome copy, spine of the chemise lightly sunned without consequence.
    €200
  50. Guillaume au faucon et à sa suite : Le prêtre qui fut mis au lardier et Auberée la vieille maquerelle. Fabliaux du Moyen-Age transposés par Mario Meunier. - Les trois aveugles de Compiègne suivis des Trois chevaliers, de La chienne Estula, du Prêtre et du loup et de la vieille qui oingt la palme au chevalier. Fabliaux du Moyen-Age transposés par Mario Meunier. - Bérengier au long cul suivi du Plisson d'Hermelinde de la Bourse pleine de sens de Brunain la vache au prêtre et des braies du cordelier. Fabliaux du Moyen-Age transposés par Mario MeunierGuillaume au faucon et à sa suite : Le prêtre qui fut mis au lardier et Auberée la vieille maquerelle. Fabliaux du Moyen-Age transposés par Mario Meunier. - Les trois aveugles de Compiègne suivis des Trois chevaliers, de La chienne Estula, du Prêtre et du loup et de la vieille qui oingt la palme au chevalier. Fabliaux du Moyen-Age transposés par Mario Meunier. - Bérengier au long cul suivi du Plisson d'Hermelinde de la Bourse pleine de sens de Brunain la vache au prêtre et des braies du cordelier. Fabliaux du Moyen-Age transposés par Mario Meunier
    Lucien BOUCHER, ANONYME

    Guillaume au faucon et à sa suite : Le prêtre qui fut mis au lardier et Auberée la vieille maquerelle. Fabliaux du Moyen-Age transposés par Mario Meunier. - Les trois aveugles de Compiègne suivis des Trois chevaliers, de La chienne Estula, du Prêtre et du loup et de la vieille qui oingt la palme au chevalier. Fabliaux du Moyen-Age transposés par Mario Meunier. - Bérengier au long cul suivi du Plisson d'Hermelinde de la Bourse pleine de sens de Brunain la vache au prêtre et des braies du cordelier. Fabliaux du Moyen-Age transposés par Mario Meunier

    Marcel Seheur|Paris 1921-1925|19.50 x 24 cm|3 volumes brochés
    Illustrated editions with original woodcuts hand-colored by pochoir by Lucien Boucher, one of 250 numbered copies on Arches paper, the only printing with 1 vellum copy for each of the works.
    Each copy retains its duplicate suite of woodcuts on China paper as stipulated in the justification pages.
    Spines slightly sunned without consequence.
    Rare and handsome set.
    €500
  51. Qui est responsable de la guerre?Qui est responsable de la guerre?
    SCRUTATOR, ANONYME

    Qui est responsable de la guerre?

    F. Amyot|Paris 1871|-|relié
    First edition in French based on the second English edition and published under the pseudonym Scrutator.
    Half chocolate shagreen binding, lightened spine with five raised bands set with gilt fillets, a small lack affecting the head cap, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
    Preface by Alfred Sudre.
    Some foxing.
    Rare.
    €100
  52. Nu féminin jouant de la flûteNu féminin jouant de la flûte
    ANONYME

    Nu féminin jouant de la flûte

    circa 1920|41 x 51.50 cm|une feuille sous marie-louise encadrée
    Original pastel drawing depicting a nude woman in profile playing the flute. Illegible signature at bottom right of the drawing.
    Modern frame.
    €180
  53. L'office du matin et du soir pour les dimanches et les festes de l'année. Partie d'esté. Partie d'Hyver.L'office du matin et du soir pour les dimanches et les festes de l'année. Partie d'esté. Partie d'Hyver.
    ANONYME

    L'office du matin et du soir pour les dimanches et les festes de l'année. Partie d'esté. Partie d'Hyver.

    Aux dépens des libraires|à Paris 1739|6.50 x 12 cm|2 volumes reliés
    Religious almanac, masses.
    Contemporary full old red morocco binding. Smooth spine elegantly and richly decorated. Two title-labels, one in red morocco, the second in black morocco. Triple fillet frame on boards with corner tools. Edges gilt. 2 corners slightly bumped. 2 wormholes along the upper joint of the summer section. Upper joint of the winter section cracked at foot.
    Very handsome copies, bound in high-quality morocco.
    €230
  54. La véritable conspiration dévoilée, ou réflexions sur un ouvrage de M. de Chateaubriand, pair de France, chevalier de Saint-Louis. - Grandes dénonciations de M. le vicomte de Chateaubriand. - Lettre d'un plébéien à monsieur le vicomte de Chateaubriand sur la proposition relative aux dernières élections, et ce qui suit dans la brochure publiée par le noble pair. - Quelques mots sur un pamphlet de M. le vicomte de Chateaubriand ayant pour titre : "Du système politique suivi par le ministère". - Première lettre de M. ... à M. le vicomte de Chateaubriand. - Lettre à M. le vicomte de Chateaubriand concernant un pamphlet intitulé "De la monarchie selon la charte". - Réfutation des erreurs de M. le vicomte de Chateaubriand de la Charte constitutionnelle, de la représentation nationale, de la nature du pouvoir des deux chambres, de l'initiative, de la prérogative royale et de la responsabilité des ministres. - Remarques sur les remarques de M. le vicomte de Chateaubriand, pair de France. - Note sur le dernier écrit de M. le vicomte de Chateaubriand et sur les doctrines constitutionnelles de ce noble pairLa véritable conspiration dévoilée, ou réflexions sur un ouvrage de M. de Chateaubriand, pair de France, chevalier de Saint-Louis. - Grandes dénonciations de M. le vicomte de Chateaubriand. - Lettre d'un plébéien à monsieur le vicomte de Chateaubriand sur la proposition relative aux dernières élections, et ce qui suit dans la brochure publiée par le noble pair. - Quelques mots sur un pamphlet de M. le vicomte de Chateaubriand ayant pour titre : "Du système politique suivi par le ministère". - Première lettre de M. ... à M. le vicomte de Chateaubriand. - Lettre à M. le vicomte de Chateaubriand concernant un pamphlet intitulé "De la monarchie selon la charte". - Réfutation des erreurs de M. le vicomte de Chateaubriand de la Charte constitutionnelle, de la représentation nationale, de la nature du pouvoir des deux chambres, de l'initiative, de la prérogative royale et de la responsabilité des ministres. - Remarques sur les remarques de M. le vicomte de Chateaubriand, pair de France. - Note sur le dernier écrit de M. le vicomte de Chateaubriand et sur les doctrines constitutionnelles de ce noble pair
    ANONYME, Louis Antoine Joseph JARRY DE MANCY

    La véritable conspiration dévoilée, ou réflexions sur un ouvrage de M. de Chateaubriand, pair de France, chevalier de Saint-Louis. - Grandes dénonciations de M. le vicomte de Chateaubriand. - Lettre d'un plébéien à monsieur le vicomte de Chateaubriand sur la proposition relative aux dernières élections, et ce qui suit dans la brochure publiée par le noble pair. - Quelques mots sur un pamphlet de M. le vicomte de Chateaubriand ayant pour titre : "Du système politique suivi par le ministère". - Première lettre de M. ... à M. le vicomte de Chateaubriand. - Lettre à M. le vicomte de Chateaubriand concernant un pamphlet intitulé "De la monarchie selon la charte". - Réfutation des erreurs de M. le vicomte de Chateaubriand de la Charte constitutionnelle, de la représentation nationale, de la nature du pouvoir des deux chambres, de l'initiative, de la prérogative royale et de la responsabilité des ministres. - Remarques sur les remarques de M. le vicomte de Chateaubriand, pair de France. - Note sur le dernier écrit de M. le vicomte de Chateaubriand et sur les doctrines constitutionnelles de ce noble pair

    L'Huillier • Delaunay • Plancher • Lelong • Pelissier|Paris 1816 & 1818|12.50 x 20 cm|9 opuscules reliés en 1 volume
    First editions for each of the 9 volumes, all published anonymously except the fourth and sixth.
    Bradel binding in full old rose cardboard, smooth spine faded, navy shagreen title-label, scuffs to boards, corners slightly bumped, yellow edges, contemporary binding.
    Ink stains on the first endpaper and the following two pages diminishing until they disappear, another affecting the third opuscule on most pages, another ink stain affecting more lightly at foot and without touching the text the pages of the second opuscule, scattered foxing.
    Rare collection of texts defending or demolishing Chateaubriand's political action during the years from 1816 to 1818.


    €350
  55. Vue d'optique - Galerie élevée dans la place de Grêve à l'occasion de la naissance de Msgr le DauphinVue d'optique - Galerie élevée dans la place de Grêve à l'occasion de la naissance de Msgr le Dauphin
    ANONYME

    Vue d'optique - Galerie élevée dans la place de Grêve à l'occasion de la naissance de Msgr le Dauphin

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view representing the gallery erected in the Place de Grève on the occasion of the birth of Monseigneur le Dauphin.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and...
    €230
  56. Dictionnaire des anoblis 1270-1868 suivi du Dictionnaire des familles qui ont fait modifier leurs noms 1803-1870Dictionnaire des anoblis 1270-1868 suivi du Dictionnaire des familles qui ont fait modifier leurs noms 1803-1870
    ANONYME

    Dictionnaire des anoblis 1270-1868 suivi du Dictionnaire des familles qui ont fait modifier leurs noms 1803-1870

    Librairie Bachelin-Deflorenne|Paris 1875|17 x 27 cm|relié

    New edition.
    Half cherry red morocco with corners, spine with five raised bands, gilt date at foot, slight scuffing to spine without gravity, some minor surface wear to the marbled paper boards, marbled endpapers and pastedowns, top edge gilt, binding signed by Canape-Belz.
    Some light foxing without gravity.
    Rare.
     

    €350
  57. Julie philosophe ou le bon patrioteJulie philosophe ou le bon patriote
    Guillaume APOLLINAIRE, ANONYME

    Julie philosophe ou le bon patriote

    Bibliothèque des Curieux|Paris 1910|9 x 15 cm|2 volumes reliés
    First edition of the introduction as well as the bibliographical essay by Guillaume Apollinaire, one of 500 numbered copies on Arches paper, this copy not justified, the only printing after 5 copies on Japan.
    Contemporary half grey cloth Bradel bindings over marbled paper boards, spine with gilt floral motif (slightly sunned), double gilt fillets to foot, black sheep title-pieces, upper corners slightly bumped, the fragile parchment-effect covers preserved, two small snags to upper edges, top edge gilt.
    Handsome autograph inscription signed by Guillaume Apollinaire to his publisher P.V. Stock at head of endpaper of first volume.
    Paper lack to lower cover of...
    €2,300
  58. Aucassin et Nicolette. Chantefable du treizième siècle adaptée par Maurice PonsAucassin et Nicolette. Chantefable du treizième siècle adaptée par Maurice Pons
    ANONYME, Walter SPITZER

    Aucassin et Nicolette. Chantefable du treizième siècle adaptée par Maurice Pons

    Les impénitents|Paris 1960|19.50 x 28.50 cm|en feuilles sous chemise et étui
    Edition printed in 145 numbered copies on Rives laid paper and illustrated with a frontispiece by Edouard Pignon as well as 9 original etchings by Walter Spitzer, of which 6 are on double page.
    Two small tears without consequence to the slipcase. Handsome copy.
    €250
  59. Projet de charte du métier de charcutier 1415-1941. Réunis en congrès à Lyon les charcutiers de France et des colonies à Monsieur le Maréchal de France Philippe Pétain, chef de l'Etat françaisProjet de charte du métier de charcutier 1415-1941. Réunis en congrès à Lyon les charcutiers de France et des colonies à Monsieur le Maréchal de France Philippe Pétain, chef de l'Etat français
    ANONYME

    Projet de charte du métier de charcutier 1415-1941. Réunis en congrès à Lyon les charcutiers de France et des colonies à Monsieur le Maréchal de France Philippe Pétain, chef de l'Etat français

    S. n.|s. l. 1941|-|relié
    First edition.
    Half sand cloth binding, smooth spine, red shagreen title-label with small scratches, marbled paper boards.
    Work illustrated with two photographic facsimiles.
    Some light foxing to endpapers, handsome interior condition.
    €80
  60. La réforme militaireLa réforme militaire
    ANONYME

    La réforme militaire

    R. Chapelot & Cie|Paris 1910|21 x 19 cm|relié
    First edition, one of 5 numbered copies on Japan paper, this one specially printed for Albert Sarraut when he was Under-Secretary of State for War in Aristide Briand's government, deluxe copy.
    Full burgundy shagreen binding, spine with five raised bands with some light scratches of no consequence, gilt roulettes on the headcaps, double gilt fillets on the leading edges, light surface wear to the boards, gilt decorative board-edges with two small lacks, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt retaining its deckled edges.
    Rare copy published anonymously under the initials P.D., journalist at la Dépêche.
    €200
  61. Cours sur le tracé et la construction des batteries de toute espèce à l'usage des écoles royales d'artillerieCours sur le tracé et la construction des batteries de toute espèce à l'usage des écoles royales d'artillerie
    ANONYME

    Cours sur le tracé et la construction des batteries de toute espèce à l'usage des écoles royales d'artillerie

    Imprimerie Royale|Paris 1833|14 x 21.50 cm|relié
    First edition.
    Half brown sheep binding, smooth spine decorated with gilt fleurons, friezes and fillets, hazelnut sheep title-label, fragile joints, marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.
    Complete with its 7 folding plates at rear.
    Some light foxing, a small ink stain at head of one of the plates.
    Rare.
    €350
  62. Le merveilleux voyage de Saint Brandan à la recherche du paradis
    ANONYME

    Le merveilleux voyage de Saint Brandan à la recherche du paradis

    L'artisan du livre|Paris 1925|13 x 19 cm|broché
    New edition.
    A good copy.
    €20
  63. Noels nouveaux sur le chant de plusieurs belles chansons nouvelles de cette présente année mil cinq cens L. IIINoels nouveaux sur le chant de plusieurs belles chansons nouvelles de cette présente année mil cinq cens L. III
    ANONYME

    Noels nouveaux sur le chant de plusieurs belles chansons nouvelles de cette présente année mil cinq cens L. III

    Techener|Le Mans s. d. [circa 1840]|11.50 x 20 cm|relié
    Reprinted by C. Richelet in a numbered edition of 29 copies on laid paper, ours bearing No. 1.
    Half black morocco binding with corners, spine with five raised bands ornately decorated with double gilt compartments, gilt date at foot, light traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, slight nick to top edge, corners slightly bumped, binding signed by Bauzonnet.
    Rare.
    €150
  64. Les estrennes des filles de ParisLes estrennes des filles de Paris
    ANONYME

    Les estrennes des filles de Paris

    Bibliothèque gothique|Paris 1872|12.50 x 18.50 cm|relié
    Very small reprint on laid paper for the bookseller Ballieu, quai des Grands-Augustins.
    Bradel binding in half bordeaux cloth, smooth spine, traces of rubbing to red shagreen title-label, marbled paper boards, original wrappers preserved, upper corners slightly bumped.
    Bookseller's description label pasted to one endpaper.
    Rare.
    €70
  65. Les coulisses du boulangismeLes coulisses du boulangisme
    ANONYME

    Les coulisses du boulangisme

    Léopold Cerf|Paris 1890|12 x 19 cm|relié
    First edition on ordinary paper.
    Bradel binding in half chocolate-colored cloth, smooth spine decorated with a gilt floral motif, double gilt fillet at foot, dark green shagreen title-label, marbled paper boards, bookplate pasted on endpaper, contemporary binding.
    Preface by Mermeix.
    €50
  66. Balzac mis à nu et les dessous de la société romantique d'après les mémoires inédits d'un contemporain.
    ANONYME, Charles LÉGER

    Balzac mis à nu et les dessous de la société romantique d'après les mémoires inédits d'un contemporain.

    C. Gaillandre|Paris 1928|14.50 x 22.50 cm|broché
    First edition, a numbered copy on sorel Moussel paper.
    Preface and notes by Charles Léger.
    A good copy.
    €30
  67. Le mystère de GriselidisLe mystère de Griselidis
    ANONYME, Marie-Anne GLOMEAU

    Le mystère de Griselidis

    Maurice Glomeau|Paris 1923|14.50 x 19.50 cm|broché
    New edition printed from the unique manuscript, one of 700 numbered copies on vellum, the only printing with 37 copies on pure rag vellum.
    Work decorated with 37 illustrations and ornamental letters by G. Ripart.
    Notes and glossary by M.A. Glomeau.
    Handsome copy.
    €40
  68. Crimes des Bourbons depuis Louis XIII jusqu'à Charles XCrimes des Bourbons depuis Louis XIII jusqu'à Charles X
    ANONYME

    Crimes des Bourbons depuis Louis XIII jusqu'à Charles X

    Chez les marchands de nouveauté|Paris 1830|9.50 x 15.50 cm|relié
    First edition.
    Half bronze sheep binding, smooth spine decorated with gilt fillets and blind-tooled fleurons, three small angular lacks to headcaps, marbled paper boards, lower corners slightly bumped, minor scuffs to leading edges, contemporary binding.
    Ballpoint pen gift inscription on an endpaper, some minor foxing.
    €70
  69. L'Eglise, noblesse et povrete qui font la lesive. Moralite nouvelle a troys personnagesL'Eglise, noblesse et povrete qui font la lesive. Moralite nouvelle a troys personnages
    ANONYME

    L'Eglise, noblesse et povrete qui font la lesive. Moralite nouvelle a troys personnages

    Techener|Paris s. d. [1880]|13.50 x 18.50 cm|broché
    Edition printed in 76 numbered copies on vergé paper.
    Sewn in plain paper covers with title in ink.
    Leaves detached.
    A rare copy.
    €70
  70. La Tasse, comédie propre pour estre exhibée au temps de Caresme-prenant, extraite du Cabinet de la Muse du conte d'Aulbe, Gevrien, plus Une salade d'espis de Grame. Le tout avec tant de facetieuseté et plaisanterie que l'autheur et l'imprimeur se condamnent de payer le vin à qui pourra lire sans rire, moyennant que ce ne soit quelque ladre d'esprit, ou quelque chassieux Héraclite, ou pour le moins quelque cerveau anormalement songe-creux, ou rechineusement HéracliteLa Tasse, comédie propre pour estre exhibée au temps de Caresme-prenant, extraite du Cabinet de la Muse du conte d'Aulbe, Gevrien, plus Une salade d'espis de Grame. Le tout avec tant de facetieuseté et plaisanterie que l'autheur et l'imprimeur se condamnent de payer le vin à qui pourra lire sans rire, moyennant que ce ne soit quelque ladre d'esprit, ou quelque chassieux Héraclite, ou pour le moins quelque cerveau anormalement songe-creux, ou rechineusement Héraclite
    ANONYME, [Paul LACROIX as] BIBLIOPHILE JACOB

    La Tasse, comédie propre pour estre exhibée au temps de Caresme-prenant, extraite du Cabinet de la Muse du conte d'Aulbe, Gevrien, plus Une salade d'espis de Grame. Le tout avec tant de facetieuseté et plaisanterie que l'autheur et l'imprimeur se condamnent de payer le vin à qui pourra lire sans rire, moyennant que ce ne soit quelque ladre d'esprit, ou quelque chassieux Héraclite, ou pour le moins quelque cerveau anormalement songe-creux, ou rechineusement Héraclite

    S. n.|s. l. s. d. [circa 1880]|15.50 x 23 cm|relié
    New edition printed on China paper in small numbers and established by the bibliophile Jacob of this play almost unknown to all theater historians.
    Bradel binding in half mouse-gray cloth with corners, smooth spine decorated with a gilt floral motif, double fillet at tail, gray shagreen title-label, marbled paper boards, contemporary binding.
    €100
  71. Méthode abrégée des particules, avec une explication claire & facile des différentes manières de parler à l'usage du collège de ClermontMéthode abrégée des particules, avec une explication claire & facile des différentes manières de parler à l'usage du collège de Clermont
    ANONYME

    Méthode abrégée des particules, avec une explication claire & facile des différentes manières de parler à l'usage du collège de Clermont

    Antoine Delcros|Clermont-Ferrand 1786|10.50 x 16.50 cm|broché
    First edition.
    Our copy is presented in its original plain wrappers.
    Tears and lacks to spine, crease marks at foot and head of all pages in the volume, two small marginal ink stains affecting some pages, gift inscription in ink on title page.
    Worming throughout the work with loss of some letters.
    Rare.
    €150
  72. Rhétorique françoise, à l'usage des jeunes demoiselles, avec des exemples tirés, pour la plupart, de nos meilleurs orateurs & poëtes modernesRhétorique françoise, à l'usage des jeunes demoiselles, avec des exemples tirés, pour la plupart, de nos meilleurs orateurs & poëtes modernes
    ANONYME

    Rhétorique françoise, à l'usage des jeunes demoiselles, avec des exemples tirés, pour la plupart, de nos meilleurs orateurs & poëtes modernes

    L.H. Hovius fils|Saint-Malo 1793|10.50 x 17.50 cm|relié
    First edition.
    Nineteenth-century binding in half green calf, smooth spine faded and decorated with gilt arabesques, headcaps and joints lightly rubbed, scuffs to the boards of
    Full cloth binding, corners and edges rubbed.
    Work illustrated with a vignette on the title page.
    Some light foxing without gravity.
    Rare Saint-Malo printing.
    €200
  73. Etouy, ses origines et ses anciens seigneurs. Notice sur un village du département de l'OiseEtouy, ses origines et ses anciens seigneurs. Notice sur un village du département de l'Oise
    ANONYME

    Etouy, ses origines et ses anciens seigneurs. Notice sur un village du département de l'Oise

    Nicétis Periaux|Rouen 1837|14 x 22 cm|broché
    First edition.
    Work illustrated with plates outside the text.
    Spine sunned and lightly cracked at head, foxing and small corner losses to marginally sunned boards, light traces of adhesive tape at head and foot of endpapers, handsome interior condition.
    Rare.
    €120
  74. Les asiles John Bost à La Force (Dordogne) reconnus par l'Etat comme établissements d'utilité publique le 7 Septembre 1877Les asiles John Bost à La Force (Dordogne) reconnus par l'Etat comme établissements d'utilité publique le 7 Septembre 1877
    ANONYME

    Les asiles John Bost à La Force (Dordogne) reconnus par l'Etat comme établissements d'utilité publique le 7 Septembre 1877

    S. n.|s. l. 1922|11.50 x 15 cm|agrafé
    First edition.
    Spine and covers marginally sunned, one angular lack to head of upper cover.
    Rare.
    €70
  75. Molène aux champsMolène aux champs
    ANONYME

    Molène aux champs

    S. n.|s. l. 1924|13.50 x 19 cm|broché
    First edition printed in 100 numbered copies on laid paper.
    A tiny harmless tear at head of spine which also has a small light stain at foot.
    €50
  76. Vue d'optique - Le Pont Saint Ange à RomeVue d'optique - Le Pont Saint Ange à Rome
    ANONYME

    Vue d'optique - Le Pont Saint Ange à Rome

    Chez Daumont|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Ponte Sant'Angelo in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  77. Vue d'optique - La Vue de Saint Pierre de RomeVue d'optique - La Vue de Saint Pierre de Rome
    ANONYME

    Vue d'optique - La Vue de Saint Pierre de Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving.
    Optical view heightened in watercolor, depicting a view of Saint Peter's in Rome.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very fashionable between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards.
    Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in...
    €180
  78. Vue d'optique - Vue de l'Académie Royale de Peinture à RomeVue d'optique - Vue de l'Académie Royale de Peinture à Rome
    ANONYME

    Vue d'optique - Vue de l'Académie Royale de Peinture à Rome

    Chez Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Royal Academy of Painting in Rome. Blue paper. Optical views, also called views, perspectives or "mondo nuovo", are engravings very fashionable between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first...
    €150
  79. Vue d'optique - Vue du Palais Quirinal à RomeVue d'optique - Vue du Palais Quirinal à Rome
    ANONYME

    Vue d'optique - Vue du Palais Quirinal à Rome

    Chez Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view of the Quirinal Palace in Rome. Blue paper. Optical views, also called vues, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a series of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris, then London...
    €150
  80. Vue d'optique - Vue de l'Eglise de St Jean de Latran à RomeVue d'optique - Vue de l'Eglise de St Jean de Latran à Rome
    ANONYME

    Vue d'optique - Vue de l'Eglise de St Jean de Latran à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view of the Church of St. John Lateran in Rome. Optical views, also called vues, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a series of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris, then London...
    €150
  81. Vue d'optique - Les Boulevards de Paris pris de la Porte du TempleVue d'optique - Les Boulevards de Paris pris de la Porte du Temple
    ANONYME

    Vue d'optique - Les Boulevards de Paris pris de la Porte du Temple

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Boulevards of Paris taken from the Porte du Temple. Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in...
    €150
  82. Vue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à RomeVue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à Rome
    ANONYME

    Vue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the three galleries of the Palace of Arts and Sciences in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the predecessors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in...
    €150
  83. Vue d'optique - Vue du fameux théâtre de Marcellus à RomeVue d'optique - Vue du fameux théâtre de Marcellus à Rome
    ANONYME

    Vue d'optique - Vue du fameux théâtre de Marcellus à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the Theatre of Marcellus in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and finally...
    €150
  84. Vue d'optique - Vue perspective de la Revue de la Maison du Roy. Vue d'optique - Vue perspective de la Revue de la Maison du Roy.
    ANONYME

    Vue d'optique - Vue perspective de la Revue de la Maison du Roy.

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the review of the King's Household, "infantry which takes place every year in the plain of Sablons one league from Paris". Optical views, also called vues, perspectives or "mondo nuovo", were engravings very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were...
    €150
  85. Vue d'optique - L'intérieur de Saint Paul de RomeVue d'optique - L'intérieur de Saint Paul de Rome
    ANONYME

    Vue d'optique - L'intérieur de Saint Paul de Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting an interior view of St. Paul's in Rome. Optical views, also called vues, perspectives or "mondo nuovo", were engravings very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  86. Vue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à ParisVue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à Paris
    ANONYME

    Vue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à Paris

    Chés Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened with watercolors, depicting Saint Eustache Church. Optical views, also known as views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  87. Les dessous de la pudibonderie anglaiseLes dessous de la pudibonderie anglaise
    ANONYME

    Les dessous de la pudibonderie anglaise

    Librairie des bibliophiles|Paris 1900|12.50 x 18.50 cm|broché
    First edition.
    Illustrated cover by Brecht.
    Preface by Hector France.
    A good copy.
    €60
  88. Almanach des Dames pour l'an 1818Almanach des Dames pour l'an 1818
    ANONYME

    Almanach des Dames pour l'an 1818

    Chez Cotta • et chez Treuttel et Würtz|Tubingue [Tübingen] • et Paris 1818|8 x 12 cm|relié
    First edition.
    Full smooth blonde calf binding, smooth spine decorated with a red morocco label, compartments and gilt geometric motifs, boards framed with a Bacchic roll, gilt roll to edges and headcaps, all edges gilt.
    A small lack to foot of joint, corners slightly bumped and edges rubbed.
    The work is illustrated with eight plates.
    €100
  89. Théâtre d'Orléans. Coriolan au camp des Volsques, suivi d'Une journée à Versailles, et des Perroquets de la Mère Philippe
    ANONYME

    Théâtre d'Orléans. Coriolan au camp des Volsques, suivi d'Une journée à Versailles, et des Perroquets de la Mère Philippe

    Imprimerie de Darnault-Maurant|Orléans 1818|41.50 x 53 cm|une feuille
    Poster for the Théâtre d'Orléans, Sunday November 8, 1818 - theatrical performance: Coriolan au camp des Volsques, followed by Une journée à Versailles, and Les Perroquets de la Mère Philippe.
    Wood engraving and typography on watermarked laid paper.
    €80
  90. Galerie des artistes anglais de l'école moderne, ou collection de gravures d'après Turner, Roberts, Bonington...Galerie des artistes anglais de l'école moderne, ou collection de gravures d'après Turner, Roberts, Bonington...
    ANONYME

    Galerie des artistes anglais de l'école moderne, ou collection de gravures d'après Turner, Roberts, Bonington...

    Chez Desenne|à Paris 1835 - 1837|21.50 x 27.50 cm|relié
    First edition of the two series published respectively in 1835 and 1836. 36 steel engravings for the first volume and 40 for the second, totaling 76 engravings engraved by various English engravers and printed on strong paper, under tissue guards. A large title vignette and a frontispiece in the second volume, both dated 1836, therefore could not have been part of the first.
    Green half morocco signed Boutigny. The second volume, although using the same tools (and the same endpaper), and coming from the same workshop, is in a noticeably different binding (bound two years later), in navy blue half shagreen, the ensemble being ultimately more aesthetic than if the color were similar...
    €550
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