ANONYME

First edition.

Worn contemporary half brown sheep binding. Spine with raised bands and ornament. Beige morocco title label. Head torn away with first compartment partly lacking. Tail trimmed. Upper joint cracked, lower joint split with losses. Corners cut. Trace of label on second compartment.
Two large sections divide this work. The first catalogs and describes the paintings present in the churches and castles from Lille to Antwerp, and this for all the cities of Flanders (Dunkirk, Brussels, Bruges...). The second part consists of biographies of famous painters of Flanders: Rubens, Van Dyck, Otto Van Veen, Jordaens, Van Cleef, Van Oost, etc.

Original ink wash drawing. Of pleasant sepia color, in perfect state of preservation. It represents an Italian landscape, executed in the first quarter of the 19th century. The author signed his drawing at lower right.
Rome in the 19th century was a place of convergence for European artists. The finest among them came there to train by copying paintings of Renaissance masters. It was also an opportunity for them to paint or draw the landscapes and nature of Latium.

First edition.
Contemporary limp parchment binding. Smooth, unlettered spine. Brown stains on both boards, more extensive on the upper board. Binding detached from upper board. Tears to the lower margin of leaf li.
Complete set of navigation tables (latitudes, moon, winds, ports...), with 64 pages explaining these tables.

New edition.
Half cherry red morocco with corners, spine with five raised bands, gilt date at foot, slight scuffing to spine without gravity, some minor surface wear to the marbled paper boards, marbled endpapers and pastedowns, top edge gilt, binding signed by Canape-Belz.
Some light foxing without gravity.
Rare.