First edition printed in 250 copies.
Fine autograph inscription signed by Pierre de Crisenoy on a full page in red ink in the manner of Barbey d'Aurevilly to Monsieur H. Barthélémy: "... au réalisateur de tant de beaux livres et en remerciement de la magnifique édition des "Membra", ce humble essai de mes vingt ans, en attendant mieux. / 18 Septembre 1944." ["... to the creator of so many beautiful books and in gratitude for the magnificent edition of "Membra", this humble attempt from my twenties, awaiting better. / 18 September 1944."]
Worming to boards, handsome interior condition.
Rare.
First edition, one of 18 numbered copies on pur fil, from the deluxe issue.
Full red Jansenist morocco binding, spine in five compartments, date gilt at foot, black morocco endpapers and pastedowns, covers and spine preserved, all edges gilt; matching half red morocco chemise, spine in five compartments, date gilt at foot, black felt lining; slipcase edged in red morocco, ochre felt interior, a highly elegant ensemble superbly executed by Duhayon.
A superb copy, impeccably bound in a triple binding by Duhayon.
First edition.
Contemporary red cloth Bradel binding by Pierson, spine with gilt floral motif, date and double gilt fillet to foot, black shagreen title label.
A little light spotting, principally affecting the first and final few leaves.
Ex libris of Adolphe Racot on inside upper cover.
Concerning Victor Hugo, Alfred de Musset, George Sand, François-René de Chateaubriand, Théophile Gautier, Alexandre Dumas fils, and so on…
Autograph inscription from Emile Zola to Adolphe Racot.
First edition, one of 90 numbered copies on Hollande paper, the tirage de tête.
Elegant half red morocco binding over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
A very good, well-margined copy in a handsome binding.
First edition, an advance (service de presse) copy. A handsome and moving autograph inscription from Maurice Blanchot to his brother, sister-in-law and nephews: "Qui m'a tué ma mort, c'est là ce que je demande. H. von Kleist ["Who killed my death, that is what I ask here. H. von Kleist”].
Covers and spine lightly sunned at edges (but not seriously).
First edition, one of 25 numbered copies on "pur-fil" paper, most limited issue.
The book Camus dedicated to his friend René Leynaud.
Rare and handsome copy.
"La Revue Libre, a clandestine review, published in February 1944 an anonymous Lettre à un Ami allemand. It was by Camus. By Camus, too, was the second letter that appeared at the same date, under the pseudonym Louis Neuville, in the Cahiers de la Libération. Together with two others, which had remained unpublished, these letters make up the small volume Lettres à un Ami allemand, published in 1945, after the Liberation." (Henri...
First edition on ordinary paper.
Contemporary Bradel binding in half almond cloth, smooth spine very slightly faded decorated with a gilt typographical fleuron, double gilt fillet at foot, red shagreen title-label, marbled paper boards, original wrappers preserved, front cover with small harmless stains at head.
Presentation copy, signed and inscribed by Jules Renard to Jean Ajalbert.
Provenance: Jean Ajalbert’s Japanesque bookplate, in the style of the Nabis, woodcut printed in a very small number of copies and signed with a monogram, probably that of Félicien Rops. "His bookplate bears all the character of his literature: it is an idealised...
First edition, one of 126 numbered copies on alfa, complete with the original signed etching by Brassaï, , the tirage de tête.
Autograph inscription by Brassaï.
Additionally, this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: "Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais, les mules des piqûres aux perroquets mal laqués..."
Introduction by Henry Miller.
A very good copy with exceptional additions.
First edition.
Contemporary full brown calf binding. Spine with raised bands decorated with 5 fleurons. Red morocco title-label. Triple gilt fillet frame on boards. Rubbing to headcaps, joints, edges and corners. 2 corners slightly bumped. Good copy.
Treatise on the courtier, and the manner of conducting oneself with princes.
Fragility of the courtier's position and utility of diplomacy.
