First edition on ordinary paper.
Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "... ce livre qui nous rajeunit...[…this book that makes us young again…]"
New edition published under the direction of Victor Cousin and illustrated with 45 folding plates at the end of the volumes.
Full polished calf bindings in light brown, spines evenly darkened with four raised bands ruled in gilt and decorated with double gilt panels, gilt rolls at head and tail, gilt friezes at the foot of the spines, a few heads of spines slightly trimmed, joints rubbed, black calf lettering and volume labels, gilt fillet and garland borders on the covers, upper boards gilt-stamped at centre with crowned laurel wreaths and the gilt inscription “académie de Paris - Prix du concours général”, moiré silk endpapers and pastedowns in white, all edges gilt, gilt fillets on the board edges, a few corners lightly rubbed, contemporary bindings.
The set includes 45 folding plates: 11 in volume 3, 12 in volume 4, 11 in volume 5, 3 in volumes 6 and 7, 2 in volumes 8 and 9, and 1 in volumes 10 and 11.
Scattered foxing.
A new duodecimo edition of the most celebrated work by the writer and historian Charles Pinot Duclos, published in the same year as the first edition. According to the Dictionnaire des ouvrages anonymes et pseudonymes of 1822, "the edition without place of publication, 1751, 12mo, in large type"—the present edition—"should be preferred to that bearing Prault's name, 1751, which contains a dedicatory epistle to the King." (our own translation)
Fine contemporary binding in polished tan calf, spine with five raised bands, highlighted with a gilt roll, decorated with five compartments richly gilt with mascles and ermines, repeated on the boards within a blind fillet border, brown morocco lettering-piece, gilt fillet on boards edges, edges stained red, turn-ins tooled in gilt palmette pattern, oak-leaf patterned pastedowns and endpapers. A copy stamped with the heraldic charges (ermines and mascles) of the Rohan family, or more precisely of the Rohan-Guémené, Rohan-Rochefort, or Rohan-Soubise branches.
Joints slightly split for 2.2 cm and 0.5 cm on upper boards, light rubbing to board edges and corners, three library labels affixed to upper pastedown and verso of front free endpaper. Minor marginal tears to p. 281 and pp. 361-366, author's name annotated in black ink on title page: "Par Mr. Duclos de l'Acad. franç."
First edition of a poetry collection printed in a very small number of copies.
No copy recorded in the CCF. A single copy held in WorldCat (National Library of Australia).
Light, scattered foxing.
Half brown percaline Bradel binding, smooth spine, date and place gilt at the foot of the spine, marbled paper boards, original wrappers preserved, corners slightly rubbed, contemporary binding.
First edition of the French translation (cf. Sabin 26375).
A defence of Catholic principles addressed to a Protestant minister (…) preceded by a notice on the author’s life and virtues. Translated from the English by Prince Augustin Galitzin. Paris, Ch. Douniol [printed by Simon Raçon et Comp.], 1856, 12mo.
Contemporary half navy blue shagreen, spine with four raised bands ruled and panelled in gilt, slight unobtrusive rubbing to the spine, marbled boards, marbled endpapers and pastedowns.
Scattered foxing.
A work of religious controversy; the preface offers interesting information regarding Prince Galitzin’s activities in the United States.
Bound after it: Alexandre Pushkin, "Le faux Pierre III", printed in Paris by Plon in 1858 (2 ff.n.ch. and 192 pp.), being the first edition of the French translation by Prince Augustin Galitzin.
First public edition of this text written under the pseudonym François la Colère, one of 50 numbered copies on Madagascar paper, the deluxe issue.
Rare and fine copy.
First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.
A fine copy.
Deluxe first edition on Oikos paper, limited to 200 copies, this copy being one of 5 presentation copies signed by the publisher and enriched with unpublished documents relating to the discovery of the manuscript.
Swiss binding with exposed stitching, smooth cloth spine, illustrated boards and slipcase.
Original French translation of the last manuscript recovered from a deportee assigned to the Sonderkommandos.
Marcel Nadjary (1917-1971), a Greek Jew from Thessaloniki, deported to Auschwitz in the spring of 1944, was assigned to the Sonderkommando. He wrote a letter to dear friends to bid them farewell and describe the horrific work he was forced to carry out. He then buried his clandestine manuscript in the soil of Birkenau. This document was recovered thirty-six years later, on October 24, 1980.
This testimony, written at "the epicenter of the catastrophe," is published here for the first time in French translation, together with a second manuscript that Marcel Nadjary wrote in 1947 to preserve a record of his experience at the heart of the Birkenau inferno.
Texts by Serge Klarsfeld, Nelly Nadjary, Alberto Nadjary, Fragiski Ampatzopoulou, Georges Didi-Huberman, Tal Bruttmann, Loïc Marcou, and Andreas Kilian accompany and illuminate these two exceptional documents.
Translated from Greek by Loïc Marcou
First edition, illustrated with photographs by Lucien Clergue.
Publisher’s binding in full boards, smooth spine,
With a text by Jean-Marie Magnan.
Signed autograph inscription by Lucien Clergue to the writer Christiane Baroche: "Pour Christiane ces images de notre éternelle jeunesse ! et avec la bise de Lucien. 5.X.2002."
Collective edition, partly original, issued without any deluxe copies.
A pleasing copy.
Author's signed presentation inscription from Elias Canetti to his cousin: "Meiner liebsten Kusine Matica, der einziger, die geblieben ist, was sie immer war, begabt, klug, offen in Liebe und Freundschaft. Elias Canetti. Paris, September 1962" ("A ma chère cousine, la seule qui est reste ce qu'elle a toujours été, douée, intelligente, ouverte, en amour et en amitié)."
First edition, one of the review copies.
A pleasing copy.
Signed presentation inscription from Paul Valéry to Germaine Fiévé : "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
First edition, one of the review copies.
Spine partially and lightly sun-faded without consequence, with a small restored nick at the head of the backstrip.
Author's signed presentation inscription from André Malraux to the diplomat and man of letters Pierre de Boisdeffre.
First edition, with no copies printed on deluxe paper, one of the publisher’s review copies.
Pleasing copy, complete with its publisher’s printed slip.
Autograph presentation inscription signed by Paul Valéry to Germaine Fiévé: "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
First edition, one of 35 numbered copies on Rivoli vellum, the only deluxe-paper issue.
A particularly handsome copy
First edition, one of 24 numbered copies on Vélin Rivoli, the only deluxe issue.
A particularly handsome copy.
First edition, one of 36 copies on pure-wire vellum, the only copies printed on deluxe paper.
A particularly attractive copy.
First edition of the French translation, for which no deluxe paper copies were issued.
A handsome copy, complete with its photographic dust jacket showing a tiny tear at the head of the spine, with illustrations.
Inscribed and signed by Julio Cortázar to the writer Christiane Baroche: "Pour toi, Chirstiane, avec toute mon amitié. Julio."
Very rare first edition (125 copies printed according to Quérard) of this remarkable exposition of Talma’s dramaturgical principles, still regarded as a “revolutionary” actor despite his immense success (his friendship with Napoleon never wavered); the text was inserted the same year, 1825, at the beginning of the new edition of the Memoirs of Henri-Louis Caïn, known as Lekain (1729–1778), who was still considered in the early nineteenth century as one of the greatest tragedians of the eighteenth century.
See Quérard IX, 333.
Scattered foxing.
Full cherry-red long-grain morocco, smooth spine tooled with gilt fillets, garlands and fleurons, gilt rolls at head and tail, gilt fillet, garland and dotted border together with blind-stamped palmettes on the boards, small black speckling on the front board, blue endpapers and pastedowns, gilt lace border on the pastedowns, gilt fillets on the board edges, all edges gilt, contemporary binding.
A handsomely produced copy in a period Romantic full-morocco binding.
First edition.
With press clippings laid in.
Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.
A pleasing copy.
New edition.
Foreword by Wayne McEvilly.
Spine and boards faintly and marginally toned, without consequence.
Handsome presentation inscription signed by Anaïs Nin to the writer Christiane Baroche : "Christiane Baroche écrit : "Ici j'entends germer le monde. Et je m'invente au jour le jour. L'infame imaginaire que mon rêve a du vivre a l'inverse de ma vie. Anaïs Nin."
First edition, with no deluxe paper issue.
A small stain to the upper-left margin of the front cover; an attractive copy nonetheless.
Fine dated and signed presentation inscription from Annie Ernaux to the writer Christiane Baroche : "Voilà Christiane, je ne pouvais réellement écrire autre chose... Avec amitié AErnaux 6/01/88."
First edition, one of 70 numbered copies on Arches wove paper.
Our copy is enriched with the autograph signatures of Jacques Prévert — who signed as Jacques Rêve-vert (with the word “vert” highlighted in green) — and of André Pozner, each accompanied by two small drawings: a little cat for Jacques Prévert and a camel’s hump for André Pozner.
A fine copy, complete with its slipcase.
New edition, revised, corrected, and considerably enlarged.
Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.
Some minor rubbing to the spines, a few corners slightly bumped.
L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.
This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its contents but constitutes a very rare Zweibrücken printing bearing the false Saarbrücken imprint: Deux-Ponts was in fact an autonomous and conveniently located printing centre (by virtue of its proximity) for introducing into France titles that could not otherwise evade censorship.
First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.
Second edition, illustrated with a macabre engraved frontispiece (cf. Quérard II, 516; Cioranescu, XVIII, 13544, for the original 1712 edition).
Contemporary handwritten annotations on the title leaf.
Full brown calf binding, spine with five raised bands richly gilt in compartments with decorative tools, red morocco title label largely missing, gilt fillet framing the covers, sprinkled edges, corners rubbed, contemporary binding.
Headcaps worn down, some rubbing to spine and boards.
Second edition of this highly engaging work of early “libertine” philosophy, in the original sense of the term.
The project of the Réflexions was inspired by a remark from Montaigne: “Si j'estoy faiseur de livres, je feroy un registre commenté des morts diverses. Qui apprendroit les hommes à mourir, leur apprendroit à vivre” (Essais, I, XX).
Yet this first work by the young Boureau-Deslandes, placed on the Index in 1758, is far from being a mere compilation of entertaining anecdotes. While it does recount the deaths of various notable men and women who met their end with distinction, its deeper purpose is to demonstrate the possibility of a philosophy capable of reconciling life and death without recourse to religion.
First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.
With sections devoted in particular to Cesare Pavese and Alberto Moravia...
A rare and attractive copy of Dominique Fernandez’s first published work.
First illustrated edition, with a frontispiece portrait of the author and a plate of music inserted at the end.
Not listed in Schwab.
Contemporary binding in half polished Havana calf, smooth spine decorated with gilt fillets, chain motifs and floral tools, saffron paper boards, marbled edges.
Joints split at foots and slightly at heads, a pleasant copy overall.
An important work by the renowned Austrian orientalist (1774–1856) devoted to ancient Persian poetry, containing a large number of extracts translated into German and an extensive index.
The work, dedicated to the great French orientalist Silvestre de Sacy, was carefully printed in Gothic type; the Persian translations are presented in two columns.
A handsome, large-margined copy in a period binding.
First edition, one of 45 numbered copies on Holland paper, the deluxe issue.
Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.
A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.
First edition, one of 40 numbered copies on Ingres paper, deluxe issue.
A fine copy.
New edition, one of 50 copies on deluxe paper (no. 29/500) and issued with a named dedication, ours specially printed for Baron Emmanuel-Alban Guillaume-Rey (1837–1916), orientalist and archaeologist specializing in medieval Syria.
Full rigid vellum binding, smooth spine decorated with gilt fillets and floral tools, brick-brown morocco title label, gilt place and date at foot, gilt cornerpieces on the covers, original wrappers preserved, contemporary binding.
A poetic account of the exploits of Peter I of Lusignan, King of Cyprus (1328–1369), written shortly after his death at the request of Charles V, and centered on the so-called “Alexandrian Crusade,” the ill-fated expedition launched in 1365 at the call of Pope Urban V, which led to the capture of the Egyptian port on 10 October 1365.
A handsome copy attractively bound in a style reminiscent of medieval bindings.
First edition, with no deluxe-paper copies printed.
Illustrations.
A handsome copy despite the slightly faded spine.
Precious and fine signed presentation copy from Louis Aragon to Maurice Druon: "A Maurice Druon, pour qu'il sache que de temps je m'égarée dans Césarée. [sic] Louis".
First edition of this important account of Buffon, providing insights into his private life, his character, and his relationships with those around him; it also contains numerous references to his scientific work (cf. Quérard I, 119: "Lyon, Grabit, 1788"; Dureau, "Notice sur Joseph Aude," p. 15).
Half vellum binding, smooth spine with a red morocco title label in vertical layout, marbled paper boards, slightly rubbed corners, sprinkled edges.
Stains in the margins of the title page and final leaf.
The memoirs proper end on page 55.
The following pages contain the poems announced in the title.
The rarity of this volume was already noted by Dureau in 1868...
Chevalier Aude (1755–1841), a prolific dramatist and former secretary to Caraccioli, had also served as Buffon’s secretary and resided, in the manner of an “Eckermann,” with the great naturalist at his estate in Montbard.
Armorial bookplate "Sapere Aude" pasted on the verso of the front board, likely belonging to a descendant of the Chevalier.
First edition, printed in a small number of copies, of this offprint from issues 314 and 318 of the Revue africaine (1923 and 1924).
Half black shagreen binding, spine with five raised bands, gilt date at foot, marbled paper boards, marbled endpapers, original wrappers and spine preserved, contemporary binding.
Illustrated with 4 plates, including a frontispiece portrait. Tailliart 592.
Rare copy of this meticulous monograph (later reissued under the Champion imprint), documenting the journey Daudet made to Algeria from 21 December 1861 to 25 February 1862, accompanied by his cousin Reynaud.
Drawing on a wealth of sources, the author succeeded in reconstructing the writer’s exact itinerary; the purpose of the work was to respond to Degoumois’s claims in L’Algérie d’Alphonse Daudet : Essai sur les sources et les procédés d’imitation d’A. Daudet (Geneva, 1922), in which he asserted that most of the Algerian descriptions found in Lettres de mon moulin, Tartarin de Tarascon and Contes du lundi were merely borrowed from Eugène Fromentin.
Our copy is enriched with an autograph letter signed by Jules Caillat, dated Paris, 7 June [1924?], most likely addressed to the publisher (bifolium of 4 pp. in-12), sent together with three original photographic plates (those used for the book’s illustrations) and a roll containing a proof of each.
Caillat also discusses the desired print run (350 copies, of which only 300 were available for sale) and the typographical changes required in the transition from periodical articles to book form.
First French edition, one of 25 numbered copies on Hollande paper, deluxe issue.
This second volume of La comédie américaine was first published in English as The Ski Bum.
Fine copy.
First edition, one of 52 copies printed on Montval paper, ours being the second of 12 hors commerce copies, a deluxe issue.
Half anthracite-grey long-grained morocco, smooth spine lettered with the author’s name, title, date, and the palladium-stamped inscription “EXEMPLAIRE J. KESSEL”, abstract patterned paper boards, dove-grey paper endpapers and pastedowns, original wrappers and spine preserved, binding signed by Thomas Boichot.
Some light foxing mainly affecting the first and last leaves.
Exceptional and deeply moving full-page signed presentation inscription from Maurice Druon to Joseph Kessel: “Il fallait bien, mon grand Jef, que le premier livre que je t'envoie depuis que tu es Immortel soit les mémoires de Zeus. Je remercie les Destins de m'avoir donné un tel oncle et d'avoir permis que nous nous aimions si bien. Je t'embrasse. Maurice Mai 1963.”
First edition.
Some light foxing.
Contemporary half aubergine sheep binding, smooth spine decorated with gilt and blind fillets, gilt friezes at head and foot, marbled paper boards, marbled endpapers and pastedowns.
Our copy is enhanced with a photographic portrait of Victor Hugo (Souvenir du 16 septembre 1862) which he has countersigned in ink, serving as frontispiece; as well as an autograph inscription signed by Victor Hugo added on a blue paper leaf: "A mon vaillant et cher compagnon d'épreuve C. Berru",
Camille Berru (1817-1878), French journalist, was editor at l'Indépendance belge, a Brussels daily newspaper directed since 1856 by the Marseillais Léon Bérardi (1817-1897), who later made him his private secretary. He was closely connected to the Hugo family, not only to Victor, but also to his son Charles and to Adèle Foucher. During his stays in Brussels, it was at Berru's home that the exile from Guernsey regularly stayed, with his wife, who died there of a cerebral congestion on August 27, 1868.
First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Bound in full ebony morocco, smooth spine decorated with small inlays of garnet morocco and pearl-grey box calf, the latter framing the author’s initials and the title; the first numeral of the date, given in Roman numerals, appears within a square of pearl-grey box calf. Morocco boards framed with wide panels of chocolate suede, the upper cover with a large granulated paper panel lettered with the title and date of the edition set in garnet morocco, the initials framed by a rectangle of paper taken from a map of Haute-Savoie; bluish paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt; housed in a chemise with a rhodoid-backed spine and slipcase trimmed with ebony morocco. Binding signed by Pierre-Lucien Martin and dated 1964.
These “memoirs-autobiography” by Simone de Beauvoir trace her life from her success at the agrégation prepared with Jean-Paul Sartre to the Liberation of Paris in August 1944.
A superb and celebrated binding, produced in a few copies, each differing slightly, by Pierre-Lucien Martin, one of the masters of twentieth-century French bookbinding.
First edition, one of 160 hors commerce copies on Lana vellum, ours being one of 60 hors commerce copies, the only deluxe issue.
Half long-grain black morocco binding, smooth spine lettered with the author’s name, title, date, and the palladium inscription “EX. JOSEPH KESSEL 1958”, wood-patterned paper boards, grey endpapers and pastedowns, wrappers and spine preserved, binding signed by Thomas Boichot.
Some foxing, mainly affecting the wrappers and the first and last leaves.
Exceptional and moving signed autograph presentation from Maurice Druon to Joseph Kessel: "A toi mon grand Jef, cet Alexandre le grand né lui aussi sous le signe du Lion en même temps que du Bélier et que tu as aidé de tes conseils et de ton exemple en t'embrassant très fort. Maurice Juin 58"
First edition, one of 95 hors commerce copies on pure wove paper, the only deluxe paper issue.
Half fawn morocco binding, smooth spine with gilt lettering of the author's name, title, date, and the mention “EX. J. KESSEL”, fawn paper boards, rust-colored endpapers and pastedowns, original covers and spine preserved, binding signed by Thomas Boichot.
Some foxing mainly affecting the covers as well as the first and last leaves.
Exceptional and moving signed autograph inscription from Maurice Druon to Joseph Kessel: "A toi mon grand Jef, prince des Cavaliers, avec la joie de t'avoir rejoint parmi les Immortels, cette histoire de famille en t'embrassant pour tous les jours des hommes. Maurice 1967."
First bilingual edition with texts in Spanish and French, one of the numbered copies.
Publisher’s full beige cloth bindings, smooth spines, complete with their illustrated dust jackets and slipcase.
A richly illustrated work featuring numerous black and colour reproductions of Vieira da Silva’s artworks.
Texts by Jean-François Jaeger, Guy Weelen, Jean-Luc Daval, Diane Daval Béran, Virginie Duval...
A fine copy, complete with the chronological list of works reproduced in colour, inserted as a loose leaf.
First edition, one of 10 lettered copies on Holland paper, the only deluxe copies.
Illustrated on the cover with a portrait of Max Jacob by Pablo Picasso.
A rare and handsome copy.
First edition, with no deluxe paper copies issued (except for No. 7) for each volume.
Our complete set comprises:
Céline Notebooks 1: Céline and the Literary Scene 1932–1957.
Céline Notebooks 2: Céline and the Literary Scene 1957–1961.
Céline Notebooks 3: Semmelweis and Other Medical Writings.
Céline Notebooks 4: Letters and Early Writings from Africa 1916–1917.
Céline Notebooks 5: Letters to Female Friends.
Céline Notebooks 6: Letters to Albert Paraz 1947–1957.
Céline Notebooks 7: Céline and Current Events 1933–1961.
Céline Notebooks 8: Progress followed by Works for Stage and Screen.
Illustrations.
Rare complete set.
First edition, one of 30 numbered copies on Ingres d'Arches paper, the deluxe issue.
A fine copy.
First edition, with no deluxe copies printed.
Spine faded with a small tear at the foot.
Inscribed by Roland Barthes to Pierre Dumayet.
First edition, review copy.
Nice copy.
Signed autograph Andre Suares Georges Le Cardonnel: "... that should all read & do not think less ..."
First edition, one of 69 numbered copies on pur fil, the only deluxe paper copies.
A very handsome copy.
First edition of the French translation by Isabelle Rivière, one of 33 numbered copies on pur fil de Voiron, ours being one of 5 hors commerce copies, reimposed in quarto Tellière format, the only deluxe copies.
A handsome and rare copy.
First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.
A very handsome copy.
First edition, one of 40 numbered copies on Lana wove paper, the only deluxe paper issue.
A handsome copy.
First edition on ordinary paper.
A pleasant copy.
Precious signed autograph inscription from André Pieyre de Mandiargues: "A Henri Michaux le coeur de son vieil ami André Pieyre de Mandiargues" enriched with Yvonne Caroutch’s handwritten signature.
First edition, one of 25 numbered copies on Popset Whisky paper, the deluxe issue.
A fine copy.
First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.
Minor rubbing along the joints. A rare and attractive copy.
First edition.
Half brown shagreen binding, spine faded with five raised bands, date gilt at foot, marbled paper boards, comb-marbled endpapers and pastedowns, marbled edges, contemporary binding.
Minor foxing, mainly at the beginning of the volume.
Signed autograph inscription from the Goncourt brothers to Mr. Simon.
First edition, no copies printed on deluxe paper.
Pleasing copy.
Signed autograph inscription from Robert Badinter: "Pour Claude Moncorgé, affectueusement, son cousin. Robert."
Rare first edition, no deluxe paper copies mentioned.
Bradel binding in cream half-cloth, smooth spine decorated with central gilt tooled flower, gilt date and twice ruled in gilt at foot, brown sheep title label with scuffs and a small loss of leather, boards covered in cat’s-eye patterned paper, some staining to the lower board, original wrappers preserved, contemporary binding.
A few small tears to margins, occasionally with very slight lacks of paper to the first few leaves; an inscription by the author on the half-title neatly erased.
First edition on ordinary paper.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge, original covers and spine preserved.
Scattered foxing mostly affecting the edges.
First edition, one of 100 numbered copies on Holland paper.
Some minor foxing, two tears and slight losses to the spine.
Paul Léautaud’s handwritten signature beneath the colophon.
First edition on ordinary paper.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, a small tear at the foot of the spine, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge.
Scattered foxing.
