First edition.
Contemporary full bronze calf, spine with four raised bands lavishly decorated in gilt with fillets and dentelles and with blind-stamped tools in the compartments, sides with large blind-stamped panels composed of an elaborate frame of dentelles and fillets, four corner rosettes, and a central lozenge-shaped cartouche ornamented with gilt arabesques and rosettes, corners bumped, gilt rolls to the edges and turn-ins, gilt dentelle border to the pastedowns, a few scuffs, all edges gilt, strictly contemporary binding, signed Martin.
Our copy is complete with the frontispiece and the facsimile of the signatures of Molière and his daughter.
Some foxing.
A handsome...
New edition of the French translation and first printing of illustrations by T. Johannot and Jacque.
Bradel binding in half hazelnut brown shagreen, smooth spine, joints very slightly rubbed at head, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt. Light marginal dampstain of no consequence at head of first leaf, occasional foxing.
Work illustrated with a frontispiece and 11 wood-engraved figures, printed on China paper and mounted on heavy paper by T. Johannot as well as 170 vignettes in the text.
Text preceded by an essay on the life and works of Sterne by Jules Janin.
Edition illustrated with 125 original vignettes engraved on wood by Porret.
Half chocolate morocco binding, spine with five raised bands set with stippling and double gilt fillets, gilt dentelles at head and foot of spine which shows very light traces of rubbing without gravity, marbled paper boards, marbled endpapers and pastedowns, gilt edges, binding signed by Franz.
Work illustrated with 16 plates hors-texte and numerous wood vignettes after C. Nanteuil, T. Johannot...
Some light foxing.
Handsomely bound copy.
Illustrated edition with 59 original woodcuts by Louis-Joseph Soulas, one of 1000 numbered copies on Rives paper.
Half chocolate morocco binding with bands, spine with four raised bands, gilt fillet frames on marbled paper boards, moire paper endpapers and pastedowns, covers and spine preserved (spine with restoration at foot), elegant binding hand-signed by Marot-Rodde.
A handsome copy in perfect condition.
Edition illustrated with original tailpieces and vignettes by Jean-Gabriel Daragnès engraved on wood, one of 250 numbered copies on Arches vellum, the only edition with 30 various Japan.
Publisher's binding in full flexible boards covered with watered paper, title vignette pasted on the front cover.
Precious and fine autograph inscription from J.-G. Daragnès to André Gide who signed twice (in black ink then in blue ballpoint pen).
A tiny lack at the foot of one joint, handsome copy.
The program is illustrated by V. Barthe (wrapper) and includes hors-texts by Chatzman, Manet (a reproduction of his Olympia), Picasso, Vassilieff, Fotinsky and Ganovsky (a spatial composition).
Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin, the “dance of the lobster, crab and crocodile” with costumes by Marie Vassilieff and Fernand Léger, the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke, three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry, a dance by Thamara Svirskya to Satie's Gymnopédies, “Japanese...
First edition, one of 50 numbered copies on pur fil paper, the tirage de tête (firsts deluxe) copies after 10 Chine paper.
Illustrated with drawings by Georges Ribemont-Dessaignes.
Spine slightly faded, a few pale spots, not serious, to upper wrapper, internally good.
A rare copy.
