First editions and first French translations of great international literary works

First edition, illustrated with a large title vignette with the coat of arms of Louis XIII, as well as numerous fine woodcut head-and tailpieces as well as initials. Preceded by an epistle to Marie de’ Medici. Printed entirely in italic in 2 columns per page, each canto has divisional half-title page. At the end of the privilege one reads: “Achevé d’imprimer pour la première fois en italien le 24 avril 1623.” 

Modern full vellum binding, spine with five raised bands, manuscript title label, boards w

Complete works of Goethe comprising his poetry, theater, novels, critical essays and correspondence. Gothic printing in 2 columns. 5 superb steel engravings on thick paper under yellow tissue guards in volume 2 by Kaulbach and Felner in Gothic or classical style and engraved by English engravers, 2 engravings in volume 3. One of the first complete works of the author who died in 1833. The same publisher had issued this edition in 55 thin volumes in 1833, here delivering a more compact and manageable version.
German contemporary full green shagreen binding. Smooth spine decorated with rococo tools connected by long fillets. Gilt title and volume number. Double fillet frame on boards.

First edition, rare, first issue with the 8 lines of errata on one leaf. The illustration, executed according to the author's very precise instructions, comprises a frontispiece, an engraved title with a vignette and 38 plates by Hablot Knight Browne, including one in mezzotint: On the dark road. Text on tinted laid paper.

Contemporary half red shagreen binding. Raised bands spine, decorated. Author and title in gilt. Top edge gilt. Margins of the frontispiece, engraved title and engravings browned, as is usually the case in English editions of Dickens. Clean text, free from foxing. Light rubbing. Handsome copy.
A novel written in a distinctly darker vein f

First edition

Contemporary full red morocco binding. Decorated spine with raised bands. Red morocco title label. Triple fillet frame on boards. Gilt edges. Traces of rubbing. 2 corners slightly bumped.

Fine copy, precious in contemporary red morocco.

Second issue, printed in March-April 1917, one month after the first edition published in February of the same year.
Publisher's red cloth.
Exceptional inscribed copy signed by H.G. Wells to André Citroën: “To André Citröen who has to do his share in making a new world out of a very shattered old one. From H. G. Wells.”
The inscription echoes the chapter of the book entitled New arms for old ones, in which Wells describes the armament factory created by Citroën to remedy the French artillery weakness. Reconverted at the end of the war, the factory will become the first Citroën automobile manufacturer.

New illustrated edition 300 numbered copies printed, ours on marble Vellum paper. The book is embellished with 50 drawings in color by Pablo Roig and decorated with a frame in the Art Nouveau style by Riom.

Full brown shagreen, the spine sunned in five compartments completely blindtooled from half circle embellished with golden carnations, fillets by cold soldering outline the raised band, date and place of publication to foot, covers are completely framed with a grid pattern of blindtooled fillets forming decorative compartments in their center a golden hoop, the large plate achieved by Saint-André in the center of the first chiseled cover in a sunken Andalusian pattern repres

First collective edition, for which no deluxe paper copies were issued, one of the press service copies.
Preface by Louis Aragon.
Precious autograph inscription signed by Louis Aragon to his friend Charles Dobzynski, whose wedding witness he was, along with Elsa Triolet: "A Dob, Louis."