First illustrated books, wood engravings, vignettes, copper plate engravings, illustrated books, scientific illustrations

First edition, illustrated with a frontispiece by Mellan and a portrait of the author by Champaigne engraved by Nanteuil, published posthumously by the author's nephew, Martin de Pinchesne.
Contemporary late 18th-century full mottled calf. Spine with raised bands, richly gilt in a grotesque pattern with two alternating tools. Pink calf lettering-piece. Joints split at the head. Worming at the foot. Two corners bumped. Some rubbing. A few leaves evenly browned, others lightly yellowed. Headcap clumsily restored. Yellow dampstain to the lower outer corner of the first 30 pages.

First edition, illustrated with four plates, including a folding world map (cf. Sinkankas 3466; Agassiz III, 370).

Full fawn calf, spine with five slender raised bands, gilt-tooled compartments with occasionally softened floral tools, rubbed gilt headcaps, brown morocco lettering-piece, marbled endpapers and pastedowns, gilt dentelle framing the pastedowns, gilt fillets to board edges, marbled edges, contemporary binding.

Repairs to the spine, one joint split at head and foot, browning along the board margins with surface scratches, scattered foxing, a waterstain at the head of all leaves.

A noteworthy treatise devoted to yellow amber and above all to ambergris, the...

Rare first edition (cf. Gay 367; Leclerc 638).

The work is illustrated with a map of the port and harbor of Brest and five plates: How the beds of the Negroes are made [and] The house of the Negroes – How the Moors ride their Camels, Horses and Oxen with their merchandise – How the Negroes collect palm wine [sic] [and] How they climb the palm trees [and] How the Negroes make incisions to extract the palm wine [and] how they are dressed – Dress of lords and notable persons – How the women are dressed and how they carry their children on their backs [and] How the Negroes dance in a circle.

This account is considered a valuable narrative, offering noteworthy details on the trade...

First edition, illustrated with a frontispiece, a portrait of the author, and 14 copper-engraved vignettes within the text, mostly depicting inhabitants of the North (cf Sabin, 38711.)

Restored binding in full grained morocco, spine with five false raised bands adorned with gilt fillets and double compartments, gilded roulettes on the partially faded caps, small repairs to the joints, gilt fillets on the edges, slightly worn corners, binding of the period.

Ink annotations on the white endpaper and at the top of the false-title page.

Born in Rouen in 1634, La Martinière embarked around 1670 as a surgeon on a ship of the Northern Company bound for Norway, and visited...

Collective edition, partly original. It is illustrated with 3 frontispiece titles and 23 figures by François Chauveau. The three frontispiece titles dated 1660, the title page of the second volume with the date 1664, the other two title pages dated 1660. In the second volume, the privilege is also dated 1664, while the other two volumes have the privilege dated 1660. The second volume is therefore the 1664 reprint, identical in every respect to the 1660 edition, with the exception of the collation of the preliminary pieces. The three discourses as well as the examinations of each piece appear for the first time.

Binding in full 20th-century chocolate morocco signed Alix at the...

First edition, illustrated with an allegorical frontispiece and 34 half-page engravings by Sébastien Le Clerc.

Contemporary full red morocco binding with elaborate dentelle gilt decoration. Spine with raised bands, richly tooled in gilt with onion flower motifs. Red morocco title and volume labels. Wide gilt dentelle border on the covers, executed with small tools. Gilt edges. Headcaps, joints, and corners restored; gilt decoration on the headcaps renewed. Noteworthy: the engraving on p.125 has been printed in reverse.

Bookplate with the armorial bearings of Pierre de Laussat, apparently reaffixed to the front endpaper.

The rare first edition, illustrated with 100 in-text figures of medals, each showing obverse and reverse. Of the three parts that were to appear successively, only this one was published, Le Menestrier's death having put an end to this work. The work was not even put on sale; the author only distributed a few copies around him. It is therefore very rare to come across this edition. The 1642 edition entitled Medales illustrées des anciens Empereurs et Impératrices de Rome is the same work to which the publisher Paillot added the Médailles des impératrices from a manuscript he had purchased from the heirs. Jean-Baptiste Le Menestrier, antiquarian, should not be confused with the heraldist...

Rare illustrated first edition, with 5 copper-engraved plates hors-texte, including 2 folding plates (cf. Barbier II, 302. Schwab, 517. Hage Chahine, 4320. Wilson, 200. Absent from Blackmer and Atabey.)

Our copy lacks the two dedication leaves to Rouillié, often missing, with repairs to the joints and one corner, and a manuscript ex-libris on the title-page.

Contemporary full mottled fawn calf, spine with five raised bands gilt and decorated with gilt compartments and floral tools, tan calf title-label, gilt fillets to the edges partly faded, speckled edges.

Sanson, a zealous apostolic missionary, tireless traveller and accomplished diplomat, arrived in Persia in...

Second edition, issued with the date of the original, which bears the imprint of Michallet in Paris (cf. Willems 1899. Blackmer 325 (our edition) and 326 (third, 1679). Atabey 222 (third edition).

Illustrated with a frontispiece and, at the end of the volume, a large folding view of the battle of Khotin.

Full polished brown calf, spine with five raised bands, decorated in blind with fillets and panel compartments, gilt rolls to the spine ends, covers framed with triple fillet and blind palmette tools, comb-marbled endpapers, gilt garland frame to the pastedowns, double gilt fillets to the edges, red-speckled edges, gilt garland frame to the pastedowns, 19th-century...

Second collective first edition, with continuous pagination, containing for the first time Phèdre, the Discours prononcé à l'Académie françoise à la réception de Messieurs de Corneille et de Bergeret and the Idylle sur la paix.(Brunet, IV, 1077). Work illustrated with 12 figures including 2 frontispieces, most signed by François Chauveau; the frontispiece of the first volume engraved by Le Brun. 
Edition shared between Barbin, Denys Thierry and Pierre Trabouillet.
Full midnight blue morocco binding from the late 19th century signed at the foot of the pastedown Thibaron-Joly (Former worker of Trautz, Thibaron partnered with the gilder Joly in 1874). Spine with raised bands decorated...

Rare first edition, illustrated with an engraved title page and 51 emblems by Adriaen van der Venne, engraved by Wil. Passe, J. Gelle, Cri. Blon, A. Poel and J.S. [Swelinck]. A reprint was issued in 1661; this first edition circulated only among a privileged elite and was not made available to the general public.
Late 18th- or early 19th-century caramel calf-backed binding with small corners. Spine with raised bands and gilt fillets. Brown morocco title label. Upper joint split at head and tail. Some rubbing. Margin of p. 108 restored over 6 cm. A few faint spots of foxing.

First edition illustrated with 47 charming emblematic figures arranged on 13 plates on fine paper and a title headpiece. Only the title vignette is signed Gaudier. Lacking the frontispiece. Each figure in a medallion features the sun in a dominant position and a symbolic element such as a musical instrument, a landscape, an animal, as well as a Latin motto. Rare printing from Aix-en-Provence.

Late 19th-century Bradel binding in half beige cloth. Smooth spine with dark red shagreen title label running lengthwise. The plates have slightly narrower outer margins than the leaves. Some foxing, particularly on the title page.

First edition with a beautiful allegorical frontispiece showing the city of Babylon and its tower of languages in the background, and 4 folding plates of medals and coins.

Armorial copy with the arms of the city of Amsterdam.
Contemporary Dutch binding in full marbled brown sheep. Decorated spine with raised bands. Black morocco title label. Arms of the city of Amsterdam stamped in gilt at the center of the boards. Framing fillet with fleurons in the corners, framing frieze. Edges gilt. Some rubbing. Gilt slightly faded. Handsome copy.

Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
Provenance: Library of Gianni de Marco with its book plate and itsseal.
No copies in an American Library, one in the British...

First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L’Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inner gilt dentelle, marbled endpapers, all edges gilt. Bindings...

The rare first edition, illustrated with a title-frontispiece and 22 plates after paintings by Eustache Le Sueur and engraved by François Chauveau. Captions of the engravings in two columns, one verse in Latin, with its translation alongside. Brunet III, 1020.
Half chocolate-brown glazed shagreen binding circa 1860 with corners, signed L. Fixon at the bottom of the last leaf. Jansenist spine with raised bands. Engraved title, as well as the initials S. D. Tears with lacks to the lower board. Cut to one corner of the lower board and corner slightly bumped. Some rubbing. Fine copy, very fresh.
Le Sueur painted between 1645 and 1648 the cycle of the life of Saint Bruno, a set of 22...

The rare first edition. Printed in two columns. Vignette of a sphere on the title page. 14 in-text figures and diagrams and numerous tables, notably a calendar of the position of the stars and zodiac figures, tables of latitudes and longitudes.

Contemporary limp vellum binding with flaps. Smooth spine unlettered. Traces of ties. Split to upper joint at head over two centimeters. Various stains. Lacking the first endleaf before the title. Lower right corner of title page missing. Brown stain to lower right corner from leaf 14 to leaf 32.

Commentary by Georg Henisch on the treatise of the sphere by Proclus, the celebrated Neo-Platonic philosopher of the...

First bilingual French-German edition, illustrated with 71 plates and a fortification table.
Contemporary full ivory vellum binding. Smooth spine decorated with triple blind fillets, title and author in pen. Boards framed with triple blind fillets; traces of clasps. All edges blue. Six small contemporary leather bookmarks. Bavarian bookplate of the period.
Spine split with a small loss along its entire length. One joint slightly cracked (1.5cm). A small ink stain on the second board. Pages uniformly and lightly browned. Front pastedown affected by bookworm damage.