First Editions

First edition, of which there were no deluxe copies.
Precious signed autograph inscription from Henri de Korab to Henri Béraud: "... qui le premier fit du reportage un grand art..." ["who was the first to make reporting a great art..."]
Cover illustrated by A. Noël.
Preface by Henry de Jouvenel.
A lack at foot of spine.
Provenance: from the library of Henri Béraud in Ré.

The first edition, of which there were no deluxe copies.
Precious signed autograph inscription from Henri Pairault to Henri Béraud: "... en hommage de haute estime littéraire..." ["in tribute of high literary esteem..."] enriched with a visiting card on which the author requests a little time from Henri Béraud so that he might devote some of his attention "à cette humble plaquette dans le fatras des productions qui vous parviennent..." ["to this humble booklet among the jumble of productions that reach you..."]
Work illustrated with 20 caricatures of distinctly anti-German inspiration.
Two small lacks to foot of spine, foxing to rear board.
Provenance: from the library of Henri Béraud of Ré.

First edition on ordinary paper.
Precious autograph inscription signed by Pierre Bise to Henri Béraud: "... ce vibrant appel d'un neutre à la vigilance de la France gardienne de la civilisation méditerranéenne..." ["...this vibrant appeal from a neutral to the vigilance of France, guardian of Mediterranean civilization..."]
Illustrated cover.
Spine and back cover lightly and marginally sunned.
Provenance: from the Ré Island library of Henri Béraud.

The first edition, of which there were no deluxe copies.
Affectionate autograph inscription dated and signed by Angelo Rossi to a friend: "A Maurice, cette tentative d'explication d'une époque qui nous a été commune, en amical hommage." ["To Maurice, this attempt to explain an era we shared, in friendly homage."]
A small and light dampstain of no consequence at the foot of the spine.

The first edition, of which there were no deluxe copies.
Precious signed autograph inscription from François de Hauteclocque to Henri Béraud.
Light foxing to covers.
Provenance: from Henri Béraud's Ré library.

First edition, a Service de Presse (advance) copy.
Precious signed autograph inscription from René Benjamin to Henri Béraud "... que j'aime parce qu'il est libre et fort..." ["... whom I love because he is free and strong..."]
Illustrated.
Minor foxing without consequence affecting mainly the endpapers.
Provenance: from Henri Béraud's library in Ré.

New edition.
Precious autograph signed by Commander Pierre Weiss to Henri Béraud.
Preface by the Countess de Noailles.
Very slight freckles without gravity on the second flat and the back.
Provenance: Henri Béraud's library.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious autograph inscription signed by Georges Suarez: "A Henri Béraud que j'aime..." ["To Henri Béraud whom I love..."]
Provenance: from the library of Henri Béraud on Île de Ré.

The first edition, of which there were no deluxe copies.
Signed autograph inscription from Maurice Bouvier-Ajam to Madame Bastiel.
Handsome copy complete with publisher's slip.

First edition, one advance (service de presse) copy.
Handsome and rare autograph inscription signed by Dieudonné Costes to Henri Béraud.
Small marginal foxings on the covers
Provenance : Henri Béraud's library, from Île-de-Ré.

Edition, one of the few copies on Holland paper which he makes no mention.
Binding half morocco blue, burnished smooth back adorned with a cross of Lorraine struck palladium, framing of double net palladium on marbled paper plates, guards and contreplats of handmade paper, palladium head, preserved covers .
autograph dedication of the author autograph signed by Georges Ducrocq Bookseller Clouzot and his wife.
Some small foxing, a joint with some traces of friction Length.

First illustrated edition with 5 chromolithographs, one color map, all pages within a wide engraved border featuring marine scenes, landscapes, monuments... The effect of these borders is quite extraordinary when one further considers that they are renewed on each page.
Publisher's binding in half red shagreen bound by Engel and richly decorated with two special plates, a repeated ornament at head and foot, scattered stars throughout and thick and thin fillets. Special gilt plate created by Souze, an anchor in the foreground, caravels on the sea and the setting sun in which the American continent appears. The same plate is found on the back without the title. Traces of rubbing at the lower edges on the covers and at the corners, as well as at the outer edges. Nevertheless a very handsome copy, with fine freshness, both external and internal.
The biography of Christopher Columbus (1856) by Count Roselly de Lorgues was significant in its time, elevating the navigator to the rank of Christian and Catholic hero, Léon Bloy would draw from it to write his own version of Columbus: Le révélateur du globe.

Edition, one of 60 copies hors commerce numbered on vellum only leading copies.
autograph dedication of the author autograph signed by René Delpêche Paul Antonini: "... the brother of a good friend who has known many other chapters ..."
Preface by Pierre Lazareff.
Cover.
spine slightly insolated, nice interior state.

First edition.
Half tan sheep binding with corners, smooth spine rubbed, marbled paper boards also with rubbing, marbled endpapers and pastedowns, bookplate pasted on one pastedown, original wrappers preserved, top edge speckled.
Work illustrated with plates in text and hors-texte.
Rare.

First edition, one of 350 numbered copies on marais crèvecoeur paper, the only large paper copies.
A good copy.

New edition, the most complete version of this work originally published in 1722. This edition was expanded by Patouillet. One frontispiece.
Contemporary full blonde sheep binding. Smooth spine decorated. Red morocco title and volume labels. A lack at the foot of volume I. Headcap of volume IV worn. Overall rubbed. All 4 volumes bear a brown wax stain at the foot. Corners slightly bumped.
The lack of moderation by Dominique de Colonia in his compilation of the dictionary caused his book to be placed on the Index as early as 1749, the same happened with the additions by Louis Patouillet, applying the thesis of Jansenism to Catholic authors and even to Madame de Sévigné (an ample explanation of the pernicious influence of the Letters is given). Each dictionary entry is followed by a critique of the work and a summary. An index allows one to find all authors.
Red stamp on the half-titles: Bib. Dom. Christi Regis

first edition.
autograph dedication of the author autograph signed by Mr. Pierre Ringel to Deflin.
Iconography.
Letter-foreword by Louis Jouvet.
Small freckles on the upper edge, a slight hitch in the middle of the second board.

first edition.
Bound in half red morocco, smooth back with a gold monogram Length, rubbed a bit, marbled paper plates, guards and contreplats of handmade paper, gilded head.
Tribute autograph signed by the author.
Rare.
Rare.

first edition.
Binding to bradel half red calico, smooth back thinned with a gold floral motif, double net gilded tail, as a piece of blue shagreen, marbled paper plates, wrappers preserved and bound in, contemporary binding.
Bel autograph signed Emile Durandeau: "My dear sir, please please welcome my book, the book of a painter Please also accept my respectful homage.."

First edition.
Signed autograph inscription from the author on the half-title page "à son ami Michel Chevalier".
Contemporary binding in half midnight blue calf, smooth spine richly decorated with gilt and cold fillets as well as gilt foliate interlacing, gilt mention "bibliothèque de Michel Chevalier" at tail.
Some rubbing and foxing, otherwise a handsome copy.
Provenance: from the library of Michel Chevalier with his bookplate.

Rare first edition printed on strong laid paper.
Half blue calf bindings with corners, smooth spines decorated with gilt fillets forming triple compartments and large Romantic motifs stamped in gold, gilt fillet on covers, some rubbing, pastedowns and endpapers lined with marbled paper, contemporary binding.
Work illustrated with a frontispiece by Barrois in volume I and a frontispiece drawn and engraved by Langlois du-Pont-de-l'Arche in volume II.

First edition; a private edition was made in a few copies for the author's family in 1837, and it took 8 years before the author decided to release it to the public. 9 folding tables (budgets for the years 1806, 1808...)
Contemporary binding in half glazed blonde calf. Spine with false raised bands decorated with cold and hot fillets, roulette at foot. Red morocco title label, and black morocco volume label. A very slight crack to the upper joint at the head of volume 4, otherwise fine copy, moreover of perfect freshness.
Essential memoirs for understanding the Empire according to Tulard. Mollien was Minister of the Treasury from the Consulate to the end of the Empire. His memoirs are particularly concerned with details and precision. In the preface, Mollien admits his preference for Adam Smith's school over his own (Mollien spent 5 years in England studying finance after being dismissed and imprisoned during the Terror). He notably created the Court of Auditors. The work begins with an analysis of France's financial situation under Louis XVI, up to Bonaparte's rise. The tax system was consolidated under Napoleon, notably as consequences of the Empire's multiple wars. The memoirs contain numerous letters between the minister and his sovereign. The author thus presents an unprecedented economic and financial portrait of France under the Empire.

First edition of this complete polemical journal in 12 issues.
Half red shagreen binding, spine with four raised bands set with gilt dots decorated with double gilt compartments adorned with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Rare and handsome copy.

First edition.
Half-bronze calf bindings, spines with four raised bands set with gilt borders decorated with cold-stamped typographical motifs as well as gilt garlands, traces of rubbing to joints, marbled paper boards, marbled endpapers and pastedowns, speckled edges, elegant contemporary Romantic bindings.
Some light foxing of no consequence.

First edition of the French translation established by J.F. Minssen.
Half dark green morocco bindings, spines with five raised bands, dates and places gilt at foot, some traces of rubbing and scratches on some spines, marbled paper boards, marbled endpapers and pastedowns, some corners slightly bumped without gravity for the set, marbled edges, elegant bindings.
Some light foxing. Second board damaged at head with head joint slightly cracked and two corners bumped for volume 4.
Bookplates from the library of Vaux-le-Vicomte pasted on pastedowns.
Handsome complete set in 23 volumes (22 volumes of text and 1 volume of introduction to 19th century history) established in a charming uniform binding.

First edition.
Bindings in half red Russia morocco, spines with four raised bands set with gilt garlands decorated with triple gilt compartments, gilt fillet on marbled paper covers, marbled endpapers and pastedowns, yellow and speckled edges, elegant near-contemporary bindings signed by Capé.
Engraved bookplates mounted on pastedowns.
Some minor foxing of no consequence.

First edition, one of the rare copies on Holland paper of which no mention is made.
Full red morocco binding, spine with five raised bands decorated with black fillets, gilt date at foot, gilt roulettes on headcaps, small black spots in margins of boards, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, double gilt fillets on leading edges, all edges gilt, elegant unsigned binding.
Work illustrated with 12 unpublished drawings by Alphonse de Neuville and L. Sergent.
Occasional foxing.
Fine copy.

First edition of the first three volumes out of four.
Work illustrated with 2 portraits and 1 facsimile as frontispieces.
Stains on the spines and boards, some light foxing affecting primarily the spines, boards and endpapers.

First edition.
Half green sheep binding, smooth spine faded and decorated with triple gilt fillets, headcaps slightly rubbed, marbled paper boards, marbled endpapers and pastedowns, some minor tears to the leading edges without consequence, contemporary binding.
Light foxing affecting mainly the edges, ballpoint pen annotations by a former owner concerning the copy of this work held by the Bibliothèque Nationale.
Rare.

First edition.
Illustrated pamphlet with a reproduction of a portrait of Henri de Marle.
Spine and boards lightly and marginally sunned without significance, handsome interior condition.

First edition published in a small number of copies of this offprint from L'Ecole des Chartes.
Joint cracked at foot, boards and spine lightly and marginally sunned, small corner lacks to boards, handsome interior condition.

First edition.
Bradel bindings in red half-cloth, smooth spines decorated with a gilt fleuron, gilt date and double fillet at foot, brown shagreen title-label, marbled paper boards.
Concerning notably Stendhal, A. de Lamartine, F.R. de Chateaubriand, E. Scribe, A. Tastu...
Some foxing.

First edition, one of 475 numbered copies on Ingres paper, the only printing along with 25 on Japan paper.
This work consists of a collection of 10 plates colored by pochoir by Guy Arnoux representing the different French flags from Joan of Arc to the First World War.
A stain at foot of title page and on first plate, flaps creased, boards stained, handsome interior condition.
Rare copy complete with its tricolor ties holding the chemise.

First edition, one of 150 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition.
Occasional small foxing essentially at the end of the volume.

First edition, one of 70 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition printed on laid paper.
Bound in half dark green morocco with corners, smooth spines faded and decorated with gilt cartouches embellished with gilt romantic arabesques, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, contemporary romantic bindings signed by Koehler.
Some occasional light foxing of no consequence.
A handsomely bound copy.

First edition of the French translation established by Charles Malo.
Half red morocco with corners binding, spine with four raised bands set with quadruple gilt fillets decorated with fleurons and double gilt fillets, marbled paper boards, marbled endpapers and pastedowns, binding in the romantic style signed by Koehler.
Provenance: from the library of the Marquis de Fortia with his engraved bookplate pasted on a pastedown.
Rare foxing.
Handsome copy attractively established in a romantic pastiche binding.

first edition of this thesis.
Marine half calf binding, slightly browned flat spine decorated with gilt fillets and cold, gold monogram of Count Henri de Greffulhe tail back, marbled paper plates, guards and contreplats of handmade paper, corners very lightly bumped, binding the unsigned time.
Signed autograph of General Vinoy to Henri Greffulhe count.
Pleasant beautifully drawn copy.

SCHERER Jean-Louis
Recherches historiques et geographiques sur le Nouveau-Monde
Chez Brunet, Paris 1777, in-8 (12,5 x 20,2 cm), xii (2 f.) 352 pp., contemporary sheep
The rare first edition with eight illustrations (Chinese coins and medals, Buddha) and a large folding map of Siberia and the river Lena.
Contemporary marbled sheep, spine in compartments, roulette to head and foot, brown morocco title-piece. Triple fillet frame. Small lack at head. Wormhole to foot of upper joint, two corners rubbed. Headpieces, joints, and corners scraped. A very good, fresh copy.
An important essay on the origins of the peoples of the American continent (North and South). The author uses several approaches to produce a powerful comparative study of languages (most notably those of the islands of South-East Asia, Mexico and Peru), dress and traditions. Scherer’s conclusion, notably relying on Classical literature and various accounts of voyages, is that the people of the Americas had several different migratory origins, including Chinese, African and Asian tribes. North America, and especially Alaska, received several waves of migration from the Bering Strait, via Kamchatka, and from Asia.

First edition, one of 225 numbered copies on laid paper, the only issue with 3 vellum copies, 6 China paper copies, and 20 chamois paper copies.
Half navy morocco binding with corners, spine with five raised bands set with gilt dots decorated with gilt double compartments richly ornamented with gilt typographical motifs, a very slight scratch at foot of spine, gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, handsome engraved armorial bookplate pasted on pastedown, elegant contemporary binding signed by Capé.
Provenance: from the Le Proux library with its engraved bookplate.
Handsome copy virtually free from foxing and perfectly established.

First edition, one of 160 numbered copies on Alfa paper, ours unjustified but specially printed for Robert Garric, only large paper after 35 "pur-fil" paper.
Our copy is enriched with a business card of the Association of Veterans "Rhine & Danube" on which were inscribed "with its sincere thanks."
Some small foxing mainly leaflets margins, light stains on boards.

First edition, one of 23 numbered copies on Hollande paper, the tirage de tête
A fine, unsophisticated copy.

First edition, rare. Published with initials only, masking the identity of Chevalier Ange Goudar.
Manuscript ex libris ‘Daumas’ to ffep.
Contemporary sheep, spine in six compartments with gilt fleurons as well as a red titlepiece (partly faded). Significant repairs to joints, speckled edges.
This plan for peace in Europe by the economist and philosopher Ange Goudar lays out the origins and impact of conflicts on European nations, putting the emphasis on their economic consequences. The author then proposes a European entente and a supranational army that would punish any country that engaged in warfare, making the point that the blessings of peace first and foremost result from a change in behavior and that European nations therefore needed to experience a period of peace in order to understand its benefits fully.

First edition, of which there were no deluxe copies.
Work complete with its folding plan of the old market of Rouen at rear.
A handsome copy.

First edition in French for which there were no large paper copies.
A trace of fold to foot of lower cover, a good copy.

First edition.
Half glazed navy calf bindings, smooth spines decorated with gilt compartments embellished with gilt arabesques, marbled paper boards, marbled endpapers and pastedowns, yellow and speckled edges, bookplates pasted at head of pastedowns, two corners slightly bumped, contemporary bindings.
Some foxing, a repaired tear at head of a marbled endpaper of the first volume, printed bibliophile stamps on title pages.

First edition, one of 500 numbered copies on select bouffant only major papers.
Dated and signed autograph dedication from the author to full page Serge Pain: "... I am pleased to dedicate this book, in which he found in food and drink, as it is unconventional Perhaps the distraita. t it? I hope so ... "
Pleasant specimen with all margins.

First edition of the French translation, one of 75 numbered copies on pur fil, tirage de tête.
With original illustrations by Orfeo Tamburi.
A good copy.

First edition, one of 1040 numbered copies on alfa only major papers after 320 pure wire.
Signed autograph of the author, "... the charming Claude Pasquier ..."
A small tear without missing the head of the second course, nice copy.

First edition of the French translation of the current paper.
Rare autograph signed by the author in French Mr. Tavernier.
Iconography.
Some minor foxing mainly affecting the first pages feet.

First edition.
Illustrated pamphlet with two portraits and two seals of Jost de Silenen as frontispiece.
Minor corner creases at foot of text block.

First edition, one of 400 numbered copies on alfa paper, the only deluxe copies after 30 on pur fil.

Spine sunned, handsome interior condition despite some occasional light foxing.

First edition.
Autograph inscription signed by Albéric Cahuet to his fellow historian Xavier Roux.
Spine and covers slightly and marginally sunned without significance, a tiny angular lack at foot of front cover, a tear on the half-title page not affecting the dedication.

First edition.
Half mint-green shagreen binding, smooth spine decorated with triple gilt fillets, head caps worn, some rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Some light foxing, printed bibliophile stamps on title page and in margins of some pages serving as bookplates.

First edition of the French translation established by Ernest Jaéglé.
Autograph inscription from the latter to General Morand d'Hartreux.
Light marginal tears without gravity to the boards, handsome copy.
Rare.

First edition for which there was no mention of large paper copies.
Autograph inscription from Marie Bonaparte to Monsieur Gouse.
Spine and covers slightly and marginally faded as usual.

First edition.
Autograph inscription signed by Jean Roullier to Louis and Madeleine Barberon.
Marginal worming to head of first cover which also has small tears with tiny lacks to foot.

First edition, one of 200 numbered copies on alfa vellum, the only issue with 10 on Holland paper.
Pamphlet complete with its facsimile.
A light and pale marginal dampstain on the covers.

First collected edition with some parts in first edition.
Bradel binding in indigo half-cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, burgundy shagreen title-label, marbled paper boards, covers and spine preserved, two corners slightly bumped, contemporary binding.
Introduction and notes by Jacques Ledreit de Lacharrière.
Handsome copy.

First edition.
Half black sheep binding, smooth spine decorated with quadruple gilt fillets, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Handsome copy.

First edition.
Bradel binding in half almond percale, smooth spine decorated with gilt floral motif, double gilt fillet at foot, hazel shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding signed by Stroobants.
Work illustrated with plates.
Engraved bookplate pasted on pastedown.
Handsome copy.

First edition.
Illustrated covers.
Pencil annotations in margins of some pages.
Small angular fold marks on covers, one light harmless tear at foot of spine.

First edition.
Autograph inscription signed by Eugène Schaeffer to the great Resistance fighter Gilbert Grandval: "... ambassadeur de la France en Sarre, grâce auquel cet ouvrage a vu le jour, en signe de reconnaissance, de la part de l'auteur..." ["... ambassador of France to the Saar, thanks to whom this work came to light, as a token of gratitude, from the author..."]
Two small tears of no consequence at head and foot of spine.

First edition.
Signed autograph inscription from Gaston Bonet-Maury to Monsieur Lachelier.
Preface by Anatole Leroy-Beaulieu.
Two lacks at head and foot of spine, two corner lacks at foot of boards, minor rodent damage to margins of final pages not affecting text.

First edition of which there were no large paper copies.
A good copy.

New edition.
Half brown shagreen binding, spine with five raised bands set with double black fillets, gilt date at foot, some traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Signed autograph inscription from Emile Manceau to the poet Jean Ott.

First edition, one of 120 numbered copies on Japan paper, the only deluxe copies.
Work illustrated with 20 illustrations.
Foxing to covers, pen gift inscription at head of half-title page, handsome interior condition.
Rare pamphlet.

First edition for each of the two volumes.
Bradel binding in half green shagreen, faded spines with five raised bands set with gilt dots, marbled paper boards, marbled endpapers and pastedowns.
The second volume is illustrated with 6 plates.
Some minor foxing of no consequence.
Rare association.

First edition.
Dark green half shagreen over marbled paper boards by de Cabry, spine faded in six compartments spotted in gilt.
Scattered slight foxing.

First edition.
A good copy.

First edition.
Covers and spine slightly and marginally faded, not serious.

First edition.
Ouvrage illustrated with 15 planches hors texte.

First edition with seven out-of-text plates printed on heavy paper, drawn by Poufsin and executed by Lambert.
Contemporary full red morocco binding, smooth spine decorated with compartments, geometric and floral gilt motifs, dotted and Greek fret gilt frame to boards, fine gilt roll surrounding marbled paper pastedowns, gilt roll on leading edges and headcaps, all edges gilt. Three corners slightly bumped and very minor and marginal worming to a few leaves, otherwise a handsome copy.

First edition, one of 30 numbered copies on Rives, the tirage de tête.
A very good copy.

First edition with original illustrations by R.R. de Coniac.
One ex-dono in ink on the first free endpaper.
A good copy.

First edition, one of 13 numbered copies on pur fil, the only large paper copies.
Covers and spine lightly and marginally sunned as usual, not serious, internally good.
Rare.

Sixth edition stated, after the first published in 1732. Edition revised and expanded by the author's son.
Contemporary full marbled brown sheep binding. Decorated spine with raised bands; headcaps partly worn. 3 corners bumped. Rubbing.
Treatise on criminal jurisprudence under Louis XIV. The First Part, On the nature of Crimes, & Punishments. The Second, On the Jurisdiction of Judges, over Offenses committed, both by Laypeople, and by Ecclesiastics, Recusations, challenges, &c. The Third, On the Manner of Conducting Trials, with the Style or Model of Procedures. The Fourth, Contains the Edicts, Declarations, Decrees, & Regulations intervened since the Ordinance.

First edition printed in a small number of copies on laid paper.
Work illustrated with 8 hors-texte plates.
A central fold mark on the parchment covers, marginal dampstaining to the final leaves.
Rare.

First edition, one of 25 lettered copies on pur fil paper, this one with letter A, the tirage de tête.
A good copy.

First edition on ordinary paper.
Bradel binding in half chocolate-colored cloth, smooth spine decorated with a gilt floral motif, double gilt fillet at foot, dark green shagreen title-label, marbled paper boards, bookplate pasted on endpaper, contemporary binding.
Preface by Mermeix.

First edition on ordinary paper.
Bradel binding in half chocolate percale, smooth spine decorated with a gilt floral motif, double gilt fillet at foot, green shagreen title-label, marbled paper boards, bookplate pasted on endpaper, contemporary binding.
Handsome copy despite light foxing.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Constantin de Grunwald to Maurice Blanchot.
Iconography.
Two tears at head and foot of spine.

First edition, one of 275 numbered copies on Arches, the only deluxe copies.
Half blue-grey morocco binding, spine with five raised bands with minor tears, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed by Stroobants.
Signed autograph inscription by Vicomte de Reiset.
Work illustrated with a frontispiece and 28 plates.

First edition.
Work illustrated with 2 color plans.
Spine slightly sunned with a small tear in the middle, a light and clear stain at the head of the first endpaper.

First edition.
With 2 maps in color.
Spine and covers slightly and marginally sunned, not serious.

First edition.
With 2 maps in color.
Spine and covers slightly and marginally sunned, not serious.

First edition.
With 2 maps in color.
Spine and covers slightly and marginally sunned, not serious.