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Artist's Manuscripts

Autograph letters from painters, sculptors, musicians, choreographers, dancers, manuscripts, signed notes and postcards

475 results
Artist's Manuscripts
  1. Manuscrit autographe complet (hormis le premier et court couplet de 4 lignes) de la chanson de Boris Vian intitulée "Ave Maria des pêcheurs"
    Boris VIAN

    Manuscrit autographe complet (hormis le premier et court couplet de 4 lignes) de la chanson de Boris Vian intitulée "Ave Maria des pêcheurs"

    S. n.|s. l. 1958|21 x 27 cm|2 feuillets perforés dont 1 recto-verso
    Autograph manuscript nearly complete, the first couplet of 4 lines being absent, on a perforated sheet, of 36 lines, written in pencil, of the song entitled "Ave Maria des pêcheurs".
    On the entire verso of this manuscript, Boris Vian copied out, still in pencil, 9 quotations from Paul Valéry extracted from his "Mauvaises pensées & autres" ["Bad Thoughts & Others"] for which he indicated pagination: "Un chef est un homme qui a besoin des autres, 208" ["A leader is a man who needs others, 208"] - "Ce qui est simple est toujours faux. Ce qui ne l'est pas est inutilisable. (ib. p 143)" ["What is simple is always false. What is not is unusable. (ib. p 143)"] - "Le grand triomphe de...
    €1,200
  2. « Paul Anka est un garçon de vingt ans qui écrit ses chansons et qui les chante. »
    Boris VIAN (Paul ANKA)

    « Paul Anka est un garçon de vingt ans qui écrit ses chansons et qui les chante. »Autograph manuscript of Boris Vian entitled "Conseil de révision (des opinions)" about Paul Anka

    s. d. [1958]|20.90 x 26.90 cm|4 pages sur 4 feuillets
    Autograph manuscript by Boris Vian titled "Conseil de révision (des opinions)" on Paul Anka: "Paul Anka is a boy of 20 who writes his own songs and sings them."

    n. d. [but 1958] | 20.9 x 26.9 cm | 4 pages on 4 leaves

    Autograph manuscript by Boris Vian titled "Conseil de révision (des opinions) [Recommendations for a review of opinions]" on Paul Anka.
    4 pages written in blue ballpoint pen on 4 perforated leaves, stapled. Crossings out and corrections. Lateral fold to left margin, but light.
    The manuscript was for the “elite", which is to say the readers of Canard enchaîné, but was eventually published in La Belle époque...
    €2,000
  3. "Guerre de deux maisons de disques qui sont enlisées dans des méthodes antiques de vente"
    Boris VIAN

    "Guerre de deux maisons de disques qui sont enlisées dans des méthodes antiques de vente"Unpublished autograph manuscript of a draft film script by Boris Vian recounting the war between two record companies

    s. d. [circa 1950]|21 x 27 cm|3 pages sur 3 feuillets perforés agrafés
    Unpublished autograph manuscript of a film screenplay project by Boris Vian. 3 pages on 3 leaves written in black and blue ink and blue ballpoint pen. Deletions, corrections and marginal notes.
    Central fold without damage. One vertical cut on the first leaf, without loss of text.
    Amusing film project mocking the ruthless world of record companies while Boris Vian was getting to know Jacques Canetti who would open the doors of Polydor (which would become Philips) to him.
    The second page presents a few lines outlining the synopsis of the project: « Deux maisons de disques rivales se trouvent enlisées dans une guerre de concurrence acharnée. Chacune...
    €1,800
  4. Carte postale autographe signée adressée à Georges Raillard
    Gregory MASUROVSKY

    Carte postale autographe signée adressée à Georges Raillard

    Paris 14 Janvier 1995|15 x 10.50 cm|une carte postale sous enveloppe
    Autograph postcard dated and signed by Gregory Masurovsky addressed to art critic Georges Raillard, envelope included.
    The front of the card is illustrated with a reproduction of a pictorial work by Gregory Masurovsky entitled "Eve, dessin à la plume et l'encre de Chine".
    Gregory Masurovsky questions art critic Georges Raillard about the forthcoming publication, in the Quinzaine littéraire to which the latter contributes, of an article devoted to the opening of his exhibition which recently took place.
    He also asks him if he has indeed received his latest work which he sent him by post.
    €50
  5. "Voici l'article que m'as demandé. J'ajoute un de l'AVUI où j'amplifie quelques détails."
    Antoni TÀPIES

    "Voici l'article que m'as demandé. J'ajoute un de l'AVUI où j'amplifie quelques détails."Autograph letter signed by Antoni Tàpies to Georges Raillard

    Barcelone [Barcelona] 19 décembre 1990|22 x 20 cm|une feuille

    Autograph letter signed by Antoni Tàpies addressed to Georges Raillard, his close friend and greatest French specialist of his work. Sheet written in blue ballpoint pen on letterhead paper bearing the author's name with his Barcelona address at the bottom "C. Zaragoza, 57 - Tel. 217 33 98 - Barcelona-6". Traces of folds inherent to the letter's envelope insertion.
    The Catalan artist writes to his friend about newspaper articles, including one published in the Catalan daily l'Avui: "Voici l'article que tu m'as demandé. J'ajoute un de l'AVUI où j'amplifie quelques détails. Merci encore pour ta présence à Sénanque. Nous pensons beaucoup à vous et envoyons nos...

    €700
  6. "Pour notre dernier jour de tournage on va filmer Pharaon"
    Lawrence DURRELL

    "Pour notre dernier jour de tournage on va filmer Pharaon"Autograph postcard signed by Lawrence Durrell addressed to Jani Brun

    Egypte [Egypt] [1971]|10.50 x 15 cm|une carte postale
    Autograph postcard signed "Larry" by Lawrence Durrell addressed to Jani Brun, written in black felt-tip pen, on the verso of a photograph of an Egyptian bas-relief.
    The writer to his young Montpellier lover: "For our last day of filming we're going to film Pharaoh receiving the Bonbel Prize for his novel about the private life of a Nile crocodile: 'Le croc'. Then I have to return to London for a few weeks. I hope all is well, dear Buttons.".
    After many years spent in Greece, Egypt and Rhodes, the traveling writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence from the British crown...
    €150
  7. "L'amérique est plein de fric, de frustrées et d'ennui."
    Lawrence DURRELL

    "L'amérique est plein de fric, de frustrées et d'ennui."Autograph postcard signed by Lawrence Durrell addressed to Jani Brun

    Malibu s. d.|10.50 x 15 cm|une carte postale
    Autograph postcard signed by Lawrence Durrell addressed to Jani Brun, written in black felt-tip pen, on the verso of a photograph of a Malibu beach.
    "Buttons hola ! L'amérique est plein de fric, de frustrées et d'ennui. Pourtant on est très bien traités et je joue un peu le rôle de Scott Fitzgerald à Malibu." ["Buttons hello! America is full of money, frustrated women and boredom. Yet we are very well treated and I play a bit the role of Scott Fitzgerald in Malibu."].
    After many years spent in Greece, Egypt and Rhodes, the travel writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence...
    €150
  8. Deux manuscrits autographes, avec variantes, de la chanson de Boris Vian intitulée "Bien loin"
    Boris VIAN

    Deux manuscrits autographes, avec variantes, de la chanson de Boris Vian intitulée "Bien loin"

    S. n.|s. l. 1957|13.50 x 21 cm|5 feuillets perforés
    Two autograph manuscripts, each on two perforated sheets, of 36 and 25 lines, written in blue ink, of the song entitled "Bain de minuit" with numerous deletions, additions and modifications and showing differences with the final state of the song.
    Our set is completed by a typescript of "Bien loin" on which Boris Vian made 8 corrections.
    Finally, we include, on three other perforated sheets, one of which is mounted on flexible cardboard, two complete typescripts of "Bain de minuit".
    Fine ensemble of this song for which Henri Salvador composed the music (photocopy of the musical score also included).
    Provenance: Fondation Boris Vian.
    €1,200
  9. "D'avoir soixante ans et d'être aimé (très mal d'ailleurs) par les vampires"
    Lawrence DURRELL

    "D'avoir soixante ans et d'être aimé (très mal d'ailleurs) par les vampires"Autograph postcard signed by Lawrence Durrell addressed to Jani Brun

    Sommières 20-04-1971|10.50 x 14.50 cm|une carte postale et enveloppe
    Autograph postcard by Lawrence Durrell signed "Dracula" addressed to Jani Brun, written in blue ink, reproduction of a drawing by Marcel Vaysse "Ils sortent...tous les soirs" ["They go out...every evening"], envelope included.
    The writer teasingly mocks his young Montpellier mistress with humor: "Darling Janie - maintenant qu'il fait beau la saison est ouverte et malgré mon age je reçois pas mal des invitations; souvent les filles de dix ans m'envoient des propositions inscrites par télégramme. J'estime que le rôle de papa gâteux me va bien ("le gâtisme c'est le relachment des sphinctères" (Dictionnaire medicale - Pujot)". Je vais en Grèce avec, une, 2, 3, 4...
    €200
  10. "Buttons. Je ne vous crois pas !"
    Lawrence DURRELL

    "Buttons. Je ne vous crois pas !"Autograph postcard from Lawrence Durrell addressed to Jani Brun

    Sommières 12-02-1971|10.50 x 14.50 cm|une carte postale et enveloppe
    Autograph postcard from Lawrence Durrell addressed to Jani Brun, written in red felt-tip pen, on the reverse of a reproduction of a small poster Mystification conceived by Jacques Yonnet "... Keep your head above water - Prolonged immersion of nose and mouth can cause fatal asphyxia," with attached press clipping "direct with a virile gland...," envelope included.
    The writer informs his young Montpellier lover about his upcoming travels: "Buttons. Je ne vous crois pas ! je suis ici pour 15 jours encore - puis Genève pour une semaine" ["Buttons. I don't believe you! I'm here for another 15 days - then Geneva for a week"].
    After many years spent in...
    €100
  11. Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Ça pince" [avec] Partition imprimée et tapuscrits de cette même chanson
    Boris VIAN

    Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Ça pince" [avec] Partition imprimée et tapuscrits de cette même chanson

    S. n.|s. l. s. d. [1958]|21 x 27 cm|6 feuillets perforés dont 2 recto-verso
    Complete manuscript of "Ça pince," a song performed by Henri Salvador in 1958, who also composed the music:
    - A four-page draft written in ballpoint pen on two oblong sheets torn from a spiral notebook, presenting several verses not retained for the final version.
    - One page written in blue ink on a sheet of white perforated paper with some deletions
    - A fair copy of the song, two pages written on two white perforated sheets in blue ballpoint pen
    Finally, we include the printed score and also three typescripts (one of which is mounted on flexible cardboard) of this song.
    Very fine ensemble of this song which was recorded by Henri...
    €2,500
  12. Propos d'un intoxiqué
    Jules BOISSIÈRE

    Propos d'un intoxiqué[Remarks of an Intoxicated Man]

    Société des éditions Louis Michaud|Paris s. d. [1912]|14 x 21 cm|broché
    Posthumous first edition, one of 120 copies reimposed and numbered on Dutch laid paper, the only copies on deluxe paper.
    A very handsome copy, uncut, enriched with an original watercolour depicting an Annamite soldier, signed Linh-Tap.
    Preface by Jean Ajalbert.
    Attractive illustrated cover by Géo Dorival, with a second state of the illustrated cover supplied on a separate leaf.
    Manuscript signature of Marie-Thérèse Boissière beneath the limitation statement.
    €1,700
  13. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au bal chez les anges" comportant quelques variantes avec le texte définitif
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au bal chez les anges" comportant quelques variantes avec le texte définitif

    S. n.|s. l. s. d. [1958]|21 x 27 cm|2 feuillets perforés
    Complete 32-line manuscript written in pencil of the song "Au bal des anges" comprising two perforated sheets with some variants from the final text.
    We include two typescripts of this song with the final text, the music for which was composed by Henri Salvador.
    Very fine collection relating to this song which had three versions.
    Provenance: Boris Vian Foundation.
    €1,500
  14. Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Au bal des ballots"
    Boris VIAN

    Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Au bal des ballots"

    S. n.|s. l. s. d. [1958]|21 x 27 cm|3 feuillets perforés, 2 feuillets perforés, 1 feuillet de papier pelure et 1 feuillet de papier pelure contrecollé sur carton
    Complete autograph manuscript of the song entitled "Au bal des ballots" whose music was composed by Henri Salvador and performed in 1979.
    - two leaves, of 13 lines each, written in black pencil with cross-outs and corrections and constituting the two initial versions of the refrain in draft state
    - 59 lines written in blue ballpoint pen on three perforated white paper leaves with cross-outs and corrections.
    - Two typescripts, one on onionskin paper and the other mounted on cardboard
    Very fine collection of this song enumerating the different styles of dance halls.

    "Y a des bals pour les pompiers / Et les joyeux militaires. /...

    €2,500
  15. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Désert de l'amour"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Désert de l'amour"

    S. n.|s. l. s. d. [1958]|21 x 27 cm|2 feuillets perforés
    Complete manuscript of 47 lines written in blue ballpoint pen of the song "Désert de l'amour" comprising two perforated sheets.
    We include two typescripts of this song.
    "This song, completed on March 27, 1958, was to receive music composed by Henri Salvador." (Oeuvres de Boris Vian, volume 11, Fayard)
    Very fine ensemble.

    Comme devant une place / Pleine de gens et de bruit / Je reste figé sur place / Arrêté devant ma vie



    Provenance: Fondation Boris Vian.
    €1,800
  16. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Ce que j'aime dans la romance"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Ce que j'aime dans la romance"

    S. n.|s. l. s. d. [1958]|13.50 x 21 cm|3 feuillets
    Complete manuscript of 35 lines written in blue ballpoint pen of the song "Ce que j'aime dans la romance" comprising three sheets with abundant corrections.
    We include the typescript of this song whose music was composed by Henri Salvador, Marcel Van Dam and Ayser Schmid-Vançin, but which was unfortunately never recorded.
    Very fine ensemble.

    Ce que j'aime dans la romance / C'est l'moment où ça commence / Le moment où je la vois / Toute neuve devant moi

    ["What I love about romance / Is the moment when it begins / The moment when I see it / All new before me"]

    Provenance: Boris Vian Foundation.
    €1,800
  17. "J'irai dès demain au Palais de Cristal, voir un peu notre Exposition"
    Edouard DUBUFE

    "J'irai dès demain au Palais de Cristal, voir un peu notre Exposition"Signed autograph letter

    Londres [London] 20 mai 1884|11.20 x 17.60 cm|une feuille rempliée
    Autograph visiting card signed by the painter Edouard Dubufe, official portraitist under the Second Empire.
    During a stay in London, the painter informs his correspondent about the future universal exhibition to be held in 1889 in Paris. He plans a visit to the Crystal Palace, Joseph Paxton's masterpiece which housed the first Universal Exhibition. Dubufe arranges a meeting with his correspondent regarding the Exhibition Jury, which will select the paintings presented at the exhibition.
    €600
  18. "je connais tout l'or et les diamants de votre coeur"
    Louis CABAT

    "je connais tout l'or et les diamants de votre coeur"Signed autograph letter

    Paris 21 mars 1847|13.50 x 21 cm|une feuille rempliée
    Autograph letter signed by the painter Louis Cabat, French landscape painter and engraver of the Barbizon School. One folded sheet
    The painter solicits the help of a benefactress for an artists' lottery for the "father of a very distinguished artist, who died a few years ago".
    €100
  19. "Parmi les nombreux refus du jury j'ai l'honneur de vous signaler une nouvelle injustice"
    Louis CABAT

    "Parmi les nombreux refus du jury j'ai l'honneur de vous signaler une nouvelle injustice"Autograph letter signed against the Salon

    Paris s. d.|11.90 x 18.50 cm|une feuille rempliée
    Signed autograph letter from painter Louis Cabat, French landscape painter and engraver of the Barbizon School. One folded sheet
    The painter solicits a member of the Salon jury on behalf of a young artist, Emile Loncle, a "jeune débutant plein d'avenir a présenté cette année un charmant paysage que des artistes distingués ont su apprécier, et je serais heureux monsieur, que vous voulussiez bien vous-même juger de la valeur du tableau" ["promising young beginner who has presented this year a charming landscape that distinguished artists have been able to appreciate, and I would be happy, sir, if you would kindly judge the value of the painting yourself"].
    €80
  20. manifeste sur l'admission des oeuvres modernes aux expositions d'art français à l'étranger
    Maurice CHABAS

    manifeste sur l'admission des oeuvres modernes aux expositions d'art français à l'étrangerUnpublished autograph manuscript

    s. d.|17.70 x 22.80 cm|Deux feuillets et un papillon encollé
    Unpublished autograph manuscript signed by the symbolist painter Maurice Chabas, on "the admission of modern works to French art exhibitions abroad". Two leaves and a slip pasted on the first page. Crossed-out passages, fold marks and small marginal tears not affecting text.
    Fascinating manifesto for the promotion of living artists and the avant-garde, by Chabas who devoted himself to total abstraction in the 1920s.
    "A great meeting will take place shortly on the subject of admitting modern works to French art exhibitions abroad.
    [...] Now until this moment, the great art movement that has been manifesting itself for several years, so interesting in its...
    €700
  22. Billet autographe signé
    Ernest Ange DUEZ

    Billet autographe signé

    6 novembre 1889|11.10 x 13 cm|un billet
    Autograph letter of thanks signed by painter and illustrator Ernest Ange Duez, on the occasion of his promotion to Officer of the Legion of Honor.
    €50
  23. "j'irai vous voir dès que le temps sera plus doux"
    Louis CABAT

    "j'irai vous voir dès que le temps sera plus doux"Signed Business Card

    10 janvier 1889|10.30 x 6.30 cm|une carte de visite
    Autograph signed visiting card from landscape painter Louis Cabat, member of the Barbizon School and the Institut.
    "Cher ami, bien des regrets de ne pas vous avoir vu hier, veuillez agréer mes voeux les plus affectueux à l'occasion de la nouvelle année, j'irai vous voir dès que le temps sera plus doux [...] L.C" ["Dear friend, much regret at not having seen you yesterday, please accept my most affectionate wishes for the new year, I will come to see you as soon as the weather is milder [...] L.C"]
    €50
  24. prix de ses sculptures de généraux des guerres napoléoniennes à la Cathédrale Saint-Paul de Londres
    Francis Leggatt CHANTREY

    prix de ses sculptures de généraux des guerres napoléoniennes à la Cathédrale Saint-Paul de LondresSigned autograph letter

    Edinburgh 1812 (June 2nd)|18.30 x 23 cm|une feuille rempliée
    Signed autograph letter by the British sculptor sir Francis Leggatt Chantrey, to the Saint-Paul Cathedral's committee, about his four monuments to military heroes from the Napoleonic wars commissioned by the government.
    Sir Chantrey, leading portrait sculptor in Regency era Britain, carved the portraits of Major-General Daniel Hoghton, Major-General Bowes, and Colonel Henry Cadogan, and (in a single monument) Major-Generals Gore and Skerrett.
    He gives in this letter an estimate for five marble statues of generals from the British army, four of which have ultimately not been selected by the committee and replaced by other names.
    "Edinburgh, June 2nd 1812...
    €500
  25. Billet autographe signé : "La couleur est une exception : c'est ce qui la rend si belle"
    Paul-Albert BESNARD

    Billet autographe signé : "La couleur est une exception : c'est ce qui la rend si belle"

    12 décembre 1912|17.50 x 21 cm|une feuille
    Autograph letter signed by the painter Albert Besnard, one year before his appointment as head of the French Academy in Rome. One sheet, two portraits of the painter from press clippings enclosed.
    "I have no thoughts at this moment [...] In Nature everything is grey. Color is an exception: that is what makes it so beautiful.
    Velázquez? Rubens?
    Only non-colorists put color everywhere
    A Besnard
    12 Dec 1912"



    €200
  26. "Ce pauvre garçon voudrait entrer à l'Assistance publique"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "Ce pauvre garçon voudrait entrer à l'Assistance publique"Autograph letter signed to Lucien Hector Monod

    23 octobre 1901|9.80 x 15.50 cm|une feuille
    Autograph letter from painter Pascal Dagnan-Bouveret, requesting his correspondent's assistance in finding a position for a young clerk. 3 pages on a folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    €60
  27. "Je pensais à vous en achevant mon tableau"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "Je pensais à vous en achevant mon tableau"Autograph letter signed to the painter Lucien Hector Monod

    17 mars 1896|11.40 x 17.70 cm|une feuille
    Autograph letter from painter Pascal Dagnan-Bouveret, regarding his latest painting, "The Last Supper", now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    "[...] je pensais à vous en achevant mon tableau. A chaque tentative nouvelle, vous êtes venu m'encourager et cette fois j'ai osé entreprendre, et...
    €150
  28. "j'ose à peine vous inviter à venir voir mon nouveau tableau "les Conscrits"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "j'ose à peine vous inviter à venir voir mon nouveau tableau "les Conscrits"Autograph letter signed to the painter Lucien Hector Monod

    30 novembre 1890|11.40 x 17.80 cm|une feuille
    Autograph letter from the painter Pascal Dagnan-Bouveret, regarding one of his most famous paintings depicting future soldiers of the Great War, entitled "Les Conscrits", now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    Known for his Breton subjects in realistic style...
    €300
  30. Carte autographe signée au peintre Lucien Hector Monod
    Pascal Adolphe Jean DAGNAN-BOUVERET

    Carte autographe signée au peintre Lucien Hector Monod

    23 mars 1893|13.40 x 7.80 cm|une carte
    Autograph card from painter Pascal Dagnan-Bouveret, congratulating his colleague on receiving a distinction. One card.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    €50
  31. "les tableaux que nous comptons exposer pour le Salon du champ de Mars"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "les tableaux que nous comptons exposer pour le Salon du champ de Mars"Autograph card signed to the painter Lucien Hector Monod

    23 février 1893|13.80 x 9.50 cm|une carte
    Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    "Je vous envoie pour la Société de sauvetage de l'Enfance [...] une eau-forte de ma Madone, épreuve sur Japon avant la lettre, signée du graveur et de moi. [...] Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche...
    €80
  32. Lettre autographe signée au peintre Lucien Hector Monod "une figure de vieux Breton que je trouverai certainement dans un village"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    Lettre autographe signée au peintre Lucien Hector Monod "une figure de vieux Breton que je trouverai certainement dans un village"

    s. d. [circa 1890]|13.80 x 9.50 cm|une feuille rempliée
    Autograph letter from the painter Pascal Dagnan-Bouveret to the painter Lucien Monod, declining an invitation in order to work on a new painting (Un vieux breton), now preserved at Chaalis, in the museum of the royal abbey. One folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and from the New York Frick family.
    His visits to Brittany inspired numerous canvases...
    €180
  33. Lettre autographe signée au peintre Lucien Hector Monod "vous plairait-il de voir mon tableau les pèlerins d'Emmaüs ?"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    Lettre autographe signée au peintre Lucien Hector Monod "vous plairait-il de voir mon tableau les pèlerins d'Emmaüs ?"

    29 octobre 1897|12.90 x 14.60 cm|une feuille rempliée
    Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod, inviting his colleague to see his painting The Pilgrims of Emmaus, now in the Pittsburgh Carnegie Museum of Art in Pennsylvania. One folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    "Vous plairait-il cher Monsieur Monod de voir avant que je ne l'envoie en...
    €150
  34. Lettre autographe signée au peintre Lucien Hector Monod "pour tout ce que vous avez fait pour mon ami [le peintre Gustave] Courtois"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    Lettre autographe signée au peintre Lucien Hector Monod "pour tout ce que vous avez fait pour mon ami [le peintre Gustave] Courtois"

    s. d.|12.90 x 14.60 cm|une feuille rempliée
    Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod, thanking him for the assistance he provided to his friend painter Gustave Courtois. Dagnan-Bouveret had married Courtois's cousin, whom he also immortalized in his studio (private collection). One folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    €100
  35. "On a voulu s'arrêter à cent sociétaires"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "On a voulu s'arrêter à cent sociétaires"Autograph letter signed to the painter Lucien Hector Monod

    3 février 1890|11.20 x 17.40 cm|une feuille rempliée
    Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    « [...] Neither Mr Burgers nor Jules Girardet...
    €80
  36. "C'est encore au sujet de mon ami André Legrand"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "C'est encore au sujet de mon ami André Legrand"Autograph letter signed to the painter Lucien Hector Monod

    25 mars 1890|11.10 x 17.50 cm|une feuille
    Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand, who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet.
    Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    €80
  37. "La lettre d'un de mes cousins conservateur au musée Guimet"
    Pascal Adolphe Jean DAGNAN-BOUVERET

    "La lettre d'un de mes cousins conservateur au musée Guimet"Autograph letter signed to the painter Lucien Hector Monod

    31 octobre 1890|11.10 x 17.40 cm|une feuille
    Autograph letter from the painter Pascal Dagnan-Bouveret, transmitting a missive from one of his cousins, the painter Emile Deshayes, curator of the Guimet museum and founder of the Ennery museum. One sheet.
    Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme, Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration, he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family.
    €150
  38. Lettre autographe signée à un confrère peintre
    Édouard DETAILLE

    Lettre autographe signée à un confrère peintre

    s. d.|11.20 x 14.90 cm|une feuille
    Autograph letter signed by the painter and illustrator of military scenes Edouard Detaille, one folded sheet.
    The painter informs his correspondent about a distinction that a colleague is about to receive.
    €80
  39. Lettre autographe signée
    Édouard DETAILLE

    Lettre autographe signée

    s. d.|10 x 15.90 cm|une feuille
    Autograph letter signed by the painter and illustrator of military scenes Edouard Detaille, one sheet.
    The painter presents his apologies to a female correspondent, after having declined her invitation to the Oller circus.
    €80
  40. Lettre autographe signée de remerciement au critique Paul de Saint-Victor "en vous offrant un petit morceau de peinture"
    CAROLUS-DURAN

    Lettre autographe signée de remerciement au critique Paul de Saint-Victor "en vous offrant un petit morceau de peinture"

    30 mai 1979|11.10 x 18.70 cm|une feuille rempliée et enveloppe jointe
    Autograph letter signed by Charles Auguste Émile Durant known as Carolus-Duran, famous portraitist of high society during the Third Republic, to the critic and essayist Paul de Saint-Victor. One folded sheet, envelope included.
    The painter thanks the journalist for "des lignes si bienveillantes que vous avez bien voulu me consacrer à propos de mon envoi au Salon. [...] je serais heureux de vous le prouver en vous offrant un petit morceau de peinture, si vous voulez me faire le plaisir d'accepter" ["such kind lines that you were good enough to dedicate to me regarding my submission to the Salon. [...] I would be happy to prove it to you by offering you a small...
    €180
  41. Lettre autographe signée au critique Paul de Saint-Victor
    CAROLUS-DURAN

    Lettre autographe signée au critique Paul de Saint-Victor

    17 décembre 1880|9.90 x 15.60 cm|une feuille rempliée et enveloppe jointe
    Autograph letter signed by Charles Auguste Émile Durant known as Carolus-Duran, famous portraitist of high society during the Third Republic, to Paul de Saint-Victor, French critic and essayist. One folded sheet with envelope.
    The artist recommends a young woman painter to his friend "Elle a fait une copie de Rubens - Marie de Médicis représentant la France. Cette personne a du talent et est digne, à tous égards, de votre bienveillance. Je vous serai infiniment reconnaissant de ce que vous voudrez bien faire pour elle" ["She made a copy of Rubens - Marie de Médicis representing France. This person has talent and is worthy, in all respects, of your benevolence...
    €200
  42. "Vous me demandez le prix d'un portrait"
    CAROLUS-DURAN

    "Vous me demandez le prix d'un portrait"Signed autograph letter

    23 mai 1890|11.60 x 17.80 cm|une feuille rempliée
    Autograph letter signed by Charles Auguste Émile Durant known as Carolus-Duran, famous portraitist of high society during the Third Republic, to a female recipient. One folded sheet with envelope.
    The artist discusses a future portrait with his correspondent: "Chère Madame, Vous me demandez le prix d'un portrait comme celui d'Yvonne, si vous vous souvenez, j'ai fait pour Monsieur de Montague une concession amicale toute particulière et tout à fait en dehors de mon prix habituel qui est de 8000 francs pour une tête d'enfant, de femme ou d'homme. Voilà ce que je vous prie d'indiquer [...]" ["Dear Madam, You ask me the price of a portrait like that of Yvonne, if...
    €180
  43. Carte de voeux autographe signée adressée à Georges et Alice Raillard
    Gregory MASUROVSKY

    Carte de voeux autographe signée adressée à Georges et Alice Raillard

    Paris 6 Janvier 2008|15 x 10.50 cm|une carte de voeux sous enveloppe
    Autograph signed Christmas card from Gregory Masurovsky addressed to art critic Georges Raillard and his wife Alice, with envelope.
    The front of the card is illustrated with a reproduction of a pictorial work by Gregory Masurovsky titled "L'apparition de la vierge et l'enfant".
    €50
  44. Carte de voeux autographe signée adressée à Georges et Alice Raillard pour Noël de l'année 1995 et de bonne année pour 1996
    Gregory MASUROVSKY

    Carte de voeux autographe signée adressée à Georges et Alice Raillard pour Noël de l'année 1995 et de bonne année pour 1996

    Paris 26 Décembre 1995|15 x 21.50 cm|une carte de voeux sous enveloppe
    Autograph signed Christmas card from Gregory Masurovsky, for Christmas 1995 and the New Year 1996, addressed to art critic Georges Raillard and his wife Alice, with envelope.
    The front of the card is illustrated with a reproduction of a pictorial work by Gregory Masurovsky titled "L'homme à la Pomme-Adam".
    The Christmas card is printed on Arches paper.
    €50
  45. Lettre autographe signée au sujet d'une oeuvre attribuée à Raphaël : l'Apollon et Marsyas
    CAROLUS-DURAN

    Lettre autographe signée au sujet d'une oeuvre attribuée à Raphaël : l'Apollon et Marsyas

    Rome [Rome] 17 janvier 1869|13.20 x 20.60 cm|une feuille rempliée
    Autograph letter signed by Charles Auguste Émile Durant known as Carolus-Duran, famous portraitist of high society during the Third Republic. One folded sheet.
    The artist discusses the forthcoming engraving of a famous painting with very controversial attribution: the Apollo and Marsyas, acquired in 1850 by English collector Morris Moore who maintained, despite the opinion of numerous curators, its attribution to Raphael. Exhibited in London, Paris, Vienna, Venice and Milan, it was finally acquired in 1883 by the Louvre museum for the sum of 200,000 francs. Its attribution is now given to Perugino.
    "Monsieur le directeur,
    Vous vous souvenez sans...
    €300
  46. Lettre autographe signée sur son portrait de jeune fille présenté au Salon
    CAROLUS-DURAN

    Lettre autographe signée sur son portrait de jeune fille présenté au Salon

    Paris 6 mai 1890|11.60 x 17.90 cm|une feuille rempliée
    Autograph letter signed by Charles Auguste Émile Durant known as Carolus-Duran, famous portraitist of high society during the Third Republic. One folded sheet.
    The artist gives his authorization to the famous journal L'Illustration to reproduce one of the portraits ("le portrait en gris de Melle XXX") ["the grey portrait of Miss XXX"] that he presented at the first Salon du Champ de Mars, in 1890. This painting received good reviews, notably in the Revue des Deux mondes: "[...] M. Carolus Duran est pourtant un portraitiste rare et supérieur par la sincérité qu'il apporte à rendre, dans tout son éclat et toute sa variété, la première et...
    €180
  47. Lettre autographe signée au chef du secrétariat des beaux-arts : Adolphe Saint Vincent Duvivier
    Francisque DURET

    Lettre autographe signée au chef du secrétariat des beaux-arts : Adolphe Saint Vincent Duvivier

    Paris s. d. [vers 1860]|10.40 x 13.10 cm|une feuille rempliée
    Autograph letter signed by sculptor Francisque Duret to Adolphe Saint Vincent Duvivier, head of the secretariat of the École impériale des beaux-arts.
    "J'ai retenu Paul Armand, modèle arabe pour ma quinzaine à l'école et je prie Monsieur Duvivier de lui donner les instructions nécessaires et de prendre son adresse [...]" ["I have retained Paul Armand, Arab model for my fortnight at the school and I ask Monsieur Duvivier to give him the necessary instructions and to take his address [...]"]
    €80
  48. "nous ne faisions pas mauvaise figure dans notre salle"
    Jules BRETON

    "nous ne faisions pas mauvaise figure dans notre salle"Autograph letter card signed to the painter William Bouguereau about the Salon

    Wissant s. d.|11.60 x 9 cm|une feuille
    Autograph signed postcard from painter Jules Breton to painter William Bouguereau regarding the loss of his son and his visit to the Salon des artistes indépendants: "[...] Quoique vieux jeunes tous les deux, j'ai remarqué samedi matin lors d'une première visite au Salon que nous ne faisions pas mauvaise figure dans notre salle. Et il ya 50 ans que nous y luttons. Ceux qui vivront dans 50 ans verront beaucoup de nos triomphateurs à bon marché. [...]" ["Though we are both old yet young, I noticed on Saturday morning during a first visit to the Salon that we did not cut a poor figure in our room. And we have been struggling there for 50 years. Those who live...
    €200
  49. "de malheureux artistes, dont je fais partie, s'imposent le supplice d'envoyer un ou deux tableaux"
    Georges CLAIRIN

    "de malheureux artistes, dont je fais partie, s'imposent le supplice d'envoyer un ou deux tableaux"Autograph letter signed at the Salon des artistes français

    s. d. [après 1880]|10.50 x 13.50 cm|une feuille
    Autograph letter signed by the Orientalist painter Georges Clairin to a fellow painter, complaining about the harsh selection imposed by the Salon des artistes français, the official and obligatory gathering of French painting.
    "[...] jusqu'au 20 mars il y a à Paris beaucoup de malheureux artistes, dont je fais partie, qui s'imposent le supplice d'envoyer un ou deux tableaux au palais des Champs Elysées, et que je suis assez bête pour envoyer deux tableaux cette année - je suis en retard et madame peinture ne me permet pas de me donner les plaisirs que m'offrent l'amitié. [...]" ["[...] until March 20th there are in Paris many unfortunate artists, of whom I am...
    €80
  50. "des farceurs de matelots chantent des choses émouvantes"
    Jacques-Émile BLANCHE

    "des farceurs de matelots chantent des choses émouvantes"Autograph letter signed on his stay in Dieppe

    15 juin 1890|11.50 x 17.70 cm|une feuille
    Long autograph letter signed by the painter Jacques-Emile Blanche from his childhood villa in Dieppe, Bas-Fort Blanc. He describes the atmosphere of Dieppe and evokes the popular songs of the sailors. 4 pages on a folded sheet.
    "J'ai essayé de prendre ce qu'on appelle du repos. J'avais un peu compté sur le grand spectacle de la mer : pour ne rien faire que lire un peu, mais mon âmes est décidément impropre à jouir des nobles aspects de la nature et je suis en train de constater une fois de plus mon peu de disposition pour le paysage. Le soir, quelques fois, des farceurs de matelots qui sont à la pêche, dans de petites barques, chantent des choses émouvantes...
    €250
  53. "Aujourd'hui on rit et demain on pleure, ainsi va la vie"
    Jules BRETON

    "Aujourd'hui on rit et demain on pleure, ainsi va la vie"Signed autograph letter

    1894|11.50 x 17.40 cm|une feuille
    Signed autograph letter from the painter Jules Breton, one folded sheet, a marginal tear. Academically trained, a realist then naturalist painter, Jules Breton was one of the first artists of the peasant world.
    The painter addresses a childhood friend of his daughter, the artist painter Virginie Demont-Breton: "Thank you for your kind letter of congratulations about Virginie's decoration, your former little companion who has kept such affectionate memories of you. I can still see you playing on the sand of Douarnenez during that horrible war [...] My wife [...] has just lost her youngest brother whom we loved tenderly. Today one laughs and tomorrow one cries, such...
    €150
  54. Le brouillard et le soleil (fable)
    Jules BRETON

    Le brouillard et le soleil (fable)Unpublished poem autograph signed

    s. d.|23 x 10.60 cm|une feuille
    Unpublished autograph manuscript signed by painter Jules Breton, titled Le brouillard et le soleil (fable). One leaf.
    Academically trained, first a realist then naturalist painter, Jules Breton was one of the first artists of the rural world and a poet member of the Parnasse, notably admired by Van Gogh.
    "Le Brouillard se vantait : "j'ai noyé le Soleil !
    "Victoire ! J'ai dissous sa triviale Vie !"
    - L'Astre sut ce malheur aussitôt son réveil.
    Tel l'art vrai se retrompe aux baves de l'Envie !
    Jules Breton    " [The Fog boasted: "I have drowned the Sun!
    "Victory! I have dissolved his trivial Life!"
    - The Star learned...
    €150
  56. "Le Louvre est vide. Ces messieurs ne parlent plus de politique mais ils grognent"
    Félix BRACQUEMOND

    "Le Louvre est vide. Ces messieurs ne parlent plus de politique mais ils grognent"Signed autograph letter

    21 juin 1901|20.80 x 13.70 cm|une carte
    Signed autograph letter from painter Félix Braquemond to a female recipient. Braquemond discusses a decorative arts commission that was apparently cancelled: "Le Louvre est vide. Ces messieurs ne parlent plus de politique mais ils grognent. Ils mettent Buzin [un ébéniste avec lequel il a collaboré] à la porte en lui disant : "entendez, les affaires vont mal, les affaires ne vont pas, le Louvre est vide... Dans ces conditions que voulez-vous que je fasse ? Rien n'est perdu, mais il est évident que pour la rentrée d'octobre tout est compromis. Faut-il commencer un demi-lit ? C'est à vous et à monsieur votre époux de décider. [...]" ["The Louvre is empty...
    €180
  57. "Votre remarquable publication sur les Académiciens"
    Jules BRETON

    "Votre remarquable publication sur les Académiciens"Signed autograph letter

    15 avril 1866|13.30 x 21 cm|une feuille
    Signed autograph letter from painter Jules Breton, congratulating a historian on his latest work, and requesting the sending of the second volume. One folded sheet.
    Academically trained, a realist then naturalist painter, Jules Breton was one of the first artists to depict the rural world.
    €150
  58. Lettre autographe signée
    Jean-Louis FORAIN

    Lettre autographe signée

    23 février 1914|9.70 x 12.70 cm|une feuille
    Autograph letter signed by the painter Jean-Louis Forain, returning theater tickets. One folded leaf.

    €80
  59. Lettre autographe signée
    G. MARQUET

    Lettre autographe signée

    14 mai 1893|11.20 x 17.70 cm|une feuille
    Autograph letter signed by the painter G. Marquet, requesting the removal of one of his paintings from the Salon of the Société des amis des arts. One folded leaf.

    €50
  60. Lettre autographe signée pour croquer la classe de danse de l'Opéra
    Pierre CARRIER-BELLEUSE

    Lettre autographe signée pour croquer la classe de danse de l'Opéra

    20 octobre 1887|11.80 x 18 cm|une feuille
    Autograph letter signed by the painter Pierre Carrier-Belleuse, author of numerous portraits of Opera dancers. In this letter he asks the director for permission to attend lessons: "à la classe de danse de Melle Théodore. Je serais désireux de prendre quelques croquis pour un tableau que je désire faire pour le Salon prochain. Je ne dérangerai aucunement la leçon [...]" ["in Mlle Théodore's dance class. I would be eager to make some sketches for a painting I wish to create for the next Salon. I will not disturb the lesson in any way [...]"]. It was probably thanks to these visits to Mlle Théodore's class that his painting A la barre was born.
    €200
  61. Lettre autographe signée à propos d'une aquarelle
    Pierre CARRIER-BELLEUSE

    Lettre autographe signée à propos d'une aquarelle

    18 mai 1898|12.50 x 20.10 cm|une feuille
    Autograph letter signed by the painter Pierre Carrier-Belleuse, on a folded sheet: "[...] Très surmené en ce moment je n'ai pu m'occuper de la petite aquarelle que je vous ai promise pour l'édition artistique du Aventures de ma Ve [...].
    €80
  62. Lettre autographe signée à propos d'un pastel intitulé "Etude de Nu"
    Pierre CARRIER-BELLEUSE

    Lettre autographe signée à propos d'un pastel intitulé "Etude de Nu"

    20 mai 1899|13 x 20.70 cm|une feuille
    Autograph letter signed by the painter Pierre Carrier-Belleuse, on a folded sheet, to a potential buyer: "[...] un pastel emporté au Salon du Champs de Mars sur le n°1628 est encore à vendre et le dernier prix est de 3500 francs. [...] Je dois vous dire que la commission d'achats de la ville de Paris sur une première visite a retenu mon pastel et m'en a fait demander le prix [...]" ["[...] a pastel taken to the Salon du Champs de Mars under number 1628 is still for sale and the final price is 3500 francs. [...] I must tell you that the purchasing commission of the city of Paris, on a first visit, selected my pastel and asked me for the price [...]"]
    €120
  63. Lettre autographe signée et notice biographique autographe adressée à Jules Martin
    Louis Robert CARRIER-BELLEUSE

    Lettre autographe signée et notice biographique autographe adressée à Jules Martin

    19 juin 1895|11.70 x 18.30 cm|une feuille et une carte
    Autograph letter signed and autograph biographical notice addressed to a newspaper by the painter Louis Robert Carrier-Belleuse.
    "Monsieur, Je vous retourne la notice biographique demandée. Pour la photographie vous trouverez chez Benque et Pirou à votre choix. [...]" ["Sir, I am returning the requested biographical notice. For the photograph, you will find at Benque and Pirou a selection to choose from. [...]"]

    This letter and the accompanying notice are intended for Jules Martin for his work: Nos peintres et sculpteurs, graveurs et dessinateurs. Portraits et biographies suivies d'une notice sur les Salons français depuis 1673, les Sociétés de...
    €300
  64. "Il faut battre le fer tant qu'il est chaud"
    Nicolas-Toussaint CHARLET

    "Il faut battre le fer tant qu'il est chaud"Signed autograph letter

    Paris 19 décembre 1859|13.40 x 20.60 cm|une feuille
    Autograph letter signed by the painter specialized in Empire scenes Nicolas Toussaint Charlet to his publisher: "Avez vous eu l'obligeance de voir avec M. Bostein au sujet de mon traité c'est on ne peut plus urgent car il va falloir livrer. Vous savez combien il y a de raisons de traîner ces affaires ; donc il faut battre le fer tant qu'il est chaud. [...]" ["Have you had the kindness to see M. Bostein about my treatise, it is most urgent as we will have to deliver. You know how many reasons there are to drag out these affairs; therefore we must strike while the iron is hot. [...]"]
    €80
  65. Carte-lettre autographe signée au graveur Emile Boilvin sur son départ de la Société nationale des beaux-arts
    Pierre PUVIS DE CHAVANNES

    Autograph letter signed to engraver Emile Boilvin

    Paris 16 mars 1895|11.10 x 14 cm|une feuille

    Autograph letter card signed by the painter Pierre Puvis de Chavannes to the engraver Emile Boilvin.
    The painter addresses a resigning member of the Société nationale des beaux-arts, which Puvis de Chavannes had founded and was in charge of the Salon du Champ de Mars, a dissident event from the official Salon des artistes français: "Cher Monsieur Boilvin, c'est avec le plus vif regret que je vous vois vous séparer d'une société où vous ne comptiez que des admirateurs et des amis. Qu'il soit fait selon votre désir, mais encore une fois, votre démission nous cause à tous un réel chagrin. Cordialement, P. Puvis de Chavannes" ["Dear Mr. Boilvin, it is with the...

    €300
  66. "Il en faudrait au moins 4 bouteilles [de champagne]"
    Nicolas-Toussaint CHARLET

    "Il en faudrait au moins 4 bouteilles [de champagne]"Autograph letter signed to the Gihaut engravers

    Paris s. d.|12 x 18 cm|une feuille
    Amusing autograph letter signed by the engraver Nicolas Toussaint Charlet to the Gihaut brothers, engravers, inviting them to dinner and asking them to bring Champagne wine.
    "Charlet invite M.M. Gihaut frères, éditeurs de l'oeuvre de Géricault etc...
    à venir dîner dimanche avec lui, s'ils étaient hommes à envoyer dimanche matin quelques bouteilles de Champagne ou les acompterait.
    Nous serons 12. Il faudrait au moins 4 bouteilles
    Il compte sur eux il n'y a aucun moyen de refuser
    Salut et amitié
    Charlet"     ["Charlet invites MM. Gihaut brothers, publishers of Géricault's works etc...
    to come dine with him on Sunday, if they were...
    €180
  67. Lettre autographe au chancelier de la légion d'honneur sur son pseudonyme de peintre
    Paul DELAROCHE

    Lettre autographe au chancelier de la légion d'honneur sur son pseudonyme de peintre

    6 février 1843|20.50 x 25.20 cm|une feuille
    Autograph letter to Count Etienne Maurice Gérard from the painter Paul Delaroche, one watermarked folded leaf.
    The painter, who received the Legion of Honor in 1828, sends his birth certificate to Count Gérard, then chancellor of the legion: "cet acte est fait au nom d'Hippolyte Delaroche, qui est le nom véritable de Mr Delaroche, celui de Paul étant un surnom d'enfance qu'il a conservé jusqu'à présent." ["this act is made in the name of Hippolyte Delaroche, which is Mr Delaroche's real name, Paul being a childhood nickname that he has kept until now."]
    €200
  68. Carte lettre autographe signée
    Virginie DEMONT-BRETON

    Carte lettre autographe signée

    s. d.|11.70 x 8.90 cm|une carte
    Autograph letter signed by the genre painter and woman of letters Virginie Demont-Breton, making an appointment for a photographic portrait.
    €80
  69. Lettre autographe signée sur le plafond de Eugène Delacroix à la galerie d'Apollon du palais du Louvre
    Adrien de LONGPERIER (Eugène DELACROIX)

    Lettre autographe signée sur le plafond de Eugène Delacroix à la galerie d'Apollon du palais du Louvre

    13 septembre 1852|12.20 x 19 cm|une feuille
    Long autograph letter signed by the archaeologist and curator of antiquities at the Louvre Museum, Adrien de Longpérier, to a journalist, 4 pages on a folded sheet.
    In this fascinating letter about Eugène Delacroix, the curator of Egyptian antiquities Longpérier castigates a journalist, author of a harsh critique of the painter's ceiling at the Galerie d'Apollon in the Louvre: "mais quand il s'agit seulement d'un plafond, fait pour une galerie roccoco, quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités...
    €400
  70. "ne pas se départir de la naïveté dans le dessin ce qui amène au sentiment intime dans le portrait"
    Charles CORDIER

    "ne pas se départir de la naïveté dans le dessin ce qui amène au sentiment intime dans le portrait"Autograph letter signed about the sculptures of the Théâtre du Vaudeville

    s. d. [vers 1867]|13.30 x 21.20 cm|une feuille
    Long autograph letter signed by sculptor Charles Cordier to a painter friend regarding the sculptures of the Vaudeville Theatre, built at the corner of Boulevard des Capucines and Rue de la Chaussée d'Antin, from January 1867 to April 1, 1869, commissioned by the City of Paris.
    The majority of the sculptures and bas-reliefs had been entrusted to Emile Hébert, whose Italian cherubs were not to the taste of Charles Cordier, a great defender of French style: "Vaudeville should be represented by an adolescent receiving from artistic tradition the attributes of comedy, and what instead? Tiresome sculpture instead of creating French sculpture for a...
    €200
  71. Lettre autographe signée de démission de la Société des artistes français
    Pierre PUVIS DE CHAVANNES

    Lettre autographe signée de démission de la Société des artistes français

    Paris 21 janvier 1890|12.30 x 16.70 cm|une feuille
    Autograph letter signed by painter Pierre Puvis de Chavannes, 10 lines on one sheet.
    The painter presents his resignation from the Société des artistes français, which he leaves with painter Ernest Meissonier with whom he founded the Salon du Champ de Mars, managed by the Société nationale des beaux-arts bringing together other dissidents from the official Salon des Champs-Elysées.

    "Monsieur le Président,
    J'ai l'honneur de vous envoyer ma démission de membre du comité et celle de membre de la Société des artistes Français. Veuillez agréer avec mes plus sincères regrets, l'expression de mes sentiments de haute considération.
    P. Puvis de...
    €400
  72. Lettre autographe signée à propos d'un portrait
    Alexandre CABANEL

    Lettre autographe signée à propos d'un portrait

    6 novembre 1888|10 x 15.50 cm|une feuille
    Autograph letter signed by the painter Alexandre Cabanel regarding one of his last portraits. Letter with letterhead from 14 rue Alfred de Vigny, one folded sheet.
    "Lundi 6 9bre
    €180
  73. Lettre autographe signée à Caroline de Corval
    Dominique Vivant DENON

    Lettre autographe signée à Caroline de Corval

    s. d.|12.70 x 19.70 cm|une feuille
    Autograph letter signed by Dominique Vivant Denon to Caroline de Corval, with envelope. Denon, notorious libertine and author of erotic novels alongside his career as painter and politician, is probably addressing one of his mistresses.
    "C'est tout comme toi chère amie je suis [illisible] en espérance et tout cela se dissipe et ne reste que le mal j'ai passé une mauvaise nuit avec une inquiétude nerveuse qui ne m'a pas laissé reposer. Cela va un peu mieux ce matin. Je remets le tableau au porteur je renverrai la personne de suite. Ne travaille que si cela ne fatigue pas, tu t'affligerais autrement.
    Je t'embrasse de tout mon coeur, amitiés à toute la maison.
    €450
  74. Lettre autographe signée à Madame La Grange
    Dominique Vivant DENON

    Lettre autographe signée à Madame La Grange

    s. d. [avant 1804]|18 x 26 cm|une feuille
    Autograph letter signed by Dominique Vivant Denon, politician, writer and artist, who was the first director of the Louvre Museum, then called the Central Museum of Arts of the Republic. He addresses a certain Madame Lagrange, at the Hôtel d'Angiviller.The Louvre workshops had all been transferred to the Hôtel d'Angiviller located at no. 4 rue de l'Oratoire, including the chalcography, the painting restoration and relining workshops formerly in the Arts pavilion (south wing of the Square Court) as well as the casting workshop. Denon presents his apologies to his correspondent, who had entrusted him with presenting to the First Consul the development projects of her architect...
    €600
  75. Télégramme autographe signé à Edouard Corroyer
    Gustave MOREAU

    Télégramme autographe signé à Edouard Corroyer

    15 juin 1887|11.10 x 13 cm|une feuille
    Autograph signed telegram from painter Gustave Moreau to architect Edouard Corroyer, also a member of the Académie des beaux-arts.
    "Cher et honoré Confrère, Je suis bien sensible à votre si admirable et si gracieuse attention et je vous en remercie de tout coeur. Croyez à tous mes sentiments les meilleurs et les plus affectueux.
    Gustave Moreau
    Samedi matin 7 heures"     ["Dear and honored Colleague, I am very touched by your admirable and gracious attention and thank you with all my heart. Please believe in all my best and most affectionate sentiments.
    Gustave Moreau
    Saturday morning 7 o'clock"]
    €400
  76. "je vais faire mon possible pour vous envoyer aujourd'hui mon tableau"
    Théodore ROUSSEAU

    "je vais faire mon possible pour vous envoyer aujourd'hui mon tableau"Signed autograph letter

    s. d.|11.80 x 18.60 cm|une feuille

    Signed autograph letter by the painter Théodore Rousseau, one page on a folded sheet.

    “My dear Sir,

    I shall do my utmost to send you my painting today; by early tomorrow morning it will be fully framed, ready to hang. Believe me, if I kept you waiting, it was not out of vanity; I had a difficult task to complete in a limited time. until tomorrow morning, and thank you for all the kindness I have experienced from the administration. Yours entirely devoted,
    Th. Rousseau”

    €700
  77. Carte postale autographe signée autorisant la Gazette des beaux-arts à reproduire le tableau La Terrasse
    Pierre BONNARD

    Carte postale autographe signée autorisant la Gazette des beaux-arts à reproduire le tableau La Terrasse

    s. d. [circa 1912]|9 x 13.90 cm|une carte
    Autograph postcard signed by painter Pierre Bonnard authorizing the Gazette des beaux-arts to reproduce the painting La Terrasse. A postcard with letterhead of the Académie des beaux-arts.
    "J'autorise la Gazette des Beaux-Arts à photographier et à reproduire le tableau intitulé La Terrasse que j'expose au Salon d'Automne (n°191) (Signature :) Bonnard.
    Il doit y avoir des photographies chez Bernheim 25 boulevard de la Madeleine"     ["I authorize the Gazette des Beaux-Arts to photograph and reproduce the painting entitled La Terrasse that I am exhibiting at the Salon d'Automne (no.191) (Signature:) Bonnard.
    There should be...
    €800
  78. "Ispahan où nous étions ensemble est toujours aussi émouvant."
    Maurice BÉJART

    "Ispahan où nous étions ensemble est toujours aussi émouvant."Signed autograph postcard addressed to André-Philippe Hersin

    Ispahan [Isfahan] 22 novembre 1974|14.90 x 10.20 cm|une carte postale
    Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin, on the verso of a photographic reproduction showing the trembling minarets of Isfahan.
    The choreographer sent this postcard from Iran, where he created in 1971 under the patronage of Empress Farah Pahlavi his ballet Golestan (The Rose Garden), and in 1974 at the Shiraz festival his ballet Mallarmé III, to music by Pierre Boulez. It would also be during this period that Béjart is said to have converted to Islam after meeting Dariouche Safvate, eminent Kurdish Sufi musician.
    €150
  79. tournage du film adapté de son livre "Justine"
    Lawrence DURRELL

    tournage du film adapté de son livre "Justine"Signed autograph postcard addressed to Jani Brun

    Sommières 3 janvier 1969|14.60 x 10.20 cm|une carte postale
    Signed autograph postcard from Lawrence Durrell addressed to Jani Brun, written in purple felt-tip pen, on the verso of a humorous illustration by Lassalvy.
    The writer sends his wishes for the year 1969 to his young French lover, and prepares to follow the filming of the movie adapted from his novel "Justine," first volume of his Alexandria Quartet: "Je vais à Londres samedi pour un mois de 'filmage'. Amuse toi bien mais sagement !" ["I'm going to London Saturday for a month of 'filming'. Have fun but wisely!"]

    After many years spent in Greece, Egypt and Rhodes, the traveling writer Lawrence Durrell was forced to flee Cyprus following...
    €120
  80. "Demain soir je vais en Angleterre"
    Lawrence DURRELL

    "Demain soir je vais en Angleterre"Signed autograph business card addressed to Jani Brun

    s. d. [circa 1970]|12.70 x 8.10 cm|une carte de visite
    Autograph signed calling card addressed to Jani Brun, written in black felt-tip pen and bearing some stains.
    The writer informs his young French mistress of an imminent departure to London, where he frequently visited his publisher: "Je suis chez Alan Thomas. 16 Holbury St. Chelsea. Faites moi signe quand tu veux [sic] Love, Larry" ["I am at Alan Thomas's. 16 Holbury St. Chelsea. Let me know when you want [to meet]. Love, Larry"].

    After many years spent in Greece, Egypt and Rhodes, the travel writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence from the British crown. Rich only...
    €80
  81. "Tout le monde cherche quelqu'un de fidèle tout en restant 'libre' en échange !"
    Lawrence DURRELL

    "Tout le monde cherche quelqu'un de fidèle tout en restant 'libre' en échange !"Signed autograph postcard addressed to Jani Brun

    Sommières s. d. [circa 1970]|15 x 10 cm|une carte postale
    Autograph postcard signed by Lawrence Durrell addressed to Jani Brun, written in black felt-tip pen, on the verso of a view of the banks of the Vidourle at Sommières.
    Admirable and humorous confession by the writer to his young lover: "Tout le monde cherche quelqu'un de fidèle tout en restant 'libre' en échange ! Bientôt je serai impuissant et le problème n'existera plus !" ["Everyone is looking for someone faithful while remaining 'free' in return! Soon I will be impotent and the problem will no longer exist!"]. Durrell reflects on his numerous feminine conquests ("Pour l'instant je suis comblé de belles et j'en profite - pourquoi pas !" ["For...
    €300
  82. Carte postale autographe signée adressée à Jani Brun
    Lawrence DURRELL

    Carte postale autographe signée adressée à Jani Brun

    Sommières 18 octobre 1971|15 x 10.50 cm|une carte postale
    Autograph postcard signed by Lawrence Durrell addressed to Jani Brun, written in blue felt-tip pen, on the verso of a Nietzsche quotation underlining a humorous image.

    After many years spent in Greece, Egypt and Rhodes, the travel writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence from the British crown. Rich only in a shirt and a typewriter but crowned with the success of his novel Bitter Lemons of Cyprus, he arrived in France in 1956 and settled in the Languedoc village of Sommières. In the "Tartès house," his large residence surrounded by trees, he wrote the second part of his work, his...
    €80
  83. Collage original
    Claude TARNAUD

    Collage original [Original collage]

    s. d. [circa 1950]|15 x 22.50 cm|un collage encadré
    Original collage by Claude Tarnaud, heightened with white paint and monogrammed in ink at lower right.
    "Claude Tarnaud, together with Yves Bonnefoy and Jaroslav Serpan, founded the review La Révolution la nuit. Contacted by André Breton, he then joined the Surrealist group and took an active part in the 1947 International Surrealist Exhibition, as well as in the review Néon (5 issues from January 1948 to April 1949). In November 1948, disagreeing with the exclusion of the painter Roberto Matta, he broke with the Surrealist group, following his friends Victor Brauner, Stanislas Rodanski and others. He was later associated with François Di Dio in...
    €1,200
  84. Lettre autographe inédite signée
    Edgar DEGAS

    Lettre autographe inédite signéeUnpublished autograph letter signed

    Dieppe 1er septembre 1885|22.40 x 17.70 cm|4 pages sur un double feuillet
    Unpublished autograph letter signed

    Dieppe | 1 September 1885 | 22.4 x 17.7 cm | one folded sheet under custom slipcase

    Unpublished signed autograph letter from Edgar Degas to an unknown correspondent. 4 pages in black ink on one folded sheet. Central fold inherent to the way the letter was folded.his letter is presented in a chemise and case with paper boards decorated with abstract motifs, the spine of the chemise in green morocco, pastedowns and endpapers of green suede, slipcase signed by Thomas Boichot.
    A handsome unpublished letter, testimony to Degas' other great passion after dance: song.he Parisian premiere of Ernest Rayer's...
    €6,000
  85. Carte postale autographe signée adressée à sa femme Augusta Preitinger
    Kees VAN DONGEN

    Carte postale autographe signée adressée à sa femme Augusta PreitingerSigned handwritten postcard addressed to his wife Augusta Preitinger.

    Le Caire [Cairo] Avril 1913|8.80 x 13.90 cm|une carte postale

    VAN DONGEN Kees
    Signed handwritten postcard addressed to his wife Augusta Preitinger.
    Cairo April 1913, 8.8 x 13.9cm, one postcard.
    Handwritten postcard signed by Kees van Dongen addressed to his wife Augusta Preitinger also known as Guus van Dongen, written on the reverse of the colour photograph postcard showing the Caliphate tombs in the desert around Cairo.
    Van Dongen addressed this card to his wife during his first journey to Egypt; fascinated by the country, he returned in 1928.
    Beautiful copy.
    €450
  86. Carte postale autographe signée adressée à Georges Raillard
    Gérard TITUS-CARMEL

    Carte postale autographe signée adressée à Georges Raillard

    Lamballe 30 Juillet 1985|14.50 x 10.50 cm|une carte postale
    Signed autograph postcard of Gérard Titus-Carmel addressed to Georges and Alice Raillard from Lamballe July 30, 1985 representing a picturesque house nestled between two large rocks.
    Gerard Titus-Carmel surrounded the imprint: picturesque house and added these few words: "But with a breathtaking view!" Friendship from the shore Titus. "
    €50
  87. "Je suis convaincu que tu as écrit et organisé le meilleur livre qu'on a fait sur moi"
    Antoni TÀPIES

    "Je suis convaincu que tu as écrit et organisé le meilleur livre qu'on a fait sur moi"Autograph letter signed to Georges Raillard

    Barcelone [Barcelona] 9 septembre 1976|22.70 x 27.80 cm|1 page et 1/4 sur un feuillet
    Autograph letter signed by Antoni Tàpies addressed to Georges Raillard, his close friend and foremost French specialist of his work. 1 page and 1/4 written in ballpoint pen. Envelope included.
    The Catalan artist writes to his friend notably to share his reactions regarding the publication of the monograph dedicated to him which would appear the following year: "Je profite pour t'exprimer combien j'ai été content en lisant et regardant finalement sans interruption le texte et les images que tu as choisi dans la monographie. Je suis convaincu que tu as écrit et organisé le meilleur livre qu'on a fait sur moi, le plus complet, le plus agrécif (sic) et que mieux...
    €700
  88. Carte postale autographe adressée à Georges Raillard
    Hans HARTUNG

    Carte postale autographe adressée à Georges Raillard

    29 août 1977|15 x 10.50 cm|une carte postale
    Postcard autograph of Hans Hartung addressed to Georges Raillad. Nine lines in black ink on the back of a blue monochrome postcard captioned "Mediterranean holidays under a blue sky".
    €350
  89. Carte postale autographe signée adressée à Georges Raillard
    Hans HARTUNG

    Carte postale autographe signée adressée à Georges Raillard

    Madrid 29 juin 1970|15 x 10 cm|une carte postale
    Autograph signed postcard from Hans Hartung addressed to Georges Raillard. Seven lines in ballpoint pen on the verso of a postcard depicting sardana dancers.
    "Mille fois merci et un bon souvenir de "votre" ville ! En espérant de vous revoir bientôt un jour. Bien à vous, Anna-Eva et Hans Hartung" ["A thousand thanks and fond memories of "your" city! Hoping to see you again soon someday. Yours truly, Anna-Eva and Hans Hartung"]
    €300
  90. Le 14 Juillet - Manuscrit autographe complet d'Henri Béraud
    Henri BÉRAUD

    Le 14 Juillet - Manuscrit autographe complet d'Henri Béraud [The 14th of July – Complete Autograph Manuscript by Henri Béraud]

    S. n.|s. l. 15 Octobre 1928 - 21 Mars 1929|13.50 x 21.50 cm|414 feuillets sous chemise et étui
    Full autograph manuscript, written in black and red ink for the title page and in black ink for the text.

    Our manuscript is presented under shirt and case in full gray canvas made for Henri Béraud, label of title glued at the top of the shirt.


    Complete manuscript in 414 sheets (single-sided), all foliated, dated and written from October 15, 1928 to March 21, 1929.

    Precious manuscript of first draft, abundantly corrected and presenting numerous variants with the definitive text published in 1929.
    €5,000
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