Autograph letters from painters, sculptors, musicians, choreographers, dancers, manuscripts, signed notes and postcards

Autograph letter signed by painter Elis­abeth Vigée-Lebrun addressed to his­torical painter and portraitist Hortense Haudebourt-Lescot. Two pages in black ink on a bifolium. Autograph address of Mme Haudebourt, 19 rue Rochefou­cauld, on verso of second leaf. Usual horizontal folds, tear without damage to the text on the second leaf due to the wax seal. A bibliographer's note in blue pencil on the verso of the last leaf.

Autograph postcard dated and signed by Florette Lartigue addressed to the woman of letters Christiane Baroche (12 lines in blue felt-tip), additionally initialled by Jacques-Henri Lartigue and embellished with a small drawn sun.

The postcard reproduces an original photograph by Jacques-Henri Lartigue entitled "Bibi à Marseille"; a crease to the lower right corner of the postcard. Florette Lartigue congratulates Christiane Baroche on all her publishing successes and would like to embrace her "de vive voix" et non toujours par écrit...

The postcard bears the photographer’s handwritten initials, which he enhanced with a small drawn sun.

First edition, one of 250 numbered copies, this being one of 10 numbered in Roman numerals, the deluxe issue.

Illustrated with original black engravings by Ania Staritsky.

A rare and very handsome copy, complete with its original school-style green flexible card chemise, marginally faded.

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

As stated in the limitation notice, our copy does indeed contain a manuscript page by Michel Butor and an original signed collage by Ania Staritsky.

First edition printed in 35 numbered copies on "vieux grès" rag paper from the Moulin de Larroque, this copy one of 10 hors commerce copies.

Illustrated with original color engravings by Ania Staritsky, who also devised the book’s original design with the collaboration of Claude Nardin.

A rare and very handsome copy preserved in its original full grey cloth slipcase.

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

Our copy is enriched with a two-page autograph letter, dated and signed, from Ania Staritsky to Claude Nardin concerning the making of this work.

First edition printed in 25 numbered copies on pure rag paper, pulled on Ania Staritsky’s press on the occasion of an exhibition of her works at Larroque.

Illustrated with 7 original engravings numbered and signed in justification by Ania Staritsky who also designed the original layout of the work with the collaboration of Claude Nardin.

A rare and handsome copy complete with the following 7 engravings : 

- Magical cockerel

- Fishing of flies

- Fire hamste

- Though

First edition, one of 30 numbered copies on Larroque pure rag paper, this copy one of 10 hors commerce copies, from the deluxe issue.

Illustrated with original engravings by Ania Staritsky, who also designed the book’s original maquette with the collaboration of Claude Nardin.

A rare and very handsome copy, complete with its slipcase and chemise in full saffron cloth.

Our copy is enriched with a signed 10-line manuscript poem by Janine Mitaud, an original etching, and a second state of one of Ania Staritsky’s engravings.

Manuscript pencil signatures of Ania Staritsky and Janine Mitaud at the colophon.

First edition of this work devoted to the oeuvre of Ania Staritsky.

Illustrated with an original work by Ania Staritsky on the cover.

A rare and very attractive copy, spine plain and unlettered, boards slightly and marginally sunned, without seriousness.

Copy enriched with an artist’s proof engraving, justified and signed by Ania Staritsky in pencil

First edition, one of 56 numbered copies on B.F.K. de Rives laid paper.

Illustrated with original engravings by Ania Staritsky.

A rare and very fine copy, complete with its slipcase and grey full-cloth chemise.

Pencil signatures of Ania Staritsky and Albert Dasnoy on the colophon.

Autograph inscription signed by Albert Dasnoy to Claude Nardin, enriched with the handwritten signature of Ania Staritsky.

First edition, one of 37 numbered copies on Nivôse rag paper.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.

Rare and very attractive copy, preserved in its original old-rose full cloth slipcase (spine slightly faded and two faint stains at the foot of the boards, not serious).

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

A unique copy, exceptionally enriched with two original gouaches by Ania Staritsky, both signed, a manuscript text by Michel Butor, an original collage by Ania Staritsky, as well as a c

First edition, printed in 40 numbered copies on hand-made pure rag paper from the Moulin de Larroque, this being one of the 10 hors commerce copies.

The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the volume with the assistance of Claude Nardin.

A rare and very fine copy, complete with its full grey cloth slipcase, slightly discoloured at the edges, and its double chemise.

Manuscript pencil signature by Ania Staritsky at the colophon.

Our copy is further enriched with two original collages by Ania Staritsky, both signed.

Press clipping comprising a photograph of Joséphine Baker in stage costume, signed and dated by her in black felt-tip.

A fine example.

First edition on ordinary paper.

Contemporary Bradel binding in red half morocco with corners, smooth spine, date gilt at foot, covers of marbled paper framed with blind fillets, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt; an attractive period binding signed Bernasconi.

Occasional foxing, chiefly affecting the opening leaves.

Signed autograph inscription from Claude Farrère to M. Briquet.

Facing the limitation page, this copy is enriched with an original watercolour signed by Henri Leclerc depicting the heroine of the work leaning against a ship’s bulwark, her suitor standing slightly behind.

Illustrated edition with a frontispiece and 19 black vignette illustrations in the text by Marianne Clouzot, one of 675 numbered copies printed on vélin de lana.

Full caramel box binding, smooth spine, the illustrator’s name gilt at the foot, moiré-effect paper endleaves and doublures, cold-ruled fillet frames to the doublures, original covers and spine preserved, top edge gilt, slipcase with inner flaps in caramel box with bands, moiré-effect paper sides, the slipcase edged in caramel box with moiré-effect paper panels; binding slightly later, signed Gavallet.

Like the 50 numbered copies printed on Arches paper, our copy exceptionally includes, at the end of the volume, a bla

Collection of 16 autograph letters signed by the painter John Carlton Atherton, comprising 9 letters addressed to Julien Levy and 7 letters addressed to Lotte Barrit, his gallery’s secretary and manager (19 pages on 17 leaves). All letters are signed John Atherton with the exception of three signed “Jack”. Letters on “The Quarry Bridgefield, Connecticut” headed paper, three letters with the printed heading struck through and replaced in pen with “Shaftsbury, Vermont”, and one letter bearing the address Upper Blackville, New Brunswick, Canada.

Autograph letter signed by Jean-Jacques Henner to a friend, 20 lines in black ink on a bifolium.

Horizontal fold mark from original mailing.

"Chère madame et amie,

excusez-moi si ne ne suis pas encore venu et si je suis si en retard pour répondre depuis plus de 10 jours. Je cherche un moment pour m'échapper et aller vous voir car je suis toujours avec vous dans la pensée. Je surveillerai votre recommandé et sitôt débarassé de ces travaux j'irai vous voir. Votre dévoué J.J. Henner."

Black-and-white photographic postcard depicting Dolores del Rio in a frontal portrait.

A very attractive example. Envelope sent from Mexico included.

Inscribed and signed by Dolores del Rio in blue felt-tip pen to the renowned autograph collector Claude Armand: "To Claude Armand best wishes Dolores Del Rio."

Black and white photographic postcard depicting Ginger Rogers in profile.

A fine copy.

Inscribed and signed by Ginger Rogers for the renowned autograph collector Claude Armand: "To Claude Armand kindest wishes. Ginger Rogers."

Black-and-white photographic postcard depicting a young Charles Trenet wearing a hat.

A handsome example. Charles Trenet’s discography with Columbia printed on the verso.

Inscribed and signed by Charles Trenet: "Pour monsieur Thézard souvenir joyeux de Niort. Charles Trenet."

Photographic postcard by Studio Philips, depicting Johnny Halliday in black and white, holding his guitar in his right hand, resting it on his shoulder.

The verso features the artist's discography, with minor text loss at the head and foot. A well-preserved example.

Bold blue ink signature by Johnny Halliday.

Colour photographic postcard depicting Fernand Raynaud holding a crate of oranges, with a sign reading: "Ici on vend de belles oranges pas chères."

On the verso, a blue ballpoint signature of Fernand Raynaud has been affixed.

Inscribed and signed by Fernand Raynaud in red felt-tip pen: "Merci Claude. FRaynaud."

Provenance: from the collection of the distinguished autograph collector Claude Armand.

Photographic postcard inscribed by Laurent Terzieff to the renowned autograph collector Claude Armand.

Postcard reproducing a black-and-white photograph by Studio Harcourt, showing Laurent Terzieff resting his head on his arms.

Autograph inscription signed by Laurent Terzieff in black ink to the right of the image: "A Claude Armand merci de votre très aimable lettre. L. Terzieff."

Original black-and-white photograph depicting Elvire Popesco in a three-quarter profile.

A handsome print. Vintage print, with the printed stamp of the Nicolas Treatt Studio in Paris on the verso.

Signed in black ink by Elvire Popesco.

Provenance: from the collection of renowned autograph collector Claude Armand.

Postcard after an original photograph by David Hamilton depicting a young girl walking through a flower-filled meadow.

A fine copy.

Signed by David Hamilton in black felt-tip pen at the foot of the card.

Provenance: from the collection of the noted autograph collector Claude Armand.

Color photographic postcard depicting Johnny Hallyday, a guitar in his right hand, balancing on a locomotive.

Photographic postcard produced by Philips studios.

Signed in Johnny Hallyday's hand in the upper left margin.

Colour photographic postcard depicting Claude François.

A well-preserved example. A newspaper clipping has been affixed to the verso, which also shows traces of glue.

Signed in black felt-tip pen by Claude François, with a small flower drawing and the word "bises".

Provenance: from the collection of the prominent autograph collector Claude Armand.

Black and white photographic portrait of the legendary jazz musician Benny Goodman, holding his clarinet in his left hand.

A fine example. A newspaper clipping announcing the musician’s death is affixed to the verso of the print. We include the original mailing envelope, bearing Benny Goodman’s initials, in which the photograph was sent. A concert program for Benny Goodman and his jazz band performing in Zurich in 1970 accompanies the set.

Signed by Benny Goodman in blue ballpoint pen in the upper left corner of the photograph.

Provenance: from the collection of renowned autograph collector Claude Armand.</

Photographic postcard depicting Lionel Hampton in the 1960s–70s playing the vibraphone.

A handsome copy.

Signed by Lionel Hampton in blue felt-tip pen on the verso of the photograph.

Provenance: from the collection of the renowned autograph collector Claude Armand.

Black-and-white photographic postcard depicting a young Ludmila Tcherina.

Pinholes to the corners of the card.

Signed autograph inscription by Ludmila Tcherina, in white felt-tip pen, to the prominent autograph collector Claude Armand: "A Claude bien amicalement Tcherina."

Provenance: from the collection of the renowned autograph collector Claude Armand.

Photograph signed by Tyrone Power in violet ink.

A handsome print. Printed stamp of a London dealer on the verso of the image.

Provenance: from the collection of the noted autograph collector Claude Armand.

Postcard-format reproduction of a photograph by David Hamilton depicting a nude woman seen from behind, gazing at herself in a mirror.

Signed by David Hamilton in black felt-tip pen at the lower right corner of the card.

A handsome copy.

Provenance: from the collection of the noted autograph collector Claude Armand.

Autograph letter dated and signed by Ginger Rogers, addressed to the renowned Swiss collector Claude Armand, 20 lines penned in blue felt-tip from New York,

Folding marks from mailing, with a light paperclip impression to the upper left corner of the letter; original envelope included.

The celebrated American actress and dancer expresses her gratitude to her admirer for his previous letter, in which he requested a signed photograph that she is unfortunately unable to send, being away from her home in Eagle Point, Oregon, and currently in New York: "Your most gracious letter is in my hands and i cannot tell you how delighted its make

Photographic postcard depicting Jean-Paul Belmondo with sunglasses and a cigarillo between his teeth.
Handsome copy.
Autograph inscription signed by Jean-Paul Belmondo in the lower margin of the photograph: "Pour Claude JP Belmondo".
Provenance: from the collection of the great autograph collector Claude Armand.

Newspaper Clipping Annotated by Paul Éluard