Incunabula, editio princeps and first editions of major works from 15th to 18th century

First edition, printed by the Imprimerie Royale in Paris in 1753, illustrated with an engraved title vignette, six folding maps and two further folding plates devoted to astronomical observations (positions of the sun and moon, together with explanatory diagrams). The maps depict the coasts of Acadia and Île Royale, the Gulf of St. Lawrence, the harbour of Canso, the south-eastern coast of Île Royale, the harbour of Chibouctou (Halifax), and the south-eastern extremity of Acadia.

Fine...

Rare French first edition in the translation by Esprit Pézenas, illustrated with 2 title vignettes and 78 folding plates representing instruments used for physics demonstrations.

Armorial copy with unidentified coat of arms.
Contemporary full porphyry sheep binding. Decorated spine with raised bands. Beige calf title label, brown sheep volume label. One lack to foot of volume I. Light lack to head compartment of volume II and to foot compartment. Split to upper joints at foot of both volumes, 1cm. Corners with leather losses, as well as to edges. The use of acid to achieve the porphyry marbling has caused certain alterations to the leather, notably...

Rare first edition, published anonymously.
Contemporary full marbled and polished calf binding. Decorated spine with raised bands. Red morocco title label. Traces of rubbing. Missing the half-title of the first part. Handsome copy.
Philosophical tale in which a young man, first raised in a cage then cast onto a desert island, is educated by nature at the age of 15. Each experience becomes a discovery, either about the world or about himself. This young man thus embodies the scientist of modern times, virgin before things. Facing nature and far from civilization, man is fundamentally good according to the novel, but nature itself is not exempt from evils that man is called upon...

Rare first edition. This book is said to have been printed in Sedan.

Contemporary full brown speckled sheep binding. Spine with raised bands richly decorated. Red morocco title label. Headcaps and corners skillfully restored. Good copy.
Voltaire attributed this violent pamphlet against monastic life to Abbé Du Bellay and made extensive use of it in his Philosophical Dictionary. The author addresses the work to Hermodore, one of the dialoguists of the Secret Conversations. Pithois is said to have compiled writings by Camus, particularly his Response to the Conversations of Hermodore, as seen in the title on p. 1.

First French edition, rare. Translated by Etienne François de Sennevert. A fine printing on handsome laid paper.
Contemporary full polished mottled calf, smooth spines richly decorated with gilt tooling in compartments and rolls, black morocco lettering-pieces, tan morocco volume labels, triple gilt fillet borders on the boards. Some surface abrasions to the boards, joints, and borders. Slight brown waterstain in the upper margin of the preliminary leaves of volume 1. A small loss at the foot of volume 4. Headcap of volume 2 lightly worn. Loss at the lower joint of volume 1. Despite a few minor defects, a very handsome copy.

First bilingual edition, with French facing Greek, translated by Pierre Coste, with his footnotes. Title page printed in red and black. Extended preface by Pierre Coste.
Copy bearing the arms of Queen Elisabeth Farnese of Spain, Princess of Parma, queen from 1714 to 1746. A woman of power whose policies profoundly influenced Spain. Double coat of arms surmounted by a closed royal crown, encircled by the collars of the Orders of the Holy Spirit and the Golden Fleece. Dexter: Spain; sinister: Farnese ("or with six fleurs-de-lys azure, 3,2,1"). An intriguing feature of the queen’s arms: the collars of the Orders of the Holy Spirit and of the Golden Fleece, although these...

New edition, the same year as the first edition which appeared in London and Paris.

Contemporary full marbled brown calf binding. Decorated spine with raised bands. Red morocco title label. Upper joint cracked at head and foot. Headcap worn. Rubbing. Handsome copy.

First edition illustrated with 47 charming emblematic figures arranged on 13 plates on fine paper and a title headpiece. Only the title vignette is signed Gaudier. Lacking the frontispiece. Each figure in a medallion features the sun in a dominant position and a symbolic element such as a musical instrument, a landscape, an animal, as well as a Latin motto. Rare printing from Aix-en-Provence.

Late 19th-century Bradel binding in half beige cloth. Smooth spine with dark red shagreen title label running lengthwise. The plates have slightly narrower outer margins than the leaves. Some foxing, particularly on the title page.

First edition

Contemporary full red morocco binding. Decorated spine with raised bands. Red morocco title label. Triple fillet frame on boards. Gilt edges. Traces of rubbing. 2 corners slightly bumped.

Fine copy, precious in contemporary red morocco.

First edition, second issue. The first of 1784 contains only 212pp. against 403 for this one, which has been expanded with the translation of Price's work: "Observations on the Importance of the American Revolution". Turgot's letter and Price's book benefit from a half-title.

Later, modern binding. Pastiche blonde cardboard Bradel binding. Smooth spine with pink sheep title and volume labels. Spine lightly darkened. Rubbing. Uncut copy, bound directly from the original wrappers. The first 2 leaves browned. Scattered browning. Last leaf with lack to lower right corner.

The rare first edition, illustrated with a handsome frontispiece by Van der Laan and engraved by Bernart. Title pages printed in red and black. Attribution to Bruys is sometimes contested by bibliographers. Two letters defending the work against criticism can be found in volumes I and III.

Contemporary mottled sheep binding. Richly decorated raised spine. Red morocco title labels, brown morocco volume labels. Head of volume I partly lacking, volumes III and IV torn away, same at tail of volume IV. Worming to boards, quite present on the boards of volume IV. Joints of volume IV cracked. Despite the defects, spines in good appearance.
The work became a constantly...

First edition. The second part is regarded as rare, since Prussia ordered the manuscript to be seized and the copies burned, although in fact the second part is found in many sets.
Contemporary full mottled brown calf binding. Spine with raised bands richly gilt. Red morocco lettering-piece. Lower headcap partly torn. Abrasion to the lower cover with loss along the joint. Two corners rubbed. A brown stain in the upper margin of p. 49, about 2 cm. Loss in the margin at the corner of p. 144, not affecting the text. Marbled endpaper with a cut along the outer margin. Some gatherings browned. A good copy.

First edition with a beautiful allegorical frontispiece showing the city of Babylon and its tower of languages in the background, and 4 folding plates of medals and coins.

Armorial copy with the arms of the city of Amsterdam.
Contemporary Dutch binding in full marbled brown sheep. Decorated spine with raised bands. Black morocco title label. Arms of the city of Amsterdam stamped in gilt at the center of the boards. Framing fillet with fleurons in the corners, framing frieze. Edges gilt. Some rubbing. Gilt slightly faded. Handsome copy.

Rare illustrated reissue of Giovanni Battista Mascolo’s Encomia Coelituum, published jointly in Vienna and Augsburg between 1753 and 1755. First published in Naples in 1638, the text is here expressly reprinted “ob raritatem & elegantiam” and enriched with a remarkable series of 366 engravings, one for each day of the year. Most of the compositions are by Johann Wolfgang Baumgartner, alongside Franz Sigrist and other artists active in Augsburg; the plates were engraved by several burin engravers from this artistic circle.

First edition.

Worn contemporary half brown sheep binding. Spine with raised bands and ornament. Beige morocco title label. Head torn away with first compartment partly lacking. Tail trimmed. Upper joint cracked, lower joint split with losses. Corners cut. Trace of label on second compartment.
Two large sections divide this work. The first catalogs and describes the paintings present in the churches and castles from Lille to Antwerp, and this for all the cities of Flanders (Dunkirk, Brussels, Bruges...). The second part consists of biographies of famous painters of Flanders: Rubens, Van Dyck, Otto Van Veen, Jordaens, Van Cleef, Van Oost, etc.

One of the very few copies bearing an autograph inscription—fewer than ten are recorded—of this first edition, containing the Marseillaise.
First edition illustrated with an engraved frontispiece by Charles-Étienne Gaucher after Jean-Jacques Le Barbier and four pages of engraved musical score at the end of the volume. La Marseillaise appears here in its true first edition, having first been pre-published in the Almanach des Muses in 1793 and circulated as separate leaves.
Contemporary half-sheepskin binding, smooth spine gilt-decorated with compartments, fleurons and fillets, red morocco title-piece, black pasteboard...

The rare first edition, illustrated with a folding map.

Contemporary half green sheep binding. Smooth spine decorated with fillets. Gilt title. Tear to headcap with loss. One corner stripped of paper. Rubbing. Trace of pale dampstain on the map and from the first page of text to p. 69 in lower margin, and on the table. Stains on spine.
Physical and human geography of Egypt, Syria, Arabia and India, customs and manners. The volume was published when Bonaparte's Egyptian expedition had just been launched; it evokes the mythical route followed by Alexander the Great, from Egypt to India, a route coveted by the French.

NB: This work is available at...

First edition of this ambitious illustrated history of France, published by François-Anne David in five volumes between 1787 and 1796. The illustration comprises five engraved titles and 140 full-page plates, here printed in sanguine on stout paper, each volume with a different ornamental border devised to correspond to the historical period it covers. The plates were engraved by David, chiefly after designs by Nicolas Lejeune. This copy belongs to the deluxe issue on wove paper with the plates printed in "bistre sanguin anglais", a format specifically advertised by David in 1794 alongside the ordinary issue printed in black.

First edition, rare. This is the second book devoted by the author to this subject. Manuscript bibliographical note on the endpaper, in black ink, by F. Annibal Destouches, 1834.
Half glazed camel calf binding. Spine with false raised bands decorated with fleurons. Long-grain morocco boards with gilt roll border.
Contemporary full brown sheep binding, speckled. Decorated spine with raised bands. Gilt title. Small lack at head. Tailcap partly worn. Upper joint cracked at head and foot over 7 cm. Corners bumped.

First edition of all the texts comprising the collection. Each of the funeral orations features a title vignette with the arms of the deceased and a second as a title headpiece with a medallion portrait as well as a tailpiece. The dates of the orations range between 1695 and 1714. The two letters from Cardinal de Noailles that conclude the collection date respectively from 1712 and 1714.

Contemporary full brown speckled and glazed sheep binding. Spine with raised bands richly decorated. Havana morocco title label. Roulette on the leading edges. Rubbing to headcaps and joints. Scuffing and brown stains on the upper part of the front board. 2 dampstains on the Duke of...

The rare first collected edition, with a frontispiece portrait. This edition contains most of Rivarol's writings and notably numerous short pieces, but it is not entirely complete; certain royalist or monarchist writings were not retained in this edition under the Empire. At the beginning of the fifth volume, a letter from Madame Rivarol thanking the publisher for having removed the calumnious and mendacious notice from volume I. This notice, indeed, has been removed from numerous volumes.

Contemporary bindings in full marbled brown sheep. Spines decorated with 5 different small fleurons. Dark brown calf title and volume labels. Headcaps torn away, except at foot of volume I...

First edition. One large folding table on heavy paper.

Contemporary full brown sheep binding. Spine with raised bands decorated. Beige morocco title-label. Headcaps torn. Joints opened or cracked at head and foot. Corners bumped. Surface wear to boards. Lacks to raised bands. One tear to the table.

Rare Collection of Three Theological Commentaries: 

-In libros Paralipomenon, sive Chronicorum Commentarius. Ludwig Lavater. Printed by Christophorus Froschoverus, Zurich, 1573. First edition, with the printer’s mark on the title-page. Preface by Ludwig Lavater dated February 1573. Numerous genealogical tables.

- Praelectiones Ioannis Calvini in librum prophetiarum Danielis. Jean Calvin. Edited by Jean Budée and Charles de Jonvilliers. Apud Bartholomaeum Vincentium, 1571. Place not indicated, but almost certainly Geneva, based on typographical evidence and the preface dated 14 September 1571. Hebrew text in bold, with translation to the...

First edition.
Full marbled brown calf binding. Spine with raised bands decorated. Red morocco title label. Head cap worn away. Rubbing. One corner slightly bumped.
Apocryphal testament of Cardinal Alberoni (1664-1752). Joseph-Marie Durey de Morsan gathered various documents relating to the cardinal in Madrid, he showed them to Maubert de Gouvest who bought the collection from him to recast it into a single narrative. It contains historical and political chapters on Spain under Charles VI, on the affairs of France and Spain, chapters dealing with diverse subjects such as agriculture, the navy, and the balance of power in Europe.

First edition.
Contemporary full brown sheep binding. Decorated spine with raised bands. Brown sheep title-label. Rubbing, scratches to boards. Light scattered foxing to the first leaves. Cut to outer margin of the last 2 leaves over 1 cm.
The author's only published sermon, on the unity of the church. From the opening words Bossuet links the Catholic church to Jewish history.