Contemporary full blonde calf bindings attributed to Derôme (an old inscription states this on the first endpaper). Smooth spines decorated with 4 small fleurons, fillets and roulettes. Orange morocco title labels, and tan morocco volume labels. Triple fillet borders on boards. All edges gilt. Lacks at head of volumes I and II. Upper joint cracked in volume I along the first compartment. 4 corners slightly bumped. Rubbing from use. Despite the noted defects, a handsome copy.
As for the personality, Guyot de Merville seems quite close to Rousseau, and his existence is a long series of misfortunes and failures. His theater never met with success due to the poor relations the author maintained with the actors. Everything he undertook ended badly, and he had numerous persecutors; Voltaire's coldness, in whom he placed his last hopes, completed his melancholy and led him to end his days at the bottom of Lake Geneva. The 4 plays contained in volume III appear for the first time, they were reportedly found in a portfolio. "Finally epigrams and poetry by the author; the plays most often contain a preface. This author had nourished himself on reading the best dramatic poets, and one sees that Molière is the one he proposed as his model. He imitated him especially in the simplicity of his plots and his style, and his plays have the merit of being as pleasant to read as to perform". Bibliothèque des théâtres.
Bookplate of L. S. Auger.