Cahier 3. 1943
Rare and handsome copy.

They are never young, though ever green,
Each bears a blunted blade, or a sharpened quill,
An empty chair is rarely seen,
Grave of tone, and sharp at will -
Forty sit today, Immortal, and serene.
Rare uniform set of Didot stereotype editions. The title page of each volume is preceded by an advertising and presentation leaf of the edition composed as follows: this stereotype in-18 edition is sold in Paris, by P. Didot l'Aîné and by Firmin Didot. Price in sheets: Ordinary paper, fine paper, laid paper, deluxe laid paper. All the present editions are printed on laid paper or deluxe laid paper.
François Ambroise Didot perfected the manufacture of laid paper in France in 1780, which was particularly well suited to printing Didot typefaces.
Contemporary full red Russia leather binding. Smooth spine decorated with 5 fleurons and multiple roulettes. Decorative frames...
First edition, rare copy with no statement of print.
Full blue morocco binding, spine with raised bands in the Jansenist style, endpapers and pastedowns of combed marbled paper, gilt dentelle framing the pastedowns, double gilt fillets and gilt tooling to headcaps and board edges, top edge gilt with untrimmed margins preserved, original front wrapper bound in, binding signed by Marius Michel. Monogrammed bookplate mounted on the verso of the first endpaper.
This copy is enriched with four hors-texte plates by Louis Boulanger and Alfred Johannot.
Signed autograph inscription by Victor Hugo on the half-title: « À Monsieur Ch[arles] Mévil son bien...
Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.
Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.
Rare and beautiful copy elegantly bound.
First edition for which no grand papier (deluxe) copies were printed.
Small marginal pieces missing at the top of the first board, a clear remnant of adhesive paper at the bottom of the first endpaper.
Copy complete with the facsimile at the end of the volume.
Precious handwritten inscription signed by Gabriele d'Annunzio to Natalie Clifford Barney: « à miss Barney et au Temple de l'Amitié attentive, cette légère torpille ‘sine litteris' est offerte par la ‘tête d'ivoire'. Gabriele d'Annunzio » (“To Miss Barney and the attentive Temple of Friendship, this light ‘sine litteris' torpedo is offered by the ‘ivory head'. Gabriele...
First collected edition, partly original, by far the most important and most sought-after (cf. Clouzot), with Chateaubriand having revised and reworked a large part of his writings.
This set also contains in first edition several texts including Les Natchez, Le Dernier Abencérage, Le Voyage en Amérique, and Moïse (placed at the end of vol. XXII and often lacking).
Each volume illustrated with a frontispiece...
First edition, of which only 500 copies were issued. With an etched frontispiece portrait of Théophile Gautier by Émile Thérond.
With a substantial prefatory letter by Victor Hugo.
Full red morocco binding, gilt date at the foot of spine, marbled endpapers, Baudelairian ex-libris from Renée Cortot’s collection on the first endpaper, wrappers preserved, top edge gilt. Pale foxing affecting the first and last leaves, beautiful copy perfectly set.
First edition displaying all the distinctive features of its publication: it presents no capital letters except at the beginning of paragraphs and it is the very first work to have been printed with Voltaire's spelling. Our copy is complete with its errata leaf, which is often missing.
Later bindings (19th century) in full red morocco, Jansenist spines with five raised bands, dates and places gilt at foot, boards struck at center with large gilt typographical fleurons, double gilt fillets on leading edges and headcaps, pastedowns lined with blue morocco presenting a wide gilt decorative border, monogrammed bookplates mounted on the pastedowns of each volume, following endpapers of...
First edition, one of 30 numbered copies on pur fil paper, this copy one of 10 hors commerce, the only grand papier (deluxe) copies.
A nice copy despite the very slightly sunned spine.
Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel, director of publishing house Plon, and his wife : "... cette Electre perdue dans "un monde où l'ordre n'est pas"
First edition. Pre-original edition of Considérations sur la mythologie Grecque by André Gide.
Other contributions by Jacques Rivière, Georges Simon, André Lhote, Paul Claudel, Albert Thibaudet.
With the NRF subscription bulletin, handsome copy of one of the first issues of the most famous French literary review.
First edition, one of the rare deluxe copies on Japan paper. Pre-original edition of Dolly by Valéry Larbaud and Nationalisme et littérature (2ème partie) by André Gide.
Other contributions by Henri Ghéon, Guy Lavaud, Gaston Furst, Louis Laloy and Louis Iehl.
Extremely rare deluxe copy of one of the very first issues of the most famous French literary review of the twentieth century.
First edition, one of the rare deluxe copies on Japan paper. Pre-original edition of Introduction ç une Métaphysique du Rêve by Jacques Rivière.
Contributions by Michel Arnaud, François-Paul Alibert, François Porché, Jean Talva and Louis Laloy.
A tiny trace of angular folding on the first cover.
Extremely rare deluxe copy of one of the very first issues of the most celebrated French literary review of the twentieth century.
First edition, one of the rare deluxe copies on Japan paper. Pre-original edition of Trois Hymnes by Paul Claudel.
Other contributions by Henri de Régnier, Paul Valery, Francis Carco, André Ruyters, Eduard Ducoté and André Gide.
A tiny tear without loss at the foot of the second cover, otherwise a handsome copy.
Extremely rare deluxe copy of one of the very first issues of the most celebrated French literary review of the twentieth century.
First edition.
Black half morocco binding, spine with four raised bands adorned with gilt dotted fillets and double gilt compartments decorated at the corners, gilt date and the inscription "Ex. de J. Drouet" at the tail, marbled paper boards and endpapers, preserved covers and spine, top edge gilt, binding signed by René Aussourd.
Some minor foxing, mainly at the beginning and end of the volume.
Precious signed and inscribed copy by Victor Hugo to Juliette Drouet, the great love of his life: ‘To you, my lady. Humble homage. V.'
This copy comes from the library of Pierre Duché, who acquired Juliette Drouet's entire...
First edition of Album d’un pessimiste, here in its exceptionally rare earliest state. In this copy, both the title-page and half-title still bear the heading Œuvres posthumes.
Three states of the edition are known. The first, represented by the present copy, retains Œuvres posthumes on both title-page and half-title. In the second state, a new title-page reads Album d’un pessimiste, while the half-title remains unchanged; this is the state most commonly...
First edition, one of 95 copies on pur fil, the only deluxe issue after 45 copies on Hollande.
A slight vertical crease on the front cover.
A handsome copy.
First edition.
Bound in red half Russia with corners, spine with four raised bands gilt-ruled and decorated with double gilt panels, date in gilt at foot within a compartment, marbled endpapers and pastedowns, rare wrappers and spine preserved, top edge gilt, uncut, binding signed by Bernasconi.
The catalogue leaf of Victor Hugo’s works is present. A few folding creases to some leaves.
Mounted opposite the definitive version printed on p. 223 is a precious autograph poem by Victor Hugo, entitled “La pauvre...
First edition, illustrated with a frontispiece by Mellan and a portrait of the author by Champaigne engraved by Nanteuil, published posthumously by the author's nephew, Martin de Pinchesne.
Contemporary late 18th-century full mottled calf. Spine with raised bands, richly gilt in a grotesque pattern with two alternating tools. Pink calf lettering-piece. Joints split at the head. Worming at the foot. Two corners bumped. Some rubbing. A few leaves evenly browned, others lightly yellowed. Headcap clumsily restored. Yellow dampstain to the lower outer corner of the first 30 pages.
Partly first edition, gathering the most famous speeches by Victor Hugo, including some of his most memorable addresses delivered at the tribune of the Legislative Assembly—most notably the speech on constitutional revision and the powerful plea he gave at the trial of his son, on 11 June 1851, before the Cour d'assises of the Seine, in defense of the inviolability of human life. Spurious mention of “eighth edition.”
Complete with the rare portrait of the author by Masson printed on China paper, as frontispiece.
Scattered occasional foxing.
Precious inscribed copy signed by Victor Hugo to Juliette Drouet : « à mon pauvre...