Pleins pouvoirs
Inevitable foxing, because of the China paper, in the margins of some leaves.
Rare and nice copy with edges preserved.

When writers take on history, there is no need to place blame on their little arrangements with the “Truth”. However, regarding historical settings as mere literary pretexts is a similarly ingenuous position. Far more than biased accounts, historical narratives of genius authors masterfully twist the past to shape our future.
First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.
First edition displaying all the distinctive features of its publication: it presents no capital letters except at the beginning of paragraphs and it is the very first work to have been printed with Voltaire's spelling. Our copy is complete with its errata leaf, which is often missing.
Later bindings (19th century) in full red morocco, Jansenist spines with five raised bands, dates and places gilt at foot, boards struck at center with large gilt typographical fleurons, double gilt fillets on leading edges and headcaps, pastedowns lined with blue morocco presenting a wide gilt decorative border, monogrammed bookplates mounted on the pastedowns of each volume, following endpapers of comb
First collective edition, for which no deluxe paper copies were issued, one of the press service copies.
Preface by Louis Aragon.
Precious autograph inscription signed by Louis Aragon to his friend Charles Dobzynski, whose wedding witness he was, along with Elsa Triolet: "A Dob, Louis."
First edition, one of 40 numbered copies on vélin pur fil paper, the tirage de tête (deluxe copies).
Full morocco, covers and spine preserved, slipcase, elegant binding signed by Semet & Plumelle.
Provenances: mostly from Robert Desprechins' library with his ex-libris drawn by Jean Cocteau, and by Louis de Sadeleer with his engraved ex-libris.
A very nice copy beautifully bound morocco signed by Semet & Plumelle.
First edition, one of the press service copies.
Precious signed autograph inscription from Paul Éluard to Benjamin Fondane.
Spine with three small expertly repaired tears, of no consequence.
A moving dedication from poet to poet, written on the eve of the war during which the two friends would contribute together to poetic resistance journals such as l'Honneur des poètes.
The deportation and death of Fondane in 1944, along with many other artist and poet friends, would profoundly affect Éluard, who composed in their memory a magnificent poetic tribute, "Eternité de ceux que je n'ai pas revus," listing the names of each of the departed:
"Visages cla
Partly first edition, gathering the most famous speeches by Victor Hugo, including some of his most memorable addresses delivered at the tribune of the Legislative Assembly—most notably the speech on constitutional revision and the powerful plea he gave at the trial of his son, on 11 June 1851, before the Cour d'assises of the Seine, in defense of the inviolability of human life. Spurious mention of “eighth edition.”
Complete with the rare portrait of the author by Masson printed on China paper, as frontispiece.
Scattered occasional foxing.
Precious inscribed copy signed by Victor Hugo to Juliette Drouet : « à mon pauvre
First edition on ordinary paper.
Half red morocco over marbled paper boards, spine lightly sunned in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
One top corner very slightly rubbed.
Handsome autograph inscription by Charles Maurras : "A madame Colette Willy, en souvenir de la cocarde."
First edition, one of 80 numbered copies on Hollande paper, the deluxe issue.
Fine copy.
First edition, one of numbered copies on alfa.
A good copy.
Autograph inscription from Irène Némirovsky to monsieur Maier.
First edition on ordinary paper, stated the second.
Contemporary half khaki cloth Bradel binding over marbled paper boards by Paul Vié, initials and date gilt to bottom of spine, covers preserved.
Precious autograph inscription from the author to the noted art critic Philippe Burty.
Occasional spotting, principally affecting margins.
First edition, one of 25 numbered copies on "pur-fil" paper, most limited issue.
The book Camus dedicated to his friend René Leynaud.
Rare and handsome copy.