Original Gift Ideas

First edition of Charles Bukowski's last novel, the colophon dated March 1994, the very month of the author's death.

One of 300 numbered copies signed by Charles Bukowski, hand-bound by Earle Gray and accompanied by an original colour silkscreen print by Bukowski, which together with twenty-six unnumbered copies make up the deluxe issue. Our copy is enhanced with an original ink drawing accompanying the author's signature.

Publisher's red half cloth, printed paper label with author and title lettered lengthwise on spine, printed paper boards, original transparent dust jacket preserved.

First French edition authorised by the author, in the translation by Hippolyte Delaveau, illustrated with twenty-two wood-engraved vignettes after designs by Godefroy Durand, one heading each of the tales in the collection.

Half red shagreen with corners, signed by Canape, marbled paper boards, spine with five raised bands outlined with blind-tooled fillets, gilt author, title and date, top edge gilt, illustrated wrappers preserved.

Light rubbing to the raised bands, wrappers very slightly soiled, occasional pale foxing to a few leaves.

First edition, profusely illustrated with reproductions of drawings by Karl Lagerfeld.

Texts by Anna Piaggi.

Publisher's full red cloth, smooth spine; complete with the illustrated dust jacket, which shows a small tear at the head of the upper panel.

Precious autograph inscription signed by Karl Lagerfeld to Sonia Rykiel: "Chère Sonia les pages 166-167 sont un hommage à toi. Avec toute mon amitié ton Karl 19.10.86."

First octavo edition of this posthumous collection of extracts from Charles Bukowski’s journal, illustrated with twelve full-page drawings by Robert Crumb.

One of 426 numbered copies of the deluxe issue, hand-bound by Earle Gray and including, as called for, a frontispiece consisting of an original color silkscreen print signed by Robert Crumb.

The first edition had been published the previous year in a large format and a small print run by Black Sparrow Graphic Arts.

Publisher’s red quarter cloth, printed paper boards, label with author and title lettered lengthwise pasted on spine, original transparent dust jacket preserved.

Lower corners very slightly rubbed, otherwise a fine copy.

"Dernière édition", enlarged with remarks probably due, according to Dorbon, to its publisher, the "spirituel libraire hollandais Jean Frédéric Bernard" (Bibliotheca esoterica, 3227), and illustrated with a frontispiece engraved by Jan Lamsveld, two headpieces and an initial.

Contemporary full blue calf signed C. Smith, double gilt fillet border to covers, gilt fleurons at corners, spine with five raised bands richly gilt, gilt title, gilt roll to board edges, shell-marbled pastedowns, all edges gilt. Light rubbing, upper cover very slightly faded at upper margin, occasional light foxing.

A pleasing copy bound in blue calf, with the imprint of Jean Frédéric Bernard, publisher and presumed...

Illustrated edition, with compositions drawn and engraved on wood by Léon Schulz: a frontispiece printed in red and black, together with numerous headpieces and tailpieces. The edition was limited to 1,230 copies; ours is one of the numbered copies on Rives laid paper.

Bound in full peacock-blue shagreen, smooth spine lettered in gilt with author and title, marbled paper pastedowns, top edge gilt, original wrappers preserved. Binding sunned, with marginal fading to the upper cover and spine, and a scratch to the upper cover.

The copy from the library of the writer and filmmaker Carlo Rim (pen name of Jean Marius Richard), enriched with eight letters by Frédéric Mistral, in French and...

First edition of Michael Arlen's satirical short story A Young Man Comes to London, published at the initiative of the Dorchester Hotel to celebrate its opening on 18 April 1931. The story is followed by three texts on the genesis, architecture and interior design of the hotel, by Sir Francis Towle, one of the promoters of the project, by Professor C. H. Reilly, architect, and by Sir Malcolm McAlpine, building contractor. Illustrated with six in-text drawings by Cecil Beaton and and four folding colour plates depicting the hotel's interiors.

Publisher's full cloth Bradel binding, very slightly soiled; title label pasted onto the front board, lightly rubbed and lifting at one corner; some...

Two copies of the first edition presented together in a single wrapper: one on butcher’s paper, from the limited issue of sixty numbered copies printed for private distribution (hors commerce), unopened; the other on pure linen laid paper, from the limited issue of fifteen numbered copies.

This poem by Charles de Jonquières, written in 1944-1945, was published in 1959 as a token of gratitude to those who had supported him in founding the Union des intellectuels indépendants, an association established in 1950.

Illustrated with headpieces and tailpieces.

Very light soiling to the illustrated wrapper; the copies are otherwise in perfect condition.

First edition, taken from the Mémoires de la Société royale et centrale d'agriculture, for the year 1824.

Illustrated with a folding plate inserted out of text.

Our copy is preserved in its original state, sewn and issued in a plain blue provisional wrapper.

Scattered light foxing.

A grandson of the founder and first director of the Académie royale de marine, Pierre-Marie-Sébastien Bigot de Morogues (1776-1840) devoted himself principally to agricultural matters.

Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.

The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).

Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.

Some minor foxing, chiefly at the...

Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".

A few waterstains, a small hole at "qu'il vous ait".

"My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you proof of my esteem and affection...

Very rare first edition of the Ottoman Turkish translation of Catherine II's new regulations for the administration of the governorates of the Russian Empire, published in Saint Petersburg in 1780.

In the aftermath of the Treaty of Küçük Kaynarca, signed in 1774, Russian expansion towards the Black Sea could no longer be confined to the seizure of fortresses and territory. The newly acquired provinces had to be governed, their inhabitants introduced to the institutions of the Empire, and its regulations made accessible to populations unable to read Russian. The present volume records this decisive transition from military conquest to civil administration through the translation into...

A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014. 

Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French readers, held in Dijon on July 3, 2014. (Volume 5 was not published until 2015.)

Colour pictorial wrappers with flaps. Slight rubbing to corners, minor handling wear to spines of...

First edition, one of 42 numbered copies on Japon paper, the leading copies after 8 hors commerce on Chine paper.
Elegant Bradel binding in half black calf over floral paper boards by P. Goy & C. Vilaine, covers preserved (lightly soiled at edges), top edge gilt.
With a frontispiece portrait of the author on Chine paper by Jean-Louis Forain.
One tiny foxing as well as a small, clear marginal dampstain touching frontispiece.
A very good copy nicely bound.

First edition for each volume.

Fine copy of Du côté de chez Swann in first edition, second printing, with all identifying points (front cover dated 1913, table of contents present, no publisher's catalogue at end); copy in first edition bearing the mention "quatrième édition" for À l'ombre des jeunes filles en fleurs (with the correct colophon dated November 30, 1918); although bearing the same colophon dated November 30, 1918, the 128 reimposed copies were not actually printed until a year later, together with the large paper copies of the Swann reissue; for the following 11 volumes, numbered copies on pur fil (wove paper), the only large paper copies apart from the reimposed ones.

The...

Autograph postcard signed by Albert Einstein to Ludwig Hopf. 18 lines written verso and recto, address also in Einstein's handwriting. Postmarked June 21, 1910. 

Published in The Collected Papers of Albert Einstein, Volume 5: The Swiss Years: Correspondence, 1902-1914, Princeton University Press, 1993, n°218, p. 242.

An exceptional and highly aesthetic card from Albert Einstein to "the friend of the greatest geniuses of his time" - according to Schrödinger - mathematician and physicist Ludwig Hopf, who introduced Einstein to another 20^th-century genius: Carl Jung.
The master invites his pupil Hopf to a dinner party, whose guests include scientist Max Abraham, future great rival during...

First edition, illustrated with a frontispiece, in-text illustrations and maps, and a double-page map at the end.

Literary collaboration by Joseph Sachot.

Drawings, cover design and maps by André Millot.

Contemporary binding in green half shagreen with corners, smooth spine without title, marbled paper boards, illustrated wrappers bound in on tabs and preserved.

A compelling account of the life and conditions of Inuit populations: Father Roger Buliard (1909–1978), an Oblate of Mary Immaculate, served for fifteen years as a missionary in the Arctic before joining the Canadian military chaplaincy.

The book was a great success upon publication and inspired many future explorers.

Our copy includes an...

Exhibition catalogue of paintings by Tony Curtis, presented at the Center Art Galleries in Hawaii.

Catalogue illustrated with reproductions of works by Tony Curtis.

A very good copy. The original mailing envelope for the catalogue is included.

Signed by Tony Curtis in blue felt-tip pen on the front cover of the catalogue.

Provenance: from the collection of the distinguished autograph collector Claude Armand.

Reissued under a new title and with the Metz imprint of the widow Devilly, this is the seventh and final volume of the Tableau historique des costumes, des mœurs et des usages des principaux peuples de l’antiquité et du moyen âge, published in Paris and Metz between 1804 and 1809 in the translation of the Comte de Jaubert. The text still carries the signature “Tome VII” from the original edition, while the plate captions retain their double reference to the Viennese edition and to “Moyen âge, tome IV” of the French version.

The 47 engraved and coloured plates give the volume much of its character: costumes of religious orders are followed, from plate XXX onwards, by a sequence devoted to the...

First edition of this major work, illustrated with 12 engraved plates and 85 figures in the text (cf. Garrison-Morton 2485. Osler 1550. Duveen 461. Cushing P/139. Waller 10966. Norman 1658).

In studying the process of fermentation, Pasteur demonstrated that the spoilage of beer was caused by airborne microorganisms, and not by spontaneous generation as previously believed.

His research contributed significantly to the treatment and preservation of perishable beverages such as beer, wine, and milk.

A very attractive copy, preserved in its original wrappers.

First edition, printed in a very small number of copies, of this extremely rare offprint (cf. Tardy 338 for the complete edition. Not listed by Polak.)

Some minor foxing, a handwritten letter "R" in ink at the upper right corner of the front wrapper.

A pleasant copy.

First edition, profusely illustrated with in-text figures.

Contemporary red half shagreen binding, spine with five raised bands decorated with gilt fillets and triple gilt compartments, gilt initials at the foot of the spine, some rubbing to the bands, boards framed with blind-stamped fillets, marbled endpapers and pastedowns. A binding of the period.

A rare and appealing copy.

First edition, one of 35 copies on pure rag paper, this one not numbered but specified as a copy printed for Pierre Jean Jouve under the colophon, the only deluxe paper copies issued.

Three small spots on the lower cover.

A very good copy.

First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.

Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.

The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.

A handsome and rare copy.

Enclosed is the printed report, on Rives paper, of the general meeting held on 16 May 1962 by the bibliophile society Les...

Facsimile edition limited to 1,000 numbered copies of the exceedingly rare 1931 first edition published by Jeanne Walter.

Introduction by Fernand Léger.

Splendid volume illustrated with 80 photographs by Moï Ver.

A rare and desirable copy, complete with its original grey full cloth chemise and slipcase.

Rich photographic album comprising the title page and 65 oval silver prints mounted on heavy paper, all on tabs.

Full bottle-green morocco binding, spine without lettering, raised bands framed with black fillets, double blind-ruled frame on covers, gilt roll tooling on the caps, gilt title stamped at the center of the upper cover, comb-marbled endpapers and pastedowns, wide gilt dentelle borders on pastedowns, all edges gilt, one upper corner slightly rubbed, gilt fillets on board edges, an elegant contemporary binding signed by Thouvenin fils.

Minor surface scuffing.

One of the most renowned works by the photographer Alophe (1811–1883). A commemorative album featuring photographic portraits of...

First edition, one of 158 copies printed on pur fil paper, following only 45 on Hollande.

A fine copy.

Original photograph depicting Charles Gounod, full face.

Vintage gelatin silver print mounted on cardboard, produced by photographer Isidore Alphonse Chalot at 18, rue Vivienne, Paris.

Autograph inscriptions in black then blue ink on the verso by the recipient, A. Lasserre, inspector at the Opéra Garnier: "Portrait de Ch. Gounod signé le soir de la 926eme représentation de Faust (samedi 29 septembre 1888) A. Lasserre."

Additional handwritten note in pencil in the right margin of the verso: 1867e représentation de Faust le 28 septembre 1929.

Printed stamp at foot of the verso: "Maison Martinet Albert Hautecoeur, 18, bd des Capucines."

Charles Gounod’s dated autograph signature to upper right...

First edition, one of 180 numbered copies on pur fil paper, the only deluxe issue after 40 copies also on pur fil paper.
A rare and attractive copy.

First edition, one of 1,050 numbered copies printed on vélin labeur paper.
Publisher's binding after an original design by Mario Prassinos.
A fine copy.

Sixth edition, with a photograph of three women reading, mounted as frontispiece.

Bradel binding in brown half cloth with corners, signed Carayon, sides in French curl paper, black morocco title label to spine, fleuron, gilt rules, wrapper preserved. Very slight rubbing to the binding, soiled wrapper, light waterstaining to the first leaves, some foxing.

First edition, one of 105 numbered copies on wove paper, the only large-paper copies after 35 on Holland paper.

Press clippings laid in, having left a slight offset on the colophon page at the end of the volume.

A pleasing copy.

Signed presentation inscription from Louis Aragon to Jean-Pierre Lecointre, further enhanced by Elsa Triolet's autograph signature.

First edition on ordinary paper.

A transverse crease to the upper edge of the front wrapper.

Illustrated.

Rare dated and signed presentation inscription from Fernand Legros to the journalist Brigitte Kantor: "... avec ma gratitude pour un journaliste objectif et attentif..."

First American edition.

Publisher's original brown paper-covered boards, flat spine, spine ends and corners lightly rubbed, complete with its illustrated dust jacket showing a few minor closed tears.

Profusely illustrated throughout.

An exceptionally important presentation copy inscribed Paul Bocuse to Lionel Poilâne: "A monsieur Poilane avec toutes mes amitiés gourmandes. Paul Bocuse 1978." [with all my gourmand sympathies]

New printing of the author's works issued by Alexandre Houssiaux, who had acquired the Furne publishing stock under which the works had originally appeared. He expanded the set with three additional volumes (Theatre, Contes drolatiques, etc.), published here for the first time.
Bound in red half shagreen, spines with four raised bands ruled in gilt and richly gilt-panelled, a few minor scuffs to some spines, marbled paper boards, marbled endpapers, speckled edges.

A few light foxing spots, as usual.

Illustrated with 125 plates hors texte by the leading artists of the period, including Bertall, Daumier, Gavarni, Johannot, Meissonier and Nanteuil, together with rare illustrations in the text and...

First edition on ordinary paper for the second volume; statement of 1000th edition on the first volume.

Minor foxing to the top edges.

A handsome set, housed in a white paper covered chemise and slipcase.

Exceptional presentation copies signed by Marcel Pagnol to Maurice Druon on each volume: "à Maurice Druon, écrivain véritable, hommage du romancier amateur, son ami, MarcelPagnol. 1958" [to Maurice Druon, true writer, homage from an amateur novelist, his friend, Marcel Pagnol] and "Cher Maurice, puisque ça te plaît, voilà la suite. Mais rassure-toi, il n'y en a plus qu'un ! affectueusement, Marcel." [Dear Maurice, since you liked it, here is the continuation. But not to worry, there is only...

First edition on ordinary paper, bearing the correct imprint date of 25 August 1978.

Spine yellowed and creased as usual, internally in pleasing condition.

Rare signed autograph inscription from Georges Pérec to Chantal Labre.

New edition, partly original as revised and expanded.

Vertical creasing to the upper cover, a pleasant copy.

Illustrated with a photographic portrait of the author as frontispiece, together with three further plates.

Scarce pamphlet issued by the relief committee for political prisoners of the Russian penal camps in Grenoble.

Original albumen print photograph of Charles de Gaulle, wearing the Cross of Lorraine and the insignia of the Free French Forces, likely taken shortly after the Liberation. Studio stamp of Harcourt Paris within the photograph, under mat and light wood frame, with some minor damage to the frame. 

Signed and inscribed by Charles de Gaulle below the portrait: "A M. Jules Guichet / Bien amicalement ! / 19.2.58 / C. de Gaulle". 

A further compilation bringing together several successes of the troubadour from Sète, including "Le temps ne fait rien à l'affaire", "Dans l'eau de la claire fontaine", "La traîtresse", "La ballade des cimetières"; "La complainte des filles de joie", "Tonton Nestor - La noce de Jeannette", "Le temps passé" and "La fille à cent sous".

A pleasant copy despite very slight rubbing to the margins of the sleeve.

A name and an initial in blue ballpoint pen at the head of the second panel of the sleeve.

Manuscript signature of Georges Brassens in the left margin of the front panel of the sleeve.

New compilation of the celebrated songs by the troubadour from Sète, including "La mauvaise réputation", "Le parapluie", "Le petit cheval", "Le fossoyeur", "Le gorille", "Corne d'auroch", "La chasse aux papillons" and "Hécatombe".
Inevitable creasing and light rubbing along the margins of the record sleeve.

A small ballpoint pen doodle in blue ink on the lower cover.
Autograph signature of Georges Brassens in the lower right margin of the upper cover.

Edition partly original, one of 90 numbered copies on hollande paper, the only issue following 10 on japon, 2 on Chapelle and 2 hors-commerce copies. Volume illustrated with 8 woodcuts by Manolo, four of which are full-page.

Manuscript signatures of Manolo and Pierre Reverdy on the colophon.

A rare and handsome copy of the only work illustrated by Manolo.

First edition of this handsome trade catalogue illustrated with 33 plates (printed recto and verso), incorporating several mounted colour fabric samples (silks, woollens, etc.), each facing a pochoir-coloured vignette depicting a young woman dressed in a garment fashioned from the textiles presented; the designs bear evocative names: Caprice, Oasis, Pluie de rose, Polyanna, Divine chanson, Pêcheuse, Vamp, Mickey, Poupée blonde, Intrépide, Espiègle, Montparnasse, Sibéria, Câline, Incognito, Magicienne, etc.

Bound in full grey flexible boards, smooth spine lettered in gilt on the upper cover, the copy complete with its original textile cord.

A few leaves with staining or foxing; minor losses to...

First edition issued as offprint no. 13 for the year 1849 from the "Journal Asiatique".

Not recorded by Lorenz.

Our copy is preserved in the original plain blue wrappers, title pencilled on the upper cover.

Some foxing.

Exceptionally rare first edition of this study in applied mathematics, which had been the subject of a report presented to the Class of Physical Sciences and Mathematics of the Academy of Turin on 26 Ventôse, Year XIII. 

Our copy is preserved in its original wrappers, in provisional speckled green paper covers with a few small losses at the corners.

Some foxing.

Not in Quérard. Only two copies recorded in WorldCat.

Tommaso Valperga di Caluso (1737-1815), Piedmontese orientalist and mathematician, was one of the two signatories of this report.

First edition of what is sometimes inaccurately referred to as the "Constitution of Year XII", but which in fact constitutes an act of the Conservative Senate, dated the previous day (18 June 1804), entrusting the government of the French Republic (this designation being retained until 1814) to a hereditary Emperor in the person of Napoleon Bonaparte, and to his successors (in the absence of a direct male heir, a substantial portion of the text is devoted to the organisation of the succession)

This also represents the final production of the Imprimerie de la République, which immediately thereafter became the Imprimerie impériale.

A few minor spots of foxing, not serious.

Our copy is...

First edition (cf. Rozier 2031.)

Modern half-speckled brown calf over marbled paper boards, smooth spine decorated with double gilt fillets, brown calf title label lettered lengthwise, bookseller's label pasted at the head of a pastedown. Born in Tours in 1750, Nicolas Heurteloup was appointed surgeon trainee on the island of Corsica in 1770.

In 1782, he was appointed chief surgeon of the hospitals of Corsica and, in 1786, was placed in charge of the military hospital at Toulon.

Chief physician in 1790 and principal army surgeon in 1795, he became Inspector General of the Medical Service in 1804 and Surgeon-in-Chief of the Grande Armée in 1808, succeeding Percy.

Created Baron in 1810, he...

First edition of this scarce catalogue of mineral specimens exhibited by the National Department of Mines and Geology of the Argentine Republic at the 1889 Universal Exposition.

Contemporary Bradel binding in chocolate brown half shagreen, smooth spine with gilt title lettered vertically, library shelf label at the foot of the spine, double gilt fillets to marbled paper boards, two abrasions with small losses of paper at the foot of the upper cover, comb-marbled endpapers and pastedowns, speckled edges.

Library stamp skilfully erased from the upper right corner of the introductory page.

A pleasing copy in very good internal condition.

First edition of this new Histoire générale des voyages, arranged and brought up to date with contemporary discoveries by Baron Charles-Athanase Walckenaer (1771-1852). Published in Paris between 1826 and 1831 in twenty-one octavo volumes, it constitutes the only portion ever completed of a project originally intended to extend to some sixty volumes. The final four volumes were prepared by Jean-Baptiste-Benoît Eyriès. Brunet V, 1041; Quérard X, 472; Gay 299; Hoefer XLVI, 498.

Contemporary half red Russia morocco with corners, spines with five raised bands, boards framed with blind fillets, marbled paper sides, endpapers and pastedowns, top edges gilt, the remaining edges untrimmed. A few...

Black and white photographic postcard depicting Louison Bobet in cycling attire.

A fine copy.

Inscribed and signed by Louison Bobet in blue ink, addressed to the prominent autograph collector Claude Armand.

Louison Bobet is among the most decorated cyclists in history: three-time winner of the Tour de France between 1953 and 1955 (the first rider to win the race three years in a row), world champion in 1954, and French national champion in 1950 and 1951. He also claimed victory in numerous classic races, including Paris–Roubaix and Milan–San Remo, among others.

Rare first edition, as referenced by Clouzot (see Guide du bibliophile français XIX^e siècle, p. 256).

A few insignificant spots of foxing, a small black ink stain at the bottom of pages 354–355. Complete with the errata leaf at the end of the volume.

Caramel half calf binding, spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools, gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls, endpapers and pastedowns in cat’s-eye paper, all edges gilt. Roman bookseller’s label at the top of a pastedown. Period-style binding signed in blind by...

First edition, one of 100 numbered copies on hollande paper, deluxe issue (only the first volume numbered).
Each volume includes a historical introduction by Philippe De Gaulle.
Ex-libris pasted to the front of each volume.
A very fine copy with wide margins, complete in twelve volumes of this important work, commencing in 1905 and concluding in April 1969.

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Gift card valid for any purchase of book, artwork or manuscript available at Librairie Le Feu Follet, 31 rue Henri Barbusse, 75005 Paris or on the website...

First edition of this complete suite of 18 numbered intaglio plates enhanced in colour, on 'J. Honig & Zoonen' laid paper, depicting 72 merchants accompanied by captions beneath each figure.
First printing, subsequent editions will feature individually numbered figures surrounded by a border.

Bound in half sienna morocco with corners, smooth spine, title stamped in gilt throughout, tiger patterned paper boards, combed paper endpapers and flyleaves, first cover retained, gilt head.
 
Extremely rare and the earliest known suite of prints depicting itinerant merchants and pedlars in Spain. Each figure is accompanied by the profession or advertisement shouted by the vendor in Castilian dialect.

First edition, printed in a small run of numbered copies.

With two photographic portraits: one of Charles Pathé and the other of his brother Émile, and a view of the Kodak-Pathé and Pathé-Cinéma factories.
3/4 beige sheepskin binding, spine with four raised bands decorated with black typographical motifs, date at foot of spine, marbled paper boards, endpapers and flyleaves.
Discrete restorations to spine, some rubbing to upper corners of boards.

Signed by Charles Pathé on his photographic portrait.

Original signed drawing in pencil and pink crayon by Antoine de Saint-Ex­upéry, on “Navarre” watermarked paper. Horizontal fold, annotation in pencil in upper left-hand corner, min­ute tears in lower margin.

Precious drawing signed by Saint-Exupéry – the writer-artist very rarely signed his graphic works – of a caricature character, sharing some of the writer's own features.

Original autograph manuscript, 8 pages on 4 squared leaves, extensively revised and signed by Boris Vian. Subtle horizontal folds.
This short story, written on 7 June 1948 according to Noël Arnaud, was first published in issue no. 2 of the magazine Dans le train, and later included in the collection Le Loup Garou. The manuscript differs slightly from the printed versions.

Original autograph manuscript of a short story by Boris Vian, written in 1945 and published posthumously in the collection Le Loup-Garou in 1970.
Highly dense manuscript of 17 pages on 9 sheets, written in black ink with deletions and corrections, on perforated graph paper, dated “25.10.45” at the end of the text. One of the very rare manuscripts dated by the author.

Exceptional manuscript of Boris Vian’s first short story, written at the age of 25, just a few months after the Liberation.

Original autograph manuscript of Boris Vian's short story, first published in the magazine Une bouteille à la Mer, no.72, in 1952, then included in Vercoquin et le plancton and republished posthumously in the 1970 collection Le Loup-Garou.
Heavily revised manuscript, written in blue ink on the recto of each sheet, with corrections in purple ink and black pencil.

Important original autograph manuscript, signed, of Boris Vian’s short story written in 1950, first published in Bizarre no. 32–33 in 1964, and later included in the posthumous collection Le Loup-Garou in 1970.
With Vian’s autograph name and address at the head of the manuscript.

Extensively revised manuscript, written in blue and violet ink on the versos of each leaf, with a pasted slip of corrections mounted to page 13.

A striking work of speculative fiction in which Boris Vian prophesies artificial intelligence as a conversational module drawing on the integration of encyclopedic data:

“The model you see here is designed to acquire the complete knowledge contained in the sixteen volumes...

First edition, one of 20 copies on Arches paper, most limited deluxe issue (tirage de tête).
Like all copies on Arches, it is wrapped in a double dust jacket in yellow and white, and bears the rare sanguine vignette drawn and engraved by Hans Bellmer.
Preface by Jean Paulhan.

Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot.

Beautiful first edition copy of this masterpiece of erotic literature, in its most limited deluxe issue.

Two original unpublished drawings by fashion designer Manfred Thierry Mugler on post-it notes in black ink, red, blue, beige, and yellow felt-tip pens and white correction fluid. Numerous mentions in English by the designer around the drawings depicting the front and back of an extravagant dress (which to our knowledge has never been made). Top corner of the first drawing backed with a small piece of tape.
The very body-hugging front of the dress is torn at the chest ("double breasted tuxedo wriped [sic]"). The blonde model wears a mask ("wolf ? Mask, lace eventually ?") similar to the famous "Mouche" sunglasses created by Mugler for his "insects" 1997 spring-summer collection, or the...

Second edition with some parts in first edition as it was revised.
Spine slightly browned, first cover marginally soiled, a charm at head of first endpaper, handsome interior condition.
Rare.

"In the end, 5 hours of work for example to produce - per man - all that is necessary to man."

Complete unpublished autograph manuscript in French by Antoine de Saint-Exupéry. 9 pages on 8 leaves in black ink. Traces of horizontal and vertical folds. A small piece of paper missing in the center of two leaves.

Exceptional unpublished manuscript by Saint-Exupéry, to be compared with his political and economic reflections in Carnets (1989, p. 43). Personally affected by the 1929 crisis, Saint-Exupéry “the self-taught writer” writes passionately about the economy and puts forward reform strategies. The manuscript features a lot of mathematical formulas and equations, along with remarks “To make...