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<p>"What is the point of frequenting Plato, when a saxophone can just as well give us a glimpse of another world?"</p>
<p style="color: #fff5da; font-size: 17px; font-family: 'Arial'; font-style: normal; font-weight: normal; line-height: 16px; text-align: left; margin: 0; mso-line-height-rule: exactly;">&nbsp;</p>
<p style="color: #fff5da; font-size: 17px; font-family: 'Arial'; font-style: normal; font-weight: normal; line-height: 16px; text-align: left; margin: 0; mso-line-height-rule: exactly;"><span style="color: rgb(56, 69, 85);">Cioran,&nbsp;<em>Syllogismes de l'amertume [All Gall Is Divided]</em></span></p>
  1. Selections

Music Calling

"What is the point of frequenting Plato, when a saxophone can just as well give us a glimpse of another world?"

 

Cioran, Syllogismes de l'amertume [All Gall Is Divided]

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Music Calling
  1. "24h à Venise pour rencontrer Boulez.""24h à Venise pour rencontrer Boulez."
    Maurice BÉJART

    "24h à Venise pour rencontrer Boulez."Signed autograph postcard addressed to André-Philippe Hersin

    Venise [Venice] 25 mai 1973|14.80 x 10.40 cm|une carte postale
    Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin, written in black ink pen on the verso of a color photographic reproduction of the Viale alla Chiesa in Venice on which two monks reading appear.
    "Brother Maurice and brother A. Philippe walk while reading the latest issue of Les Saisons de la Croix...! 24 hours in Venice to meet Boulez. Tomorrow Milan. I think of you very much - M."

    Journalist, dance critic and editor-in-chief of Les Saisons de la danse, Hersin was a great defender of Béjart's choreographic style and devoted laudatory articles to him in his review as well as monographic fascicles on his work.

    €230
  2. Giselle. Apothéose du Ballet romantiqueGiselle. Apothéose du Ballet romantique
    Serge LIFAR

    Giselle. Apothéose du Ballet romantique

    Albin Michel|Paris 1942|13.50 x 21.50 cm|broché
    First edition on ordinary paper, statement of one thousand copies.
    Small tears at head and foot of spine.
    Work illustrated with 24 photographic plates hors-texte as well as drawings and tailpieces by Serge Ivanoff.
    Autograph inscription signed by Serge Lifar to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer of the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989: "Pour la charmante mademoiselle Maryelle Krempff en souvenir amical de Serge Lifar" ["For the charming Miss Maryelle Krempff in friendly remembrance from Serge Lifar"].
    €250
  3. Les Abonnés de l'Opéra (1783-1786)Les Abonnés de l'Opéra (1783-1786)
    Ernest BOYSSE

    Les Abonnés de l'Opéra (1783-1786)

    A. Quantin|Paris 1881|11.50 x 18.50 cm|relié
    First edition printed on laid paper.
    Handsome copy illustrated with a frontispiece and 4 out-of-text portraits etched.
    Bradel binding in half safron percale, smooth spine decorated with gilt fillets, black shagreen title label, speckled paper boards, original wrappers preserved, corners slightly bumped, bookplate of the famous bibliophile Paul Lacombe pasted on a pastedown, contemporary binding signed in blind by Lemardeley.
    €120
  4. Un Garçon sans ImportanceUn Garçon sans Importance
    Marcel MOULOUDJI

    Un Garçon sans Importance

    Gallimard|Paris 1971|13.50 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    A handsome copy.
    Signed autograph inscription by Marcel Mouloudji to Jean Claval enhanced with a small drawn sun.
    €50
  5. Olga Spessivtzeva Magicienne envoûtéeOlga Spessivtzeva Magicienne envoûtée
    Andreï SCHAIKEVITCH

    Olga Spessivtzeva Magicienne envoûtée

    Librairie Les lettres|Paris 1954|14 x 19 cm|broché
    First edition on ordinary paper.
    Handsome copy.
    Autograph inscription dated and signed by Andreï Schaikevitch to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer at the Opéra Comique before teaching dance at the Conservatoire National de région de Saint-Maur des Fossés from 1969 to 1989: "A mademoiselle Maryelle Krempff avec toute mon admiration pour son talent." ["To Miss Maryelle Krempff with all my admiration for her talent."]




    €150
  6. Les chansons de BilitisLes chansons de Bilitis
    Pierre LOUŸS

    Les chansons de Bilitis

    Devambez|Paris 1925|23 x 32.50 cm|relié

    Illustrated edition with twelve original etchings by Édouard Chimot, issued in a limited edition of 576 numbered copies. The present copy, no. 111, is one of 100 printed on tinted Van Gelder Holland wove paper, accompanied by the usual double suite of the etchings in colour and in black.

     

    It is further enriched with an original signed drawing by Édouard Chimot and an exceptional quadruple suite, on Japan paper, of eight of the etchings illustrating the work: the unreduced line engraving, the...

    €6,500
  7. Douze Ans de Jazz (1927-1938)Douze Ans de Jazz (1927-1938)
    Hugues PANASSIÉ

    Douze Ans de Jazz (1927-1938)

    Corrêa & Cie|Paris 1946|12 x 19 cm|broché
    First edition on ordinary paper.
    Very fine copy

    €60
  8. La grande SortieLa grande Sortie
    Marcel MOULOUDJI

    La grande Sortie

    Gallimard|Paris 1951|12 x 19 cm|broché
    First edition on ordinary paper.
    Handsome copy.
    Signed and inscribed copy from Marcel Mouloudji to Jean Claval.
    €50
  9. Poème d'amour autographe à Kérimé "Je cacherai ma flûte"Poème d'amour autographe à Kérimé "Je cacherai ma flûte"
    Renée VIVIEN

    Poème d'amour autographe à Kérimé "Je cacherai ma flûte"Handwritten poem to Kerima

    s. l. s. d. [1907]|15.70 x 23.10 cm|1 page 1/2 sur 2 feuillets
    Handwritten poem to Kérimé « Je cacherai ma flûte »
    [1907] | 15,7 x 23,1 cm | 1 page 1/2 on 2 leaves
    Handwritten poem entitled « Je cacherai ma flûte », dedicated and offered to Kérimé («Pour le petit faune »). One and a half pages written in purple ink on two leaves edged with border of violets, in total 32 alexandrine verses.
    The poem was published under the same title in Flambeaux éteints (Edward Sansot & Cie, 1907). This first manuscript version has some variations from the printed text.
    Je m'écoute, avec des frissons ardents,
    Moi, le petit faune au regard farouche...
    L'âme des...
    €6,000
  10. Le Chant du DniéperLe Chant du Dniéper
    Zalman SHNEOUR

    Le Chant du Dniéper

    Gallimard|Paris 1950|14 x 21 cm|broché
    First edition in French, one of 165 numbered copies on pure laid paper, the only deluxe copies.
    Handsome copy despite minimal foxing at head of covers.
    €150
  11. Olga Spessivtzeva Ballerine en marge des Ballets Russes et des Ballets de l'Opéra de ParisOlga Spessivtzeva Ballerine en marge des Ballets Russes et des Ballets de l'Opéra de Paris
    Léandre VAILLAT, Dimitri BOUCHÈNE

    Olga Spessivtzeva Ballerine en marge des Ballets Russes et des Ballets de l'Opéra de Paris

    Gallimard|Paris 1953|19 x 25.50 cm|en feuilles sous chemise et étui
    First edition, one of 473 numbered copies on Arches vellum.
    Two small tears of no consequence to the slipcase.
    Handsome copy.
    Work illustrated with 6 gouaches by Dimitri Bouchêne.
    Fine and premonitory autograph inscription signed by Léandre Vaillat to Maryelle Krempff, then a promising dancer as principal dancer at the Opera who would complete her career as prima ballerina at the Opéra Comique before teaching dance at the Conservatoire National de région de Saint-Maur des Fossés from 1969 to 1989: "A ma très jeune amie Maryelle Krempff qui regarde au firmament de la danse et qui finira bien par y décrocher une étoile avec ma respectueuse...
    €400
  12. La Danse d'Aujourd'huiLa Danse d'Aujourd'hui
    André LEVINSON

    La Danse d'Aujourd'hui

    Editions Duchartre et Van Buggenhoudt|Paris 1929|23 x 29 cm|broché
    First edition illustrated with 400 photographs including 16 hors-texte plates.
    Spine and boards marginally browned as usual, otherwise handsome copy.
    Autograph inscription signed by André Levinson to Frédéric Lefèvre: "... esthéticien fervent..."




    €300
  13. Lettres écrites de Vienne en Autriche, sur le célèbre compositeur Jh HaydnLettres écrites de Vienne en Autriche, sur le célèbre compositeur Jh Haydn
    [STENDHAL under the pseudonym of] Louis-Alexandre-César BOMBET

    Lettres écrites de Vienne en Autriche, sur le célèbre compositeur Jh Haydn[The Life of Haydn, in a Series of Letters Written at Vienna: Followed by the Life of Mozart, with Observations on Metastasio, and on the Present State of Music in France and Italy]

    De l'Imprimerie de P. Didot l'aîné|Paris 1814|12.50 x 20.50 cm|relié
    De l'Imprimerie de P. Didot l'Aîné | Paris 1814 | 12,5 x 20,5 cm | bound in calf
    First edition of Stendhal's very first book, published under the pseudonym of Louis-Alexandre-César Bombet.

    Contemporary binding in half brown calf, spine decorated with gilt fillets and tooling as well as a red morocco title piece.

    ”Very rare” according to Clouzot
    €6,000
  14. Carte postale montage mettant en scène Cléo de MérodeCarte postale montage mettant en scène Cléo de Mérode
    Charles REUTLINGER (Cléo de MÉRODE)

    Carte postale montage mettant en scène Cléo de MérodePostcard colour montage featuring Cleo de Merode dancing in four different costumes against a rural background.

    SIP|Paris s. d. [vers 1895-1905]|13.80 x 8.90 cm|une carte postale
    Postcard colour montage featuring Cléo de Mérode dancing in four different costumes against a rural background.
    A copy of this rare postcard edited by Charles Reutlinger has been digitised by Gallica.
    A very beautiful image of one of the very first popular icons.
    €200
  15. Amazonie - Lutte pour la VieAmazonie - Lutte pour la Vie
    STING [Gordon Matthew Thomas SUMMER] Jean-Pierre DUTILLEUX

    Amazonie - Lutte pour la Vie

    J.-C. Lattès • Fondation Forêt vierge|Paris 1989|22.50 x 31 cm|reliure de l'éditeur

    First edition which was not printed on deluxe paper (grand papier).
    A beautiful copy, illustrations.
    Publisher's binding with full black boards, photographic first board.
    Sting's handwritten signature accompanied, underneath, with the printed stamp of the “Fondation Forêt Vierge” led by Sting and Jean-Pierre Dutilleux.

    €300
  16. Chansons fragilesChansons fragiles
    Paul ROMILLY

    Chansons fragiles

    Flammarion|Paris 1898|12.50 x 19 cm|broché
    First edition of these songs set to music by Marcel Legay.
    Fine illustrated cover.
    Preface by Francisque Sarcey.
    One small repaired tear to verso of front board with adhesive repair, otherwise handsome copy.
    €80
  17. Chansons d'Hier & d'Aujourd'hui. Chansons d'Hier & d'Aujourd'hui.
    Victor MEUSY, Eugène RAPP

    Chansons d'Hier & d'Aujourd'hui.

    Librairie documentaire|Paris 1889|17 x 23 cm|broché
    First edition.
    Beautiful illustrated cover by Eugène Rapp.
    Work adorned with illustrations by Rapp, Joanon-Mairer.
    Preface by Coquelin-Cadet.
    Some foxing on the first endpaper, endpapers partially darkened, otherwise handsome copy.
    €100
  18. Chansons galantesChansons galantes
    Paul DELMET, Léonce BURRET

    Chansons galantes

    Enoch & Cie • Flammarion|Paris s. d. [circa 1900]|20 x 29 cm|broché
    First edition.
    Work adorned with a beautiful illustrated cover and drawings by Léonce Burret.
    Preface by Maurice Lefevre.
    Handsome copy despite some foxing, notably on the front cover.
    €150
  19. La Barbe bleueLa Barbe bleue
    Jacques LE LORRAIN, Gaston DUBREUILH

    La Barbe bleue

    Mathot|Paris 1910|19.50 x 29 cm|reliure de l'éditeur
    First edition of this sung tale by Jacques Le Lorrain set to music by Gaston Dubreuilh.
    Publisher's binding in half steel-blue percaline, smooth spine unlettered, grey paper boards, illustrated front board, blue paper endpapers and pastedowns.
    Handsome copy.
    Work illustrated by Maurice de Lambert.
    Rare copy of this sung tale created by Gabriel de Montoya at the shadow theatre of the Quat-z-Arts.



    €200
  20. Au Pays des ChansonsAu Pays des Chansons
    Georges MONTORGUEIL, JOB

    Au Pays des Chansons

    Boivin & Cie|Paris s. d. [1912]|23.50 x 32 cm|reliure de l'éditeur
    First edition.
    Publisher's binding in full blue percaline, smooth unlettered spine, beveled boards, front cover illustrated with a large composition by Job on a plate made by Engel, blue paper endpapers and pastedowns.
    One endpaper with a fold and very light adhesive paper residue, light discoloration to second cover
    Handsome copy.
    Work decorated with full-page illustrations by Job.




    €150
  21. Chansons de la RoulotteChansons de la Roulotte
    Jacques FERNY, Lucien MÉTIVET

    Chansons de la Roulotte

    E. Fromont|Paris 1900|12.50 x 19 cm|relié
    First edition illustrated with a cover and nearly 100 drawings by Lucien Métivet
    Half brown shagreen binding, spine slightly faded with five raised bands decorated with gilt fleurons, marbled paper boards, combed paper endpapers and pastedowns, illustrated covers by Lucien Métivet preserved, top edge gilt, contemporary binding.
    Some minor foxing, light rubbing to joints, one lack to upper corner of page 287.
    Handsome copy of this collection of songs performed by Jacques Ferny at the "La roulotte" theatre from 1896 to 1899 and at the Carillon and Tréteau de Tabarin in Montmartre in 1899-1900.




    €80
  22. Chansons d'Hier & d'Aujourd'hui. Répertoire du Chat Noir. - Ière SérieChansons d'Hier & d'Aujourd'hui. Répertoire du Chat Noir. - Ière Série
    Victor MEUSY, Eugène RAPP

    Chansons d'Hier & d'Aujourd'hui. Répertoire du Chat Noir. - Ière Série

    J.B. Ferreyrol|Paris 1891|11.50 x 18.50 cm|relié
    New edition, one of 25 numbered copies on Japan paper, justified by the publisher, the only deluxe copies.
    Half red shagreen binding, spine with five raised bands set with gilt dots and decorated with double gilt compartments enhanced with gilt wavy fillets, marbled paper boards, pebbled paper endpapers and pastedowns, illustrated covers preserved, red top edge, contemporary binding.
    Work illustrated by Eugène Rapp, music by Paul Delmet.
    Preface by Coquelin-Cadet.
    Handsome copy, pleasantly bound.
    €300
  23. Chansons modernes. Répertoire du Chat Noir. - IIème SérieChansons modernes. Répertoire du Chat Noir. - IIème Série
    Victor MEUSY, Fernand FAU

    Chansons modernes. Répertoire du Chat Noir. - IIème Série

    J.B. Ferreyrol|Paris 1891|11 x 18 cm|relié
    New edition, one of 25 numbered copies on Japan paper, justified by the publisher, the only deluxe copies.
    Half red shagreen binding, spine with five fine raised bands set with gilt dots and decorated with double gilt compartments enhanced with gilt wavy fillets, marbled paper boards, pebbled paper endpapers and pastedowns, illustrated covers preserved, contemporary binding.
    Work illustrated by Fernand Fau.
    Handsome copy, pleasantly bound.
    €300
  24. La rhapsodie. Verve et improvisation musicaleLa rhapsodie. Verve et improvisation musicale
    Vladimir JANKÉLÉVITCH

    La rhapsodie. Verve et improvisation musicale

    Flammarion|Paris 1955|15 x 21 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Some light worming to spine and boards.
    Autograph inscription dated and signed by Vladimir Jankélévitch to Jeannine Lazard presenting his wishes for the coming year 1956.
    €400
  25. Dans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumesDans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumes
    Aristide BRUANT, Théophile Alexandre STEINLEN

    Dans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumes[In the Street. Songs and Monologues Volumes I, II & III. – On the Road. Complete set in 4 volumes]

    Furne & Cie|Paris 1885-1900|13.50 x 19 cm|4 volumes reliés
    First edition of each of the four volumes, one of 50 copies (for the first and third works) or one of 150 copies (for the second and fourth) printed on Japan paper, the only deluxe issue.
    Bradel bindings in citron half morocco with corners, smooth spines slightly darkened, marbled paper boards, pebble-grained endpapers and pastedowns, covers and backstrips preserved in one piece, contemporary bindings signed Champs.
    Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes, by Francisque Poulbot for the third, and by Louis Borgex for the fourth and final volume.
    Each volume bears Aristide Bruant’s autograph signature...
    €4,000
  26. Portrait photographique de Paul Véronge de la Nux dédicacé à la future artiste peintre Maxa Nordau, fille de Max NordauPortrait photographique de Paul Véronge de la Nux dédicacé à la future artiste peintre Maxa Nordau, fille de Max Nordau
    [Paul Véronge DE LA NUX]

    Portrait photographique de Paul Véronge de la Nux dédicacé à la future artiste peintre Maxa Nordau, fille de Max Nordau

    S. n.|s. d. [ca 1900]|9 x 13.60 cm|une photographie
    Photographic card representing Paul Véronge de la Nux. It contains a signed autograph inscription from the musician: "A ma chère petite élève Maxa Nordau très affectueusement offert par un grand admirateur de son papa. P. V. de la Nux" ["To my dear little pupil Maxa Nordau very affectionately offered by a great admirer of her papa. P. V. de la Nux"].
    Paul Véronge de la Nux taught piano to the future painter Maxa Nordau, daughter of Max Nordau, one of the founders of the Zionist movement.
    €500
  27. Chansons gitanesChansons gitanes
    Federico GARCÍA LORCA

    Chansons gitanes

    Editions de Mirages|Tunis 1935|14 x 19 cm|broché
    First collected edition of the French translation established by Mathilde Pomès, Jules Supervielle, Jean Prévost and Armand Guibert, one of 300 numbered copies on alma Marais paper, the only deluxe copies after 12 on Holland paper.
    Handsome copy despite minor insignificant worming on the front cover.
    €150
  28. Hector Berlioz sa vie ses oeuvresHector Berlioz sa vie ses oeuvres
    Adolphe JULLIEN, Hector BERLIOZ

    Hector Berlioz sa vie ses oeuvres

    Librairie de l'art|Paris 1888|24.50 x 32.50 cm|relié
    First edition, one of 30 numbered copies on Japan paper, deluxe issue.
    Work illustrated with 14 original lithographs by Adolphe Fantin-Latour printed on China paper as well as 12 portraits of Hector Berlioz, 3 plates hors-texte and 122 engravings, facsimiles of autographs, caricatures...
    Binding in full red morocco, spine with five raised bands, gilt rolls on headcaps, endpapers and pastedowns of combed paper, fine engraved bookplate mounted on one pastedown, gilt dentelle border on pastedowns, covers preserved, all edges gilt, double gilt fillets on edges, perfect contemporary binding signed Cuzin.
    Our copy is enhanced with an autograph note signed by Hector Berlioz...
    €2,300
  29. Le violon de faïence. La légende du violon de faïenceLe violon de faïence. La légende du violon de faïence
    CHAMPFLEURY, Jules ADELINE

    Le violon de faïence. La légende du violon de faïence

    Librairie Conquet|Paris 1885 - 1895|13 x 19.30 cm|2 volumes reliés
    Finely illustrated edition with 34 etchings by Jules Adeline. Deluxe copy, one of 150 copies on Japan Imperial paper, No. 129. La légende du violon de Faïence, first edition, one of 150 on Japan Imperial paper, deluxe copy. A blue composition for the cover and 8 etchings by Jules Adeline. Bibliophilic gems reflecting the refined taste of late 19th-century book collectors.
    Full blue morocco binding for le Violon de Faïence. Half blue morocco binding with corners for La légende... The first signed by Maylander at the bottom of the front pastedown, the second on the endpaper. Spine with raised bands decorated, having turned green. Triple-ruled frame for le violon de faïence, wide inner...
    €1,100
  30. Prestige de la DansePrestige de la Danse
    Serge LIFAR, Jean COCTEAU

    Prestige de la Danse

    Charles Portal|Paris 1953|14 x 19.50 cm|broché
    First edition, one of 1000 numbered copies on vellum, ours one of the few hors commerce copies.
    Spine and boards lightly and marginally sunned, handsome copy.
    Iconography.
    André Rolland de Réneville's copy with autograph inscriptions addressed to him by the numerous contributors to the work: Maurice Toesca, Jean Guéritte, Yvette Darsonval, Robert Margerit, Jacques Chastel, Martine Cadieu, Nina Vyborouva.
    Manuscript signature by Serge Lifar facing the page bearing the autograph inscriptions.
    €150
  31. Chansons naïves et perversesChansons naïves et perverses
    Gabriel MONTOYA

    Chansons naïves et perverses

    Paul Ollendorff|Paris 1890|12 x 18.50 cm|relié
    First edition decorated with numerous illustrations in the text, with mention of second edition.
    Bradel binding in half green cloth, smooth spine decorated with a central gilt floral motif, gilt date and double fillet at tail, brown shagreen title label with slight scratches, almond green marbled paper boards, original wrappers preserved, contemporary binding.
    Precious signed autograph inscription by Gabriel Montoya, star performer of Rodolphe Salis's Chat Noir and later inept administrator of the Quat'z-arts which he took over in 1910: "A mon vieil ami Joseph Uzanne, en souvenir des bonnes soirées de La Plume, très cordialement j'offre ce volume." ["To my old friend Joseph...
    €250
  32. La Chanson de l'amour et de la mort du cornette Christoph RilkeLa Chanson de l'amour et de la mort du cornette Christoph Rilke
    Rainer Maria RILKE

    La Chanson de l'amour et de la mort du cornette Christoph Rilke

    Kra|Paris 1927|18.50 x 20.50 cm|broché
    First edition in French printed in 350 copies, ours one of 25 numbered copies on Japan paper, deluxe copy.
    Translated by Suzanne Kra.
    Handsome copy despite a slight crease mark on one leaf, retaining its deckled edges.
    Very rare as a deluxe copy.
    €1,500
  33. Les Petits Mystères de l'opéraLes Petits Mystères de l'opéra
    Albéric SECOND

    Les Petits Mystères de l'opéra

    Kugelmann|Paris 1844|14 x 22.80 cm|relié
    First edition illustrated with vignettes by Gavarni.
    Half red glacé long-grained morocco binding signed on endpaper by Durvand. Yellow printed wrappers preserved. Smooth spine decorated with a tool at head and 2 mirrored tools. Gilt title. Date at tail. Uncut copy, perfectly fresh, very clean. Top edge gilt. Discreet restorations to front wrapper. Very handsome copy.
    Satirical writing on the world of the Paris Opera, its singers, its dancers, its audience, its administration, its stagehands, etc.

    €450
  34. Le CotillonLe Cotillon
    LABORDE

    Le Cotillon

    Bertaut|Paris 1853 (S.d)|23.50 x 30.50 cm|relié
    First edition composed of 15 sepia lithographs, illustrating the different figures of the Cotillon.

    Publisher's cream and gold boards, covered with glazed moiré paper. Top headcap pushed in. Soiling. Corners slightly bumped. Good copy.

    A ballroom dance created around 1820 which became wildly popular at the end of balls, the main venues for fashionable entertainment of the era, the cotillon mixed parlor games and dances; composed of several figures (the flowers, the handkerchief chase, the ribbon, the cavaliers, etc.) and accessories, it could last up to two hours and more depending on the cotillon leader. 19 pages of text in the work explain the figures of the cotillon...
    €1,000
  35. La tentative amoureuseLa tentative amoureuse
    André GIDE

    La tentative amoureuse

    Librairie de l'Art Indépendant|Paris 1893|15 x 19.50 cm|relié
    First edition printed in 162 copies, ours one of 150 numbered copies on tinted vellum, the only issue with 12 on Whatman.
    Bradel binding in half emerald green morocco, smooth spine stamped with gilt title lettered lengthwise, pebbled paper boards, front cover preserved, binding signed P. Goy and C. Vilaine.
    Signed autograph inscription from André Gide "au poëte Angiolo Orvieto en témoignage de sympathie" ["to the poet Angiolo Orvieto in testimony of sympathy"].
    Rare testimony to his relationship with Angiolo Orvieto, Florentine poet and librettist, who founded the periodical Il Marzocco in 1896, and devoted a study to the writer the following year.
    €2,000
  36. "Car plus que jamais les gens me dégoûtent, sauf vous, naturellement. Je voudrais appuyer sur un bouton et détruire l'Humanité.""Car plus que jamais les gens me dégoûtent, sauf vous, naturellement. Je voudrais appuyer sur un bouton et détruire l'Humanité."
    Georges AURIC

    "Car plus que jamais les gens me dégoûtent, sauf vous, naturellement. Je voudrais appuyer sur un bouton et détruire l'Humanité."Signed autograph letter addressed to Bolette Natanson

    s. l. s. d. [vers 1916-1918]|12.40 x 17 cm|2 pages sur un feuillet remplié
    Signed autograph letter from Georges Auric addressed to Bolette Natanson. Two pages written in black ink on a folded sheet. Deletions and underlinings.
    Fold marks inherent to mailing.
    Very fine letter in which the composer dissertates on friendship: "I simply wanted to tell you this important thing. I recommend that you not invite [Florent] Schmitt nor any 'artist'. Otherwise, I declare myself incapable of resisting the vision of these evil geniuses. For more than ever people disgust me, except you, naturally. I would like to press a button and destroy Humanity. Then we will be at peace and I will tell you the truth about Art and the truth about all the...
    €600
  37. Paris dansantParis dansant
    Georges MONTORGUEIL, Adolphe Léon WILLETTE

    Paris dansant

    Théophile Belin|Paris 1898|22 x 30 cm|relié
    First edition printed with 200 copies on vellum, illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette, printed in bistre in the text and in colour for the insets by Vigna-Vigneron, comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions, that is black and white and colour.

    Bound in pale pink suede, spine in two false compartments, multicoloured patchwork garland glued to the boards, comb-patterned endpapers, shimmering covers and spine preserved, all leaves have been mounted on guards, brown cloth slipcase, binding signed D. M. and dated 2015.

    "Belle publication côtée, une des...
    €1,800
  38. "Nous allons au théâtre en traîneau""Nous allons au théâtre en traîneau"
    Jules MASSENET

    "Nous allons au théâtre en traîneau"Signed autograph letter

    Budapest 17 janvier 1879|11 x 17.50 cm|4 pages sur un feuillet remplié
    Autograph letter signed by Jules Massenet, two pages written in black ink on a double sheet.
    Fold inherent to mailing. A small split at the junction of the two sheets, without gravity.
    Fine letter written by the composer during his first stay in the Hungarian capital for Le Roi de Lahore whose premiere took place eight days later: "Répétition générale ce matin [...] excellente exécution" ["General rehearsal this morning [...] excellent execution"]. Massenet mentions the setbacks that occurred which forced the postponement of the opera's programming: "La Benza [Ida], notre Sitia, ne pouvant chanter demain à cause de son deuil, la...
    €800
  39. Lettres d'amour d'un soldat de vingt ansLettres d'amour d'un soldat de vingt ans
    Jacques HIGELIN (inscribed to Régine DEFORGES)

    Lettres d'amour d'un soldat de vingt ans

    Grasset|Paris 1987|14 x 20.50 cm|broché

    First edition, no deluxe paper copies were issued.
     With a precious signed autograph inscription by Jacques Higelin to Régine Deforges : “To my lady Régine Deforges, the tender greeting of my twenty springs, which I lay today at the doorstep of your heart's secret garden.”
    Provenance: the library of Régine Deforges.
     A handsome copy.

    €800
  40. Carte postale phonoscope - Le Pont de la Rivière Kwaï "Hello...le soleil brille"
    Philippe REGEL

    Carte postale phonoscope - Le Pont de la Rivière Kwaï "Hello...le soleil brille"

    Editions Secitem|Paris s. d. [1958]|16 x 16 cm|une carte postale
    Phonoscope of the song "Hello...le soleil brille" from the film The Bridge on the River Kwai.
    Phonoscopes were 45 rpm records in postcard format.
    Very good condition.
    €50
  41. Partition "Hello...le soleil brille (Colonel Bogey)" du film Le Pont de la Rivière KwaïPartition "Hello...le soleil brille (Colonel Bogey)" du film Le Pont de la Rivière Kwaï
    Annie CORDY

    Partition "Hello...le soleil brille (Colonel Bogey)" du film Le Pont de la Rivière Kwaï

    Boosey & Hawkes • Hawkes & Son|Paris s. d. [1958]|25 x 32.30 cm|une feuille rempliée
    First edition of the sheet music for the song "Hello...le soleil brille (Colonel Bogey)" from the film The Bridge on the River Kwai performed by Annie Cordy.
    Very fine copy.
    €60
  42. Enrico suivi de En souvenir de barbarieEnrico suivi de En souvenir de barbarie
    Marcel MOULOUDJI

    Enrico suivi de En souvenir de barbarie

    Editions Mouloudji|Paris 1978|14 x 19.50 cm|broché

    First edition, one of 50 numbered copies on deluxe paper, the only deluxe copies.
    Spine and boards marginally sunned, small lacks to the plastic film covering the boards at their margins.

    €100
  43. Lettre autographe signée adressée à Igor Markevitch
    Jean COCTEAU

    Lettre autographe signée adressée à Igor Markevitch

    s. l. 26 octobre 1955|20.90 x 26.90 cm|une page sur un feuillet
    Autograph letter signed by Jean Cocteau addressed to Igor Markevitch. One page written in blue ballpoint pen and signed "Ton Jean".
    Some folds inherent to placing in envelope and a staple in the upper left margin.
    Fine and long letter in which Jean Cocteau defends his friend the Ukrainian conductor and composer Igor Markevitch, victim of critic Antoine Goléa's wrath.
    "Je suis stupéfait par ce qu'on me rapporte de Goléa." ["I am stunned by what I am told about Goléa."] We have not been able to find the slightest trace of an article by Goléa about Markevitch, but the University of Caen holds a file entitled "Affaire entre Igor...
    €1,500
  44. "Voilà La Cigale qui me réclame demain soir..."
    COLETTE

    "Voilà La Cigale qui me réclame demain soir..."Signed autograph letter addressed to Adrien Peytel

    Marseille s. d. [circa 1920]|19.80 x 25.20 cm|une page sur un feuillet
    Autograph letter signed by Colette addressed to her friend, the man of letters and lawyer Adrien Peytel, nine lines written in black ink.
    Some folding marks inherent to the mailing of the letter.
    "And then damn it, enough already. Here La Cigale is calling me for tomorrow evening, and I haven't stolen it, since I accepted, and even asked, to do the café-concert criticism on the same level as the other."
    €500
  45. La fille du soleilLa fille du soleil
    Maurice MAGRE, André GAILHARD

    La fille du soleil

    Charpentier & Fasquelle|Paris 1909|14.50 x 23.50 cm|relié
    First edition of this lyric tragedy in three acts set to music by André Gailhard, one of 20 numbered copies on Japan paper, the only deluxe copies.
    Half tawny shagreen binding with corners, spine slightly darkened with four raised bands decorated with gilt fillets and compartments of brown mosaicked shagreen, gilt date at tail, moiré-effect paper boards, marbled paper endpapers and pastedowns, top edge gilt retaining deckled edges, binding signed by Saulnier.
    Fine and rare full-margined copy.
    €350
  46. Chansons des geishas Chansons des geishas
    Tsugouharu, Léonard FOUJITA, Emile STEINILBER-OBERLIN (Trad.)

    Chansons des geishas [Songs of the Geishas]

    Georges Crès & Cie|Paris 1926|14 x 20.50 cm|relié
    First edition of the French translation, one of 470 numbered copies on Arches laid paper, the only printing after 87 on Japon paper.
    Half orange morocco binding with corners, spine with four raised bands decorated with double gilt compartments, date gilt at foot, moiré-patterned paper boards, upper joint skillfully restored, marbled endpapers and pastedowns, covers and spine preserved, gilt top edge, contemporary binding signed Durvand-Pinard.
    A pleasant copy.
    Illustrated with watercolours and coloured vignettes by Foujita.
    €1,500
  47. Chant funèbre pour Ignacio Sanchez Mejias et ode à Walt WhitmanChant funèbre pour Ignacio Sanchez Mejias et ode à Walt Whitman
    Federico GARCÍA LORCA

    Chant funèbre pour Ignacio Sanchez Mejias et ode à Walt Whitman

    GLM|Paris 1938|14 x 19 cm|broché
    First edition in French, one of 20 numbered copies on Holland paper, deluxe copy.
    Handsome copy despite the endpapers being very slightly and partially shaded.
    €750
  48. Recueil dit de Maurepas, pièces libres, chansons, épigrammes et autres vers satiriques sur divers personnages des siècles de Louis XIV et Louis XV, accompagnés de remarques curieuses du temps ; publiés pour la première fois d'après les manuscrits conservés à la Bibliothèque impérialeRecueil dit de Maurepas, pièces libres, chansons, épigrammes et autres vers satiriques sur divers personnages des siècles de Louis XIV et Louis XV, accompagnés de remarques curieuses du temps ; publiés pour la première fois d'après les manuscrits conservés à la Bibliothèque impériale
    Jean-Frédéric Phélypeaux MAUREPAS

    Recueil dit de Maurepas, pièces libres, chansons, épigrammes et autres vers satiriques sur divers personnages des siècles de Louis XIV et Louis XV, accompagnés de remarques curieuses du temps ; publiés pour la première fois d'après les manuscrits conservés à la Bibliothèque impériale

    S. n. • [ Poulet-Malassis]|Leyde [Leiden] • [Bruxelles] [Brussels] 1865|9 x 16.50 cm|6 volumes reliés
    First edition from a limited printing of 116 copies. Unnumbered copy on Holland paper. Title pages in red and black.
    Contemporary half red shagreen binding with corners. Spine with raised bands richly decorated. Double fillet border on boards. Top edge gilt. Dark spotting to spine of volume 4, one spot on volume 3 and spine of volume 6. Traces of rubbing. Uncut copy.
    Minister to Louis XV, the Count de Maurepas commissioned Pierre de Clairambault, genealogist, to compile all the libertine pieces written under Louis XIV and Louis XV, resulting in 40 volumes. The selection of pieces contained in Poulet-Malassis's collection is attributed to Jules Gay, the latter having judiciously...
    €1,000
  49. Traité du pianisteTraité du pianiste
    Yves BONNEFOY

    Traité du pianiste[Treatise on Piano Playing]

    La Révolution La Nuit|Paris 1946|13.50 x 20.50 cm|broché
    First edition of Yves Bonnefoy’s debut work, one of 300 copies on coated paper, the only issue after 1 on beige paper, 10 on grey paper and 50 on Chamois.
    Spine and covers slightly and marginally faded, as usual.
    Inscribed and signed by Yves Bonnefoy to a couple of friends, dated 1976: "1946-1976 cher Pierre, chère Simone, il est grand temps de vous remettre cette pièce à conviction... Avec affection. Yves."




    €600
  50. La rage de vivreLa rage de vivre
    Mezz MEZZROW, Bernard WOLFE

    La rage de vivre

    Corrêa|Paris 1950|14.50 x 19.50 cm|broché
    First edition in French, printed on ordinary paper.
    Complete with its dust jacket which has small corner losses.
    Preface by Henry Miller.
    Manuscript signature by Milton Mezz Mezzrow in turquoise ink on the half-title page.

    €230
  51. "Avant le ballet" - Lithographie originale sur Japon - L'Estampe Moderne"Avant le ballet" - Lithographie originale sur Japon - L'Estampe Moderne
    Paul RENOUARD (J. READING)

    "Avant le ballet" - Lithographie originale sur Japon - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Septembre) |22.50 x 31.50 cm|une feuille et une serpente
    Rare original lithograph, executed by Paul Renouard for L'Estampe Moderne, series number 17 published in September 1898.
    One of 50 deluxe proofs printed on Japan paper with wide margins, laid paper mounted on Japan paper, artist's signature in the plate, publisher's dry stamp representing a child's profile in the lower margin, numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard inscribed with the artist's name, the title, and a text extract.
    Lithograph inspired by an extract from La Danse et les Ballets by J. Reading, reproduced on the print's tissue guard.
    Magnificent French monthly publication edited between...
    €400
  52. Manuscrit autographe complet de la chanson de Boris Vian intitulée "C'était une pauv' gosse des rues " Manuscrit autographe complet de la chanson de Boris Vian intitulée "C'était une pauv' gosse des rues "
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "C'était une pauv' gosse des rues "

    S. n.|s. l. 1947|21 x 27 cm|deux feuillets perforés
    Complete autograph manuscript on two perforated sheets of 64 lines written in black ink of the song entitled "C'était une pauv'gosse des rues" with two deletions and one correction.
    The manuscript conforms to the final text of the song.
    We include, on two perforated sheets, the complete typescript of the song.
    Fine ensemble of this song written in 1947, with music composed by Albert Assayag, Yves Gilbert and Marcel Mouloudji who performed it in 1971.
    Provenance: Boris Vian Foundation.
    €1,500
  53. Manuscrit autographe complet de la chanson de Boris Vian intitulée "A la manière de Brassens" Manuscrit autographe complet de la chanson de Boris Vian intitulée "A la manière de Brassens"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "A la manière de Brassens"

    S. n.|s. l. 1954-1959|21 x 27 cm|un feuillet perforé
    Complete autograph manuscript on a perforated sheet of 24 lines written in blue ink and pencil of the song entitled "A la manière de Brassens" ["In the manner of Brassens"] containing corrections, deletions and additions while conforming to the final text of the song.
    Small marginal tears on the sheet which has been restored at the head with an adhesive piece.
    We include, on a perforated sheet, the complete typescript of the song.
    A fine ensemble of this song composed between 1954 and 1959.
    Provenance: Boris Vian Foundation.
    €2,500
  54. "Brunnhild" - Lithographie originale sur Chine - L'Estampe Moderne"Brunnhild" - Lithographie originale sur Chine - L'Estampe Moderne
    Gaston BUSSIERE (Richard WAGNER)

    "Brunnhild" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Mai 1898)|21 x 34 cm|une feuille
    Rare original lithograph, executed by Gaston Bussière for L'Estampe Moderne, series number 13 published in May 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature in the plate, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso, pale marginal foxing.
    Lithograph inspired by some verses entitled La Valkyrie, extracted from L'Anneau du Nibelung by Richard Wagner, translated by A. Ernst.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of...
    €500
  55. Quatre tapuscrits de la chanson de Boris Vian intitulée "Trompette d'occasion" où, sur trois d'entre eux, Boris Vian a corrigé le titre à la mainQuatre tapuscrits de la chanson de Boris Vian intitulée "Trompette d'occasion" où, sur trois d'entre eux, Boris Vian a corrigé le titre à la main
    Boris VIAN

    Quatre tapuscrits de la chanson de Boris Vian intitulée "Trompette d'occasion" où, sur trois d'entre eux, Boris Vian a corrigé le titre à la main

    S. n.|s. l. 1957|21 x 27 cm|4 feuillets perforés
    Four typescripts, one of which is mounted on flexible cardboard, each of 39 lines of Boris Vian's song "Trompette d'occasion" initially entitled "Le jazz hot".
    For three of them, Boris Vian crossed out "Le jazz hot" to modify the title by hand and rename the song "Trompette d'occasion".
    Boris Vian wrote the text in 1957, Henri Salvador composed the music and performed it on numerous occasions, notably for advertising.
    Provenance: Fondation Boris Vian.
    €400
  56. Deux manuscrits autographes complets de Boris Vian dont un de la chanson inédite intitulée "Cha cha Siné" et l'autre de la chanson "Un jour un vieux prof de maths"Deux manuscrits autographes complets de Boris Vian dont un de la chanson inédite intitulée "Cha cha Siné" et l'autre de la chanson "Un jour un vieux prof de maths"
    Boris VIAN

    Deux manuscrits autographes complets de Boris Vian dont un de la chanson inédite intitulée "Cha cha Siné" et l'autre de la chanson "Un jour un vieux prof de maths"

    S. n.|s. l. s. d. [circa 1958]|20.50 x 27 cm|deux feuilles perforées
    Complete autograph manuscript on two perforated sheets of 22 lines written in pencil of the unpublished song entitled "Cha cha Siné" with deletions and corrections although it presents the definitive text of the song.
    We include, on two perforated sheets, the typescript of the song "Cha cha Siné".
    On the verso of one of the sheets, appears the manuscript of 20 lines, in pencil, of the song "Un jour un vieux prof de maths" with, also, numerous corrections and deletions.
    The latter was performed by Les Marche-pied in 2009 who also composed the music for it.
    Provenance: Boris Vian Foundation.
    €1,500
  57. Manuscrit autographe complet de la chanson de Boris Vian intitulée "La java des Pussy-cats" Manuscrit autographe complet de la chanson de Boris Vian intitulée "La java des Pussy-cats"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "La java des Pussy-cats"

    S. n.|s. l. 1956-1958|13.50 x 20 cm|deux feuillets perforés
    Complete autograph manuscript on two perforated sheets of 33 lines written in black ink for the song entitled "La java des Pussy-cats" with four corrections while conforming to the definitive text of the song.
    We include, on a perforated sheet, the complete typescript of the song.
    Fine collection relating to this song composed between 1956 and 1958 and which was only performed by Benoît Deyrat in 1999 and les Marche-pied ten years later.
    Provenance: Fondation Boris Vian.
    €1,500
  58. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Bal des fadas" Manuscrit autographe complet de la chanson de Boris Vian intitulée "Bal des fadas"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Bal des fadas"

    S. n.|s. l. 1959|21 x 27 cm|une feuille perforée
    Complete autograph manuscript on one perforated sheet of 13 lines written in red ink of the song entitled "Bal des fadas", presenting despite the final text of this song, corrections, additions and amendments.
    We include, on a perforated sheet, the complete typescript of the song.
    Fine ensemble of this song which was written in 1959 and which was not performed and set to music until 2009 by Les Marche-Pied.

    "Léger comme une antilope / Il dansait, fumant son clope / Une java pleine de syncopes / Elle en eut le coeur cassé"



    Provenance: Fondation Boris Vian.
    €800
  59. Photographie originale où posent notamment Georges Auric, Jean Cocteau, Valentine et Jean Hugo, Bolette Natanson et Raymond Radiguet en tenue de bain sur la plage du Piquey.Photographie originale où posent notamment Georges Auric, Jean Cocteau, Valentine et Jean Hugo, Bolette Natanson et Raymond Radiguet en tenue de bain sur la plage du Piquey.
    Georges AURIC, Jean COCTEAU

    Photographie originale où posent notamment Georges Auric, Jean Cocteau, Valentine et Jean Hugo, Bolette Natanson et Raymond Radiguet en tenue de bain sur la plage du Piquey.

    Paris s. d. [1923]|14.50 x 9.50 cm|une photographie
    Original photograph showing, in bathing attire and on a beach, the group of friends formed by Bolette Natanson, Valentine Hugo, Jean Cocteau and Georges Auric (the only one in street clothes). Vintage print.
    A very fine photograph showing, in full relaxation, Jean Cocteau, Georges Auric, Valentine Hugo and Bolette Natanson away from the Parisian artistic effervescence in which they actively participated.
    The two other men have been identified thanks to the research of Philippe Mianes, whom we thank. Through cross-referencing drawings from auction catalogues or exhibitions related to Jean Cocteau and Jean Hugo depicting this same context and characters, he was able to complete the...
    €1,200
  60. "Solveig" - Lithographie originale sur Japon - L'Estampe Moderne"Solveig" - Lithographie originale sur Japon - L'Estampe Moderne
    Gustave Max STEVENS (Henrik IBSEN)

    "Solveig" - Lithographie originale sur Japon - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Janvier 1898)|35 x 25 cm|une feuille et une serpente
    Rare original color lithograph, executed by Gustave Max Stevens for L'Estampe Moderne, series number 9 published in January 1898.
    One of 50 deluxe proofs printed on Japan paper with wide margins, artist's signature in the plate, publisher's dry stamp representing a child's profile in lower margin, numbered luxury edition stamp on verso; engraving preceded by a tissue guard captioned with the artist's name, title and an extract from a work; blank tissue guard.
    Lithograph inspired by the Song of Solveig, lyrics from the music created for Henrik Ibsen's play Peer Gynt, an extract of which is reproduced on the print's tissue guard.
    Magnificent French...
    €1,350
  61. Manuscrit autographe complet pour chacune des deux versions de la chanson de Boris Vian intitulée "Place Blanche" Manuscrit autographe complet pour chacune des deux versions de la chanson de Boris Vian intitulée "Place Blanche"
    Boris VIAN

    Manuscrit autographe complet pour chacune des deux versions de la chanson de Boris Vian intitulée "Place Blanche"

    S. n.|s. l. 1956|13.50 x 21 cm|5 feuillets perforés
    Two complete autograph manuscripts, on five perforated leaves, of 46 lines for the first and 52 lines for the second, written in blue ink, of the song entitled "Place Blanche" which exists in two versions both entitled "Place Blanche" but with varying text: the first beginning with "J'étais allé dimanche me promener" and the second with "Les amoureux l'dimanche vont deux par deux".
    Each manuscript in our possession corresponds to one of the two versions and is extensively corrected, crossed out and reworked while remaining consistent with the final state of the song.
    We include, on two perforated leaves (one mounted on flexible cardboard), a complete typescript for...
    €1,500
  62. Photographie originale de Georges AuricPhotographie originale de Georges Auric
    Georges AURIC

    Photographie originale de Georges Auric

    Paris s. d. [circa 1920]|14.50 x 9.50 cm|une photographie
    Original photograph showing Georges Auric seated and casually leaning on his piano. Period printing.
    Right corner with two creases.
    Handsome full-length portrait of the composer during the height of the "Group of Six" period, which he formed with Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc, and Germaine Tailleferre.
    Provenance: Bolette Natanson collection.
    €800
  63. Deux manuscrits autographes complets de la chanson de Boris Vian intitulée "Le fêtard" Deux manuscrits autographes complets de la chanson de Boris Vian intitulée "Le fêtard"
    Boris VIAN

    Deux manuscrits autographes complets de la chanson de Boris Vian intitulée "Le fêtard"

    S. n.|s. l. 1958|21 x 27 cm|7 feuillets perforés
    Two complete autograph manuscripts, on seven perforated sheets, of 52 lines for the first and 75 lines for the second, written in blue ink, of the song entitled "Le fêtard" consisting, for the first, of the final state of the song and, for the second, of a draft very abundantly crossed out, corrected and presenting variants with the final text.
    We include, on three sheets, two of which are perforated (one pasted on flexible cardboard), a complete typescript and two printed and photocopied scores of "Le fêtard".
    Fine ensemble of this song which was written in 1958 and whose music was composed by Henri Salvador.
    The latter performed "Le fêtard" ["The...
    €1,500
  64. Deux tapuscrits de la chanson de Boris Vian intitulée "Choisis ta route" Deux tapuscrits de la chanson de Boris Vian intitulée "Choisis ta route"
    Boris VIAN

    Deux tapuscrits de la chanson de Boris Vian intitulée "Choisis ta route"

    S. n.|s. l. 1958|21 x 27 cm|2 feuillets perforés
    Two typescripts of 32 lines each of Boris Vian's song "Choisis ta route" on two perforated sheets, one of which is mounted on flexible cardboard.
    We include the printed score of this song.
    Boris Vian wrote the text in 1958, Henri Salvador composed the music.
    Provenance: Boris Vian Foundation.
    €150
  65. Manuscrits de travail et partition manuscrite complète de la chanson de Boris Vian intitulée "Ou... Ou... Ou... " Manuscrits de travail et partition manuscrite complète de la chanson de Boris Vian intitulée "Ou... Ou... Ou... "
    Boris VIAN

    Manuscrits de travail et partition manuscrite complète de la chanson de Boris Vian intitulée "Ou... Ou... Ou... "

    S. n.|s. l. 1957-1959|13.50 x 21 cm|5 feuillets perforés + 3 feuillets
    Set of four working manuscripts, of nearly 90 lines on five perforated sheets written in blue ink and pencil, of the song entitled "Ou... Ou... Ou..." presenting differences from the final state of the song.
    Each manuscript is crossed out, corrected and therefore presents variants, sometimes significant, from the final text.

    Completing the set, a typescript of the song accompanies the manuscripts.
    We include, on three sheets, the manuscript score of "Ou... Ou... Ou..." written by Henri Salvador.
    A handsome set of this song which was written between 1957 and 1959 and whose music was composed by Henri Salvador.
    Provenance: Boris Vian...
    €1,200
  66. Muziekpaper - Musicaper - Papier à music - NotenpapierMuziekpaper - Musicaper - Papier à music - Notenpapier
    COLLECTIF, Pieter BRATTINGA

    Muziekpaper - Musicaper - Papier à music - Notenpapier

    Jong & Co|Hilversum 1970|24.50 x 24.50 cm|en feuilles sous chemise à rabats
    First edition hors-commerce consisting of a cadrat sheet resulting from a series of printing experiments in the field of graphic art, plastic arts, literature, architecture and music initiated by the lithographic printers of Steendrukkerij de Jong & Co.
    Texts in Dutch, German, English and French.
    This music paper contains 16 cubes subdivided into four series of numbers and a playground composed of 16 plans (one sixteen-plan features white lines on black background and one sixteen-plan bearing black lines on white background).
    The multiple combinations that result offer numerous possibilities to make, for example, a game, an educational shape recognition exercise for...
    €200
  67. "Salomé" - Lithographie originale sur Chine - L'Estampe Moderne"Salomé" - Lithographie originale sur Chine - L'Estampe Moderne
    Alfons MUCHA

    "Salomé" - Lithographie originale sur Chine - L'Estampe ModerneOriginal lithograph on China paper - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Juin 1897)|23.50 x 33 cm|une feuille
    "Salomé" - Original lithograph on China paper - L'Estampe Moderne

    L'Estampe Moderne, Imprimerie Champenois for C H Masson & H Piazza | Paris (june 1897) | subject: 23.5 x 33 cm, plate: 40.8 x 55 cm | one leaf and one guard

    Rare original black and white lithograph by Alphonse Mucha for L'Estampe Moderne, series number 2, published in June 1897.

    One of the 50 grand luxe proofs printed on China paper with wide margins, signed and dated by the artist in the plate. Embossed stamp of the publisher showing a child in profile to lower margin, laid down on a leaf of vélin paper with the numbered stamp of the...
    €3,000
  68. « Paul Anka est un garçon de vingt ans qui écrit ses chansons et qui les chante. »
    Boris VIAN (Paul ANKA)

    « Paul Anka est un garçon de vingt ans qui écrit ses chansons et qui les chante. »Autograph manuscript of Boris Vian entitled "Conseil de révision (des opinions)" about Paul Anka

    s. d. [1958]|20.90 x 26.90 cm|4 pages sur 4 feuillets
    Autograph manuscript by Boris Vian titled "Conseil de révision (des opinions)" on Paul Anka: "Paul Anka is a boy of 20 who writes his own songs and sings them."

    n. d. [but 1958] | 20.9 x 26.9 cm | 4 pages on 4 leaves

    Autograph manuscript by Boris Vian titled "Conseil de révision (des opinions) [Recommendations for a review of opinions]" on Paul Anka.
    4 pages written in blue ballpoint pen on 4 perforated leaves, stapled. Crossings out and corrections. Lateral fold to left margin, but light.
    The manuscript was for the “elite", which is to say the readers of Canard enchaîné, but was eventually published in La Belle époque...
    €2,000
  69. "je voudrais pouvoir chanter en votre honneur un bel épithalame. Le malheur est que je ne suis pas poète.""je voudrais pouvoir chanter en votre honneur un bel épithalame. Le malheur est que je ne suis pas poète."
    Octave MIRBEAU

    "je voudrais pouvoir chanter en votre honneur un bel épithalame. Le malheur est que je ne suis pas poète."Autograph letter signed by Octave Mirbeau addressed to Alfred Natanson

    Nice, Villa Ibrahim, chemin des Baumettes [Nice] 8 Février 1901|12.50 x 17.60 cm|une feuille
    Friendly autograph letter signed by Octave Mirbeau, addressed to the playwright and founder of the Revue Blanche, Alfred Natanson, some time after his marriage. 12 lines in black ink on a folded sheet, mourning paper with black border, watermarked "JDL & cie", envelope included.
    "Je vous envoie, à votre femme et à vous, tous nos vœux affectueux, et je voudrais pouvoir chanter en votre honneur un bel épithalame. Le malheur est que je ne suis pas poète. Mais nous somme vos amis et nous vous embrassons de tout notre cœur. Nous avions espéré que vous viendriez passer quelques jours à Cannes et nous nous faisions une fête de vous avoir ici. Misia nous dit que vous avez renoncé à ce...
    €500
  70. Les cythères parisiennes. Histoire anecdotiques des bals de ParisLes cythères parisiennes. Histoire anecdotiques des bals de Paris
    Alfred DELVAU, Félicien ROPS

    Les cythères parisiennes. Histoire anecdotiques des bals de Paris

    E. Dentu|paris 1864|11 x 17.20 cm|relié
    First edition illustrated with a frontispiece and 24 etchings on chine collé by Félicien Rops and Emile Thérond (the frontispiece and 18 of the vignettes are indeed by Rops).
    Contemporary half brown shagreen binding. Spine with raised bands decorated with fillets. Some rubbing. 2 corners slightly bumped.
    One of Auguste Poulet-Malassis's first productions in Brussels, the F. Rops frontispiece is a heliogravure reworked with etching and drypoint.
    Monograph of all Parisian balls, a fashion particularly followed by all social classes at the time.
    €450
  71. L'amour baroqueL'amour baroque
    René FALLET

    L'amour baroque

    Julliard|Paris 1971|13.50 x 20 cm|broché
    First edition on ordinary paper.
    Handsome copy despite minute worming of no consequence to edges, small label bearing the name and profession (bookseller) of the dedicatee pasted at head of front free endpaper.
    Fine signed autograph inscription from René Fallet: "Pour monsieur Olibé ces feux de l'amour et du Mozart et les 13 amicales pensées de René Fallet" ["For Monsieur Olibé these fires of love and Mozart and the 13 friendly thoughts of René Fallet"].

    €150
  72. Lettres françaises de Richard WagnerLettres françaises de Richard Wagner
    Richard WAGNER, Julien TIERSOT

    Lettres françaises de Richard Wagner[French Letters by Richard Wagner]

    Grasset|Paris 1935|13.50 x 21 cm|broché
    First edition, one of 15 numbered copies on pure wove vellum, the only copies printed on deluxe paper.
    Frontispiece with a reproduction of a portrait of the composer.
    Endpapers lightly toned, two offsets on the colophon and its facing page caused by the justification ribbon.
    A handsome and rare copy of this collection of letters presented by Julien Tiersot.
    €800
  73. Katiouchka danseuse de music-hallKatiouchka danseuse de music-hall
    JACQUES-CHARLES

    Katiouchka danseuse de music-hall

    Fasquelle|Paris 1925|21 x 19.50 cm|broché
    First edition, one of 50 numbered copies on Hollande paper, the only deluxe copies.
    Two small tears at head and foot of spine.
    Handsome and rare full-margined copy for which the beautiful cover was illustrated by costume designer José de Zamora.
    €120
  74. Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée  "Ça pince" [avec] Partition imprimée et tapuscrits de cette même chansonManuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée  "Ça pince" [avec] Partition imprimée et tapuscrits de cette même chanson
    Boris VIAN

    Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Ça pince" [avec] Partition imprimée et tapuscrits de cette même chanson

    S. n.|s. l. s. d. [1958]|21 x 27 cm|6 feuillets perforés dont 2 recto-verso
    Complete manuscript of "Ça pince," a song performed by Henri Salvador in 1958, who also composed the music:
    - A four-page draft written in ballpoint pen on two oblong sheets torn from a spiral notebook, presenting several verses not retained for the final version.
    - One page written in blue ink on a sheet of white perforated paper with some deletions
    - A fair copy of the song, two pages written on two white perforated sheets in blue ballpoint pen

    Finally, we include the printed score and also three typescripts (one of which is mounted on flexible cardboard) of this song.
    Very fine ensemble of this song which was recorded by Henri...
    €2,500
  75. Les Chants de MaldororLes Chants de Maldoror
    Isidore Ducasse, Comte de LAUTREAMONT

    Les Chants de MaldororMaldoror

    Chez tous les libraires|Paris • & Bruxelles [Brussels] 1874|12.50 x 19 cm|relié

    Rare first edition, with the wrapper and title page dated 1874.

    Half black morocco binding with corners, spine with five raised bands, date at foot, gilt fillet on boards, combed paper pastedowns and endpapers, original wrappers preserved, top edge gilt, binding signed Alix.

    Printed in 1869 by Lacroix, this edition was not released for sale for fear of censorship. Only about ten copies were stitched and given to the author (five have been recorded to date). In 1874, Jean-Baptiste Rozez, another Belgian publisher-bookseller, acquired the stock and published the work with a wrapper and cancel title page dated 1874, without publisher's imprint. It was in his...

    €8,000
  76. Introduction à la musique de jazzIntroduction à la musique de jazz
    (to Boris VIAN) André HODEIR

    Introduction à la musique de jazz

    Librairie Larousse|Paris 1945|11.50 x 16.50 cm|relié
    First edition, of which there were no deluxe copies.
    Very precious signed autograph inscription from André Hodeir to Boris Vian: "Bien amicalement à toi mon cher Boris. André Hodeir." ["With warm friendship to you my dear Boris. André Hodeir."]
    What a provenance!


    €500
  77. La danseLa danse
    Gaston VUILLIER

    La danse

    Hachette|Paris 1898|21.50 x 31 cm|relié
    First edition illustrated with 19 photogravure plates on Arches paper, and numerous in-text vignettes also in photogravure. Printed on strong glazed laid paper. Some music plates.
    Publisher's full navy long-grain morocco binding. Ornamental title on spine and upper cover, special tools. Gilt edges. Sort of non-woven wallpaper on covers evoking fabric. Paper in perfect freshness. Light traces of rubbing. Spine darkened.
    Superb deluxe publisher's binding of this abundantly illustrated monograph on dance. The work forms one of the best references on the history of dance.


    €900
  78. Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Au bal des ballots" Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Au bal des ballots"
    Boris VIAN

    Manuscrit autographe complet de toutes les versions de la chanson de Boris Vian intitulée "Au bal des ballots"

    S. n.|s. l. s. d. [1958]|21 x 27 cm|3 feuillets perforés, 2 feuillets perforés, 1 feuillet de papier pelure et 1 feuillet de papier pelure contrecollé sur carton
    Complete autograph manuscript of the song entitled "Au bal des ballots" whose music was composed by Henri Salvador and performed in 1979.
    - two leaves, of 13 lines each, written in black pencil with cross-outs and corrections and constituting the two initial versions of the refrain in draft state
    - 59 lines written in blue ballpoint pen on three perforated white paper leaves with cross-outs and corrections.

    - Two typescripts, one on onionskin paper and the other mounted on cardboard
    Very fine collection of this song enumerating the different styles of dance halls.

    "Y a des bals pour les pompiers / Et les joyeux militaires. /...

    €2,500
  79. Lithographie originale en noir et blanc - Voyage en Chine - "Danse chinoise - On se trompe grandement quand on croit le peuple Chinois léger, joyeux et ami du plaisir..."Lithographie originale en noir et blanc - Voyage en Chine - "Danse chinoise - On se trompe grandement quand on croit le peuple Chinois léger, joyeux et ami du plaisir..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Voyage en Chine - "Danse chinoise - On se trompe grandement quand on croit le peuple Chinois léger, joyeux et ami du plaisir..."

    Chez Aubert|Paris 1844|25.80 x 34 cm|une feuille
    Original lithograph in black and white, second state, created for Le Charivari and printed on heavy paper.
    Delteil, 2727
    Pale foxing throughout the plate.
    €170
  80. Adieu chansonsAdieu chansons
    (to Boris VIAN) Janine QUENEAU

    Adieu chansons

    Seghers|Paris 1955|14 x 19 cm|broché

    First edition on ordinary paper.
    Work decorated with a frontispiece illustration by Joan Miro.


    Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: "A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine." ["To Boris, whose advice I fear I have followed very poorly. With much affection. Janine."]

     

    Provenance: Boris Vian Foundation.
     

    €750
  81. SwingSwing
    (to Boris VIAN) Gaston CRIEL

    Swing

    Editions Universitaires Françaises|Paris 1948|11.50 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Presentation by Jean Cocteau and Charles Delaunay.
    Small marginal tears to the fragile covers, paper yellowed, complete with publisher's (advertising) slip illustrated with photographs of the author in company of the most illustrious jazzmen.
    Very precious signed autograph inscription by Gaston Criel on the half-title: "A Boris Vian, son ami. Criel" ["To Boris Vian, his friend. Criel"].
    €750
  82. De la bamboula au Be-BopDe la bamboula au Be-Bop
    (to Boris VIAN) Bernard HEUVELMANS

    De la bamboula au Be-Bop

    Editions de la main jetée|Paris 1951|12.50 x 19 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    A small dampstain at foot of spine and light sunning at foot of rear board, complete with publisher's (advertising) slip.
    Very precious autograph inscription dated and signed by Bernard Heuvelmans on the front endpaper: "A Boris Vian avec l'espoir qu'il aimera ce petit livre d'un jazz nourri de mystère, d'érotisme et d'humour. En toute sympathie" ["To Boris Vian with the hope that he will love this little book of jazz nourished by mystery, eroticism and humor. With all sympathy"].
    €500
  83. Puissances du jazzPuissances du jazz
    (to Boris VIAN) Gérard LEGRAND

    Puissances du jazz

    Librairie Arcanes|Paris 1953|14.50 x 19.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Spine creased and lightly sunned, paper yellowed.
    Iconography.
    Very precious signed autograph inscription from Gérard Legrand on the half-title page: "A Boris Vian, poète authentique et méconnu, qui voulut bien naguère se prêter au supplice d'une interview... où transparaissait Duke Ellington. Amical hommage" ["To Boris Vian, authentic and unrecognized poet, who was kind enough to submit to the ordeal of an interview... where Duke Ellington shone through. Friendly tribute"].
    €500
  84. Fully engraved masterpiece dedicated to Marie-Antoinette
    Fully engraved masterpiece dedicated to Marie-Antoinette
    Choix de chansons mises en musique. Dédiées à Madame la DauphineChoix de chansons mises en musique. Dédiées à Madame la Dauphine
    Benjamin de LABORDE

    Choix de chansons mises en musique. Dédiées à Madame la Dauphine

    Chez De Lormel|Paris 1773|16 x 25 cm|4 volumes reliés

    First edition of one of the most beautiful books of the 18th century, of which the text and the music are entirely engraved. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.

    Magnificent copy bound in 4 volumes, very rare condition. There are usually only copies with 2 volumes for understandable cost issues. It is...

    €7,500
  85. J'ai dansé sur les flotsJ'ai dansé sur les flots
    Roland PETIT

    J'ai dansé sur les flots

    Grasset|Paris 1993|14 x 22.50 cm|broché
    First edition, of which there were no deluxe copies.
    Iconography.
    Handsome copy.
    Fine autograph inscription dated and signed by Roland Petit: "Cher Alain Delon comme tu le vois je garde toujours un souvenir amical et ébloui de ta merveilleuse prestation de danseur, bien à toi. Roland Petit." ["Dear Alain Delon as you can see I always keep a friendly and dazzled memory of your marvelous performance as a dancer, yours truly. Roland Petit."]



    €300
  86. Serge Lifar et le ballet contemporainSerge Lifar et le ballet contemporain
    Anatole SCHAÏKEVITCH

    Serge Lifar et le ballet contemporain

    Corrêa|Paris 1950|14.50 x 19.50 cm|broché
    First edition, one of 200 numbered copies on Marais crèvecoeur paper, ours one of the 100 hors commerce copies, deluxe issue.
    A handsome copy.

    €120
  87. En avant la ziziqueEn avant la zizique
    Boris VIAN

    En avant la zizique

    Le livre contemporain|Paris 1958|12 x 19 cm|broché
    First edition of which there were no deluxe copies.
    Nice copy.
    Cover illustrated by Piem.
    Signed handwritten inscription by Boris Vian to Christine Gouze-Raynal : "... avec toute mon amitié et mes respectueux hommages..."
    €2,800
  88. A travers chantsA travers chants
    Hector BERLIOZ

    A travers chants

    Michel Lévy frères|Paris 1862|12.50 x 19 cm|relié
    First edition.
    Half shagreen binding, spine with five raised bands with gilt decorations, date at foot, marbled paper covers, original soft front cover preserved.
    Rare and precious signed autograph inscription by the composer: “à mon ami Seligmann - Hector Berlioz” ("to my friend Seligmann - Hector Berlioz")
    Hippolyte-Prosper Seligmann (1817-1882), cellist and composer, was an active member of the Philharmonic Society founded by Berlioz in 1849.
    Provenance: R. & B. L. library, with his bookplate pasted on the back of the first endpaper.
    €6,800
  89. Lettre autographe signée pour croquer la classe de danse de l'Opéra
    Pierre CARRIER-BELLEUSE

    Lettre autographe signée pour croquer la classe de danse de l'Opéra

    20 octobre 1887|11.80 x 18 cm|une feuille
    Autograph letter signed by the painter Pierre Carrier-Belleuse, author of numerous portraits of Opera dancers. In this letter he asks the director for permission to attend lessons: "à la classe de danse de Melle Théodore. Je serais désireux de prendre quelques croquis pour un tableau que je désire faire pour le Salon prochain. Je ne dérangerai aucunement la leçon [...]" ["in Mlle Théodore's dance class. I would be eager to make some sketches for a painting I wish to create for the next Salon. I will not disturb the lesson in any way [...]"]. It was probably thanks to these visits to Mlle Théodore's class that his painting A la barre was born.
    €200
  90. [PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi[PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi
    Giuseppe VERDI

    [PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi

    Disdéri|Paris s. d. [circa 1850]|6.20 x 9.80 cm|une photographie
    Rare original photograph on albumen paper, in carte-de-visite format, mounted on cardboard.
    We have been able to find only one copy of this photograph in public collections, at La Scala in Florence.
    €700
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