On chantait rouge
Handsome copy, iconography.
Signed autograph inscription from Charles Tillon, leader of the Francs-Tireurs et Partisans during the Resistance and later minister, to Jean-Luc Robin.

"What is the point of frequenting Plato, when a saxophone can just as well give us a glimpse of another world?"
Cioran, Syllogismes de l'amertume [All Gall Is Divided]
Illustrated edition with twelve original etchings by Édouard Chimot, issued in a limited edition of 576 numbered copies. The present copy, no. 111, is one of 100 printed on tinted Van Gelder Holland wove paper, accompanied by the usual double suite of the etchings in colour and in black.
It is further enriched with an original signed drawing by Édouard Chimot and an exceptional quadruple suite, on Japan paper, of eight of the etchings illustrating the work: the unreduced line engraving, the...
First edition which was not printed on deluxe paper (grand papier).
A beautiful copy, illustrations.
Publisher's binding with full black boards, photographic first board.
Sting's handwritten signature accompanied, underneath, with the printed stamp of the “Fondation Forêt Vierge” led by Sting and Jean-Pierre Dutilleux.
First edition, no deluxe paper copies were issued.
With a precious signed autograph inscription by Jacques Higelin to Régine Deforges : “To my lady Régine Deforges, the tender greeting of my twenty springs, which I lay today at the doorstep of your heart's secret garden.”
Provenance: the library of Régine Deforges.
A handsome copy.
First edition, one of 50 numbered copies on deluxe paper, the only deluxe copies.
Spine and boards marginally sunned, small lacks to the plastic film covering the boards at their margins.
"Léger comme une antilope / Il dansait, fumant son clope / Une java pleine de syncopes / Elle en eut le coeur cassé"
Rare first edition, with the wrapper and title page dated 1874.
Half black morocco binding with corners, spine with five raised bands, date at foot, gilt fillet on boards, combed paper pastedowns and endpapers, original wrappers preserved, top edge gilt, binding signed Alix.
Printed in 1869 by Lacroix, this edition was not released for sale for fear of censorship. Only about ten copies were stitched and given to the author (five have been recorded to date). In 1874, Jean-Baptiste Rozez, another Belgian publisher-bookseller, acquired the stock and published the work with a wrapper and cancel title page dated 1874, without publisher's imprint. It was in his...
"Y a des bals pour les pompiers / Et les joyeux militaires. /...
First edition on ordinary paper.
Work decorated with a frontispiece illustration by Joan Miro.
Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: "A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine." ["To Boris, whose advice I fear I have followed very poorly. With much affection. Janine."]
Provenance: Boris Vian Foundation.
First edition of one of the most beautiful books of the 18th century, of which the text and the music are entirely engraved. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.
Magnificent copy bound in 4 volumes, very rare condition. There are usually only copies with 2 volumes for understandable cost issues. It is...