Illustrated Books (16th - 18th Centuries)

New illustrated edition with 232 figures, principally by Borel. Volume XIV contains an additional suite by Moreau, a suite by Marillier and another anonymous suite. Copy on vellum paper, the figures on heavy vellum. At the end of the publisher's notice, a leaf with the price of works: the 20 volumes in-18, fine paper, in wrappers with 18 engravings...30Fr. The same with 212 engravings, in wrappers...60Fr. The same, 17 volumes, deluxe vellum paper, figures from first proofs...120Fr. The volumes may be purchased separately by works. While at Princeton University and the Royal Library of Denmark one finds only the edition in 20 volumes with 18 engravings, this copy proves more desirable in 1

First edition of one of the most beautiful books of the 18^th century, of which the text and the music are entirely engraved$. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.
Dentelle bindings in full navy blue morocco, signed by Bruyère at the bottom of the pastedown endpaper. Slipcase covered with a blue marbled paper, suede interior, lined

New edition. An allegorical frontispiece engraved by Brunet and 16 figures illustrating country life.

Contemporary full glazed and marbled brown calf binding. Decorated spine with raised bands. Red morocco title-label. Upper headcap worn. Upper joint cracked with lacks. Corners slightly bumped. Frontispiece browned in margins.

Didactic poem by Father Vanier (1664-1739), Jesuit, on country life. This is based on his illustrious model: Virgil.


 

New edition, after the first, also published in Rome in 1657. The second text is also dated 1688, but not at the same address. A title page for the last part: Io. Petro Bellori notae in numistata tum Ephesia, tum aliarum urbium apibus insignata, without address or place, with a bee as title vignette. In all three parts, the plates are included in the pagination. The two parts following the first were not part of the first edition; they are joined to Mnestrier's text for the first time. The illustration contains 24 plates: 12 plates for the first part, some with 2 figures. 10 plates, mostly medals for the second part. 2 plates for the third part. Superbly engraved on copper, these plates a

First edition, illustrated with a title vignette, 6 folding maps and 2 folding plates (sun and moon positions, diagrams); a map of the coasts of Acadia and Isle Royale, one of the Gulf of Saint Lawrence, plan of Canseau harbor, the southeastern coasts of Isle Royale, plan of Chibouctou harbor, southeastern point of Acadia, 
Presentation copy with the cipher and arms of Louis XV.
Contemporary binding in full marbled and glazed brown sheep. Spine with raised bands decorated with the repeated cipher of Louis XV. Red morocco title label. Boards stamped with the gilt arms of Louis XV. Triple gilt fillet frame on boards. 2 compartments restored partially effacing the ciph

Rare French first edition in the translation by Esprit Pézenas, illustrated with 2 title vignettes and 78 folding plates representing instruments used for physics demonstrations.

Armorial copy with unidentified coat of arms.
Contemporary full porphyry sheep binding. Decorated spine with raised bands. Beige calf title label, brown sheep volume label. One lack to foot of volume I. Light lack to head compartment of volume II and to foot compartment. Split to upper joints at foot of both volumes, 1cm. Corners with leather losses, as well as to edges. The use of acid to achieve the porphyry marbling has caused certain alterations to the leather, notably

First edition illustrated with 47 charming emblematic figures arranged on 13 plates on fine paper and a title headpiece. Only the title vignette is signed Gaudier. Lacking the frontispiece. Each figure in a medallion features the sun in a dominant position and a symbolic element such as a musical instrument, a landscape, an animal, as well as a Latin motto. Rare printing from Aix-en-Provence.

Late 19th-century Bradel binding in half beige cloth. Smooth spine with dark red shagreen title label running lengthwise. The plates have slightly narrower outer margins than the leaves. Some foxing, particularly on the title page.

Very rare first Viennese edition, illustrated with 366 figures by Johann Wolfgang Baumgartner. Remarkable baroque iconography. Only one copy located in electronic library catalogues at Strasbourg, one copy at Cambridge and another at Oxford.
Contemporary half brown sheep bindings, spines with raised bands decorated with fillets, green sheep title and volume labels. Skilful restorations to joints and headcaps. Rubbing to speckled paper boards. Although pagination is continuous across the four volumes and collation appears complete, we note the absence of a title page to the third part (binder's oversight?).
Engraved bookplate Froissart, second manuscript bookplate Augustin Sotteau.

Second edition, a reprint of the first folio edition published in 1756 by the same publisher. A rare edition, illustrated with 40 plates including 4 folding and 16 double-page (arms, costumes, plans, manoeuvres...). Large vignette with coat of arms on the title-page, and 41 ornaments (headpieces, tailpieces). Title-page printed in red and black. At the end, Supplement aux Reveries, with its own title-page; this short addition, spanning only a few pages, contains the corrections made to the original. A two-volume quarto edition appeared in Paris in 1757.
Bound in later full marbled brown calf; a skilful early 20th-century pastiche signed Saingy at foot. Spine with raised bands richly de

Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
Provenance: Library of Gianni de Marco with its book plate and itsseal.
No copies in an American Library, one in the British Li

• Observations du thermomètre faites pendant les grands froids de Sibérie, par M. Delisle.
• Recherche de statique et de dynamique, par M. le Marquis de Courtivron.
• Expériences de l'electricité appliquées à des paralytiques, par Mrs Morand et Nollet.

Tenth edition statement, after the original published in 1700. It is illustrated with 38 numbered plates including two folding ones, 17 for the first volume and 21 for the second, and 35 woodcut figures in the text.

Contemporary full marbled blonde sheep binding. Spine with raised bands decorated with fillets. Red morocco title label and black morocco volume label (lacking the volume label for tome I, though the gilt lettering remains visible). Rubbed throughout. Some plates are cut shorter. Fresh throughout. Lacking at head of tome I. Tear to lower joint at foot of tome I. 4 corners bumped. Cuts to boards.