Gift ideas between 2 500 and 3 000 €

A very rare first edition of 15 lithographed views in bistre tint, mounted in an accordion pleat, forming a panorama of 6.75 ft and showing the Parisian procession of the return of Napoleon's mortal remains (his "ashes" used here as a metaphor since he was not cremated). The parade started from the Arc de Triomphe to his resting place in Invalides. In the lower margin, the caption presents the different groups forming the procession: Ajaccio delegation, Paris Municipal Council, Prince of Joinville Commission of Saint-Helena...in the centre of the panorama stands the spectacular

2 frontispieces and 12 numbered engravings bound at rear of the second volume.
Small lack of paper to upper right corner and marginal restoration to the first volume's title page. Minor foxing, a light halo to the right margin of each of the 12 engravings at rear of the second volume.
Red half morocco binding, smooth spines with arabesques motifs in gilt, marbled paper boards, snags and rubbing to boards and edges, corners bent.
The book was first published as The Universal Cook in London in 1792; its fourth edition was translated into French

Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.

The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).

Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.

Some minor foxing

First edition of these observations and proposed reforms concerning the Navy. Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.

Contemporary full fawn calf, mottled and polished, smooth spine tooled with gilt decorative compartments and false bands, red shagreen lettering-piece, joints lightly rubbed, boards framed with delicate gilt rolls, a few abrasions and small losses to the leather at the lower edges, marbled endpapers and pastedowns, corners softened, all edges gilt, a period binding.

Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.

Forfait and Bonaparte me

First issue of the fifty large hors-texte lithographs drawn from life by Henry John Terry (cf. Vicaire, VII, 1164).

Publisher’s binding in full red cloth, smooth spine decorated with blind-ruled compartments and fillets, light rubbing to the head- and tailcaps, gilt-lettered title on the front board, yellow endpapers, trace of a removed bookplate on one pastedown, one lower corner softened, slight discoloration to the lower left corner of the rear board, occasional marginal foxing, a small loss to the foot of page 119, and minor wormholes at the foot of the last three leaves, not affecting the text.

The fifty striking black lithographs depict the most pictur

First edition of this periodical, comprising for the complete year 1781 (from 2 January to 28 December) 104 issues, the text printed in two columns with continuous pagination.

Contemporary half calf, mottled fawn, smooth spines decorated with gilt compartment tooling and floral ornaments, beige calf lettering-pieces and blue calf volume labels; minor losses and rubbing to spines and joints, a few scuffs to the blue paper boards, bumped corners, red edges; bindings contemporary to publication.

Transposition of ff. 357–58 and 359–60; initials in black ink and numbering to the endpapers; bookplate affixed and marginally torn in the first volume, another bookplate covered over in

Handsome and uncommon album comprising 36 vintage silver-print photographs (18.5 × 23 cm, mounted and captioned by hand), depicting exterior views—façades, gardens, and architectural perspectives—of this English neo-Gothic estate built between 1868 and 1872 by Thomas Smith and the Cannes contractor Scavy for one Michael Hugh Scott, who never lived in it: the property quickly passed to the businessman Debionne, who resold it to Lord Wolverton after furnishing and decorating the interior.

Publisher’s blue percaline binding, smooth unlettered spine, blind-ruled frame on the boards, gilt-lettered title to the upper cover, marbled endpapers and pastedowns; contemporary binding.

A f

First edition of the earliest of the four works devoted by the deputy Amédée Desjobert (1796–1853) to the situation in Algeria (the second concerns the year 1838 – see below –, the third 1844, and the last 1846) (cf. Tailliart 2333).

Contemporary full tree-calf bindings, smooth spines gilt with garlands, fillets and floral tools, the gilt sometimes a touch dulled, red morocco lettering-pieces, green morocco volume labels slightly faded at the margins, marbled endpapers, gilt fillets to the board edges, marbled edges, modern bookplates mounted to the endpapers, contemporary bindings.

A few small losses to the leather on the boards, the half-title to the first work wanting, a

Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three remar

First edition, illustrated with woodcut armorial bearings at the head of the first page of text.

Description of the equestrian procession that accompanied through Rome the new Roman senator, Count Nils Bielke (1706–1765), a Swedish knight, chamberlain to the King of Sweden and papal chamberlain following his recent conversion to Catholicism.

The text gives a detailed account of the sumptuous costumes worn by the participants and of the various decorative settings. It concludes with the names and titles of all those who took part in the procession.

Ink annotations at the head of the final page.

Our copy is preserved in its original wrappers, now protected by modern

Rare first edition illustrated with one table and two plates showing cranial shapes and portraits of the insane.

See Garrison Morton, 4922. En français dans le texte, 203. Kelly, p. 326. Foucault, Histoire de la folie, 523. Jan Goldstein, Console and classify, 65. Bariéty & Coury, 882.

Half calf binding with corners, smooth spine decorated with gilt floral and ornamental motifs, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges; modern pastiche binding.

Some foxing mainly affecting the second volume.

Bound at the end of the volume is Jean-Etienne Esquirol’s "Des Établissemens consacrés aux aliénés en France, et des moyens de les amélio

First appearance of the 18 poems by Charles Baudelaire published on pages 1079–1093 of the Revue des Deux Mondes, showing numerous variations from the text of the first edition issued in 1857 by Poulet-Malassis & De Broise.

Full black shagreen binding, smooth spine, double blind-ruled borders on covers, comb-marbled endpapers and pastedowns, slightly later binding.

A rare and attractive copy.

Autograph letter signed "R" by Auguste Renoir, addressed to his friend and great collector of his works Paul Bérard. One and a half pages in black ink on a bifolium.
Horizontal fold mark inherent to mailing.

 

First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.

A very handsome copy.

First edition and first printing of Lucien Laforge’s pacifist illustrations, one of 400 deluxe copies on special matte red paper from the Barthélémy paper mills, the only deluxe issue announced.
Some light wear, otherwise a very good copy of this fierce anti-militarist pamphlet in which runs "comme le grésillement du fer rouge marquant à vif la chair pâle et grasse du Bourgeois repu de morts" (Paul Vaillant-Couturier in L'Humanité).

First edition on ordinary paper.

Small defects skillfully restored at the head and tail of the spine.
Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier.

Edition published one year after the original, illustrated with four fine copper-engraved plates by Charles Eisen depicting Nordic types (Icelandic women, a bear hunt, Samoyeds, a Laplander in a sleigh) engraved by Le Mire, one folding map by Bellin, thirteen maps, plans, or views (eight of them folding) engraved by Croissey, as well as a charming engraved title vignette and a headpiece by Le Gouaz.

See Sabin, 37616; Chadenat, 1633; Boucher de la Richarderie, I, 380.

Full mottled calf binding, smooth spine richly gilt in compartments decorated with gilt fleurons and geometric motifs, sometimes slightly rubbed, red morocco label, restorations to spine and joints, gilt roll to

First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.

Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.

Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.

First edition. Quérard I, 271 lists only one edition: "Paris, Née de La Rochelle, 1789." Kress B.1163; Goldsmiths 13858. Not in Einaudi."

With loose printed title pages for each volume, dated 1789.

The first volume, with an engraved pictorial title after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.

The second volume has an engraved pictorial title by Zaveris after Meunier and includes 154 etched plates of coins.

Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco lettering-pieces, green morocco numbering-pieces, gilt rolls on

First edition of this important work, cf. Krivatsy 588. Garrison-Morton 1673, 5047 and 5085.

Full stiff ivory vellum, spine with four raised bands, the author’s name handwritten in black ink, one defect on the fourth band, blind-tooled rolls on the headcaps, gilt fillets highlighting the raised bands and framing the covers, small vellum losses on the covers, losses at the corners of the first and last endpaper, edges sprinkled red, contemporary binding.

Bound with this work are three further treatises by Guillaume de Baillou, all printed by Quesnel in 1640. Krivatsy, describing a volum

First edition of one of the most important revolutionary publications against the African slave trade and the first manifesto of the Society of the Friends of the Blacks, founded in February 1788 by Jacques-Pierre Brissot, Étienne Clavière, and Mirabeau, barely nine months after the London Society for Effecting the Abolition of the Slave Trade, which served as their model.
 

 

First edition, one of 50 numbered copies on pur fil.
Spine slightly sunned, a small scratch to the front cover, corner creases at the preserved margins.
Rare copy as issued.

First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).

Cf Brunet V, 1453.

Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.

Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines a

First edition of the French translation. No grands papiers (deluxe copies) were printed.
Some loss of plastic film on the spine, two light damp-stains on the upper and lower edges.
Signed and dated by Andy Warhol with an original drawing on three pages: verso of the first cover, endpaper and title page.

First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »

First edition, one of 20 deluxe copies on Holland paper, the only large-paper issue, reimposed in octavo format (the ordinary edition being in duodecimo).

Cf. Vicaire III, 305-306. Carteret I, 222.

Contemporary full stiff ivory vellum, smooth spine, marbled endpapers and pastedowns.

Fine copy.

Bibliographers mention 25 copies, which seems difficult to account for, as the limitation is clearly stated on the verso of the half-title. This procedure was customary for the author (Les Six aventures, 1857, was issued in the same dual printing).

Precious presentation copy inscribed and signed by Maxime Du Camp to the celebrated critic Jules Janin (1804–1

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in

First edition of this significant publication issued by the Commission of Inquiry tasked with collecting all available data and documentation on the cultivation, production, and sale of tobacco.

Illustrated with numerous folding tables and a folding map of France, printed in lithography by A. Cabassol and bound out of text.

Apparently not recorded in the Bibliothèque nationale de France.

Contemporary half calf binding, flat spine rebacked and decorated with gilt fillets, morocco labels in light brown, some rubbing to the spine, marbled paper boards with minor marginal flaws, marbled endpapers, sprinkled edges.

Some spotting to top edge; an embossed ownership st

New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).

This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.

Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.

First edition of the French translation by Philippe Florent de Puisieux (see Chadenat 1412 and 6038; Brunet 27050; Polak 5580; and Sabin 3968 for the English edition).

The first volume retains its engraved frontispiece.

Contemporary full calf bindings, spines with five raised bands decorated with double gilt panels and ornamental tooling, red morocco labels for title and volume number, gilt roll tooling on the caps, marbled endpapers and pastedowns, partially faded gilt fillets on board edges, red edges.

Two scratches and two small losses to the upper covers of the first two volumes.

A handsome copy, attractively bound, from the library of Darest de Saconay, wi

Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.

Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.

A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.

Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area (

First edition.

Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.

The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania, pp

First edition, illustrated with 6 folding plates at the end of the volume (cf. Polak 5375).

Contemporary Bradel binding in full red boards, flat spine, black shagreen label with gilt lettering, the upper cover stamped in gilt with the monogram of Prince Eugène de Beauharnais, stepson of Napoleon. Lower corners a bit rubbed. Period binding.

A few minor spots, not affecting legibility.

Only two copies listed in the CCF (BnF and École Polytechnique).

The only edition of this insightful analysis of French naval doctrine at the close of the Revolutionary and Napoleonic Wars, significantly bearing the motto on the title page: Delenda est Britannia. Charles-Louis-Victor d

First edition, very scarce (see O'Reilly, Nouvelle Calédonie, 175. O'Reilly & Reitman 1246. Ferguson 16990-91. Hill p. 290. Forbes, Hawaiian National Bibliography, III, 2730. Martin, Hawai‘i, p. 48. Jenkins, Bibliography of Whaling, p. 150. Vaucaire p. 259).

Contemporary bindings in red half morocco-grained sheep over marbled boards, spines with four raised bands ruled in black, marbled endpapers and pastedowns, original wrappers preserved (except rear wrapper of vol. I), modern bindings.

Some foxing, mainly at the beginning of the first volume.

The chapter on New Caledonia spans pp. 257 to 350 of volume I; the one on Tahiti covers pp. 177 to 282 of volume II.

The

Album of 50 full-page plates signed by Lange, each with captioned tissue guards (cf. Polak 6415).

Publisher's binding in red half shagreen, spine with five raised bands decorated with gilt dotted rolls and black fillets, gilt naval anchors, gilt title and naval anchor on the upper cover in red cloth, marbled endpapers and pastedowns.

Some minor foxing, a few faded spots along the edges of the covers, a well-preserved copy overall.

A fine visual survey of the French navy at the end of the 19th century, featuring 44 warships and 6 merchant vessels (from the Compagnie Générale Transatlantique, Messageries Maritimes, Chargeurs Réunis, Albert Méniér, and A

First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.

Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.

The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.

A handsome and rare copy.

Enclosed is the printed report, on Rives paper, of the genera

First edition.

Official series not listed in Polak.

Full red morocco binding, smooth spine decorated with gilt Romantic arabesques, gilt roll-tooled bands at head and foot, elaborate gilt quadruple fillet frame, garland and lozenge design with gilt corner motifs on covers, gilt crowned monogram stamped in gilt at center of each board, blue moiré silk endleaves and doublures, gilt dentelle borders on doublures, gilt dotting on board edges, all edges gilt; a superb Romantic period binding.

Copy bearing the crowned monogram "FO" of Ferdinand Philippe, Duke of Orléans (1810–1842), eldest son of King Louis-Philippe. 

A very fine copy, beautifully preserved in an out

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the

First edition, numbered copies on vélin pur fil, most limited deluxe issue.

A handsome copy complete with the publisher’s announcement slip.

Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.

Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage  to Crémieux,

Black-and-white photographic promotional portrait for Disney studios, depicting Walt Disney. A minute black line is visible near the hair.

Rare and striking manuscript signature by Walt Disney in black ink, signed directly within the image.

First edition, illustrated with 5 lithographed plates outside the text, each featuring multiple figures (Not listed in Sabin).

Bound in modern half beige calf, smooth spine decorated with gilt and black fillets, black morocco title label, marbled paper boards, restored and preserved original printed wrappers bound in. Binding signed by the Laurenchet workshop.

Some occasional spotting.

All published: the renowned anthropologist had planned a work in two or perhaps three volumes gathering his observations made during travels in Alaska.

The plates depict fossils, bones of sea otters and American brockets, mollusks, and more. Contributions include studies and commenta

Rare first edition, complete with its 17 plates, including 2 maps, 2 colored facsimiles of Japanese view and plan (view of Yedo, plan of Nagasaki), and 13 colored facsimiles of natural history drawings. (See Cordier, Japonica, 549 and Sinica, 2128. Numa Broc, Asie, 89-90.)

Some minor foxing, a faint dampstain on the final leaves, small restorations to the verso of the facsimiles.

Contemporary half green shagreen, spine slightly faded, with raised bands framed by gilt fillets, double gilt compartments with decorative tools, boards framed with a blind-stamped fillet, marbled paper boards slightly soiled, combed endpapers and pastedowns, painted edges.

A career diplomat, Ch

First edition of considerable rarity, not recorded by Sabin (who mentions an octavo edition) nor by Monglond.

Title, 117 pp., 67 pp., 2 unnumbered leaves of tables, 84 pp. and one folding plate comprising the appendices. Pages 15 to 22 are taken up by an unpaginated "État des Réunions poursuivies à Saint Domingue, & sur lesquelles est intervenu Jugement pendant les années 1785, 1786, 1787 & 1788."

Contemporary quarter marbled calf over marbled paper boards, vellum-tipped corners, modern flat spine gilt with decorative tools and roll-tooled dentelle motifs, red shagreen label, marbled edges.

Count César Henri Guillaume de La Luzerne (1737–1799), governor of the island of

Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).

A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.

The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).

Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine, bei

Partly first edition, revised and corrected, of which no deluxe copies were issued; one of the review copies.

Spine and covers slightly and marginally sunned, as usual.
Rare and valuable signed presentation inscription from Robert Antelme to Geneviève Hirsch.

"Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous."
["There are no human races; there is only one human race. It is precisely because we are men like them that the SS will ultimately be powerless against us."]

This seminal work on the Nazi concentration c

First edition of the French translation, illustrated with a portrait of the author and 29 engraved plates depicting objects, ornaments, coins, plants, and animals (cf. Cordier, Bibl. Japonica, 447. Gay, 3151. Brunet, V, 850).

Contemporary full marbled calf bindings, flat spines richly decorated with gilt typographic tools, gilt roll tooling at head and tail, brown morocco title-pieces, dark green morocco volume labels, gilt roll-tooled borders on boards, marbled endpapers and pastedowns, gilt fillets on board edges, yellow edges.

A Swedish botanist and naturalist, Carl Peter Thunberg (1743–1828) studied medicine and natural history at Uppsala and became one of Linnaeus’s most

First edition, very difficult to find complete, as the third volume was published eight years after the first two.

Bound in full mottled bronze-green calf, smooth spines richly decorated with gilt floral compartments, red morocco labels for title and volume number, gilt rolls on the caps, joints slightly rubbed, gilt roll-tooled borders on the covers entirely adorned with oblong geometric patterns in blind, marbled endpapers and pastedowns, gilt Greek-key borders framing the pastedowns, bookplate mounted on the pastedown of the first volume, gilt fillets on the edges, all edges gilt, contemporary bindings.

Contains anecdotes about Rousseau, Poivre, Turgot, Helvétius, Benjamin

Rare first edition of this curious travel account, originally written entirely in verse (7,500 lines), though the author—on the advice of friends—agreed to intersperse it with prose narrative (retaining 2,500 lines of verse); see Sabin 20128, Gagnon 1134 (1710 edition), and Dionne II.

Contemporary full brown calf binding, spine with five raised bands, gilt compartments decorated with gilt floral tools, cherry red morocco label, gilt roll tooling at head and foot, double black fillet border on covers, gilt fillets on board edges, sprinkled yellow edges with red mottling.

Lower right corner of upper cover restored; some spots and minor scuffs to the boards; occasional light foxi

First edition of the vocal and piano score of the opera Déjanire by Camille Saint-Saëns.

A few pencil annotations in the margins of certain staves.

Our copy is presented in a 3/4 shagreen clamshell box, spine with five raised bands framed by gilt garlands and decorated with gilt fleurons, gilt lettering at foot of spine: "Inscribed by composer". Boards, endpapers and pastedowns in marbled paper. Spine of the box slightly faded.

Inscribed, dated and signed by Camille Saint-Saëns to music critic Edouard Beaudu.

First edition in French, one of 1,000 numbered copies on Annonay rag paper, the only deluxe paper copies.

Illustrated with numerous photographs. Preface by Maurice Herzog. Foreword by the Duke of Edinburgh.

Publisher’s full flexible boards binding. Lacking slipcase, spine sunned with minor tears at head and foot.

Rare and handsome autograph inscription, dated and signed by General John Hunt: "A M. Robert Moch vous témoignant notre reconnaissance de nous avoir préparé la trace jusqu'au sommet du signal de l'Iséran le 3 janvier - et pour vous exprimer nos regrets de ne pas l'avoir suivie ! John Hunt 7/1/54."<

Signed and inscribed newspaper clipping with Picasso's portrait.

Newspaper clipping from 'Le Patriote de Nice et du Sud-Est' (25 October 1959) signed and inscribed by Pablo Picasso. A folded leaf inscribed with a large red felt-tip pen.

A pictorial and unusual inscription signed by Picasso on the front page of a Nice newspaper celebrating his 78th birthday: “For Max Pellequer / his friend / Picasso”. A beautiful testimony of friendship in an important political newspaper which featured many of the artist's original creations.

Autograph letter signed by Jacques Mesrine, dated Wednesday 29 December 1976,  addressed to Jeanne Schneider, his love interest of the time. She smuggled out of prison the manuscript of his famous autobiography L'Instinct de mort. 66 lines in blue ink on two pages of a leaf. In the top left-hand corner of the letter, Jacques Mesrine has drawn a bouquet of flowers in multicoloured felt-tip pens. Usual horizontal fold, small tear to the fold in the right-hand margin.
Jacques Mesrine, who was in Fleury-Mérogis prison at the time, was delighted to receive so much proof of love and friendship in the many letters he received from his friends and family.
He, in tu

Autograph letter signed by Emile Zola addressed to Octave Mirbeau, dated in his hand March 4, 1901. Two pages in black ink on a bifolium.
Horizontal fold mark inherent to postal delivery.
Published in his Correspondence, vol. X, p. 242.
Precious letter from Zola to his great supporter Octave Mirbeau, who had paid his fine at the end of his second trial for "J'accuse!".
Now amnestied, the writer attempts - in vain - to recover the sum to reimburse him.
After his historic cry from the heart in l'Aurore, Zola was first condemned by the Seine jury on February 23, 1898 to one year in prison and a three thousand franc fine. The judgment was overturned on appeal,

First edition, exceedingly rare copy without statement of edition, with the correct imprint dated 20 October 1912.

Restorations to spine and inner margins of the covers, a discreet fold to the low­er right corner of the front cover.

Illustrated with 26 artworks by Paul Cézanne, Pablo Picasso, André Derain, Georges Braque, Jean Metzinger, Ma­rie Laurencin, Albert Gleizes, Fernand Léger, Marcel Duchamp, Juan Gris and Francis Picabia.

 
A fine copy despite restorations, rare without statement of edition, of this Cubist manifesto published on the oc­casion of the historic exhibition of the "Section d'Or" at the Galerie La Boétie.
 

***


"It

Rare first edition of this manual on film development.
Illustrated with 54 figures in the text and 6 folding plates at rear, containing 107 interest­ing samples of films negatives and celluloid.

With a frontispiece photographic portrait of Charles Pathé.

Skilfully restored brown half sheepskin pub­lisher's binding, smooth spine decorated with golden arabesques, small gaps filled at head of spine, marbled endpapers and past­edowns.

"In the early years of the twentieth century, the largest film production company was the Société Pathé Frères (Pathé Brothers Com­pany). Founded in 1897, the company was at its height in 1920s when it unveiled the first home

First edition.

Marbled paper boards, smooth spine, gilt lettered red morocco title-label lengthwise. Slightly sunned boards, some minor restorations to title page.

Extremely rare essay on a so-called “cure” for breast cancer, published during the French Revolution.

Autograph letter most probably unpublished signed addressed by Juliette Drouet to her lover Victor Hugo, four pages written in black ink on a bifolium. 
Transverse folds inherent to mailing, fold joining the two leaves reinforced with a fine strip of pasted paper barely perceptible.
Absent from the very complete online edition of Juliette Drouet's letters to Hugo by the Centre d'Études et de Recherche Éditer/Interpréter (University of Rouen-Normandy).
Very beautiful declaration of love and admiration by Juliette Drouet, the day after Hugo's plea defending his son. Charles Hugo had been brought before the assizes, and condemned despite his father's interve

Autograph letter signed by the painter Eugène Delacroix to his friend Baron Félix Feuillet de Conches, master of protocol at the Ministry of Foreign Affairs under Charles X and Louis-Philippe. One page in black ink on a folded sheet, with the autograph address on the verso. Traces of seal and postal stamps dated October 7.

The painter writes to his friend Feuillet de Conches, a distinguished man of letters whose works were well received, and who also amassed an elegant collection of art and autographs in his apartment on the rue Neuve-des-Mathurins, the address of this very letter.

A charming and witty missive, in whic

"Chère Madame,
Mille excuses pour le malentendu qui est de ma faute, sans doute.
Je ne me souvenais pas du tout que vous n'étiez pas libre ce soir. Si vous l'êtes demain samedi, j'en serais heureux. J'ai couru à Châtelet et suis parvenu à faire changer le jour pou

Very elegant edition of Perrault's fairy tales, printed with the stereotype process invented by Louis-Etienne Herhan.

Illustrated with 5 full-text engravings (2 vignettes each) and a vignette on the engraved title, after the frontispiece by Antoine Clouzier for the first edition of Perrault's tales (Paris, Barbin, 1697).
Full roan binding, smooth spine framed in gilt and gilt motifs, black title label stamped in gilt, boards framed in gilt, inner dentelle, endpapers and pastedowns in caillouté paper, all edges gilt. Joints slightly split at head of spine, a small brown stain to title page and frontispiece, some spotting. 
Very rare edition, including Bluebeard, Little Red

First edition, one of 48 copies on pur fil, the only deluxe copies.

Work decorated with illustrations by Jean Hugo.

Light rubbing to extremities of the slipcase.

Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.

Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second co

First edition, with seven folding plates engraved by Hallmandel after G. Schärf.
Beige full calf binding, spine with five raised bands framed in gilt, gilt lettered morocco title label lengthwise, stamped arms of the Society of Writers to the Signet in the center of the boards. Restored spine and corners, brittle spine ends, spalls and stains to boards.

A very rare and important publication by the British Consul General in Egypt in 1815, Henry Salt (1780-1827),involved in the excavation of several historical sites and the collection of numerous antiquities. The most remarkable of these is the colossal bust of Ramses II found at Thebes and housed in the British Museum, which is s