Budget-Friendly Gifts

New edition.

Illustrated with engravings by Jean Hugo.

A pleasing copy.

Fine signed autograph inscription from Anaïs Nin to the woman of letters Christiane Baroche: "Your poems should be in a book one can keep nearly and read now and then for substance. Anaïs Nin."

New edition, one of 65 numbered copies on alfa paper, the only deluxe paper issue.

A fine copy.

First edition, one of 42 numbered copies on alfa paper, the only deluxe paper issue.

Minor, unobtrusive foxing to the foot of the upper cover, otherwise a pleasing copy.

Preface by Thierry Maulnier.

First edition of each volume, one of 15 numbered copies on chine, deluxe issue after 2 copies on peau de vélin.

Contemporary half blue morocco over marbled boards with corners, spine in five raised bands ruled in gilt and tooled with double gilt compartments, date gilt at foot, covers framed with gilt fillets, comb-marbled endpapers and pastedowns, ex-libris mounted on a pastedown, corners slightly rubbed, top edge gilt, signed contemporary binding.

A few minor spots of foxing, chiefly to the edges, a small nick to one band, light rubbing to the headcap.

First edition on standard paper.

Spine very slightly sunned, without significance.

Rare signed autograph inscription from Fereydoun Hoveyda to Henri Brunet.

New edition, issued two months after the first.

Attractive copy, complete with its illustrated dust jacket.

Some signs of use (dog-eared pages) and pencil annotations by the dedicatee.

Signed autograph inscription from François Cheng to a couple of friends named Claudine and Noël, enhanced with a Chinese ideogram.

First edition, one of 50 numbered copies on vélin de renage, most limited deluxe issue.

A fine copy.

First edition, one of 50 numbered copies on Renage vellum, the deluxe issue.

A fine copy.

First edition printed in a small number of copies.
Half red morocco binding with corners, smooth spine decorated with a gilt panel and floral tools, enhanced with a grey mosaic morocco onlay, gilt date at foot, gilt fillet framing on the marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, gilt top edge, binding signed Charles Lanoë.
Illustrated with a fine frontispiece drawn and engraved by Félix Bracquemond.
An attractive copy, handsomely bound.

First edition, one of the numbered copies on laid paper, the only issue after 1 copy on large Arches vellum, 50 on Japan paper, and 10 hors commerce.

The upper cover slightly and marginally toned; a pleasing copy.

Illustrated with wood engravings by Raoul Dufy.

First edition of the French translation prepared by Jacques Schiffrin and André Gide, one of 80 numbered copies on alfa paper, the only deluxe paper issue, with a further 45 copies on pure rag.

A rare and fine copy.

Expanded new edition including a notice and an appendix providing a catalogue of the principal violin makers from the fifteenth to the nineteenth century, a description of the most sought-after violins, their dates of manufacture, their market value, and the distinguishing features by which they may be identified, by L. de Pratis.

Half chocolate-brown morocco binding with corners, spine with five raised bands ruled in black, gilt date at foot, marbled paper sides, marbled endpapers and doublures, illustrated wrappers and spine preserved (with a small loss at foot), gilt top edge, signed binding by H. Blanchetière.

A fine copy attractively bound in a signed binding.

First edition, one of 20 numbered copies on Japan paper, the only deluxe paper issue.

Bound in full burgundy morocco, spine with five raised bands ruled in black, gilt rolls to the headcaps, moiré-effect paper endleaves and doublures, inner boards framed with gilt fillets, dotted tools and corner fleurons, original wrappers and spine preserved, top edge gilt on witnesses, double gilt fillets to the turn-ins, slipcase edged in burgundy morocco with sides covered in moiré-effect paper, contemporary signed binding by Vauthrin-Pezet.

A fine, beautifully executed copy.

First edition, for which no deluxe paper issue is recorded.

Brittle paper to the margins of some leaves, resulting in a few small losses.

Signed autograph inscription by Oscar Venceslas de L. Milosz to the poet Pierre André-May : "à mon ami monsieur Pierre André-May avec ma pensée la plus fraternelle et mes sentiments les meilleurs."

First edition, one of 925 numbered copies on Artois vellum, the only issue including a sheet of butcher’s paper in tribute to General de Gaulle, together with 20 hors commerce copies and 75 on Marais paper.

Illustrated with headpieces and tailpieces.
Attractive copy.

Rare first edition printed in a small number of copies.

Covers slightly faded and sun-toned at the edges, as is usually the case.

First edition, one of 30 numbered copies on Vélin de Rives, the only deluxe paper issue.

A fine copy.

First edition on standard paper.

A fine copy, complete with its promotional band.

Signed autograph inscription by Pascal Quignard to a friend named Nicolas: "A Nicolas en t'embrassant, Pascal."

Illustrated edition with a frontispiece by Ossip Zadkine, one of 60 numbered copies on B.F.K. Rives mould-made vellum, the only deluxe paper issue.

Rare and fine copy.

First edition, one of 30 numbered copies on pur fil paper, this copy one of five not for sale.

A rare and fine copy.

Original photograph depicting a sculpted bust of Tristan Bernard, vintage print.

Printed stamp on verso "Universal press agency", some foxing.

Manuscript annotations by Carlo Rim on verso in blue ink: Tristan Bernard-Nicolas Wahl 1934.

Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, and filmmaker who was notably a friend of Fernandel, Raimu and Marcel Pagnol, as well as Max Jacob, Tristan Bernard and André Salmon whom he met in Sanary.

First edition, for which no copies were issued on deluxe paper, this being one of the publisher’s review copies.

A small tear at the head of the upper cover, a crease at the foot of the lower.

A pleasing copy, complete with its promotional band.

Dated and signed autograph inscription by René Depestre to the writer Christiane Baroche.

First edition in book form, issued for the centenary of the birth of Pierre Jean Jouve; one of 33 numbered copies on pure wove vellum, the deluxe issue.

A fine copy.

New compilation of the celebrated songs by the troubadour from Sète, including "La mauvaise réputation", "Le parapluie", "Le petit cheval", "Le fossoyeur", "Le gorille", "Corne d'auroch", "La chasse aux papillons" and "Hécatombe".
Inevitable creasing and light rubbing along the margins of the record sleeve.

A small ballpoint pen doodle in blue ink on the lower cover.
Autograph signature of Georges Brassens in the lower right margin of the upper cover.

First edition, with no copies printed on deluxe paper.

A very good copy.

Inscribed by Maurice Druon to a friend named Henri: "... pour les souvenirs d'une année de travail qui devint une année d'amitié."

First edition.

Our copy is preserved in its original plain pink paper waiting wrappers.

Ink annotations to the front cover, a few short tears; internally a clean and agreeable copy.

As it was never ratified, this concordat never came into effect, and France therefore remained under the regime of the Concordat of 1801 until the Law on the Separation of Church and State in 1905.

First edition, one of 50 numbered copies printed on Edogawa Japan paper, the deluxe issue.

A handsome copy, complete—as with all copies on Japan paper—with the author’s portrait frontispiece by Armand Rassenfosse.

First public edition of this text by Jean Cassou, written under the pseudonym Jean Noir, one of 50 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First collected edition, one of 13 numbered copies on pur fil paper, our copy being one of 3 hors commerce, the only copies on deluxe paper.

A fine copy.

First edition, for which no copies were issued on deluxe paper.

Spine lightly wrinkled, a small loss at the foot of the lower board; otherwise a pleasing copy.

Signed autograph inscription by Maurice Genevoix.

First edition, one of 170 numbered copies on deluxe paper.

Fine copy preserved in its double wrapper.

First public edition of this text by Elsa Triolet, written under the pseudonym Laurent Daniel, one of 58 numbered copies on Madagascar paper, the deluxe issue.

Fine copy.

First edition.

Spine and boards slightly and marginally faded.

A rare and pleasing copy.

First edition of the French translation, one of 230 numbered copies on alfa paper.
With a preface by Romain Rolland.
A fine copy, the spine very slightly toned.

Published in the year of the first edition, one of 950 numbered copies on wove paper.
Publisher’s binding after the original design by Paul Bonet.
Attractive copy, complete with its original flexible cardboard slipcase.

New edition.

Publisher’s full red percaline binding, smooth spine ruled in blind, title and imprint stamped in gilt on the upper cover, speckled edges.

A slightly shaken copy, with some rubbing to the covers.

The first edition appeared in 1843, and the collection was again issued in 1910.

Théodore Roland de Bussy (1810–1873) pursued an administrative career in the colony, rising to the post of conseiller de préfecture, and was highly active in the field of language studies, publishing some ten bilingual lexicons, including the celebrated Idiome d'Alger (1838), likewise reissued on numerous occasions. See Gaudin (François); Mahtout (Mahfoud): Histoire culturelle et...

First edition, printed in a small number of copies, of this offprint from the Bulletins de la Société d'antropologie, volume IV, 2nd series, for the year 1869.

According to the CCFr, copies are held only at the BnF and in Arles.

The work discusses the transformist hypothesis. A native of the Upper Palatinate, Franz Ignaz Pruner (1808-1882), known as Pruner-Bey following his years in Egypt, returned to Europe in 1860 and settled in Paris, where he devoted himself to anthropological studies.

A few small losses to the corners of the spine and wrappers, with occasional minor foxing.

First edition, printed in a small number of copies, of this offprint from the Revue des deux mondes, issue of 15 September 1858. 

Printed colportage stamp on the half-title, a few small spots of foxing.

Our copy is preserved in its original state, stitched in temporary pink paper wrappers, with a few pale stains at the foot of the rear wrapper.

One of the contributions made by the liberal journalist Prévost-Paradol (1829-1870) to the moderate opposition to the Second Empire: beginning with a comparison between France and Great Britain, he highlights the limited freedom of action enjoyed by believers under France's Concordat system. 

At the head of the...

First edition (cf. Wellcome, II, 340).

Our copy is preserved in its original sewn state, in provisional cream paper wrappers.

Signed presentation inscription from Charles-Irénée Jacquin to his colleague Dr Long, physician at Die.

Accompanied by a dated autograph letter signed by Charles-Irénée Jacquin, one page written on both sides, discussing his work and thanking his correspondent for the advice he had given him in the preparation of the present volume.

Rare first edition.

Publisher's brown half cloth over flexible green boards, endpapers and following leaves browned, title printed on the front board.

A second fascicle, devoted to the Dytiscidae and Gyrinidae, appeared in 1852. 

A pharmacist practising in Metz, Jean-Baptiste Géhin (1816-1889) was also an amateur entomologist. He was the first to describe several insect species from the Moselle region, including Temognatha cehvrolatii in 1855 and Sitodiplosis Mosellana in 1857.

Autograph presentation inscription by Jean-Baptiste Géhin at the head of the front board.

Provenance: from the library of the entomologist Henri Achard de...

Rare first edition (cf. Sabin, 24009. Ryckebusch, 3167.)

Our copy is presented in wrappers, preserved in a modern marbled paper chemise, with a printed title label mounted on the upper cover.

Red ink stamps on certain leaves.

Staining and dampmarking to the first and last pages.

For the pastor de Félice (1803-1871), there exist "three very distinct classes of abolitionists: apparent abolitionists, the temporisers, and those who are called pure abolitionists", a category in which he places himself.

In correspondence with Schoelcher and Bissette, whose efforts he supports, Guillaume de Felice advocates an "immediate and complete" abolition and criticises...

First edition illustrated with 105 engravings, a heliogravure portrait frontispiece with tissue guard, as well as 2 folding maps at the end of the volume.

Publisher's bottle-green full cloth Bradel binding, smooth spine, upper cover decoratively blocked, bevelled boards, top edge gilt, marbled endpapers and pastedowns, corners lightly rubbed.

A Geneva-born geographer, Alfred Bertrand (1856-1924) undertook numerous journeys for ethnographic purposes as well as missionary work; a fervent Calvinist, he sought not only the conversion of indigenous peoples but also a deeper understanding of their customs, and the destinations of his expeditions were largely determined by the...

Very rare first edition.

According to the CCFr, copies are recorded only in Dijon and Nîmes.

Our copy is offered disbound, with a few foxing spots and a small wormhole in the left margin of all leaves, not affecting the text.

Having observed that the water supplied to Dijon was unwholesome, the author argues that the waters of the River Ouche, being of good quality, could be used for consumption.

Jean Fournier, doctor of the University of Montpellier, was successively salaried physician to the city of Dijon, physician to the Estates of Burgundy, and naval physician in the ports of Brest and Lorient.

First edition, one of the rare copies printed on Japan paper, with no mention of such.

Illustrated with a portrait frontispiece and 15 full-page illustrations within the text.

Contemporary half red shagreen binding with corners, spine in five compartments ruled in black, marbled paper boards, black stains at the foot of the upper cover, marbled endpapers, top edge gilt.

Minor rubbing and small losses to the spine, a few light foxing marks. 

Written by one of the defenders of the citadel of Bitche during the Franco-Prussian War, this account constitutes a tribute to Colonel Louis-Casimir Teyssier (1821–1916), who managed to hold the stronghold for seven months...

First edition, illustrated with 11 photographic prints measuring 9 x 15 cm, mounted on heavy paper and hinged on stubs. 

S.l., s.d. [circa 1890], oblong 12mo (12 x 19 cm), 

Publisher's full green percaline binding, smooth unlettered spine, gilt and blind-tooled fillet borders on the covers, title stamped in gilt on the upper cover, a few stains to the covers, grey-blue paper pastedowns and endpapers.

A photographer active in Nice from the late 1860s to around 1883, Jean Walburg de Bray (1839-1901) subsequently moved to Cannes, where he remained until the early 1890s. His assistant Jean Gilletta (1856-1933) succeeded him in Nice and reissued part of the stock under his...

First edition (cf. Quérard I, 152, which incorrectly gives the date as 1824).

Our copy is preserved in its original beige printed wrappers, with the title label pasted to the spine.

Tears and corner losses to the wrappers, a few scattered foxing spots.

Born in Béthune (Pas-de-Calais) in 1777 and deceased in Margency (Val-d'Oise) in 1824, Chevalier Bail began a military career before turning his attention to the moral and political sciences.

This work was entered for the prize awarded by the Académie des Inscriptions et Belles-Lettres in 1823.

First edition, one of 100 copies numbered on pur fil du Marais, the deluxe issue.
A handsome copy, despite a few insignificant foxing spots at the head of the upper cover.

In 1955, the book was splendidly adapted for the screen by Jean Delannoy, starring Jean Gabin, Robert Dalban, Serge Lecointe, Anne Doat and Jimmy Urbain.

First edition on ordinary paper.

A fold mark at the foot of the lower cover, otherwise a well-preserved copy.

With a fine signed autograph inscription by Tristan Bernard: "A Charles Cuvillier cette oeuvre capitale qui absorba quinze ans de ma vie. Bien affectueusement Tristan Bernard."

Photographic postcard depicting Jean-Paul Belmondo with sunglasses and a cigarillo between his teeth.
Handsome copy.
Autograph inscription signed by Jean-Paul Belmondo in the lower margin of the photograph: "Pour Claude JP Belmondo".
Provenance: from the collection of the great autograph collector Claude Armand.

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