Budget-Friendly Gifts

New edition, with no deluxe copies printed.

A very good copy.
Henry de Monfreid's handwritten signature on the half-title.

First edition, one of 50 numbered copies on pur fil wove paper, the deluxe issue.

A fine copy.

Introduction and notes by Pierre Caizergues.

First edition of the French translation, one of 28 numbered copies on Arches wove paper, the only deluxe copies.

Fine copy.

Rare first edition.

Publisher's brown half cloth over flexible green boards, endpapers and following leaves browned, title printed on the front board.

A second fascicle, devoted to the Dytiscidae and Gyrinidae, appeared in 1852. 

A pharmacist practising in Metz, Jean-Baptiste Géhin (1816-1889) was also an amateur entomologist. He was the first to describe several insect species from the Moselle region, including Temognatha cehvrolatii in 1855 and Sitodiplosis Mosellana in 1857.

Autograph presentation inscription by Jean-Baptiste Géhin at the head of the front board.

Provenance: from the library of the entomologist Henri Achard de...

First edition, one of 280 numbered copies on mould-made wove paper, this copy one of 30 hors commerce copies in special wrappers reserved for the 30 private subscribers to all of Paul Valéry's works.

Fine copy.

Decorated with typographical ornaments by René Ben Sussan.*

Precious signed autograph presentation inscription from Paul Valéry to his friend, the bookseller, publisher and bibliophile Ronald Davis: "à Ronald Davis pour sa collection et avec les bons souvenirs de Paul Valéry."

First edition of Marthe Robert's French translation, one of 106 numbered copies on pur fil paper, the only large-paper issue.

Spine and boards slightly and marginally faded, as usual.

First edition, one of the review copies.

A very good copy.

Signed presentation inscription from Jean Cocteau to Claude Aveline: "... ce très long métrage et cet oiseau de nuit de tout coeur...

First public edition, one of 238 numbered copies on Arches paper, the only issue after 6 copies on Japon and 6 on blue paper.

Spine and boards slightly and marginally faded, as usual.

Fine signed presentation inscription from Paul Valéry to his friend, the bookseller, publisher and bibliophile Ronald Davis: "Exemplaire de Ronald Davis offert par l'auteur Paul Valéry."

First edition of Alexandre Vialatte's French translation, one of 205 numbered copies on pur fil paper, the deluxe issue.

Spine and boards slightly and marginally faded, as usual.

First edition, on ordinary paper, of Philippe Jaccottet's French translation.

Very slight, insignificant rubbing to the joints.

A fine copy of this work, which was adapted for the screen by Volker Schlöndorff in 1966.

First collected edition, one of the press copies.

A very good copy.

Signed presentation copy from Paul Claudel to Luc Estang.

First edition of the French translation, one of 10 numbered copies on Japanese paper, the deluxe issue.

Rare and fine copy, with full margins.

Autograph inscription signed by Joseph Kessel and addressed to the Geneva autograph collector Claude Arnaud, on a loose leaf.

Fold mark from having been enclosed in an envelope.

First edition, one of the press copies.

Important signed autograph inscription from Marcel Jouhandeau to André Malraux: "Pour André Malraux avec mon souvenir affectueux. Marcel Jouhandeau."

Second edition, enlarged with the passages suppressed from the original edition of 1851.

Illustrated with a frontispiece portrait of the authors engraved by A. Descaves.

Contemporary red half shagreen, spine slightly faded, with five raised bands and black fillets, marbled-paper boards, upper board slightly and marginally faded along the left edge, marbled endpapers and pastedowns, original wrappers preserved and mounted.

Signed presentation copy from Edmond de Goncourt to the journalist and writer Louis Ulbach.

First edition, printed in a small number of copies, of this offprint from the Revue des deux mondes, issue of 15 September 1858. 

Printed colportage stamp on the half-title, a few small spots of foxing.

Our copy is preserved in its original state, stitched in temporary pink paper wrappers, with a few pale stains at the foot of the rear wrapper.

One of the contributions made by the liberal journalist Prévost-Paradol (1829-1870) to the moderate opposition to the Second Empire: beginning with a comparison between France and Great Britain, he highlights the limited freedom of action enjoyed by believers under France's Concordat system. 

At the head of the...

First edition, with no deluxe copies issued.

A vertical crease to the front wrapper.

Signed presentation inscription from Paul Ricoeur to Jean-Luc Drouin.

First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy No. 1, the only deluxe issue.
A fine copy despite two yellow scratches to the right-hand margin of the rear cover.

First edition, with no deluxe copies issued.

A fine copy, complete with the publisher's promotional wraparound band.

Signed presentation inscription by Virginie Despentes on the title page.

First edition of the French translation, one of 41 numbered copies on pur fil paper, the sole large-paper issue.

Spine and boards slightly and marginally faded, as often; two small spots of foxing in the left margin of the front board.

First edition, one of 30 numbered copies on Imperial Japanese paper, the deluxe issue.

A fine copy.

First edition, one of 35 numbered copies on Madagascar paper, the deluxe issue.

A rare and fine copy, with full margins.

First collected edition, one of the numbered copies on alfa paper.

An attractive copy.

Signed autograph presentation inscription by Jean Cocteau on the half-title.

First edition, one of 210 numbered copies on Lafuma Madagascar paper, this copy unnumbered.

A fine copy.

Fine presentation copy, warmly inscribed and signed by Paul Valéry to his friend Ronald Davis, bookseller, publisher and bibliophile: "A Ronald Davis, échange, selon le Magicien d'Aladin, d'une vieille lampe contre une neuve ! Paul Valéry."

Amusing autograph letter signed and addressed to Thierry Maulnier, some twenty lines in blue ink written on a sealed letter, celebrating his election to the Académie française on 13 February 1964, the day before this letter was written.

The address, the recipient's name and the sender's name are cast in the form of a quatrain :

"A Thierry l'Immortel

 Dont Jacques est l'origine

 Ce billet temporel

 Afin qu'un oeil devine : au figaro rond-point des Champs-Elysées Paris."

Jacques Audiberti congratulates his friend : "... moi l'un de tes plus anciens...

Typed letter dated 16 September 1971 and signed by Joseph Kessel, responding favourably to a request from the Geneva autograph collector Claude Arnaud.

"Monsieur, je vous remercie de votre lettre, et c'est avec plaisir que je vous adresse cette signature."

Accompanied by the original typed envelope.

First edition of the French translation, one of 25 numbered copies on alfa paper, the only deluxe issue.

Faint, light foxing to spine, rear wrapper and final endpaper, otherwise a pleasant copy.

First edition, comprising only the introductory sections, without the translation itself, which required considerable labour on Biot's part, the text being renowned for its extreme obscurity.

Some foxing.

The Zhouli (Rites of Zhou) was known until the Tang dynasty as the Zhouguan (Offices of Zhou), since it is in fact a list of official functions divided into six categories, which later inspired the six ministries of the imperial administration.

The engineer Édouard-Constant Biot (1803-1850), son of the mathematician Jean-Baptiste Biot, was also a pupil of Stanislas Julien and rapidly became an outstanding sinologist, whose work remains in use to this day.

Rare first edition, printed in a small number of copies and illustrated with 3 plates, including 2 folding colour maps.
A very good copy despite some minor foxing to the wrappers and a vertical crease to the front wrapper.

The text presents the conclusions reached by the naturalist William Carpenter (1813-1885) following the deep-sea exploration carried out off the north of Ireland from 1868 to 1870 alongside Sir Charles Wyville Thomson (1830–1882). 

Copy belonging to the biologist Jean-Louis-Armand Quatrefages de Bréau (1810-1892), with his ink stamp in the upper right-hand corner of the title page.

First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy numbered 1, the entire deluxe issue.
A fine copy.

First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First edition on ordinary paper.

A pleasing copy, with only a few insignificant spots at the foot of the spine.

Warm presentation copy signed by Jean Echenoz to his friend, the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’s cinema: "Pour mon cher Jérôme avec ma vive affection, Jean. 2.VI.10"

First edition printed on ordinary paper.

A pleasing copy.

Affectionate signed presentation inscription from Jean Echenoz to his friend, the writer, screenwriter and filmmaker Jérôme Beaujour, also a specialist of Marguerite Duras’s cinema: "Pour Jérôme je t'embrasse, Jean. 6.XI.15"

First edition on ordinary paper.

A pleasing copy.

Fine signed presentation inscription from Jean Echenoz to the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’ cinema: "Pour Jérôme (qui m'a donné quelque chose p.109 à Pondichéry) et pour Elisabeth avec toute mon affection, Jean."

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

Second edition.

Half black sheep binding, smooth spine decorated with broad gilt fillets and dotted tooling, marbled paper boards, marbled endpapers and pastedowns, lightly rubbed corners, sprinkled edges, contemporary binding.

A few minor spots.

Scarce.

First edition, one of 40 numbered copies on Ingres paper, deluxe issue.

A fine copy.

First edition, one of 120 copies printed on pure laid paper.

Pleasant copy with wide margins throughout.

New edition.

A handsome copy.

Signed presentation inscription from Albert Cossery to a friend: "Pour Jean-Pierre à qui je souhaite une vie de miel. Albert Cossery."

New edition.

Pleasing copy.

Fine signed autograph inscription from Albert Cossery to a friend: "Pour Jean-Pierre que Dieu le garde des imbéciles. Albert Cossery."

First edition, of which no deluxe copies were printed.
Pleasing copy.
Inscribed and signed by Valéry Giscard d'Estaing to Michel and Suzanne Blanvart.
 

First edition, no deluxe copies printed.

A pleasant copy.

Inscribed and signed by Yves Coppens to Emile Noël.

First edition, with no copies printed on deluxe paper.

Minor spots to the covers, not affecting the condition.

Inscribed and signed by Georges Didi-Huberman to a friend named Annick.

First edition, review copy.

Nice copy.
Signed autograph Andre Suares Georges Le Cardonnel: "... that should all read & do not think less ..."

First edition, one of 40 numbered copies on Lana wove paper, the only deluxe paper issue.

A handsome copy.

First edition on ordinary paper.

Bradel binding in half grey percaline, smooth spine decorated with a central gilt ornament, gilt double fillet and date at foot, brown shagreen title-piece, cat's-eye patterned paper boards, blue paper endpapers and pastedowns, contemporary binding.

Precious signed autograph inscription from Jean Richepin to Léon Deschamps.

First edition, of which no copies were issued on deluxe paper.

Illustrated, complete with the two folding maps at the end of the volume.

Inscribed by René Grousset: "A monsieur Benoist-Méchin en témoignage de profonde reconnaissance" and additionally signed by Geneviève Grousset.

Accompanied by a one-page autograph letter signed by René Grousset to Jacques Benoist-Méchin, in which he thanks him for his interventions on behalf of his son-in-law and daughter, whom he saved.

First edition, one of 100 numbered copies on Holland paper.

Some minor foxing, two tears and slight losses to the spine.

Paul Léautaud’s handwritten signature beneath the colophon.

Partly original edition, with no mention of a deluxe paper issue.

Half black shagreen binding, spine with five raised bands tooled with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges, contemporary binding.

Pleasant copy.

First edition, one of 30 numbered copies on alfa vellum, the only copies on deluxe paper.

Slight sunning at the foot of the spine.

A handsome copy.

First edition, one of 30 numbered copies on alfa vellum, ours being No. 1, the only copies on deluxe paper.

Rare and handsome copy.

First edition, one of 13 numbered copies on pure rag Rives vellum, the tête-de-tirage.

Rare and handsome copy.

Partly original edition, entirely revised.

Some foxing.

Rare copy preserved in its original wrappers.

First edition, one of 265 numbered copies on alfa paper.

A handsome copy, notwithstanding a small marginal tear to the lower cover.

First edition published under the pseudonym Cévennes and completed under oppression in Paris on August 1, 1944.

Pleasant copy.

First edition on ordinary paper, with the correct colophon dated 26 February 1926.

A pleasant copy.

First edition illustrated with original photographs by Robert Doisneau, Marcel Arthaud, Pierre Jahan, Jean Roubier, Pierre Roughol, René Zuber, and Suzanne Laroche.

Publisher’s binding in full tricolour boards, smooth spine without lettering, slightly faded, upper cover decorated with a celebrated photograph by Robert Doisneau, minor spotting to the boards.

A pleasing copy.

First edition, printed in a small number of copies, of this offprint from the April 1958 issue of Critique.

Minor tears at head and tail of spine.

Rare and appealing copy.

First edition, one of 20 numbered copies on alfa, the only deluxe issue.

Illustrations.

A few very light, insignificant spots of foxing.

A handsome copy, complete with its illustrated dust jacket.

First edition, of which no copies were issued on deluxe paper.

Publisher’s binding in full black cloth, smooth spine, a fine copy complete with its illustrated dust jacket.

Illustrations.

Inscribed and signed by Pierre Jakez Hélias to friends named Fanny and André.

First edition, one of 160 numbered copies on pur fil, the only deluxe paper issue.

Half red shagreen binding with corners, spine with four raised bands framed by black fillets, gilt date at foot, boards covered in moiré-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an attractive binding.

First edition illustrated with a large folding map of Algeria outside the text, together with a portrait frontispiece.

Gay 938: "le fait capital du volume est la prise de Constantine."

Pleasing copy.

First edition, no copies printed on deluxe paper.
Illustrated, a pleasant copy

Precious and very fine autograph inscription, dated and signed by Samuel Mbajum: "Paris, 30 June 2014, au ministre Bernard Kouchner, avec ma sympathie pour votre combat humanitaire, en espérant que vous m'aiderez à plaider le plus largement possible la cause de ces oubliés de l'histoire franco-africaine, et aussi des débats sur la commémoration de la Grande Guerre."

First edition, one of 40 numbered copies, the only copies printed on deluxe paper.

A handsome and scarce copy.

Illustrated with full-page color drawings by André François.

Pencil signature by Vincent Pachès at the colophon.

First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine and covers slightly and marginally faded, a pleasant copy.

First collected edition, one of 25 copies printed on Japan paper, the deluxe issue.

Contemporary brown half shagreen binding with corners, spine with five raised bands ruled with gilt dotted lines, adorned with double gilt compartments and decorative motifs, moiré paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

A handsome copy in an attractive period binding.

First edition, one of 800 numbered copies on Montgolfier paper.

Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.

Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.

Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.

A handsome copy in an attractive binding.

First edition of this issue entirely devoted to Guillaume Apollinaire.
With numerous contributions including those by Guillaume Apollinaire, Tristan Tzara, Pierre Albert-Birot, Paul Dermée, André Salmon, and Roche Grey. Iconography, illustrations, facsimiles; a complete copy including the portrait of Guillaume Apollinaire by Marcoussis.
Two small tears at the head and foot of the spine, a well-preserved copy.

Front cover illustrated with a portrait of Guillaume Apollinaire by Pablo Picasso.

First trade edition, issued after just 50 deluxe copies.

A pleasant copy illustrated with drawings by the author.

First edition, illustrated with drawings by the author.

Minor foxing to the upper cover, slight creasing to the upper outer corners of the final leaves.

A survey of various aerial navigation devices, their construction, the history of aviation, microlights, gliders, flying bicycles, and toy airplanes.

A rare work by Henry de Graffigny, who inspired the character of Roger-Marin Courtial des Pereires—an eccentric genius inventor—in *Mort à Crédit* by Louis-Ferdinand Céline.

First edition, one of 1,000 copies on Hollande paper, the only printing along with 50 on Japan paper.
Frontispiece portrait of Paul Verlaine by Philippe Zilcken.
Spine slightly sunned, upper cover with minor marginal toning, otherwise a well-preserved copy.

First edition, with no deluxe copies printed on fine paper.

Bradel binding in grey cloth-backed boards, flat spine with gilt central ornament and double gilt fillet at foot, red morocco title label with some rubbing, marbled paper-covered boards, grey paper endpapers and pastedowns.

Some occasional foxing, contemporary gift inscription on the title page.

Text preceded by three facsimile letters by Jules Vallès.

Preface by Julien Lemer.

First edition, with no deluxe copies printed.
Publisher's full illustrated boards.
Illustrated with drawings by André François.
Joints slightly rubbed and darkened at head and foot, as often; discreet blue ballpoint pen note at the top of the lower cover; a pleasant copy.