Budget-Friendly Gifts

First edition, for which no copies were issued on deluxe paper, this being one of the publisher’s review copies.

A small tear at the head of the upper cover, a crease at the foot of the lower.

A pleasing copy, complete with its promotional band.

Dated and signed autograph inscription by René Depestre to the writer Christiane Baroche.

First edition, with no copies printed on deluxe paper.

A very good copy.

Inscribed by Maurice Druon to a friend named Henri: "... pour les souvenirs d'une année de travail qui devint une année d'amitié."

First edition.

Our copy is preserved in its original plain pink paper waiting wrappers.

Ink annotations to the front cover, a few short tears; internally a clean and agreeable copy.

As it was never ratified, this concordat never came into effect, and France therefore remained under the regime of the Concordat of 1801 until the Law on the Separation of Church and State in 1905.

First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First edition printed on alfa wove paper.

A fine copy.

Inscribed and signed by Jacques Perret to Charles Linder, the presentation augmented with a small drawing depicting a ballot box topped with a tricolour flag.

First edition of the French translation, one of 80 numbered copies on alfa paper issued in a special "du monde entier" wrapper, the only deluxe copies together with 35 on pur fil.

A handsome copy.

First edition on ordinary paper.

A pleasing copy, with only a few insignificant spots at the foot of the spine.

Warm presentation copy signed by Jean Echenoz to his friend, the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’s cinema: "Pour mon cher Jérôme avec ma vive affection, Jean. 2.VI.10"

First edition printed on ordinary paper.

A pleasing copy.

Affectionate signed presentation inscription from Jean Echenoz to his friend, the writer, screenwriter and filmmaker Jérôme Beaujour, also a specialist of Marguerite Duras’s cinema: "Pour Jérôme je t'embrasse, Jean. 6.XI.15"

First edition on ordinary paper.

A pleasing copy.

Fine signed presentation inscription from Jean Echenoz to the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’ cinema: "Pour Jérôme (qui m'a donné quelque chose p.109 à Pondichéry) et pour Elisabeth avec toute mon affection, Jean."

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

Second edition.

Half black sheep binding, smooth spine decorated with broad gilt fillets and dotted tooling, marbled paper boards, marbled endpapers and pastedowns, lightly rubbed corners, sprinkled edges, contemporary binding.

A few minor spots.

Scarce.

First edition, one of 40 numbered copies on Ingres paper, deluxe issue.

A fine copy.

First edition of the French translation by Georges Sautreau, review copy punch on the lower cover.

Spine slightly sunned, otherwise a pleasant copy.

Signed autograph inscription by Georges Sautreau, in Norwegian, to the philologist and literary historian Gunnar Fougner Høst, wishing him a joyful winter solstice: "Til Gunnar Høst glaedelig Jul Georges Sautreau Paris Nöel 1932;"

First edition, one of 120 copies printed on pure laid paper.

Pleasant copy with wide margins throughout.

New edition.

A handsome copy.

Signed presentation inscription from Albert Cossery to a friend: "Pour Jean-Pierre à qui je souhaite une vie de miel. Albert Cossery."

New edition.

Pleasing copy.

Fine signed autograph inscription from Albert Cossery to a friend: "Pour Jean-Pierre que Dieu le garde des imbéciles. Albert Cossery."

First edition, of which no deluxe copies were printed.
Pleasing copy.
Inscribed and signed by Valéry Giscard d'Estaing to Michel and Suzanne Blanvart.
 

First edition, no deluxe copies printed.

A pleasant copy.

Inscribed and signed by Yves Coppens to Emile Noël.

First edition, with no copies printed on deluxe paper.

Minor spots to the covers, not affecting the condition.

Inscribed and signed by Georges Didi-Huberman to a friend named Annick.

First edition, review copy.

Nice copy.
Signed autograph Andre Suares Georges Le Cardonnel: "... that should all read & do not think less ..."

First edition, one of 40 numbered copies on Lana wove paper, the only deluxe paper issue.

A handsome copy.

First French edition, no deluxe paper copies issued.

Minor, insignificant spotting to the edges.

A handsome copy.

First edition on ordinary paper.

Bradel binding in half grey percaline, smooth spine decorated with a central gilt ornament, gilt double fillet and date at foot, brown shagreen title-piece, cat's-eye patterned paper boards, blue paper endpapers and pastedowns, contemporary binding.

Precious signed autograph inscription from Jean Richepin to Léon Deschamps.

First edition, of which no copies were issued on deluxe paper.

Illustrated, complete with the two folding maps at the end of the volume.

Inscribed by René Grousset: "A monsieur Benoist-Méchin en témoignage de profonde reconnaissance" and additionally signed by Geneviève Grousset.

Accompanied by a one-page autograph letter signed by René Grousset to Jacques Benoist-Méchin, in which he thanks him for his interventions on behalf of his son-in-law and daughter, whom he saved.

First edition, one of 100 numbered copies on Holland paper.

Some minor foxing, two tears and slight losses to the spine.

Paul Léautaud’s handwritten signature beneath the colophon.

Partly original edition, with no mention of a deluxe paper issue.

Half black shagreen binding, spine with five raised bands tooled with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges, contemporary binding.

Pleasant copy.

First edition, one of 30 numbered copies on alfa vellum, the only copies on deluxe paper.

Slight sunning at the foot of the spine.

A handsome copy.

First edition, one of 30 numbered copies on alfa vellum, ours being No. 1, the only copies on deluxe paper.

Rare and handsome copy.

First edition, one of 13 numbered copies on pure rag Rives vellum, the tête-de-tirage.

Rare and handsome copy.

Partly original edition, entirely revised.

Some foxing.

Rare copy preserved in its original wrappers.

First edition, one of 265 numbered copies on alfa paper.

A handsome copy, notwithstanding a small marginal tear to the lower cover.

First edition published under the pseudonym Cévennes and completed under oppression in Paris on August 1, 1944.

Pleasant copy.

First edition on ordinary paper, with the correct colophon dated 26 February 1926.

A pleasant copy.

First edition illustrated with original photographs by Robert Doisneau, Marcel Arthaud, Pierre Jahan, Jean Roubier, Pierre Roughol, René Zuber, and Suzanne Laroche.

Publisher’s binding in full tricolour boards, smooth spine without lettering, slightly faded, upper cover decorated with a celebrated photograph by Robert Doisneau, minor spotting to the boards.

A pleasing copy.

First edition, printed in a small number of copies, of this offprint from the April 1958 issue of Critique.

Minor tears at head and tail of spine.

Rare and appealing copy.

First edition, one of 20 numbered copies on alfa, the only deluxe issue.

Illustrations.

A few very light, insignificant spots of foxing.

A handsome copy, complete with its illustrated dust jacket.

First edition, of which no copies were issued on deluxe paper.

Publisher’s binding in full black cloth, smooth spine, a fine copy complete with its illustrated dust jacket.

Illustrations.

Inscribed and signed by Pierre Jakez Hélias to friends named Fanny and André.

First edition, one of 160 numbered copies on pur fil, the only deluxe paper issue.

Half red shagreen binding with corners, spine with four raised bands framed by black fillets, gilt date at foot, boards covered in moiré-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an attractive binding.

First edition illustrated with a large folding map of Algeria outside the text, together with a portrait frontispiece.

Gay 938: "le fait capital du volume est la prise de Constantine."

Pleasing copy.

First edition, no copies printed on deluxe paper.
Illustrated, a pleasant copy

Precious and very fine autograph inscription, dated and signed by Samuel Mbajum: "Paris, 30 June 2014, au ministre Bernard Kouchner, avec ma sympathie pour votre combat humanitaire, en espérant que vous m'aiderez à plaider le plus largement possible la cause de ces oubliés de l'histoire franco-africaine, et aussi des débats sur la commémoration de la Grande Guerre."

First edition, one of 40 numbered copies, the only copies printed on deluxe paper.

A handsome and scarce copy.

Illustrated with full-page color drawings by André François.

Pencil signature by Vincent Pachès at the colophon.

First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine and covers slightly and marginally faded, a pleasant copy.

First collected edition, one of 25 copies printed on Japan paper, the deluxe issue.

Contemporary brown half shagreen binding with corners, spine with five raised bands ruled with gilt dotted lines, adorned with double gilt compartments and decorative motifs, moiré paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

A handsome copy in an attractive period binding.

First edition, one of 800 numbered copies on Montgolfier paper.

Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.

Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.

Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.

A handsome copy in an attractive binding.

First edition of this issue entirely devoted to Guillaume Apollinaire.
With numerous contributions including those by Guillaume Apollinaire, Tristan Tzara, Pierre Albert-Birot, Paul Dermée, André Salmon, and Roche Grey. Iconography, illustrations, facsimiles; a complete copy including the portrait of Guillaume Apollinaire by Marcoussis.
Two small tears at the head and foot of the spine, a well-preserved copy.

Front cover illustrated with a portrait of Guillaume Apollinaire by Pablo Picasso.

First trade edition, issued after just 50 deluxe copies.

A pleasant copy illustrated with drawings by the author.

First edition, illustrated with drawings by the author.

Minor foxing to the upper cover, slight creasing to the upper outer corners of the final leaves.

A survey of various aerial navigation devices, their construction, the history of aviation, microlights, gliders, flying bicycles, and toy airplanes.

A rare work by Henry de Graffigny, who inspired the character of Roger-Marin Courtial des Pereires—an eccentric genius inventor—in *Mort à Crédit* by Louis-Ferdinand Céline.

First edition, one of 1,000 copies on Hollande paper, the only printing along with 50 on Japan paper.
Frontispiece portrait of Paul Verlaine by Philippe Zilcken.
Spine slightly sunned, upper cover with minor marginal toning, otherwise a well-preserved copy.

First edition, with no deluxe copies printed on fine paper.

Bradel binding in grey cloth-backed boards, flat spine with gilt central ornament and double gilt fillet at foot, red morocco title label with some rubbing, marbled paper-covered boards, grey paper endpapers and pastedowns.

Some occasional foxing, contemporary gift inscription on the title page.

Text preceded by three facsimile letters by Jules Vallès.

Preface by Julien Lemer.

First edition, with no deluxe copies printed.
Publisher's full illustrated boards.
Illustrated with drawings by André François.
Joints slightly rubbed and darkened at head and foot, as often; discreet blue ballpoint pen note at the top of the lower cover; a pleasant copy.

First edition, with no deluxe copies printed.

Publisher's full blue cloth binding, smooth spine, copy complete with its photographic dust jacket, showing minor tears at the head and tail of the spine without loss.

Text by Françoise Dolto, photographs by Alecio de Andrade.

Inscribed and signed by Françoise Dolto and Alecio de Andrade on the front free endpaper.

First edition, of which no copies were printed on deluxe paper.

A handsome copy, despite a very slight nick at the foot of the spine.

First edition, one of 50 copies on deluxe paper, the only copies printed on large paper.
Fine copy.

First edition, one of 25 numbered copies on Vélin du Marais, the only copies printed on deluxe paper.

A fine and rare copy.

First edition, one of 55 numbered copies printed on Lafuma-Navarre laid paper, the only deluxe copies.

A light halo stain to the upper edges of the front endpaper and half-title, otherwise a pleasing copy.

First edition, one of 35 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome copy, despite slight and marginal fading to the spine and covers.

First edition, one of 25 numbered copies on pure wove paper, the only deluxe copies.

First endpaper slightly and partially toned, without consequence.

A handsome copy with full margins.

First edition, one of 220 numbered copies on pure rag paper, the only deluxe issue.
Fine copy.

First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.

A fine copy with wide margins.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition of this text dedicated to Jean-Paul Sartre, one of the 43 numbered copies on pure rag paper, the only large paper copies.
Beautiful copy.

First edition, one of 30 numbered copies on pure rag vellum, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Bound in red half shagreen with corners, spine with four raised bands framed by blind fillets, sides covered in gilt-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses.
A handsome copy in an attractive binding.

First edition, one of 15 copies printed on pure Arches wove paper, the deluxe issue.

A fine copy of this work dedicated by Paul Vialar to the President of Côte d'Ivoire, Félix Houphouët-Boigny.

First edition, one of 29 numbered copies on alfa paper, the only deluxe copies.

A fine and rare example.

Rare first edition of the French translation, with no copies printed on deluxe paper.

Spine slightly sunned, a vertical shadow on the lower cover, internally clean and attractive.

First edition, one of 80 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome and rare copy.

First edition, one of the copies printed on pur fil paper, the only deluxe issue.

Illustrated.

A handsome copy.