A selection of precious, original and rare books for a unique and affordable gift!
First edition, one of 135 copies printed on pure rag Arches paper, the deluxe issue.
A handsome copy.
First edition, one of 165 numbered copies on pur fil d'Arches, deluxe issue.
A fine copy.
First edition, one of 55 numbered copies on pur fil d'Arches, the deluxe issue.
A handsome copy.
Inscribed and signed by Roger Peyrefitte to Monsieur Gorrée, with a dated autograph dedication.
First edition, one of 20 numbered copies on alfa paper, the only copies printed on deluxe paper.
Contemporary half red shagreen binding with corners, spine with four raised bands ruled in black, gilt date at foot, gilt-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt; an attractive unsigned binding.
A handsome and rare copy, finely bound.
First edition, one of 315 numbered copies on Arches wove paper, the deluxe issue.
A fine copy with full margins.
First edition, one of 45 copies on Vergé de Voiron, the only copies printed on deluxe paper.
Very handsome copy.
First edition, one of 135 numbered copies on pure wove paper, the only deluxe copies.
A handsome copy.
Signed autograph note by José Cabanis on the half-title.
First edition, one of 35 numbered copies on Neige vellum, the only deluxe copies.
Handsome copy.
First edition, one of 60 numbered copies on alfa paper, the only deluxe copies after 28 on pur fil.
A handsome copy.
First edition, one of 40 numbered copies on pur fil paper, the only deluxe copies.
A fine copy.
First edition of the French translation, one of 210 numbered copies on pur fil, the only deluxe copies issued.
A handsome copy, despite the boards being very slightly and marginally faded, as often.
First edition, one of the numbered copies on alfa paper, the only deluxe issue.
A rare and attractive copy.
Preface by Jean de La Varende.
First edition, one of 30 numbered copies on Lana wove paper, a deluxe issue.
Handsome copy, untrimmed, despite some occasional foxing to the deckle edges.
First edition, one of 100 copies numbered on Renage wove paper, the only deluxe issue.
Bound in burgundy half shagreen with corners, spine with four raised bands ruled in black, date gilt-stamped at foot, marbled paper boards, marbled endpapers, gilt top edge.
A handsome copy in an attractive binding.
First edition, one of 137 numbered copies on pure vellum paper, a deluxe issue following 80 copies on Montval paper.
A handsome copy.
First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.
A handsome copy.
First edition, with no copies issued on deluxe paper.
Two unobtrusive creases to the front cover, a well-preserved copy.
Illustrated content.
Original vintage photograph, signed and dated by Jeanne Moreau, showing her alongside Raymond Pellegrin during the filming of "Les hommes en blanc" as part of the Caméra du lundi series.
Black and white vintage print, with printed stamp and notations on the verso.
Manuscript signature by Jeanne Moreau, dated, at the foot of the image.
First edition, one of 330 numbered copies on alfa paper.
Pleasant copy.
First edition, with no copies printed on deluxe paper.
A pleasing copy.
Signed autograph inscription from Yves Coppens to Emile Noël.
First edition on regular paper.
Pleasant copy.
Inscribed and signed by Jean d'Ormesson to Jacqueline Rendoing.
First edition, with no copies printed on deluxe paper.
A pleasant copy despite two small creases at the foot of the front cover.
Inscribed and signed by Jean Favier to the Belgian literary critic Pol Vandromme.
First edition on ordinary paper.
Pleasant copy despite some minor foxing to the edges, publisher's wraparound band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme: "Bon noël ! cher Pol Vandromme, Bonne année ! et beaucoup d'amitiés de Jean d'Ormesson"
First edition on ordinary paper.
A handsome copy despite a few tiny spots on the front cover, with the promotional band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme : "... les baisers les plus affectueux de Casimir et l'amitié reconnaissante de J.O."
New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.
First edition on ordinary paper.
A fold mark at the foot of the lower cover, otherwise a well-preserved copy.
With a fine signed autograph inscription by Tristan Bernard: "A Charles Cuvillier cette oeuvre capitale qui absorba quinze ans de ma vie. Bien affectueusement Tristan Bernard."
Autograph envelope addressed by André Breton to his friend Géo Dupin, curator of the La Cour d'Ingres art gallery at 17 quai Voltaire, from whom the Pope of Surrealism acquired several paintings.
The address is written in black ink (some letters slightly smudged).
A well-preserved example.
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