Animals

First edition and the inaugural volumes of this significant scientific periodical, whose publication continued until 1954.

Volumes 43, 4, 5, and 6 are illustrated with respectively 332 in-text figures, 392 figures, 138 in-text figures, and 179 in-text figures.

Contemporary half-sheep bindings in brown, smooth spines decorated with gilt fillets and garlands, spines rubbed, red lettering and volume labels with a few minor losses on some volumes, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, some volumes slightly rubbed at the extremities, the upper corner of the fourth volume lacking, a few snags to the board edges; period bindings.

The first three years include Claude Bernard’s experimental pathology lectures—on toxic and medicinal substances, bodily fluids, the nervous system, and related subjects—as well as contributions by Louis Pasteur, Étienne-Jules Marey, Gustave Flourens, Alfred Vulpian, Marcellin Berthelot, Virchow, and others.

First edition from the Imprimerie Royale, complete in nine quarto volumes with all 262 black-and-white engraved plates.

Contemporary full mottled calf, spines with raised bands decorated with guilloche tooling and gilt ornaments in the compartments, red morocco lettering-pieces and numbering-pieces, triple gilt fillet border on boards, double gilt fillet on board edges, marbled endpapers and pastedowns, marbled edges. Minor variations in the tooling on volume 3.

In this set, some headcaps missing, 6 cm joints split at foot of volume 1, 6.5 cm and 6 cm at foot of volume 2, 3.5 cm at head of volume 3, corners bumped, scratches and minor restoration to boards, including a more significant repair on volume 7 measuring 11 cm, browning in left margin of lower board of volume 4.

In this copy: some worming, several instances of dampstaining throughout the set, more pronounced in volumes 1, 3, and 8, some tears, restored on the title page and on pp. ix and xxiii of volume 1, also restored on p. 496 of volume 2, on pp. 259 and 260 of volume 3, on pp. 481 and 482 of volume 4, and on pp. 173 to 176 of volume 5.

Copy with some marginal annotations: in volume 2, a manuscript footnote added in ink on p. 541 ("Voyez les Planches enluminures n°491"), erroneous manuscript dates in ink in volumes 2 and 8, the number "18" annotated in ink in the upper right corner of the rear endpaper of volume 9.

Copy richly illustrated with drawings by Jacques de Sève, engraved by Robert de Launay, Lucas, Michel, Madeleine-Thérèse Rousselet, C. Baron, Hubert, Catherine Haussard, Carl Gottlieb Guttenberg, Jean-Guillaume Blanchon, Menil, Dufour, Louis Claude Legrand, Claude Mathieu Fessard, Elisabeth Haussard, François Hubert, A.-B. Duhamel, Mlle Mansard, C. Baquoy, Heinrich Guttenberg, Laurent Guyot, Benazeth, Schmitz, Marie-Anne Rousselet (M. R. veuve Tardieu), Louis-Gabriel Monnier, Pierre-Étienne Moitte, Jean-Louis de Lignon, Levillain, N. du Four, Thomas Chambars, Nicolas Thomas, Luigi Valperga, and George Louis Biosse.

Accompanied by two additional plates, heightened in color, numbered XX and XXII, from a volume 7 of the Histoire naturelle des oiseaux.

Autograph manuscript by Louis Pasteur. One page in black ink on a single leaf, with numerous erased words and crossed-out passages.

Unpublished note by Pasteur on his rabies vaccine.

Pasteur was under the scrutiny of countless of opponents, scientific as well as political, and bemoans the "attacks as violent as they were incomprehensible" he endured. The manuscript also announces the popular success of his vaccine, as subscriptions for his future Institute were in full swing.

First trade edition, one of only 50 numbered copies printed on alfa paper, the only deluxe issue.
Rare and very attractive copy in original condition.

Second edition, largely original, as it is considerably expanded (cf. Caillet 2273).

This edition is not cited by Quérard. Not in Blake. NUC: 3 copies.

Rare copy preserved in its original pink wrappers with printed spine label, untrimmed; covers slightly worn with a few corner losses, spine splitting at foot.

The first edition, published anonymously and without publisher’s address, appeared in 1784 [i.e. 1785].

"C'est dans cet ouvrage que le marquis de Puységur fit connaître la découverte qu'il venait de faire (mai 1784) des phénomènes qu'il désigna sous le nom de somnambulisme artificiel. Plusieurs cures importantes minutieusement observées et dûment certifiées, sont relatées dans ces Mémoires indispensables à consulter. L'arbre magnétisé qui fit tant de bruit a sa page historique. L'auteur, l'un des hommes les plus honorables et les plus bienfaisants de son temps, a sans doute émis sur certaines parties de la science en général des idées que celle-ci ne peut accepter aujourd'hui ; mais on ne peut lui refuser une connaissance réelle de ce que l'on savait alors de l'électricité, et personne n'a su mieux tirer parti des ressources offertes par le somnambulisme artificiel" [Caillet].

A good, uncut copy in its original wrappers.

First edition, illustrated with four plates, including a folding world map (cf. Sinkankas 3466; Agassiz III, 370).

Full fawn calf, spine with five slender raised bands, gilt-tooled compartments with occasionally softened floral tools, rubbed gilt headcaps, brown morocco lettering-piece, marbled endpapers and pastedowns, gilt dentelle framing the pastedowns, gilt fillets to board edges, marbled edges, contemporary binding.

Repairs to the spine, one joint split at head and foot, browning along the board margins with surface scratches, scattered foxing, a waterstain at the head of all leaves.

A noteworthy treatise devoted to yellow amber and above all to ambergris, the fragrant substance derived from the intestinal concretions of sperm whales which, once expelled, float on the surface of the sea and yield a highly prized perfume.

The plates depict a frog and a lizard embedded in amber, a world map (Africa, Europe, Asia and part of the Southern Lands), figures collecting bird droppings, and various animals.

"This book commonly appears in bibliographies on amber when in fact it is about ambergris, but Klobius examines both substances and notes their differences on p. 26-9. One of the plates shows a frog and a lizard imbedded in amber, both of which are fakes" [Sinkankas].

On the title-page, a distinguished manuscript ex-libris in black ink

First edition, illustrated with woodcut armorial bearings at the head of the first page of text.

Description of the equestrian procession that accompanied through Rome the new Roman senator, Count Nils Bielke (1706–1765), a Swedish knight, chamberlain to the King of Sweden and papal chamberlain following his recent conversion to Catholicism.

The text gives a detailed account of the sumptuous costumes worn by the participants and of the various decorative settings. It concludes with the names and titles of all those who took part in the procession.

Ink annotations at the head of the final page.

Our copy is preserved in its original wrappers, now protected by modern plain paper covers.

A rare and attractive copy.

First edition of the first of Étienne Geoffroy Saint-Hilaire’s essays on “Philosophie anatomique.”

Illustrated with 10 folding plates drawn by Huet and engraved by Plée père, containing 116 figures (cf. Agassiz III, p. 29, no. 51; British Museum (Natural History) II, p. 656; Engelmann I, p. 263; Quérard III, 320; DSB V, 355-358; Cahn (Th.), La vie et l’œuvre d’Étienne Geoffroy Saint-Hilaire, pp. 81-112).

Bradel binding in full marbled paper boards, smooth spine with black morocco title label, modern binding signed by Thomas Boichot.

Some foxing to the plates.

Based on a meticulous examination of the various anatomical structures of the respiratory organs in vertebrate animals, the author formulates several principles concerning their organization, the most important being that of the Unity of Composition. According to this principle, all vertebrate species share the same structural elements in equal number. Despite Cuvier’s criticisms, this theory gained traction and was later refined through embryology and paleontology. The work is divided as follows: 1. On the gill cover in fish, hitherto known as the operculum […] and on the four corresponding bones of the auditory canal in air-breathing animals, called the stapes, incus, lenticular and malleus. – 2. On the bones forming the external framework employed in the mechanics of respiration, or the bones of the sternum. – 3. On the anterior bones of the chest, or the hyoid. – 4. On the inner bones of the chest […] including, in air-breathing animals, the elements of the larynx, trachea and bronchi, and in fish, those of the branchial arches, gill teeth and cartilaginous lamellae of the gills. – 5. On the bones of the shoulder, with respect to their determination and their role in the phenomena of respiration. “Geoffroy revitalized comparative anatomy in France and created scientific teratology, experimental embryology, and the concept of paleontological evolution […]. He and his friend Lamarck lived too early to be completely understood” (DSB, V, p. 358).

Two further essays were later published: “Des monstruosités humaines” (1822) and “Fragmens sur la structure et les usages des glandes mammaires des cétacés” (1834).

A precious copy printed on deluxe paper (the two other essays were issued only on regular paper). The text is identical to the octavo edition published the same year, except for the errata, which here contains 12 lines (versus 20 in the regular edition).

First edition of the French translation, illustrated with 34 plates, including one in colour.

See Garrison & Morton, 2465 (for the original German edition).

Contemporary full marbled cream paper boards, smooth spine with some rubbing and small losses, decorative motif of three acorns stamped in the centre of the covers, modern bookplate pasted on the verso of the front board.

Some light foxing.

First French translation of Abhandlung über die Saamen- und Infusionsthierchen, und über die Erzeugung, nebst mikroskopischen Beobachtungen des Saamens der Thiere in verschiedenen Infusionen (1778).

The biologist Wilhelm Friedich von Gleichen-Russwurm (1717–1783) was the first to develop the staining of bacteria (with carmine and indigo) to facilitate their microscopic observation.

First edition of the thesis presented by Paul Bert to the Faculty of Sciences in Paris in fulfilment of the requirements for the degree of Doctor of Natural Sciences.

Illustrated with two lithographed plates at the end of the volume.

Some occasional foxing.

Contemporary half red morocco-grained shagreen binding, smooth spine decorated with gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (rear cover restored with an adhesive patch), modern binding.

Rare biological thesis by Paul Bert (1833–1886), who was a physician, physiologist, educator, and above all a committed republican politician.

Inscribed and signed by Paul Bert at the head of the title page, addressed to Dr. Comol.

First edition illustrated with in-text figures.

Spine split, small losses to the spine and boards, otherwise a clean and pleasant copy internally.

One of Pasteur’s principal collaborators, Charles Chamberland (1851–1908) served as deputy director of Pasteur’s laboratory on rue d’Ulm from 1879 to 1888.

First edition, illustrated on the title page with a small woodcut showing a bull and a mounted horseman charging, and at the end of the volume with a curious wood-engraved vignette depicting the poet (wearing spectacles) and his muse.

Rare and engaging bullfighting pamphlet containing a verse account of a mounted bullfight held in Lisbon on 26 September 1752.

Pleasing copy preserved in its original sewing with later plain marbled paper wrappers.

First edition, illustrated with two plates, one of which in colour, comprising thirteen figures (cf. Quérard IV, 49).

Half green shagreen binding, spine with four raised bands decorated with gilt tools, light rubbing to the spine, marbled paper boards, marbled endpapers, mid-19th-century binding.

Occasional foxing, three small holes to the lower right corner of the title page, manuscript ex-libris: Antoine Delarue – June 1810.

“One of the most remarkable works on natural history of this century. The author devotes an entire chapter to the history of the females; he describes their loves, the way in which new colonies are established and old ones preserved. Passing from the relations between the workers and the winged individuals to those between the workers themselves, he follows them in their migrations, their travels, their particular conduct; he observes the battles fought between ants of different species, etc.”

First edition, richly illustrated with reproductions of works by Edouard-Marcel Sandoz.

Publisher’s full cream cloth binding, smooth spine, complete with its illustrated dust jacket.

A very handsome copy.

First edition of this first part illustrated with three copperplate engravings.

Contemporary flexible boards covered with marbled paper, smooth brown percaline spine with a small snag at foot, red morocco title label on the front cover, rubbed corners.

Rare.

Rare first edition of three scientific reports from the zoological exploration mission of Guy-René Babault (1883-1963), corresponding member of the Muséum d’Histoire Naturelle, carried out in present-day Kenya and Uganda in 1913. 

The set comprises: Volume 1: Insectes coléoptères. Cicindelidae, by Guy Babault. – Volume 2: Insectes coléoptères. Fam. Carabidae. Subf. Anthiinae, by G. Bénard. – Volume 3: Étude d'une collection d'oiseaux de l'Afrique orientale anglaise et de l'Ouganda, by A. Menegaux, with field notes by Guy Babault. 

The first volume includes illustrations in the text and one hand-colored entomological plate with tissue guard and facing leaf of legends; the second volume contains one hand-colored entomological plate with tissue guard and facing legends; the third and final volume features six hand-colored ornithological plates with tissue guards, together with a large folding colored map bound at the end. 

Spine and boards marginally faded or sunned, internally well preserved. 

First edition, one of 10 numbered copies on Holland paper, deluxe issue.

Some minor foxing mostly at the beginning and end of the volume.

Inscribed and signed by Maurice Genevoix to Jacques Gommy: "... en pensant aux forêts qu'il aime, avec les hommages et les amitiés de Maurice Genevoix."

Head of collection of this important medical periodical, whose significance needs no further demonstration. It was published until 1914 (volume XLII) and included most of the essential contributions to the advancement of medical science in the 19th century.

The set is illustrated with 61 plates hors-texte, some lithographed and/or folding.

Half cherry calf bindings, smooth spines decorated with gilt fillets, romantic arabesques and blind-stamped fleurons, a few small rubs to some headcaps or joints, marbled paper boards, marbled endpapers and pastedowns, some corners slightly bumped, marbled edges, period bindings.

Beautiful set in a contemporary romantic binding signed by Bunetier.

A substantially cropped print bearing the same penciled number on the back of our photograph (11214), is in the Reutlinger archives at the Bibliothèque nationale de France (Album Reutlinger de portraits divers vol. 53, p.3). We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008.

A beautiful, sultry shot of Colette probably taken the year of her banned dance show "Rêve d'Egypte" at the Moulin Rouge where she shared the bill – and a scandalous kiss – with her cross-dressing aristocrat lover Missy.

"Colette was a nude dancer, which at the time meant that she [...] draped herself in vaporous veils, concealing part of her anatomy under animal skins" (Paula Dumont). Colette had already used animal skins, hugging her figure in this picture, as a sensual costume in Charles Van Lerberghe's Pan, accompanied on stage by Lugné-Poe and Georges Wague. This was the first time anyone had dared to go without a flesh-colored body suit. Justifying her choice, she went on to say: "I want to dance naked if the body suit bothers me and humiliates my plasticity".

At the time of this photograph, in 1907, Colette was performing in countless shows, following her debut two years earlier in Nathalie Clifford Barney's Sapphic Salon where Mata Hari also danced. For Colette, dance was synonymous with emancipation in more ways than one - as a means of sustenance and liberation of her body which finally belonged to her after her separation from her abusive husband Willy in 1906. Her undulating, almost gestureless dance was linked by contemporary critics to that of Loïe Fuller and Isadora Duncan; her greatest success remained "La Chair", a risqué mime show she performed two hundred times in Paris and was subsequently produced with a new cast in New York's Manhattan Opera House. It was also in the halls of Parisian dance venues that Colette flaunted herself freely on the arm of her lovers. Her scandalous union with Missy, the virile Marquise de Morny who accompanied her on stage in male costumes, contributed to the fame of her performances.

This is probably the rarest photograph of Colette taken by Reutlinger who also photographed her draped in Grecian style or wearing her costume from "Le Rêve d'Egypte".

A rare visual testimony to a revolution in dance costume brought about by Colette, a key figure in twentieth-century artistic and literary Paris.

Second complete edition of Krylov's Fables with a preface by the poet and highly regarded literary critic Piotr Pletnev (1792-1866).

Half tan goatskin binding with corners, smooth spine decorated lengthwise in rocaille style in blind with tears and losses, joints fragile, gilt fillet framing the red pebbled paper boards, gilt Cyrillic inscription at the center of the upper cover, grey edges, rubbed corners, chips and losses along the edges, contemporary binding.

Foxing, library stamps and markings.

Prize book "Pour Succès et Bonne Conduite".

Manuscript ex-libris in ink, in Russian, on the front endpaper, dated Vilnius, 6 August 1857, and on the verso in Latin characters: Ch. Josephson Vilna. Bold stamp indicating the same provenance within the volume and blind stamp CRJJ.

Original colour print, printed on laid paper and signed in the plate lower right.

Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

Original colour print, printed on laid paper and signed in the plate lower right.

Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

Original colour print, printed on laid paper and signed in the plate lower right.

Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

First edition of the French translation by Jean Dutourd, one of 86 numbered copies on pur fil, only grand papier (deluxe) copies. 

Very rare first edition of the author's very first work, in which he clearly sought to draw attention during this period of revival of the national stud farms, abolished during the Revolution and officially reinstated in 1806 (see Mennessier de La Lance II, 138).

Contemporary full marbled fawn calf, flat spine richly gilt with garlands, Greek keys, floral tools and geometric motifs, green morocco title labels, gilt rolls on the almost faded caps, gilt ornamental borders on covers, marbled endpapers and pastedowns, gilt fillet on edges, worn corners, sprinkled edges.

Facing the title page, signed autograph inscription by Louis de Maleden to "Messieurs Talendier et Laforest," in which he mentions the publication of his Plan organique, which appeared in 1805 followed this first work.

Ex-libris label of Waldemar Schwalbe, dated 1937, pasted on the front pastedown.

New edition of the Fables, more complete than previous ones, illustrated with a hand-coloured vignette on the title page and 110 hand-coloured half-page illustrations in the text, for a total of 111 engraved and coloured plates (cf. Rochambeau 305. Després, p. 142, no. 63).

Full olive calf binding, spine with gilt fillets, numerously tooled in gilt, gilt tooling to spine-ends, boards framed in gilt, marbled endpapers and pastedowns, inner gilt dentelle on pastedowns, all edges gilt, 20th-century binding.

Spine and covers faded, some foxing, a snag at head of rear cover. Lower right corners of pp. ix-xi restored.

An exceptional and finely watercoloured copy of this abundantly illustrated edition of the "Fables." The famous illustrations by Jean-Baptiste Oudry were recut and modified for this publication and are accompanied by explanatory notes intended for young readers.

The title vignette was also created from a fragment of the frontispiece of the first edition illustrated by Oudry.

First edition, published by order of the Imperial Government of Brazil and illustrated with a folding color map at the end of the volume (cf. Garraux 169. Borba de Moraes I, 478).

Some light foxing, minor rubbing to the spine, a pleasing and scarce copy.

Contemporary binding in red half morocco-grained shagreen, smooth spine ruled in gilt with quadruple fillets, gilt coat of arms at foot of spine, small losses to head and tailcaps, marbled paper boards, marbled endpapers and pastedowns, period binding.

Emmanuel Liais, then Director of the Imperial Observatory of Rio de Janeiro, had been entrusted by Emperor Pedro II with various expeditions throughout the Brazilian territory.

First edition printed by "Cercle nouveau du livre" before the deluxe edition by Julliard a few months later, one of the numbered copies, the only printing.

Very handsome copy complete with its rhodoid.

Publisher's binding in full green cloth, smooth spine, title and author's name stamped in gilt on the front cover.

 

New edition, issued a few months after the first edition.

Copy complete with its wraparound band : """Prix Goncourt 1970 à l'unanimité"

Autograph inscription signed by Michel Tournier to Monsieur Deslignières.

First edition of the final work devoted to the Canary Islands by the zoologist and ethnographer Sabin Berthelot (1794-1880), whose first stay in the islands dates back to 1820.

From that time onward, he resided for the most part in Tenerife and devoted himself to the study of his adopted country.

At the end of the volume, the work is illustrated with 20 plates printed outside the text, some with coloured subjects.

A few minor spots of foxing.

Two parts in one volume, printed on hōsho paper and folded in the Japanese style

Two colour-illustrated covers, and 28 superb Japanese colour prints by Kano Motonobu, Kadjita Hanko. All text pages are illustrated with drawings in black.

A very fine artistic publication printed on pure Japanese rag paper with special Japanese folding. The Tokyo publisher is Kané-Mitsou Masao, the printer Shueisha, under the direction of Yamamoto Yeijiro.

Original publisher's binding in half black embossed leather with japanese motifs, illustrated boards depicting figures and animals in colours, long-grain red morocco lettering-piece on the upper board gilt-stamped and framed within a foliate border, patterned embossed paper endpapers and pastedowns.

The preface recalls the publisher's first publication, “Les Fables de La Fontaine,” and provides some details on the artists: Motonobu, is a representative of the Kanō school, founded by his celebrated ancestor, and Hanko, one of the leading figures of the realist school of Yosaï. “These illustrations actually represent scenes of Japanese life as well as if the author of these fables were Japanese himself". 

A superb copy in its original publisher's binding, in perfect condition.

First edition illustrated with a folding lithographed plate.

No copy recorded in the CCF.

Minor tears with small losses to the margins of the boards and to the spine.

Autograph inscription, in French, by José Vicente Barbosa do Bocage on the half-title.

José Vicente Barboza (Barbosa) du (do) Bocage (1823–1908), Portuguese statesman and zoologist, served as director of the National Museum of Zoology in Lisbon. He is unrelated to his namesakes, the French geographers of the Barbier du Bocage family.

Bound in, and by the same author: "Noticia acerca da descoberta nas costas de Portugal d'um zoophyto da familia hyalochaetides, Brandt (hyalomena Lusitanica nob.). Memoria presentada a Academia real das sciencias de Lisboa", printed in Lisbon in 1864.

First edition, one of 56 numbered copies on Arches laid paper, after only 11 on China paper and 14 on Japan paper.

Bradel binding in half navy blue morocco, smooth spine slightly faded, gilt date at foot, marbled paper sides, marbled endpapers and pastedowns, bookplate pasted to one pastedown, original wrappers and spine preserved, top edge gilt.

Upper cover illustrated with a wood engraving by Pierre Lissac.

Rare first edition of the French translation by Judith Gautier, printed on japon-style paper.
Slight restoration work to spine and a corner of the lower cover, wrappers slightly and marginally soiled as usual.
Illustrated throughout with full-page colour woodcuts by Yamamoto.

First edition illustrated with 59 engravings. 

A repaired tear at the head of one joint; covers marginally darkened; the interior remains in pleasing condition.

This work belongs to the first phase of the highly controversial research conducted by the French surgeon of Russian origin, Sergueï Abramovitch Voronoff (1866–1951).

Between 1917 and 1926, Voronoff carried out more than five hundred transplantations on sheep, goats, and even a bull, grafting the testicles of younger animals onto older ones.

His observations appeared to suggest that such transplantations restored vitality to ageing animals. From this, he went on to regard the transplantation of monkey glands as an effective treatment for human senility, leading him toward increasingly hazardous experimental grafts performed on humans.

Signed autograph inscription by Serge Voronoff on the half-title: "To Monsieur Ch. Homassel, with kind regards. S. Voronoff" (our own translation).

The recipient may be Charles Homassel (1872–1952), Chief Administrator of the Colonies.

First edition of the French translation of this account, originally published under the title: "An Account of the Island of Ceylon" in London in 1803 (cf. Boucher de La Richarderie, V, 135. Brunet, IV, 490 and Quérard, VII, 43 mention an edition published by Dentu, 1804).

Contemporary full mottled calf bindings, smooth spines decorated with gilt compartments and gilt tools, red morocco lettering pieces, green calf volume labels, gilt rolls at the head and tail partly worn, fragile joints, marbled paper endpapers and pastedowns, bookplates pasted to the pastedowns, gilt fillets on the board edges, speckled edges.

Bindings rubbed, small losses at the foot of the joints, a few light foxing spots.

Our copy is complete with its four folding maps and plans issued out of text: map of the island of Ceylon, plan of the port of Trinquemale, map of the pearl fisheries, and plan of the port of Colombo.

An English officer, Robert Percival (1765–1826) took part in the capture of the Cape of Good Hope in 1796, then occupied by the Dutch.

The following year he was sent to Ceylon with the British troops, where he remained for more than three years, allowing him to visit nearly all the coasts as well as the interior of the island. He was also a member of an embassy sent to the island’s native sovereign.

His account offers a comprehensive panorama of the island of Ceylon at the end of the eighteenth century: history, geography, natural resources, agriculture, trade, civil and military institutions, customs and manners of the Dutch, Portuguese, Malays and Sinhalese, fauna and flora, etc.

Provenance: from the library of the Château de Menneval, with bookplates pasted to the pastedowns.

First edition.

Light scuffing to the boards.

Bradel binding in half black shagreen, smooth spine lettered in gilt vertically, green paper-covered boards, modern binding.

Paper by M. Breton-Laugier, vinegar manufacturer of Orléans, on the advantages of Pasteur’s system, pp. [5]–7; Wine industry, pp. [9]–15.

Very rare first edition printed in a small number of copies of this offprint from the Fourth International Congress of Hygiene and Demography, session of 5 September 1882.

Spine and boards slightly faded and yellowed at the margins; interior in pleasing condition.

In this communication, Louis Pasteur examines all the new studies carried out in collaboration with Chamberland, Roux and Thuillier since the publication of the 1880 memoir.

Its principal purpose is to provide examples of the attenuation of viruses under the influence of atmospheric oxygen. He also summarizes the criticisms that had appeared in the collected works of the German Sanitary Office.

Very rare first edition.

A single copy is held at the Municipal Archives of Lyon. Absent from the CCFr.

Not recorded in Goldsmith, Kress, Einaudi, or Higgs.

Modern Bradel-style binding in full beige boards, printed title label, signed by Hervé.

Lengthy discussion of the trade in tallow, animal fats used in the manufacture of candles.

The authors argue that butchers are not responsible for the high price of tallow, and that the ordinance of 16 April 1771, which prohibited its export, in fact hampers the trade in this commodity. In conclusion, the butchers request not to be placed at the mercy of the chandlers, whether in terms of price or outlets.

Corner restorations.

First edition of this rare offprint from the "Revue médicale et journal de clinique"

A single copy recorded in the CCFr (BnF).

Bradel binding in full boards covered with dark blue marbled paper, red shagreen spine label, pasted ex-libris on the inside board; modern binding signed Lobstein-Laurenchet.

Jean-Louis Lassaigne (1800–1859) taught chemistry at the Veterinary School of Alfort until 1854 and devoted particular attention to the medical applications of chemistry.

Bound at the end, by the same author: "Mémoire sur la possibilité de reconnaître, par les moyens chimiques, la présence de l'acétate de morphine chez les animaux empoisonnés par cette substance vénéneuse" N.p., n.d. [Paris, 1824], 12 pp.

Some foxing.

At the head of the first fascicule, an autograph inscription signed by Jean-Louis Lassaigne to the members of the Société de pharmacie de Paris.

First edition, illustrated with 46 wood-engraved figures in the text, including 2 full-page plates (cf. Lorentz, IX, 740; not in Nissen).

Contemporary half red shagreen binding, spine with five raised bands showing some rubbing and a small loss at the foot, marbled paper sides, marbled endpapers and pastedowns, corners rubbed.

Some scattered foxing; a light waterstain in the lower right margin of the final leaves, without affecting the text.

An interesting work awarded the Montyon Prize by the Académie française, addressing the appearance of instinct in the mineral and vegetal worlds; the journey of pollen; carnivorous plants; constructive, maternal, and migratory instincts; remarkable instincts among certain arthropods such as spiders, bees, ants, and parasites; innate and acquired behaviours and aptitudes. The study also considers intelligence in birds, ants and bees, rats, wolves and foxes, the elephant, horse, dog, and monkey, as well as language: insect sounds, birdsong, mammalian vocalisations, and natural gestures and signs.

First separately issued edition, illustrated with a large folding map, issued as a plate outside the text (cf. Sabin 94850).

The work was first published in 1838 in the Notices statistiques sur les colonies françaises.

"La lecture des documents officiels réunis dans la Notice statistique laissera déjà dans tous les esprits cette conviction que la Guyane française offre de nombreux éléments de richesse et de prospérité, et que, pour les avoir laissés improductifs pendant deux siècles, la France ne peut avoir renoncé à les mettre un jour en valeur".

Some light foxing, otherwise a pleasing copy.

Second edition, partly original, as it was revised, corrected and enlarged with a handbook for the cultivation of mulberry trees, setting out the principles by which the fullest advantage may be drawn from this tree, together with the presentation of a new method of cultivation designed to prevent its mortality.

Light dampstaining to the upper outer margin of the first leaves, small losses to the head- and tail-cap of the spine, a few scattered spots.

The work was reissued in 1837 and 1848.

Charles Fraissinet (1798–1856) was a pastor of the Reformed Church at Sauve (Gard).

Although closely involved in the theological controversies of his day, he is best remembered for his commitment to sericulture and for publishing several pamphlets on the subject, notably the present Guide du magnanier.

A silkworm breeder himself, he devised a method for obtaining “les œufs de vers à soie à leur plus haut point de perfection”.

This activity even appears to have tempered the mutual belligerence of the pastor and the parish priest of Sauve, since, in the prospectus for this method, Curé Bernard—his sworn enemy—nonetheless made it “un devoir d’engager tous les sériciculteurs à se procurer sans retard la méthode de M. Fraissinet”.

First edition, illustrated with four plates, three of them folding (cf. Cordier, Sinica 442).

Losses to the head and tail of the spine, marginal tears to the covers, a light dampstain to the lower portion of the upper board, one plate torn across the centre without affecting the images, 

Text of the lecture delivered on 13 December 1878 before the North-China Branch of the Royal Asiatic Society.

Albert-Auguste Fauvel (1851–1909), a naval officer, accompanied the Duc de Penthièvre on his voyage around the world (1866–1867).

A graduate in Manchu, he had held a post since 1872 within the Chinese Imperial Maritime Customs Service.

A naturalist, he devoted himself to the study of the fauna and flora of the Chusan Islands, off Ning-Po (Numa Broc). He was also a gifted economist.

First edition illustrated with a colour plate and five folding tables at the end of the volume.

Heavy foxing throughout.

Modern half black shagreen binding, spine with five raised bands, marbled paper sides, original front cover mounted and preserved in poor condition.

Signed autograph inscription by Prosper-Ferdinand Burot to Dr Auguste-Ernest Breucq of Bayonne (born 1856).

Second edition of this treatise, first published in 1771 and reissued again in 1813 (see Mennessier de La Lance I, 162).

Our copy is offered stitched, in its provisional blue paper wrappers, the spine reinforced with an adhesive strip.

Very rare first edition of this french translation of Boerhaave’s Aphorismi (1709), issued by La Mettrie in the very year of the author’s death (most bibliographies record only the 1739 edition), (cf. Wellcome II, 185).

Contemporary half brown sheepskin with corners, spine with four raised bands ruled in blind, lacking title label, minor losses at the headcaps and rubbing to the spine, red speckled edges, period binding restored.

A collection of precepts concerning diagnosis and therapy.

La Mettrie was a pupil of Boerhaave at Leiden, which accounts for the lasting interest he showed throughout his life in the writings of the Dutch physician.

Bound after Julien Offray de La Mettrie: "Traité du vertige, avec la description d'une catalepsie hystérique, & une lettre à Monsieur Astruc, dans laquelle on répond à la critique qu'il a faite d'une dissertation de l'auteur sur les maladies vénériennes", printed in Paris by Huart and Briasson in 1738 (half-title, 141-[2] pp.).

Very rare first edition of La Mettrie’s very first independent work (1709–1751), at a time when he had specialised in venereal diseases; his philosophical writings would follow only from 1745 onwards (cf. Wellcome III, 438).

Engraved armorial bookplate pasted to a pastedown.

First edition, illustrated with 883 figures in the text, some heightened with colour.

Contemporary half roan in a reddish-orange hue, the spines with five raised bands ruled in gilt dots and decorated with gilt florets, some rubbing to the spines and extremities, marbled paper boards, marbled endpapers and pastedowns.

Manuscript ownership inscriptions partly erased from the endpapers of the first volume; an orange pencil line to an endpaper in the second volume; occasional pencil marginalia in the margins of several paragraphs in both volumes; a marginal note in red ink in the right margin of p. 37 of the first volume.

New edition, illustrated with a large folding line-engraved plate depicting all the animals mentioned in the text (cf. Cornet-Malagies, 158).

Half mottled fawn sheep with vellum tips, smooth spine gilt-ruled and tooled with gilt fillets, garlands and floral tools, marbled paper sides, marbled endpapers and pastedowns, marbled edges; a contemporary binding.

The author, a veterinary surgeon, had trained at Alfort.

Bound at the end, by DELACROIX, is a new edition of: "Le Nouveau maréchal-expert, ou Le Guide du du maréchal-ferrant, du vétérinaire, de l'écuyer, du propriétaire et de l'amateur ; avec un précis de la connaissance et du choix des chevaux, ânes et mulets ; de leur éducation et conservation, de leurs maladies et des moyens de les traiter. Suivi de l'indication des meilleures méthodes de ferrure et de harnachement. Et d'un traité d'équitation", printed in Paris by B. Renault in 1835 (2 preliminary leaves, pp. 5-218, one large folding plate. Mennessier de La Lance I, 367-68).

First edition of the illustrated French translation, embellished in the second volume with a plate, a folding table, and a large folding map printed as a separate leaf (cf. Gay 2996).

Contemporary full mottled fawn calf, smooth spines gilt with fillets, garlands, and floral tools, red morocco title and volume labels, with the volume labels inlaid with green morocco, gilt rolls at the headcaps, minor rubbing to the spines, dentelle, single gilt fillet and gilt garland framing the boards, marbled endpapers and pastedowns, corners rubbed, gilt fillets to the board edges, lemon edges; bindings of the period.

In 1797, John Barrow (1764–1848) accompanied Lord Macartney, as his personal secretary, on a major and delicate mission: the establishment of a government for the new Cape Colony.

John Barrow was tasked with reconciling the Boers and the Kaffirs, as well as with describing the interior of the country. After travelling throughout the colony, he was appointed Auditor-General of Public Accounts and decided to settle in South Africa.

He married Anne Maria Truter in 1800 and even purchased a house in Cape Town. However, the surrender of the colony following the signing of the Peace of Amiens (1802) disrupted these plans, and he returned to England in 1804.

The plate depicts: "Tête d'unicorne trouvée chez les Boschiman"; the table provides a description of the "bois utiles qui croissent dans la Colonie du Cap de Bonne-Espérance".

Very scarce first edition, issued in a small printing, of this offprint from the Annales des Sciences naturelles for September 1828 (cf. Engelmann I, 315).

This paper is preceded by "Extrait du rapport fait à l’Académie royale des sciences sur le mémoire présenté par MM. Audouin et Milne-Edwards, par MM. Cuvier et Duméril".

The CCF records only two copies, in Paris (Muséum) and Montpellier.

The author of several entomological papers published from 1821 onwards, Victor Audouin also took an interest in marine biology: in 1826, 1828 and 1829 he undertook, together with Henri Milne-Edwards, three field trips to Brittany and Normandy.

The present article summarises the observations made by the two young naturalists on Ascidians, Flustra, Pennatulidae, Alcyonaria, Sponges, Polyps, etc.

The preliminary report by Cuvier and Duméril expresses a highly favourable opinion of their research.

A handsome copy, bearing on the upper wrapper a presentation inscription in the hand of Henri Milne-Edwards: « Monsieur Dutrochet, de la part des auteurs ».

A physician, botanist and physiologist, Henri Dutrochet (1776–1847) is remembered for his discovery of osmotic phenomena: his « Nouvelles recherches sur l’endosmose et l’exosmose » appeared in 1828.

First edition.

Bradel binding in modern paper-covered boards of grey-blue stock, smooth spine lettered in black, original wrappers preserved; binding signed Laurenchet.

Label of the fishing library of M. Albert Petit pasted to the upper cover, no. 100.

The species are described in French, with their Latin and Greek names.

Stamp of the Société d'Acclimatation on the title-page.

First edition.

The veterinarian Henri-Mamert-Onésime Delafond (1805–1861) devoted particular attention to contagious diseases of livestock, focusing especially on anthrax and contagious bovine pleuropneumonia, and published several successive monographs on these subjects throughout his career; he became director of the École d’Alfort in 1860, shortly before his death.

Light foxing; a dampstain affecting the index leaves; minor losses at the corners of the boards.

Provenance: from the library of the veterinarian Jean-Henry Magne, with his manuscript ex-libris at the head of the upper cover.

First edition (the work was reissued in 1838–1839); an atlas was planned but appears never to have been published (its prospectus is bound at the beginning of volume IV), cf. Mennessier de La Lance I, 657.

Half blond calf bindings, spines with four raised bands framed with gilt garlands and decorated with gilt fillets and vine motifs, as well as blind-stamped scrolls, marbled paper boards showing some rubbing with small losses, marbled endpapers and pastedowns, sprinkled edges, contemporary bindings.

Two headcaps shaved, some foxing, small loss along one joint of the volume entitled Elève d’Alfort. Hurtrel d’Arboval (1777–1839) was particularly interested in equine epizootics.

At the head of each volume, an autograph presentation inscription from Louis Henri Joseph Hurtrel d’Arboval to a captain instructor of the 1st Regiment of Horse Artillery (recipient’s name erased).

First edition illustrated with 3 folding tables printed on separate leaves in the second text volume and 45 engraved plates, single or folding (3 maps, 42 plans and picturesque views), most with tissue guards, in the atlas volume.

Cf. Gay 266. Toussaint & Adolphe D1100. Ryckebusch II, 5713.

Some foxing throughout the text volumes and atlas.

Bindings in half black glazed calf with corners, smooth spines decorated with gilt fillets, circles and large gilt fleurons, burgundy calf lettering and volume-numbering labels, boards covered in paste paper with a cold-stamped garland border, light rubbing to spines and boards, bindings slightly later for the text volumes; the atlas volume in contemporary marbled paper boards, spine later and re-backed in green percaline, title label pasted to the centre of the upper board. The whole presented in a modern half bottle-green morocco slipcase, raised bands to spine, title label of the same leather pasted to the centre of the upper board.

Jacques-Gérard Milbert (1766–1840), landscape painter and engraver, was appointed to join the expedition to the Terres Australes led by Baudin, alongside Péron and Freycinet.

Forced to interrupt his journey at the Île de France on account of poor health, he remained there for two years and gathered during that time the materials for this work. Milbert subsequently became a corresponding member of the Muséum d'Histoire Naturelle, to which he had sent numerous botanical and zoological specimens.

Ryckebusch notes that "cet ouvrage rare comporte de multiples renseignements sur l'île de France, il concerne indirectement l'île Bourbon par certains chapitres (Administration de M. de La Bourdonnaye et de M. Poivre... habitants... culture et industrie... administration, etc)". 

Bookplate of Lady Le Fleming, of Rydal Hill, pasted to the front pastedown of the first volume.

« J'ai, de plus, ici, une histoire de tous les diables. Figure-toi que, jeudi dernier, nous nous rendons avec les Dax à Cabrerets dans l'intention de visiter la grotte qui présente de nombreux dessins préhistoriques. Tu sais que j'ai toujours eu des doutes sur l'authenticité d'une partie de ces dessins qui remonteraient à 30 000 ans et sont d'une fraîcheur et d'une fragilité bien singulières. Le guide commençait à peine ses explications devant ce qu'il nommait « la chapelle des mammouths » et j'étais déjà agacé par ce mot de chapelle introduit là de manière absolument tendancieuse quand je portai le doigt sur une des lignes tracées sur la paroi, pour voir si un enduit calcaire la recouvrait. C'est à ce moment que le guide, furibond, m'asséna sur la main un violent coup de bâton. Comme de juste, une très violente dispute s'ensuivit, au cours de laquelle je remis le pouce au même endroit et frottai légèrement, assez toutefois pour constater que la ligne s'effaçait comme un simple trait de fusain, me laissant toute sa poussière au doigt. Le guide, qui se donna alors pour le concessionnaire de la grotte et dont je devais apprendre peu après qu'il n'était autre qu'un député M.R.P. (c'est-à-dire catholique) du Lot, fit immédiatement appeler la police mais les gendarmes arrivèrent trop tard : nous étions déjà partis, non sans que j'aie corrigé à coups de poing le personnage en question, qui me traitait de « lâche » entre autres choses. Hier j'ai reçu ici la visite d'un gendarme qui m'a donné lecture de la plainte déposée contre moi par cet individu, qui me poursuit en dommages et intérêts pour dégradation de dessin figurant une trompe de mammouth : tu imagines ! Comme cette grotte de Cabrerets est une des grandes attractions touristiques du département et que le plaignant est député et intéressé à l'exploitation (200 F l'entrée) de ce prétendu sanctuaire, je ne suis pas sans inquiétudes sur les suites de l'affaire : ma consolation est de l'avoir littéralement roué de coups (mon poing en est encore tout meurtri). »

« La tentation de la désobéissance et de la révolte ne semble pas avoir abandonné le « Pape du Surréalisme », André Breton, qui se repose actuellement dans sa retraite de Saint-Cirq-Lapopie, dans le Lot. Mêlé à un groupe de touristes conduits par M. Bessac, député du département, il visitait dernièrement la grotte préhistorique de Cabrerets. Passant devant l'un des nombreux dessins rupestres qui couvrent les parois, l'écrivain mit le doigt sur la trompe d'un mammouth, défiant ainsi les barrières et les interdictions. Ce que voyant, M. Bessac, s'empressa de lui rappeler l'existence de règlements draconiens, interdisant expressément toute atteinte contre les précieux et fragiles dessins. Mais André Breton, se souvenant sans doute du beau temps de son premier manifeste, continua son manège. Sur une nouvelle et pressante intervention de M. Bessac, il aurait même, selon certains témoins, prononcé des paroles désobligeantes à l'égard du député. M. Bessac lui intima l'ordre de sortir, mais sans succès et la gendarmerie réussit à faire ce que la persuasion n'avait pu réussir. Parions qu'André Breton doit sourire de son aventure malgré la plainte pour dégradation de monument historique qui a été déposée contre lui. »