Animals

First edition.

Half brown shagreen binding ca 1860. Jansenist spine with raised bands. Gilt title. Rubbing to corners. Good copy.
Treatise on animal magnetism by a disciple of Mesmer. Demonstrations and proofs. The work concludes with considerations on the movement by the Marquis de Chastellux.

Rare first edition of the catalogue of the first exhibition of Benjamin Rabier's watercolors, showing 41 works at the Galerie d'art Deplanche from 8 June to 4 July 1910.
A very good copy despite slight staining to edge of upper cover.
An important and amusing preface by Guillaume Apollinaire who awards Rabier the prize for the "most spiritual of our animal painters."
The catalogue is illustrated with a reproduction of one original watercolor by Benjamin Rabier on the cover.

Second edition, illustrated with two musical plates (examples of tunes that can be taught to canaries) and one depicting cages.

Contemporary binding in full speckled brown sheep. Ornate spine with raised bands. Red morocco title label. Joints cracked at head and foot. Corners bumped and rubbed. Scuffing. Scattered foxing. Yellow dampstain on the first six leaves.

Treatise and manual on breeding Canary birds in captivity: feeding, nesting, care, prices, varieties... These aviary birds were particularly appreciated for their beauty, colors and song.

First French edition, illustrated with 3 folding plates containing numerous figures.

Contemporary marbled blonde calf binding. Spine with raised bands, decorated. Red morocco title label. Two small restorations to upper cover. Handsome copy.

Fundamental work on the theory of generation. The conclusions reached by Spallanzani precede those of Pasteur by nearly a century. He notably refutes the theory of spontaneous generation; it is while working on the refutation of this famous concept that Spallanzani discovers the role of spermatozoa and ovaries in mammals, through his observations on external reproduction in frogs; he will moreover be the first to pe

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.