Paris

First edition on ordinary paper, a Service de Presse (advance) copy.
Handsome copy despite small tears at foot of spine.
Autograph inscription signed by Marcel Aymé: " Pour Luc Vincent avec toutes mes amitiés, Marcel Aymé".

New edition.
Publisher's Bradel binding in full blue boards, smooth spine, with the illustrated dust jacket.
Small stains to edges, otherwise handsome copy.
Signed autograph inscription from Henri Troyat to Madame André Morice, several times minister and former mayor of Nantes.

Edition published by Paul de Rémusat of this fundamental correspondence for the Restoration.
Half tawny shagreen bindings, spines browned with five raised bands showing minor rubbing, gilt dates at foot, author's name in red shagreen, green shagreen title-label, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
Spines of bindings browned and showing rubbing.
Handsome interior condition.

Edition published with notes and an introduction by chevalier Alfred d'Arneth and A. Geffroy.
Half black shagreen bindings, browned spines with five raised bands decorated with double compartments and black fillets showing traces of rubbing, gilt dates at foot, black paper boards, marbled endpapers and pastedowns, top edges gilt, armorial bookplates pasted on pastedowns.
Spine of bindings showing rubbing, handsome interior condition.
Work illustrated with two facsimiles at beginning of volumes.
Rare complete correspondence in three volumes.

First edition illustrated with 10 plates.
Handsome copy.

Fifth edition.
Half navy blue shagreen binding, spine with five raised bands set with gilt fillets, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Some minor foxing.

First edition.
Half red shagreen bindings, spines with five raised bands decorated with double gilt fillets and dotted gilt ornaments showing traces of rubbing, one joint of the first volume fragile, upper headcaps of volumes rubbed, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary bindings.
Pleasant interior condition.

First edition of this thesis.
Covers slightly and marginally soiled without significance, handsome interior condition.
Work illustrated with plates.

Bibliothèque de La Pléiade edition printed on Bible paper.
Publisher's full green grained sheepskin bindings, blue top edges, smooth spines decorated with gilt fillets, complete with rhodoid for volume I and their dust jackets.
The rhodoid for volume I has tears and lacks.

New edition.
Half olive green shagreen binding, rubbed spine with five raised bands, date and gilt arms at foot of spine, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Occasional foxing.
Provenance: from the library of the Bourlon de Rouvre family with their engraved bookplate pasted on a pastedown.

First edition, one of the copies on laid paper.
Half green sheep binding with corners, spine with five raised bands showing traces of rubbing and discoloration at head, double gilt fillets framing the marbled paper boards faded at heads, marbled endpapers and pastedowns, marbled edges, corners slightly bumped, contemporary binding.

First edition never put into commerce, intended for members of the royal family and state dignitaries. It is printed on strong vellum, the only issue with 6 on China paper. Work illustrated with 200 vignettes in the text and 40 out-of-text figures engraved on wood, printed before letters on applied China paper, by Raffet, Decamps, Dauzat. Our copy is complete with its folding map at the end (Route de Philippeville à Alger). Fine work very well printed, with high quality engravings.
Publisher's Bradel binding covered with chamois paper, chamois slipcase (probably later). Smooth spine with beige calf title label. Spine slightly darkened with damage to the title label and at two places on

First edition.
Half red shagreen binding with corners, spine with five raised bands showing minor rubbing, date gilt at foot, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, top edge gilt.
Occasional light foxing.
Autograph inscription dated and signed by Eugène Dubois to his friend the poet Adolphe Napoléon Didron in the form of a quatrain and ending on the title page with this self-criticism by the author: "Dans ce petit livre, il y a neuf pièces sur dix à supprimer."
Our copy is enhanced with several corrections and manuscript additions by Eugène Dubois on pages 9, 37, 49, 50, 65 as well as important manuscript

First edition of issue 6 of this magazine devoted to the film "The Most Dangerous Game".
Handsome copy.
Illustrated.
In this issue 6: unpublished story and film stills, interview with Merian C. Cooper, filmography of E.B. Schoedsack.

First edition of issue 17 of this magazine.
Handsome copy.
Illustrated.
In this issue 17: Marat / Sade and Peter Brook by Raymond Durgnat, interview with Jean-Pierre Mocky, Belgian cinema: "Bagatelles pour deux vampires", le mystère bricolo by Raymond Borde...

First edition of issue 20 of this magazine.
Handsome copy.
Iconography.
In this double issue: Horrorscope: confrontation IV; Roman Polanski, witchcraft through the ages, Du voyeurisme à l'infini by R. Lefèvre, interview with Karel Zeman, on the horror film "The undertaker and his pals", film reviews: Bride of Frankenstein, Planet of the Apes, Vampyr...

First edition of issue 21 of this magazine.
Handsome copy.
Iconography.
In this double issue: Piège: Jacques Baratier, Arrabal, Eugène Ionesco, Horrorscope: Noces d'hirondelle, Karloff, Masumura, Planet of the Apes...

First printing of the 109 color miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each volume.
Small traces of soiling on the inner flaps of the slipcases which also have small paper lacks to the corners.
Handsome and rare set, lacking three of its slipcases, which was originally intended to comprise six tales but of which only three were published.

New edition with a folding map as frontispiece.
Work presented in its original wrappers with the characteristic covers of the "Collection des mémoires relatifs à la Révolution française" of which this present work is the twentieth volume.
Light scattered foxing.

The first edition, of which there were no deluxe copies.
Handsome copy.
Signed and inscribed by Jean Guitton to the politician André Morice who was several times minister and senator-mayor of Nantes from 1965 to 1977 and his wife.

First edition of this thesis defended at the Protestant Faculty of Theology in Paris to obtain the bachelor's degree in theology.
One tear and two small lacks to spine, handsome interior condition.
Rare.

First edition of this thesis defended at the Protestant Faculty of Theology in Paris to obtain the bachelor's degree in theology.
Small tears at head of spine, marginal sunning around the edges of the covers.

First edition of this thesis defended at the Protestant Faculty of Theology in Paris to obtain the degree of Bachelor of Theology.
Minor lacks at head and foot of spine, small tears to margins of covers, handsome interior condition.
Rare.

New edition, one of 25 numbered copies on Japan paper, the only deluxe copies.
Half chocolate brown morocco binding, spine with five raised bands showing slight scuffs, marbled paper boards, pebbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt with deckled edges, scuffs with lacks to marbled paper on lower edges.
Work illustrated with a portrait of Charles Dickens as frontispiece.
Handsome copy.

Revised edition based on the first editions, expanded with numerous notes, an index, and preceded by a biographical notice by Eugène Asse.
Half black shagreen binding, spine with five raised bands, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, speckled edges.

First edition expanded with a historical study, notes and a chronological table by Maurice Drack.
Half caramel sheep binding, spine with five raised bands decorated with gilt floral motifs, green sheep title-label, author's name in red sheep, minor rubbing traces on the raised bands, marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.

Second edition with some parts in first edition as revised and expanded with an appendix.
Half black shagreen binding, spine with five raised bands with some slight rubbing of no importance, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, speckled edges, contemporary binding.
Handsome copy.

New edition, one of 500 copies on laid paper, the only printing with 10 on China paper.
Work illustrated with a frontispiece and a facsimile.
Handsome and rare copy.

First edition.
Bradel binding in checkered colored fabric with inner flaps, smooth spine rubbed at foot, black shagreen title labels, marbled endpapers, original covers with Magen's address preserved.
Scattered foxing.
Provenance: from the library of Alidor Delzant with his bookplate engraved by Loriot pasted on a pastedown.

Grasset | Paris 1948 | 12 x 18.5 cm | bound in a chemise and slipcase

First edition, one of 23 numbered copies on pure wire, the “tirage de tête”.

Bound in olive green morocco, gilt date at the foot of the spine, plates embellished with tan morocco panel stamps with geometric outlines, the inside of which have been laid with strips of brown morocco appearing like both snakeskin and the outline of a closed fist, all edges gilt, preserved wrappers and spine, chemise in half olive green morocco in strips, white paper boards, slipcase lined in olive green morocco, white paper boards, elegant and spectacular binding signed D. H. Mercher.

A very rare and beautiful,

First edition.
Contributions by Henri Albert "Auguste Strindberg", Victor Barrucand "Buddhist Writings", Gustave Kahn "The Mad King (continued)", Romain Coolus "Dramatic Notes"...
Minor worming and stains to boards.
Our copy is complete with the original print by Maurice Denis.

Bibliothèque de La Pléiade edition printed on Bible paper.
Publisher's full green grained sheep binding, smooth spine decorated with gilt fillets, handsome copy complete with dust jacket and acetate cover.

First edition with no mention of deluxe copies.
Spine slightly sunned.
Signed autograph inscription from Monseigneur Chevrot to Maurice Martin du Gard.

First edition on ordinary paper.
Work illustrated with drawings hors-texte.
Handsome copy despite a small scribble in black ballpoint pen at the head of the page bearing the inscription.
Signed autograph inscription from Claude Seignolle to his friend Claude Aveline expanded with his printed stamp "Hommage de l'auteur"

First collected edition on ordinary paper, a Service de Presse (advance) copy.
Spine slightly sunned, small stain to head of front cover, light foxing affecting mainly the first leaves.
Signed and inscribed by Léon-Paul Fargue to Léon Daudet

First edition, one of 25 numbered copies on Arches laid paper, deluxe copy.
Cover illustrated by Mario Prassinos.
Handsome copy.

First edition, of which there were no deluxe copies.
Work illustrated with a portrait of the author by Pablo Picasso and two drawings by Joseph Sima.
Half black calf binding with bands, smooth spine, title and author's name in red, boards enhanced with red varnish panels evoking snakeskin, red edges, covers and spine preserved, chemise and slipcase in half black calf, black cloth boards, black felt lining, elegant and spectacular binding signed Georges Leroux.
Handsome copy perfectly established in a superb bloody binding by Leroux recalling the sanguinary turpitudes of Gilles de Raiz.
Very rare autograph inscription signed by Vicente Huidobro to Lady Rothermere:

First edition.
Work illustrated with plates.
Handsome copy.

First edition.
Work illustrated with plates.
Handsome copy.

Edition printed on vergé.
nice copy.

First edition.
Split spine, marginal lacks to spine and boards, rear board detached and stained.
Rare but in poor condition.

Second edition with some parts in first edition as it was revised, corrected and expanded with many anecdotes and several new notes or observations.
Bradel binding in full boards, smooth spine slightly browned with a handwritten paper title label and a library shelf label, on the front board, label bearing the title crossed out and scratched from the work, one upper corner slightly bumped, contemporary temporary binding.
Handsome interior condition despite some minor foxing.

The first edition, of which there were no deluxe copies
A handsome copy.

The first edition, of which there were no deluxe copies.
Publisher's full red cloth binding, smooth spine.
A fine copy.

Edition decorated with 37 original color compositions, plus one on the cover, by Maurice Lalau created for the first time using the graphichromie process invented by the artist, including one on the cover, a title vignette and 37 in the text.
Printing begun in 1926 was completed on November 15, 1928.
Unique print run limited to 150 numbered copies on vélin Madagascar-Lafuma.
Slipcase split at foot, joints of the chemise spine with scratches.
Our copy includes the complete suite of 37 black illustrations on vellum.
Rare and handsome copy.

First edition illustrated with 57 pictures by the author.
A little scuffed on joints as usually.
Signed handwritten inscription by Jacques Prévert.

First edition.
Handsome and rare illustrated copy, in fine, with a folding map.

First edition printed on ordinary paper.
Work decorated with 17 color illustrations.
Handsome copy despite small foxing mainly affecting the edges.

First edition of this capital work for understanding the Second Empire. Preface by Louis-Antoine Léouzon Le Duc. Volume 1 is in second edition. A frontispiece portrait in lithography.

Copy with the cipher at foot of the Duke of Massa, Jean Louis Napoléon Régnier Duke of Massa (1875-1946). His cipher is JRM crowned and surmounted by an eagle.
Contemporary half chocolate shagreen bindings, spines with five raised bands decorated with various ornamental tools, including a mask, a ship... Rubbing to spines. 5 corners slightly bumped. One tear to the third volume in the last compartment. The Duke's usual binder was Affolter, but no binding is signed. Original wrappers preserved.

First edition, one of the 150 numbered copies, the only printing with 25 Japon.
Rare and nice copy.

First edition for which no deluxe copies are mentioned.
Traces of rubbing and small tears to spine, one tear at head of front cover.
Autograph inscription dated and signed by Henri Béhar: "A Jacques Baron ce Vitrac dont il parle avec tant de chaleur." ["To Jacques Baron this Vitrac of whom he speaks with such warmth."]
Our copy is enriched with a manuscript note by Jacques Baron about Roger Vitrac.

Edition illustrated with drawings by the author both in and outside the text.
Publisher's binding in half bottle-green shagreen, spine with four fine raised bands decorated with double gilt compartments, binder's name gilt at tail, frame of blind fillets on bottle-green paper boards, endpapers and pastedowns of white watered silk with some minor foxing, all edges gilt.
Some foxing.

First edition.
Spine folded.

First edition of this thesis presented to the University of Paris for the degree of doctor.
Rare.

First edition.
blank spine slightly faded, Nice copy.

First edition on ordinary paper.
Bradel binding in grey half cloth, smooth spine, gilt date at foot, black shagreen title label with marginal tear, marbled paper boards, original wrappers preserved, contemporary binding.
Work illustrated with 12 plates hors-texte.
Autograph inscription signed by Paul Ginisty to Henri Lavedan.

Complete edition of the autograph manuscripts published for the first time, one of the numbered copies on châtaignier paper, the only printing after 88 on pur fil.
Index and notes by Alfred Roulin and Charles Roth.
Handsome copy despite slight sunning to the foot of the first cover.

Edition, one of the numbered copies on châtaignier paper, the only issue after 88 pur fil copies.
Introduction and notes by Alfred and Suzanne Roulin.
Handsome copy despite the spine being slightly sunned.

First edition.
Bradel binding in half blue cloth, smooth spine, title-label and authors' names in black shagreen, gilt date at foot, gilt monogram at head, marbled paper boards, original wrappers preserved.
Amusing bookplate of Jules Couët, librarian archivist of the Comédie-Française, pasted on a pastedown: "Ex-libris du cabinet d'un vieux bibliophile".
Autograph inscription signed by Lucien Perey to Maurice Tourneur-Souverain enriched with the signature of Gaston Maugras.

First edition.
Bradel binding in half blue cloth, smooth spine, black shagreen title-label and authors' names, gilt date at foot, gilt monogram at head, marbled paper boards, front cover preserved (the back cover with a significant lack filled in).
Work illustrated with a portrait of Louise d'Epinay as frontispiece.
Charming bookplate of Jules Couët, librarian-archivist of the Comédie-Française, pasted on a pastedown: "Ex-libris du cabinet d'un vieux bibliophile".
Signed autograph inscription from Lucien Perey to Maurice Tourneur enhanced with Gaston Maugras's signature.

First edition.
Half green shagreen binding, spine with four raised bands set with gilt dotted lines and decorated with gilt fleurons, small traces of rubbing on the joints, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Some light foxing affecting mainly the first leaves.

First edition.
Spine and covers marginally sunned, paper yellowed, small lack to foot of spine.

First edition.
Light lacks and angular tears to covers, some minor interior foxing, pages 104-105 shadowed due to the presence of a loose annotation sheet.
Copy in original wrappers.

First edition.
Three small lacks at foot of spine which also has two slight tears at head, otherwise handsome copy.

First edition.
Introduction, notes and commentary by Ernest Daudet.
Half green shagreen binding, faded spine with five raised bands, gilt zodiacal Sagittarius at foot of spine, two friction marks on headcaps, marbled paper boards, marbled endpapers and pastedowns.
Work illustrated with a portrait of Joseph de Maistre and the Count of Blacas as frontispiece.

The first edition, of which there were no deluxe copies.
Work illustrated with 16 photographic plates hors-texte.
A stain at foot of first cover, small marginal tears to covers.

First edition, one of 479 numbered copies on châtaignier paper, the only deluxe copies after 1 Madagascar and 20 pur fil.
Preface by Anatole de Jakovsky, photographic portrait of Alphonse Allais as frontispiece.
Handsome copy retaining its publisher's wraparound band, the spine soiled and discolored.

First edition of the issue of this magazine directed by Marcel Hiver and which intends to lambast and wage war on “the traffickers of art and criticism”
Spine and boards slightly discoloured, discrete restorations on the board margins,
Precious handwritten presentation signed by Marcel Hiver: “A Antonin Artaud dont j'ai lu avec le plus vif intérêt la rayonnante réponse aux surréalistes. En signe de très sincère estime intellectuelle.” “To Antonin Artaud, whose radiant response to the Surrealists I have read with the greatest interest. A sign of utmost intellectual respect.”
We also attach a printed carte de visite by Marcel Hiver on which he added these words

First edition printed on alfa paper with numerous plates.
Some spines lightly sunned, without significance.
Handsome complete set in 20 volumes.

First edition.
Two light angular tears at head and foot of front cover, which also has two small black ink stains at foot, otherwise a handsome copy.

Edition published with an introduction and notes by Baron Jehan de Witte.
Preface by Pierre de Nolhac.
Spine and boards lightly and marginally sunned.

New edition with some parts in first edition as revised and completed by Jules Janin for the text and expanded with numerous tailpieces and headpieces by Grandville for the illustration. A bibliography of books illustrated by Grandville/
Later half red sheep binding (ca 1920), Jansenist spine with raised bands, small traces of rubbing on the slightly faded spine. Set of beautiful freshness, but some pale browning in the margins at the beginning of the work. The preserved cover restored with a strip of paper to be restored. Inversion of leaves at the beginning of the work, leaf 3 appearing before leaf 1.
Handsome copy.
Work illustrated with a frontispiece and 70 hand-colored pl

First edition, one of 600 numbered copies on Montgolfier laid paper.
Spine and boards marginally discolored and sunned as usual, a crease mark at foot of first board, bookplate pasted on endpaper.
Work illustrated with 8 lithographs by René Ben Sussan.
Autograph inscription signed by Emmanuel Bove: "A Willy Michel de tout coeur." ["To Willy Michel with all my heart."]

Illustrated edition with a portrait of Colette by Luc-Albert Moreau, one of 300 numbered hors commerce copies on Ivoirine paper.
Restorations to spine and joints, small corner lacks filled on boards, handsome interior condition.
Exceptional and precious autograph inscription signed by Colette: "Pour Drieu La Rochelle en souvenir de Colette." ["For Drieu La Rochelle in memory of Colette."]

First edition, a Service de Presse (advance) copy.
Handsome copy.
Signed and inscribed by Jean Tardieu to André Laude.

New edition. The era of bindings "with pasted portrait" with the "lighthouse" spine began in 1892 and ended in 1895. 95 illustrations including one full-page map, most by Meyer.
Publisher's binding known as "With printed portrait". Plate signed Souze. Rear board of Lenègre type. Edges gilt.
Very fine first plate, with sharp gilt. Corners slightly rubbed. Spine somewhat faded. Headcaps sunken. Rear board good but with some soiling, and the cloth along the lower joint narrowly split for 5cm. Paper fresh and bright, free from foxing. Volume solid and tight throughout. Fine copy overall.
Adventure novel devoted to the question of slavery, and more particularly the slave trade by A

The first edition, of which there were no deluxe copies.
A handsome copy.
Precious signed autograph inscription from Casamayor: "A Raymond Aron pour rester dans le concret..." ["To Raymond Aron to remain in the concrete..."]

First edition in French, of which there were no deluxe copies.
Handsome copy.
Autograph inscription signed by Jorge Amado to Daniel Odier.

First edition in French, one of 30 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition.
Half hazelnut morocco bindings with corners, slightly faded spines with five raised bands, gilt dates at foot, marbled paper boards marginally and slightly faded without concern, combed paper endpapers and pastedowns, original wrappers preserved, top edges gilt, bindings signed Bretault.
Introduction and notes by Count de Circourt and Count de Puymaigre.
Handsome copy.

First edition for the "Correspondance de Collé" and new edition with some parts in first edition as it is expanded with unpublished fragments for the "Journal et mémoires".
Half bottle-green shagreen bindings, faded spines with five raised bands, spines with minor scratches, marbled paper boards marginally and slightly faded without concern, marbled endpapers and pastedowns, speckled edges.
The correspondence volume is decorated with a frontispiece portrait of Charles Collé.

First edition.
Half bottle-green shagreen bindings, faded spines with five raised bands, spines with minor scratches, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
A bookseller's description label pasted on an endpaper of the first volume, blue ballpoint pen annotations on the last endpaper of the second volume.

Illustrated with 11 original etchings by Valentin Foulquier, one of the numbered copies on Japan paper, deluxe copy.
Full red Russian morocco binding, smooth spine decorated with a gilt cartouche ornamented with gilt typographic motifs, gilt date at foot, gilt roulettes on headcaps, gilt fillet frame on boards, pebbled paper endpapers and pastedowns, triple gilt fillet frame on pastedowns, covers and spine preserved, gilt fillets on edges, perfect contemporary binding signed Champs.
Our copy includes a duplicate suite of the 11 etchings by Valentin Foulquier.
Furthermore, our copy is exceptionally enriched with an original watercolor signed by Valentin Foulquier on an

First edition.
Half midnight blue shagreen binding, spine with five raised bands decorated with gilt fillets, gilt initials at foot, traces of rubbing to bands and head of spine, marbled paper boards, combed paper endpapers and pastedowns, original wrappers preserved, one upper corner slightly bumped.
A small annotation in blue ballpoint pen on the rear endpaper.

First edition.
Half midnight blue shagreen binding, spine slightly faded with five raised bands, marbled paper boards with moiré effect, marbled endpapers and pastedowns, speckled top edge.
Handsome copy.
Signed autograph inscription from Marcel Marion to his friend Rebelleau.

First edition, one of the numbered copies on chestnut paper.
Some blue pen annotations in the margins of the first leaves of the first volume, spines slightly sunned.

New edition expanded with additions, notes and unpublished clarifications.
Half bottle-green morocco bindings, spines faded with five raised bands set with gilt fillets, marbled paper boards, marbled paper endpapers and pastedowns, top edges gilt.
A portrait of Madame Epinay pasted opposite the introduction page of the first volume.
Foxing.

First edition.
Half blue shagreen binding, spine with four raised bands set with gilt fillets ornamented with gilt fillets and dotted lines, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Foxing affecting principally the edges.

First edition, one of 444 numbered copies on large ordinary paper.
Handsome copy.