Paris

First edition of the French translation, one of 20 numbered copies on pur fil paper, ours one of the few hors commerce, a deluxe issue. Endpapers lightly and entirely toned. A fine copy with full margins.

Superb original photographic portrait of Ravachol taken by Alphonse Bertillon, contemporary print on albumen mounted on bristol board.
Extremely rare handwritten caption signed by the most famous of the French anarchists, written in his hesitant and naive handwriting, at the bottom of the photo: “1er mai 1892 Koningstein [sic] Ravachol” “1st May 1892 Koningstein [sic] Ravachol”.
The spelling Koningstein chosen by Ravachol differs from his father's surname (Königstein). This variation confirmed by the Maintron (Biographical dictionary of the social and labour movement) is found in particular in a piece of his writing by hand dated 13 April 1892 and kept at the Conciergerie.
“ Un c

First French edition, translated by William Hugues, under the direction of P. Lorrain.

Contemporary half red shagreen binding. Spine with raised bands decorated with 3 fleurons. Gilt titles and volume labels. Light traces of rubbing. Very fresh set, free from foxing except for some pale browning on the first text page of volume 1.
A work of great darkness, Little Dorrit is the second of Dickens's three political and social novels. It is a denunciation of Victorian society obsessed with wealth and power. G. B. Shaw would judge the novel "More seditious than Karl Marx's Capital". The novel begins in Marseille. One of Dickens's great works.

Description of 60 Patience games with figures in red and black indicating the placement of cards. Red border on all pages. Title page in a cartouche framed with Renaissance ornaments, in black, red and sepia. Beautifully printed work.
Publisher's ochre boards. Renaissance style ornamental compositions on the covers. Red edges. 
Superb copy, in near mint condition.

First edition of the theatrical adaptation.
Bound in half red shagreen, spine in four compartments set with gilt stipples adorned with double gilt spine panels, marbled paper plates, marbled endpapers, contemporary binding.
Precious handwritten presentation signed by George Sand: “à monsieur Huart en lui demandant pardon de tout le mal que je lui donne.” “To Mr Huart asking for his forgiveness for all the harm I am causing him.”

Provenance: from the Grandsire library with its ex-libris.

First edition, one of 230 numbered copies on Auvergne paper, ours one of 75 not-for-sale copies, the only printing after 10 copies on China and a few hors commerce copies; this copy specially printed for René Daumal.
 
Frontispiece illustrated with an original lithograph by Étienne Cournault.
Very faint, insignificant foxing to the margins of the covers.
A handsome copy complete with its original wraparound band.
 
Exceptional and superb signed autograph inscription dated 27 December 1936 from René Daumal to his future partner Véra Milanova : « à Véra Milanova – à toi Véra, d'abord ces anciens mensonges (que je n'ai pu nourrir qu