Paris

First edition, one of 470 numbered copies on Holland paper, the only deluxe copies with 59 on China paper.

Full violet morocco binding, spine with five raised bands uniformly sunned, date and place gilt at foot, double gilt fillet on edges and headcaps, endpapers and pastedowns - framed with wide gilt dentelle - of paste paper, all edges gilt on witnesses, covers and spine preserved, binding signed David. Upper corner of first cover lightly rubbed.

Bookplate pasted on front pastedown.
Handsome copy of this collection containing three fantastic tales: "L'entrevue", "Le Pavillon fermé" and "Marceline ou la punition fantastique".

First edition complete with its 72 pages of Japanese texts in colors bound at rear.
Contemporary binding in half blue shagreen, spine with five raised bands richly decorated with grotesque compartments, double gilt fillet on marbled paper boards, top edge gilt retaining deckled edges. Corners bumped (one slightly cracked) and surface wear.
Rare.

Photographic portrait of Charles Destouches, uncle of Louis-Ferdinand Céline, pictured with his wife and their young daughter Charlotte Destouches—Céline’s cousin known as “Lolotte”—on albumen paper mounted on a card from the Parisian studio A. Lauga.
 
Small loss to lower right corner. Some glue residue along the edges. Handwritten caption on verso.

Original photograph mounted on rigid cardboard, showing Fernand Destouches, father of writer Louis-Ferdinand Céline (top right) posing alongside his brothers René, Georges and Charles - from top to bottom and left to right.
Edges of the rigid cardboard slightly bumped.
 
This portrait of the four Destouches brothers in uniform with laurel collar, dates from their happy schoolboy years at the Le Havre lyceum. The photograph, a true incarnation of a carefree and bygone past, must undoubtedly have held importance in the eyes of the four brothers, who would reproduce as adults the exact pose of this childhood portrait for a second, family portrait, preserved in the collection of Fran

First edition, posthumous, printed on Holland paper.
Contemporary full marbled brown calf binding, spine in compartments richly decorated, red morocco title label, black morocco volume label, a small loss to the lower joint at the foot, rubbing marks, surface abrasions to the upper cover with a small loss of leather, one corner bumped, marginal loss to the right corner on pages 247 and 257.

Paper generally fresh. This copy has been bound as a single volume, following the 1772 edition of Diderot’s Works in 6 volumes (Volume VI, II).

A good copy.
The introductory text, à la mémoire de Diderot, is by Jakob-Heinrich Meister, a friend of Necker and successor

First edition published by Antoine Le Bouc in 1642 and later reissued for sale in 1684, with a cancel slip pasted over the original imprint, bearing the updated address of Antoine Vuarin. This intriguing bibliographical feature suggests that a portion of the original printing remained unsold. Notably, the work was never reprinted. Epistle addressed to Cardinal Richelieu.
Fine allegorical frontispiece by Avice. The illustrations include a genealogical chart of the House of Orléans; two genealogical tables of the House of Luxembourg; four plates demonstrating the Marquis de Gesvre's descent from Charlemagne; a plate detailing the quarterings of the Marquis de Noirmoustier's arms; a genea

Unique collection of documents (photographs, posters, etc.) and manuscripts relating to the confidential theatrical adaptation of Au beau rivage by an admirer from Le Mans of René Fallet.
In 1972, Claude-Denis Renard from Le Mans, a great admirer of René Fallet, contacted the latter so that he would accept a theatrical adaptation of his novel Au beau rivage published in 1970 and for which he received the Humor Prize. Animated by his usual kindness, the writer joyfully accepted, forgetting to inquire about the contingencies linked to the exploitation rights of the novel held by the production company Prothea, whose reaction was not long in coming. In

Unpublished autograph letter signed by Max Jacob addressed to Fernand Pouey. One page written in black ink on a sheet.
Two transverse folds inherent to mailing.
Remarkable letter in which Max Jacob asks a strange favor of his friend: "Un de nos amis explose [sic] des tableaux 76 Fg St Honoré galerie Charpentier le 4 avril. J'ai des obligations à son endroit et je voudrais lui montrer des sentiments d'ailleurs plus ou moins sincères. Tu peux certainement signaler au critique d'art de la maison cette peinture sûrement honorable." ["One of our friends is exploding [sic] paintings 76 Fg St Honoré galerie Charpentier on April 4th. I have obligations towa