Paris

First edition.
Spine slightly faded, internally good.

First edition.
Spine very slightly faded, internally good.

Rare first edition.
Spine faded and clumsily restored with a cloth piece, title partially inscribed in pen at head of spine, minimal marginal lacks to boards, pale dampstain at head of first few pages.
Rare.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Hippolyte Babou: "Henry Monnier aux Enfers", Théodore de Banville: "Duel", Henry Laujol: "Monsieur Buloz", François Coppée: "Purgatoire", Herbert Harvey: "Les artistes étranges : William Blake", Léon Cladel: "Le Tombeau-des-Lutteurs (suite)", Catulle Mendès: "Pierre le Véridique (chap VII)", Georges Godde: "Rondeau", G.D., S.P., K.H., L.P.: "La Semaine".
Minor lacks to spine, lower wrapper lightly creased, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Ivan Tourgueneff: " Le fils du Pope, récit inédit", Léon Dierx: "Sur le seuil", Camille Pelletan: "Les masques politiques- II- Le duc de Broglie", Théodore de Banville: " Le vêtement", Adelphe Froger: "Sur le fleuve", Catulle Mendès: "De la légende", Albert Mérat: "Nos Ciels", Léon Cladel: "Le Tombeau-des-Lutteurs", Catulle Mendès: "Pierre le Véridique", G.D., J.P., K.H.: "La semaine".

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Octave Fouque: "La Nouvelle Musique française : Berlioz-Bizet-Massenet-Saint-Saëns", Camille Pelletan: "Les masques politiques : III. Duc et Marquis", Léon Dierx: "Gloria in excelsis", Ivan Tourgueneff: "Le fils du pope (suite et fin)", Armand Silvestre: "Alfred de Vigny", Henry Laujol: "Les Abeilles", Catulle Mendès: "Pierre le Véridique", G.D., J.P., K.H., L.P.: "La Semaine".
Minor lacks and rubbing to upper cover, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Herbert Harvey: "Swinburne", Adelphe Froger: "Après la défaite", Théodore de Banville: "Premier Amour", Léon Cladel: "Le Tombeau des Lutteurs", Villiers de l'Isle Adam: "Le Traitement du docteur Chavassus", Raoul Ponchon: "Renouveau", Catulle Mendès: "Pierre le Véridique", Georges Godde: "Compensation", G.D., J.P., K.H., L.P., M.S.: "La Semaine".
Copy expanded with a colored hors-texte poster.
Marginal lacks not affecting text, marginal dampstain also without consequence, some foxing spots, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Victor Hugo: "La légende des siècles (fragments)", Maurice Bouchor: "Le Shakespearomane", Camille Pelletan: "Les Masques politiques: IV. L'évêque d'Orléans", Léon Dierx: "Le Talisman", Léon Cladel: "Le Tombeau des Lutteurs (suite)", Octave Fouque: "Musique: Le timbre d'argent", G.D., J.P., K.H., L.P., M.S.: "La Semaine".
Copy enhanced with a pen and ink drawing by Rodolphe Julian.
Pre-original edition of two poems from La Légende des Siècles, a new series of which was about to be published by Calmann-Lévy.
Some minor marginal foxing spots, otherwise a handsome copy.

First edition.
Under blue paper covers, printed in red and black.
Contributions by: Catulle Mendès: "Justice (drame)", Camille Pelletan: "Les Masques politiques. V. Un sénateur", Adelphe Froger: "Les Ornements", Théodore de Banville: "La Miniature", Henry Laujol: "Les Abeilles", Léon Cladel: "Le Tombeau des Lutteurs", Auguste Denys: "Les Caresses, par M. Jean Richepin", Dr Henri Napias: "Curiosités et merveilles de la science", G.D., J.P., L. P., M.S.: "La Semaine".
A handsome copy.

First edition.
Under blue paper covers, printed in red and black.
Contributions by: Edmond de Goncourt: "La Fille Elisa (fragments)", Adelphe Froger: "L'Ancienne Musique", Théodore de Banville: "Faute de s'entendre", Léon Dierx: "Les Nuages", Catulle Mendès: "Justice (suite)", Armand Silvestre: "Sonnet Chrétien", Léon Cladel: "Le Tombeau des Lutteurs", G.D., J.P., L.P., M.S.: "La Semaine".
One tear with loss to center of cover (detached boards), some light foxing, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Théodore de Banville: "L'amour heureux", François Coppée: "Regain d'amour", Emile Zola: "L'Assommoir" (Second part, IV-continued), Armand Silvestre: "Prélude", Catulle Mendès: "Il ne faut pas jouer avec la cendre", Jean Richepin: "Un cadeau", Edgar Poe (Poetic works): "Le Ver conquérant", "Ulalume" (translation by Mallarmé), Ernest d'Hervilly: "Les Miracles de Paris", Jean Prouvaire: "La Quinzaine parisienne".
Small tears with loss to spine of wrapper, a brown ring stain on lower wrapper, one marginal loss not touching text on one leaf, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Théodore de Banville: "Memento Vivere", Adelphe Froger: "Salon d'Automne", Emile Zola: "L'Assommoir" (Second part, IV-continued), Maurice Rollinat: "Jalousie féline", Jean Prouvaire: "Déidamia (fragments)", Catulle Mendès: "Littérature de la rue anglaise", Henry Laujol: "Les Abeilles", Jean Prouvaire: "La semaine parisienne".
Handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Edgar Poe: "L'initiation de la Signora Psyché Zenobia" (unpublished story), Théodore de Banville: "Sganarelle", Raoul Ponchon: "Chanson vineuse", Emile Zola: "L'Assommoir" (Second part, IV-continued), Léon Dierx: "Corot", Henry Laujol: "Les Abeilles", Jean Prouvaire: "La semaine parisienne".
Light worming to upper wrapper, otherwise handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Catulle Mendès: "Pierre le Véridique" (unpublished novel), Albert Mérat: "La Nuit", Théodore de Banville: "La Jalousie", Gabriel Vicaire: "Buveurs bressans", Emile Zola: "L'Assommoir" (Second part, IV-continued), Armand Silvestre: "Sonnet à Banville", Léon Hennique: "Jardin magique", Jean Prouvaire: "La semaine parisienne".
Handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Léon Cladel: "Le tombeau des lutteurs" (new novel), Sully Prudhomme: "Ode à Lydie", Théodore de Banville: "Contes pour les femmes", Catulle Mendès: "Pierre le Véridique", Emile Zola: "L'Assommoir" (Second part, IV-continued), Henry Laujol: "Les Abeilles", Jean Prouvaire: "La semaine parisienne".
Minor marginal tears to lower wrapper and one leaf (not touching text), otherwise handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Hervert Harvey: "Les artistes étranges : William Black", Théodore de Banville: "Le fin Mot", François Coppée: "A une Blonde inconnue", Edouard Lockroy: "Garibaldi", Léon Cladel: "Le Tombeau-des-Lutteurs" (continued), Catulle Mendès: "Pierre le Véridique (continued)", Emile Zola: "L'Assommoir" (Second part, IV-continued and conclusion), M. T., J.P., L.P.: "La semaine".
Issue illustrated with two pen drawings by Rodolphe Julian and Henry Somm.
Handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Jose-Maria de Heredia: "L'épée", Camille Pelletan: "Masques politiques : I. M. Ruffet", Théodore de Banville: "Contes pour les femmes", Léon Dierx: "Les aïeux", Léon Cladel: "Le Tombeau-des-Lutteurs (suite)", Adelphe Froger: "L'Ennemi", Catulle Mendès: "Pierre le Véridique (chap VI)", Léon Hennique: "Dans la ruelle de Cydalise", G.D., S.P., K.H., L.P.: "La Semaine".
Issue decorated with a pen drawing by Rodolphe Julian.
Manuscript pencil correction to the numbering (Fourth issue rather than third).
Minor stains to wrappers, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Emile Zola: "L'Assommoir" (Second part, I-continued), Jose-Maria de Heredia: "En Campanie", Léon Cladel: "La Saint-Hilaire", Henry Laujol: "Les Abeilles", Catulle Mendès: "La petite servante", P. Gérin: "M. Ernest Renan", Adelphe Froger: "Dans le Parc", Edmond Péradon: "Les Noces Corinthiennes", Jean Prouvaire: "La semaine parisienne".
Handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Emile Zola: "L'Assommoir" (Second part, I-continued), Anatole France: "Térence", Théodore de Banville: "Léviathan-Hôtel", Adelphe Froger: "Le soir silencieux", Léon Dierx: "Leconte de Lisle", Henry Laujol: "Les Abeilles", Sylvius: "Apôtres bottés", Jean Prouvaire: "La semaine parisienne".
Minimal worming to upper wrapper and margins (of no consequence), otherwise fine internally.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Emile Zola: "L'Assommoir" (Second part, II-continued), Maurice Bouchor: "Les Fleurs-Soleil couchant", Edgar Poe: "L'enterrement prématuré", Adelphe Froger: "La Promeneuse", Alfred Naquet: "Victor Hugo", Félix Frank: "Les Saisons", Henry Laujol: "Les Abeilles", Jean Prouvaire: "La semaine parisienne".
Handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Leconte de Lisle: "Cozza et Borgia", Emile Zola: "L'Assommoir" (Second part, III-continued), Albert Mérat: "Le vertige", Richard Wagner: "Un musicien étranger à Paris", Adelphe Froger: "Les hirondelles", Edgar Poe: "L'Enterrement prématuré" (end), Jean Prouvaire: "La semaine parisienne".
Handsome copy.

First edition.
In original wrappers, blue paper cover printed in red and black.
Contributions by: Emile Zola: "L'Assommoir" (Second part, III-continued), Léon Valade: "Lettre d'un voyageur", Richard Wagner: "Un musicien étranger à Paris", Raoul Gineste: "Petit Lever", Stéphane Mallarmé: "L'oeuvre poétique d'Edgar Poe: IV-Le Palais hanté, V- A Hélène", Henry Laujol: "Les Abeilles", Stéphanowitsch: "La jeune fille sur le champ de bataille. Poème serbe", Georges Godde: "Les deuils récents", Jean Prouvaire: "La semaine parisienne".
A fine copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Théodore de Banville: "La vie et la mort", Emile Zola: "L'Assommoir" (Second part, III-continued), François Coppée: "A l'enfant blonde", Léon Cladel: "Années d'apprentissage", Adelphe Froger: "Compensation", Catulle Mendès: "Le Corset de Dorimène", Richard Wagner: "Un musicien étranger à Paris", Jean Prouvaire: "La semaine parisienne".
Shadow and minimal worming to upper right corner of wrapper and first leaf, a small brown stain with no impact on upper cover, otherwise a handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Léon Dierx: "Au Jardin", Emile Zola: "L'Assommoir" (Second part, III-continued), Sully-Prudhomme: "Evolution", Ernest d'Hervilly: "La Pomme et le Magistrat", Armand Silvestre: "Impressions", P. Gérin: "M. Alphonse Daudet", Adelphe Froger: "La Fuite vaine", Henry Laujol: "Les Abeilles", Richard Wagner: "Un musicien étranger à Paris" (conclusion), Jean Prouvaire: "La semaine parisienne".
Small tears with losses to spine, some scattered foxing.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Théodore de Banville: "La Lune-Les Belles Filles", Emile Zola: "L'Assommoir" (Second part, IV-continued), Albert Glatigny: "Lettres à Stéphane Mallarmé" (unpublished verse), Catulle Mendès: "Siméon Charlerie" (continued), Léon Dierx: "La femme du chef", Henry Laujol: "les Abeilles", Adelphe Froger: "Le retour", Catulle Mendès: "Les Théâtres: Coq Hardy", Jean Prouvaire: "La semaine universelle- Les actualités", Spiagudry: "La semaine universelle- Les Souvenirs".
Small lacks at foot of spine, upper cover slightly faded, otherwise fine interior condition.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Leconte de Lisle: "Phalya-Mani, conte sanskrit", Emile Zola: "L'Assommoir" (Second part, IV-continued), Léon Dierx: "L'Eperon", Anatole France: "La mission de Jeanne d'Arc", Catulle Mendès: "Siméon Charlerie (continued)", Jean Prouvaire: "La semaine universelle".
Minor lacks to spine, otherwise handsome copy.

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Victor Hugo: "Une réponse", Théodore de Banville: "Le Rendez-Vous", Armand Silvestre: "Intermède païen", Emile Zola: "L'Assommoir" (Second part, IV-continued), Léon Valade: "Le premier baiser", Alex Pothey: "Nostalgie", Catulle Mendès: "Siméon Charlerie (continued and end)", Jean Prouvaire: "La semaine parisienne".

First edition.
In blue paper wrappers, printed in red and black.
Contributions by: Victor Hugo: "La sieste de Jeanne", Alphonse Daudet: "Moeurs provinciales. I- Le cercle", Théodore de Banville: "Homère", Léon Cladel: "Bêtes et gens", Léon Dierx: "Croisée ouverte", Victor Hugo: "La sieste de Jeanne (autographe)", François Coppée: "Fin d'année", Ernest d'Hervilly: "Il faut des époux assortis", Sully-Prudhomme: "Les Infidèles", Jean Richepin: "Le Lâche", Adelphe Froger: "La Fleur divine", Henry Laujol: "Les Abeilles", Catulle Mendès: "Le mauvais guide".
Pre-original publication of the poem "La sieste de Jeanne" by Victor Hugo, which would later appear in the collection "L'art d'être grand-père", published by Calmann-Lévy in 1877. The poem was entrusted to the review at the request of its director, Catulle Mendès, as Hugo's contribution to a fundraising effort for an impecunious artist.
A handsome copy.

First edition, one of 35 numbered copies on pure linen paper, ours one of the 10 hors commerce copies, deluxe issue with 6 Madagascar.
Handsome and rare copy.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

Sixth edition.
Contemporary pamphlet in printed pink paper wrappers. Rubbing.
Memoir addressed to King Louis XVIII in July 1814, during Bonaparte's downfall (whose rise Carnot had assisted), pro-revolutionary, particularly violent and imprecatory regarding the death of Louis XVI. This pamphlet recalls that the revolutionary tone was not dead in 1814 and that the search for an adequate constitution was still current. The letter is followed by various commentaries by Carnot himself.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.
Spine faded as usual, one joint slightly cracked and glued to foot, small tiny marginal stains to the covers.

First edition of this selection of texts with a preface by Lucien Scheler.
Precious autograph inscription from him to Francis Ponge.
With a frontispiece portrait of J.P. Marat after a linocut by L. Scheler.
Spine slightly sunned, a tiny corner loss to the heads of the first pages.

First edition on ordinary paper.
Inscribed by the author.
Spine sunned.

First edition printed on ordinary paper.
Inscribed by the author.
Spine sunned without significance.

First edition on ordinary paper, fanciful statement of one thousand copies.
Fine nearly full-page autograph inscription by the author.

First edition on ordinary paper.
Work illustrated with a portrait of J. Moréas as frontispiece and an autograph facsimile.
Handsome copy.

First edition for which there were no large paper copies.

First edition, one of 800 numbered copies on Arches paper, the only printing with 20 on Japan paper.
Work illustrated with a frontispiece by J.G. Daragnès.
Handsome copy with unfaded covers.

First edition, one of 320 numbered copies on Mongolfier paper, the only deluxe copies along with 50 on Holland paper.
Small traces of adhesive paper at head and foot of endpapers, otherwise a handsome full-margined copy.

First edition, one of 950 numbered copies on alfa paper, ours number 58 hors commerce and specially printed for Lucien Descaves.
Signed autograph inscription from Henri Béraud to Lucien Descaves below the justification page.
Minimal foxing on the first endpaper and half-title page.

First edition, one of 43 numbered copies on Holland paper, deluxe issue.
Handsome copy.

Article extracted from the Revue des deux mondes.
First edition. Rare.
In plain wrappers.

Article extracted from the Revue des deux mondes.
First edition. Rare.
In plain wrappers.

Article extracted from the Revue des deux mondes.
First edition.
In plain wrappers.

Extract from the Revue des deux mondes.First edition. Rare.In plain wrappers.

Extract from the Revue des deux mondes/
First edition. Rare.
In plain wrappers.

First edition, one of 20 numbered copies on Montval, deluxe copy.
Handsome copy.

First edition.
Contributions by R. de Gourmont, Rachilde, P. Fort, A. Rouveyre, J. de Gaultier...
Issue illustrated with 2 wood engravings by A. Rouveyre.

First edition.
Contributions by R. de Gourmont and O. Uzanne.
Issue illustrated with wood engravings by A. Rouveyre.

First edition.
Contributions by R. de Gourmont and E. Barthelémy.
Issue illustrated with wood engravings by A. Rouveyre and 2 drawings by G. d'Espagnat.

First edition.
Contributions by R. de Gourmont, T. Stanton, Pinkerton, G. Prévost...
Issue illustrated with wood engravings by A. Rouveyre.

First edition, extracted from the Revue des deux mondes. Rare.
In plain wrappers.

First edition of this pamphlet, published supposedly following its reading in 1815.
A particularly violent and accusatory pamphlet against Bonaparte, warning a military son, ready according to the marquis to betray France and his king for an adventurer wishing once again to bleed France dry. The Marquis d'Albertas belonged to one of the most illustrious families of Provence; his mansion was built in Aix, on the square that bears his name today.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each issue contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in photogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». ["We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a photograph by the celebrated photographer in each issue. Explaining the creation of Paris-photographe, P. Nadar notes the absence of a luxurious photography journal in France, unlike the magnificent foreign publications.
Small marginal tears with minor lacks to covers, angular traces of kraft paper that protected the journal on the covers, handsome interior condition.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Pale and light marginal dampstains without consequence to the boards, handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
A small trace of kraft paper that initially protected this issue, handsome copy.
Of exceptional rarity.

First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». Thus Paul Nadar concluded his introduction as a presentation of this precious review, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography review in France, contrary to the magnificent foreign publications.
A small trace of kraft paper which initially protected this issue, handsome copy.
Of exceptional rarity.

First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». Thus Paul Nadar concluded his introduction as a presentation of this precious review, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography review in France, contrary to the magnificent foreign publications.
Light pale marginal dampstains to foot of covers, handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, in contrast to the magnificent foreign publications.
Handsome copy.
Of extraordinary rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, in contrast to the magnificent foreign publications.
Handsome copy.
Of extraordinary rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. Regarding the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, in contrast to the magnificent foreign publications.
Handsome copy, subscription form pasted to first cover.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. Regarding the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, in contrast to the magnificent foreign publications.
Handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Handsome copy.
Of remarkable rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Handsome copy.
Of remarkable rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Handsome copy, publisher's notice slip pasted to first cover.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates outside the text, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography...". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal, containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
A handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates outside the text, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography...". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal, containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography journal in France, contrary to the magnificent foreign publications.
Small marginal tears at foot of first cover, otherwise a handsome copy.
Of exceptional rarity.

First edition of this extremely rare scholarly review founded and edited by Paul Nadar.
Each issue contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie..." ["We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography..."]. Thus Paul Nadar concluded his introduction as a presentation of this precious review, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxurious photography review in France, unlike the magnificent foreign publications.
Small marginal tears at foot of first cover, otherwise a fine copy.
Of exceptional rarity.

First edition.
Minor marginal worming to the first cover of the second volume, otherwise handsome copies.

First edition. A good copy illustrated with maps hors texte.

First edition on ordinary paper, from a limited edition of only 75 copies reprinted on deluxe paper.
Handsome copy.

First edition printed under the pseudonym "Un chiffonier".
Binding in full embossed chocolate cardboard, smooth spine decorated with a small gilt floral motif, date at tail, rubbed headcaps with small lacks, navy shagreen title-label, traces of rubbing on one joint, shaded endpapers, original wrappers preserved.
Scattered foxing.
Rare.

First edition.
Binding in flexible red cardboard, smooth spine, blind-ruled frame on covers, mouse-colored endpapers and pastedowns.
Copy complete with its lithographed folding plate illustrated with figures at the end (two pale dampstains at foot of the plate with slight damage without consequence to one figure).
Private library stamps serving as bookplates.
Rare.

First edition, one of 15 numbered copies on snow-white vellum, the only deluxe copies.
Fine copy.

First edition, of which there were no deluxe copies.
Autograph inscription from André Hardellet.
Handsome copy.

First edition.
A good and rare copy.

First edition.
Eros or love, first principle of Pythagoras, Milton's Paradise Lost, Pythagorean philosophy retraced on the portal of Notre-Dame, Pythagoras's quaternary in sociology...
A handsome and rare copy.

First edition.
Nice and rare copy.

First edition, one of 825 numbered copies on laid Rives paper, the only issue with 25 Annam.
Illustrated with 4 copperplate engravings by C. Guyot.
Handsome copy.

First edition, one of the numbered copies on alfa paper.
Minor worming at foot of first endpaper, otherwise handsome copy.

First edition, one of the rare copies on China paper of which no mention is made.
Work illustrated with 78 wood-engraved vignettes by A. Mesnel.
Rare and handsome copy.

New edition, one of 367 numbered copies on laid paper, the only issue with 5 copies on Japan paper.
With a frontispiece portrait of the author engraved on wood by J.P. Dubray.
Endpapers slightly and partially shadowed, some foxing.

First edition.
Signed and inscribed by the author.
Work illustrated with 115 illustrations in-text and hors-texte.
Fine copy with the illustrated dust jacket.

First edition.
Contributions by M. Gorki, V. Mayakovsky, P. Herbart, P. Quince...
Handsome copy.
Rare.

First edition.
Contributions by A. Gide, A. Deborine, J. Fried, P. Herbart, Y. Olecha...
A small marginal tear of no consequence on the back cover, otherwise handsome copy.
Rare.

New edition, one of the rare copies printed on Holland paper, of which no mention is made.
Work illustrated with a frontispiece drawn by L.E. Fournier.
Front endpaper lightly and partially shadowed, otherwise handsome copy.

First edition, one of the few copies printed for the Séquana selection on Corvol l'Orgueilleux laid paper.
Spine and boards slightly and partially faded, otherwise handsome copy.
Rare.

First trade edition, one of 100 numbered copies on Holland paper, deluxe issue with 50 on Japan paper.
Handsome copy.