Paris

The French first edition dates from 1809; the first translation by Antoine de Latour, reprinted here, dates from 1840.
Contemporary glazed caramel calf binding with corners. Spine with raised bands decorated with 4 tulips and fillets. Brown morocco title-label and a second havana morocco title-label. Scattered foxing.
A handsome copy, well bound.
Perhaps the most famous and best of the writings of the Italian dramatist and poet Victor Alfieri.

NB: This work is available at the bookshop on request within 48 hours.

First edition.
Illustrated with photographic plates.
Half blonde marbled calf. Spine with raised bands decorated with small wheels on the bands.
Good copy.

NB: This work is available at the bookshop upon request within 48 hours.

First edition of this auction catalogue for the sale held at Hôtel Drouot on April 8, 9 and 10, 1897.
Spine sunned with a lack at head and a tear at foot, three marginal lacks on the front board, pale dampstain at foot of back board, handsome interior condition.

First edition, illustrated with portraits, views and autograph in frontispiece and hors-texte.
Half marbled tan calf. Spine with raised bands decorated with fillets on the bands. Original wrappers preserved. Rubbing to headcaps. Good copy.
Critical study containing the correspondence with Sainte-Beuve.

NB: This work is available at the bookshop on request within 48 hours.

First edition.
Bradel binding in half red cloth with corners, smooth faded spine decorated with central gilt typographical motif, gilt date and double fillet at foot, dark brown sheep title-label, marbled paper boards, original wrappers preserved.
Some occasional foxing, otherwise handsome interior condition.

Second edition with some parts in first edition as it was revised, corrected and expanded.
Half mint green sheep binding, spine slightly faded with five raised bands showing minor rubbing, marbled paper boards (two boards with slight lacks to leather and a stain at foot), marbled endpapers and pastedowns, contemporary binding.
Some minor foxing mainly at beginning and end of volumes.

First edition.
Half chocolate morocco-grained shagreen binding, spine very slightly sunned with five raised bands showing minimal traces of rubbing without significance, marbled paper boards, marbled endpapers and pastedowns, top edge red.
Minor scattered foxing.
Rare.

New edition of this fictional voyage which was highly successful and saw numerous editions.
Half brown sheep binding, spine with four false raised bands decorated with triple blind-stamped compartments and gilt fillets, double gilt fillets on marbled paper boards, minor traces of rubbing to joints without significance, corners slightly bumped, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Work illustrated with 3 frontispiece engravings and complete with its folding map of Antenor's voyages at the end of the first volume. Some foxing.

First edition.
Contemporary half navy blue morocco-grained shagreen binding with corners, spine with four raised bands showing light traces of rubbing, gilt date and owner's name at foot, marbled paper boards, marbled endpapers and pastedowns, upper corners slightly bumped.
Scattered foxing.

First edition.
Half navy blue shagreen bindings, spine with four raised bands decorated with gilt double compartments as well as gilt and blind fillets, double gilt fillets on the marbled paper boards, marbled endpapers and pastedowns, upper corners slightly bumped.
Illustrated work, with a frontispiece in the first volume, of an engraved portrait representing Apollonius of Tyana.
Handsome copy almost entirely free from foxing.

First edition.
Half navy sheep binding, smooth spine slightly faded with some traces of rubbing on certain volumes, gilt and blind fillets on spine, gilt fillet at tail, marbled paper boards, marbled endpapers and pastedowns, small traces of rubbing on edges, contemporary binding.
Volumes 4 and 5 illustrated with 81 figures.
Some foxing.

First editions for each of the three volumes.
Full blue-green sheep binding, smooth spine decorated with blind fillets, blind fillet frames on boards, marbled endpapers and pastedowns, contemporary binding.
The first volume is decorated with figures in the text, the second is complete with its 5 color plates at the end.
Rare set free from foxing.

Second edition.
Half blue-grey sheep binding, smooth spine decorated with blind fillets, marbled paper boards, slight damage to edges, marbled endpapers and pastedowns, contemporary binding.
Work complete with its 12 folding plates at the end.
Some minor foxing.

First edition of the French translation published after the fourth German edition.
Half navy blue shagreen binding, spine with light rubbing with five raised bands decorated with double blind compartments, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Work illustrated with 18 figures in the text.
One marginal annotation in ink at the top of page 362, some pencil annotations in margins of certain pages by a previous owner.
Some occasional foxing.
Rare.

First edition in French.
Illustrated with photographic plates and text drawings.
Spine sunned, covers uniformly sunned with marginal stains, light interior foxing, some dampstaining affecting the head of certain pages.

Fourth edition.
A very slight tear at the foot of the spine, otherwise a handsome copy.

First edition, one of 250 copies on offset paper, the only printing with 5 numbered hors commerce copies.
Illustrations hors-texte.
A handsome and rare copy.

First edition in French translated by Eugène Guillevic, of which there were no deluxe copies.
Inscribed by Georges Somlyo, in French, to a couple who were his friends, enriched with Guillevic's signature.
Spine and covers very lightly and marginally faded, otherwise a handsome copy.

The first edition, published in a small number of copies.
Autograph inscription by Hélène Foure-Selter.
Handsome copy.

The first edition, published in a small number of copies.
Illustrations in the text.
Minor tears without loss at head of front cover which also has a tiny corner chip at foot.
Rare.

First collected edition bringing together all published issues of this review.
Full cloth binding, complete with its marginally faded dust jacket.
Abundant iconography.
Handsome copy.

First edition printed in 950 numbered copies.
Unlettered spine slightly faded as usual and with a small lack at head, endpapers marginally and slightly shadowed, handsome interior condition.

First edition, one of the numbered copies on alfa.
A good copy.

First edition, one of the numbered copies on laid paper, ours one of 97 hors commerce copies, the only issue with 43 on Holland paper.
Handsome copy.

The first collected edition, one of 950 numbered copies on alfa paper, the only deluxe copies with 50 on pure thread.
Handsome copy.

First edition. Work illustrated with 35 plates and numerous in-text figures. Spine and boards marginally faded as usual, three small angular lacks at head and foot of spine, handsome interior condition.

First edition on ordinary paper, false statement of edition.
Autograph inscription from the author.
Handsome copy.

First collected edition, one of the numbered copies, the only printing with 100 on vellum.
Work illustrated with drawings by J.A.D. Ingres.
Covers very lightly and marginally faded without any significance.

First edition, one of 15 numbered copies on pure linen paper, the only deluxe copies with 7 on Japan paper.
Half fir green shagreen binding with corners, smooth spine showing minor traces of rubbing, cold fillets frame on marbled paper boards, original wrappers preserved (front cover with a very light marginal lack), top edge gilt.
Work decorated with 160 illustrations

First edition.
Publisher's half cherry red shagreen binding, spine with five raised bands showing slight rubbing, decorated with blind double compartments adorned at their centers with a gilt floral motif, marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.
Work decorated with one out-of-text plate on page 223.
Occasional foxing, a small tear with minimal lack not affecting the text on page 683.
Rare.

First edition.
Contributions by André Spire, Matthias Lübeck, Max Jacob, Robert Honnert, Pascal Pia, Léon Pierre-Quint, Pierre Drieu La Rochelle and Maurice David.

First edition, one of 325 numbered copies on pure laid paper.
Very occasional foxing affecting some deckled edges. A crack to the joint of the front cover also with an angular lack to the lower margin. Small paper loss to the spine at the level of the deckled edges.

First edition.
Illustrated brochure with 15 figures in the text.
Spine and covers lightly and marginally faded without significance, handsome interior condition.
Rare.

First edition.
Publisher's full cloth binding, smooth spine, copies complete with their cellophane and dust jackets. Contributions by J. Cocteau, P. Fort, F. de Miomandre, L. Jouvet, J.L. Barrault...
Rich iconography.
Spine of the dust jacket of the second volume faded, slight minor damage to the cellophane of the first volume, otherwise a handsome complete set in 2 volumes.

First edition for which there were no large paper copies.

New edition.
A small lack at foot of spine, four marginal lacks to second cover, handsome interior condition.

First edition published in a small number of copies under the pseudonym Job-Lazare.
Work illustrated with an etching by A. Esnault as frontispiece.
Two slight lacks of no consequence at head and foot of spine, a tiny marginal lack at foot of second cover, foxing on first endpaper, otherwise handsome interior condition.

First edition.
This very rare pamphlet was published at the time of the wave of anarchist attacks and when the symbolist journal "Entretiens politiques et littéraires" was providing instructions for bomb-making!
Spine restored with an adhesive piece, slight corner lacks to boards, a pale light dampstain at head of the first few pages, very occasional worming.
A work of exceptional rarity.

First edition with no mention of deluxe copies.
Iconography.
Work enhanced with numerous unpublished texts by A. Angellier.
Handsome copy.

First edition on ordinary paper, only 10 Japan and 40 Holland deluxe copies were printed.

First edition.
Half dark green shagreen binding, spine with four fine raised bands set with gilt dots decorated with double gilt compartments adorned with gilt floral motifs, dark green paper boards with quintuple blind fillet frames, marbled endpapers and pastedowns, contemporary binding.
Handsome copy free from foxing.

First edition with no mention of deluxe copies.
Inscribed by Michel Georges-Michel to Marcel Espiau with a small drawing of a flower.
Illustrated with drawings by Roger de Valério.
Preface by Pierre Mac-Orlan.
Spine sunned, two small harmless spots on first cover.

First edition.
The two Gallic schools: Orpheus and Pythagoras, Orpheus in Greece, ancient opinions on the world and the immortality of the soul, how to understand Rabelais...
A handsome and rare copy.

First edition on ordinary paper, only 4 copies were printed on Holland paper in deluxe format.
Handsome copy despite some leaves marginally pinched.

First edition, one of 10 numbered copies on Holland paper, the only deluxe copies.
Endpapers marginally and lightly shadowed, handsome full-margined copy.
Rare.

First edition on ordinary paper, only 10 Japan and 12 Holland copies were printed on deluxe paper.
Laudatory inscription from Jean Hytier to a fellow poet.
A lack at the head of the spine, handsome interior condition.

First edition.
Contributions by Edmond Barthélémy, Henri Massis, Sébastien-Charles Leconte, André Dupont, André Rouveyre, Henri Malo, Georges Rouault, Béreins, Rémy de Gourmont, Jean de Gourmont, Henri Mazel...
A small tear at foot of spine repaired, foxing and small marginal tears to boards, handsome interior condition.
The 'Mercure de France' originated as a French review, founded in the 17th century under the name 'Mercure Galant', which evolved to become, in the 20th century, a publishing house.
Under the impetus of Rémy de Gourmont and Alfred Jarry, a literary review revived the name 'Mercure de France' in 1890 and offered symbolist texts, notably by Jean Moréas, Ern

First edition.
Contributions by René Lauret, Marcel Coulon, A. Van Gennep, André Rouveyre, Claude-Roger Marx, René Dumesnil, Maurice Beaubourg, J. Galzy, Rémy de Gourmont, Jean de Gourmont, Henri Mazel, Maurice Boissard, Guillaume Apollinaire: "La vie anecdotique: peintres futuristes"...
Spine faded, an angular crease mark at foot of front board, handsome interior condition.
The 'Mercure de France' was originally a French review, founded in the 17th century under the name 'Mercure Galant', which evolved to become a publishing house in the 20th century.
Under the impetus of Rémy de Gourmont and Alfred Jarry, a literary review adopted the name 'Mercure de France' in 1890 an

First edition.Contributions by Jean Choux, Francis Vielé-Griffin, Edouard Chapuisat, Vincent Muselli, Rufino Blanco-Fombona, Charles-Ferdinand Ramuz, Remy de Gourmont, Jean de Gourmont, Edmond Barthèlemy, Gustave Kahn, Guillaume Apollinaire: "La vie anecdotique: Francis Carco - Publicité - Albert Savinio"...Minor lack to head of wrinkled spine, discreet worming to boards, handsome interior condition.The 'Mercure de France' was originally a French review, founded in the 17th century under the name 'Mercure Galant', which evolved to become a publishing house in the 20th century.Under the impetus of Rémy de Gourmont and Alfred Jarry, a literary review adopted the name 'Mercure de France' in 189

First edition.
Contributions by André Maurel, Dr Louis Huot and Dr Paul Voivenel, Madame Aupick, Michel Bratiano, Léon Tolstoï (A. Pierre trans.), Félicien Pascal, Henri Falk, Edmond Barthèlemy, Henri Mazel, Guillaume Apollinaire: "La vie anecdotique: Sur la mort de rené Dalize"...
Two tiny tears with minor lacks to head and foot of spine, tiny marginal tears to second cover, handsome interior condition.
The 'Mercure de France' was originally a French review, founded in the 17th century under the name 'Mercure Galant', which evolved to become, in the 20th century, a publishing house.
Under the influence of Rémy de Gourmont and Alfred Jarry, a literary review adopted the n

First edition.
Remarkable and rare international review of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist movements.
Contributions by Victor Arnould, Elie Reclus, Richard Heath, N. Nikitine, Edmond Picard, K; Tarassof, F. Domela-Nieuwenhuis, Clémence Royer, Georges Eekhoud, Georges Lecomte.
Minor lack to head of wrinkled spine, tiny marginal tears to foot of covers, handsome interior condition.

First edition.
Remarkable and rare international review of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist currents.
Contributions by Jules Noël, Elie Reclus, Charles Malato, Robert de Souza, Alfred Naquet, Emile Verhaeren ("Florence"), Emile Vandervelde...
A tear with loss at head of spine with two other small tears, small stains on covers, light marginal foxing, otherwise handsome copy.

First edition.
Remarkable and rare international review of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist currents.
Contributions by Elie Reclus: "L'Ecole selon Luther (fin)", T. L. Mac Cready, J.-F. Elslander, Théo Varlet, Jules Noël, Nandor Sonnenfeld, Louis Piérard...
A large manuscript inscription across the front cover, small stains on covers, spine creased, some light foxing, otherwise handsome copy.

First edition.
Remarkable and rare international review of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist currents.
Contributions by Colins, Blanche Rousseau, G. Potron, Henri Zisly, Gaston-Denys Périer, Jules Destrée...
Spine wrinkled and cracked, small stains on boards, some light foxing, otherwise handsome copy.

First edition.
Remarkable and rare international review of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist currents.
Contributions by Stuart Merrill, Claude Milet, Christian Beck, Camille Huysmans, B.P. Vandervoo, Louis Piérard, Eugène Barnavol, Ch. Van den Borren, Ch. Fénestrier...
Spine wrinkled, small stains on boards, one manuscript inscription at head of second board, some light foxing, otherwise handsome copy.

First edition.
Remarkable and rare international journal of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist movements.
Contributions by Jules Noël, Georges Eekhoud, Louis Piérard, Luca Rizzardi, Aristide Pratelle...
Small tear to spine, some light marks to boards, interior in good condition.

First edition.
Remarkable and rare international journal of sociology, arts, sciences and letters at the crossroads of symbolist and anarchist movements.
Contributions by Ferdinand Domela Nieuwenhuis, H. Bonnet, Léon Legavre, Maurice Gauchez, Elie Reclus, Louis Piérard...
Illustrated with eight in-text portraits by Franz Gailliard.
Very light marks to boards, otherwise a handsome copy.

First edition on ordinary paper.
Autograph inscription from the author.

First edition, one of 25 numbered copies on pur fil paper, the only deluxe copies.
Inscribed by Georges Piroué.
Two minute scratches at foot of spine very slightly faded, otherwise handsome copy.

First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce.
Inscribed by Lucie Faure.
Spine very slightly faded without any gravity, handsome copy.

First edition, one of 20 numbered copies on Alfa paper, the only deluxe copies with a few hors commerce copies.
Autograph inscription signed by François Clément to Roland Bailly.
Spine very slightly faded without any gravity, handsome copy.

First edition, one of 49 numbered copies on Alfa paper, the only deluxe copies.
Signed and inscribed by Alain Bosquet.
A small tear and a crease mark at the foot of the back cover.

First edition on ordinary paper.
Fine near full-page inscription by the author.

First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies along with some hors commerce.
Fine inscription by Gérard Mourgue.
Spine very lightly sunned without consequence, handsome copy.

First edition, one of 15 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce copies.
Inscribed by Marie de Balkany.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce copies.
Inscribed by Anne Huré.
Spine very slightly faded without any significance, handsome copy.

First edition, one of 30 numbered alfa copies, the only deluxe copies with a few hors commerce.
Autograph inscription by Jean-Jacques Gautier to Roland Bailly.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, deluxe copy.
Autograph inscription by Gérard Mourgue.
Handsome copy.

First edition, one of 200 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 26 numbered copies on pur fil du Marais paper, the only deluxe copies.
Fine autograph inscription by Robert de Poccadaz.
Handsome copy.

First edition, one of the numbered copies reserved for friends of "Lettres nouvelles", the only deluxe copies.
Inscription by François Sonkin.
Handsome copy.

First edition, one of 17 numbered copies on alfa paper, the only deluxe copies.
Inscription by Hélène Parmelin.
Spine very lightly faded without gravity, handsome copy.

First edition, one of 15 numbered copies on alfa paper, the only deluxe copies.
Inscribed by Paul van den Bosch.
Handsome copy.

First edition, one of 15 numbered copies on alfa paper, the only deluxe copies.
Inscribed by Paul van den Bosch.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce.
Inscription by Christian Mégret.
Spine very slightly faded without any concern, handsome copy.

First edition.
Half navy blue shagreen binding, spine with five raised bands showing minor rubbing, marbled paper boards, minor rubbing to edges and one upper corner, marbled endpapers and pastedowns, original wrappers preserved, contemporary binding.
Collector's stamps on endpapers and title page.

First edition.
Half navy blue shagreen binding, spine slightly faded with five raised bands showing minor rubbing marks with manuscript note from a previous owner in ballpoint pen, marbled paper boards with small and light marginal discoloration of no significance, minor rubbing to edges and upper corners, marbled endpapers and pastedowns, original wrappers preserved, contemporary binding.
Collector's stamps on endpapers and page 9.
Some minor foxing.

Reprint of the first edition also published in 1789. A second volume of these portraits would appear a little later.
In original wrappers. Title page margins worn.
The work is a series of portraits, with a key at the end of the book to identify them; it includes Necker, Guillotin, Sieyès... Luchet also participated in writing some of these portraits.

First edition of the French translation by Francis Viélé-Griffin printed in 300 numbered copies on laid paper.
A small stain to the first cover, otherwise a handsome copy with full margins.

First edition.
One bound volume, bringing together the 36 issues from the first semester of 1839, the twelfth year of publication of the review. Continuous pagination throughout the volume.
Half tawny sheep binding with corners, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, black shagreen title-label.
Complete copy, with the exception of the announced engravings.
Copy from the André Vasseur collection and bearing his bookplate.
Minor surface wear to spine and headcaps, gilding partially faded, stains on the joint of the second board, corners rubbed, some scattered foxing, otherwise handsome interior condition for this

First edition.
One bound volume, collecting the 36 issues from the second semester of 1839, twelfth year of publication of the review. Continuous pagination within the volume.
Half tan sheep binding with corners, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, black shagreen title and volume labels.
Complete copy, except for the announced engravings.
Copy from the André Vasseur collection bearing his bookplate.
Small scuffs on the spine and headcaps, gilding partially faded, front board joint cracked at head, corners rubbed, some scattered foxing, otherwise handsome interior condition for this rare example of a gen

First editions of the 36 issues from the first semester of 1835, 8th year, bound together in one volume with continuous pagination and not containing the announced engravings.
Half tan sheep binding with corners, spine with four raised bands set with gilt and blind fillets and gilt dentelle, burgundy shagreen title label. Spine partially rubbed and lacking, corners bumped.
Contributions by Castil-Blaze, Alexandre Dumas, Léon Gozlan, Jules Janin, Alphonse Karr, Lamartine, Eugène Sue...
Founded in 1825 by Charles Lautour-Mezeray and Émile de Girardin, the review appeared every five days and was interested in literature as well as sciences, fine arts, and social customs. It publi

First edition.
Contributions by G. Kahn, L. Tolstoy, R. Coolus, P. Adam, L. Blum, une circassienne...
Spine rubbed with small lacks to head and foot, some minimal marginal tears and foxing on the partially sunned front cover, pleasant interior condition.
Rare.

First edition.
Head of collection, bound in a single volume, from No. 1 of June 1880 to No. 20 of January 1882. Issues No. 13 (June 1881), 14 (July 1881) and 19 (December 1881) are lacking. Bradel binding, full caramel cloth with smooth spine decorated with a gilt fleuron and the author's gilt cipher at foot, with fir-colored sheep title label.
Inscribed by the review's director, Francis Maratuech, to Jules Clarétie, on the first page of issue No. 1.
Jules Clarétie's copy, as evidenced by the inscription, the cipher on the spine of the binding, and the watermark on one of the endpapers. Head and foot rubbed, surface wear to title label, a stain on the first co

First edition.
Contributions by A. Salmon, P. Pia, A. Artaud, C. Arnauld, M. Sauvage...
Issue illustrated with reproductions of works by Creixams, Fournier, Sunyer...
Spine lacking, boards detached with small corner lacks, handsome interior condition.

First edition, one of 30 numbered copies on Holland paper, the only deluxe copies.
Contributions by Max Jacob "Intérimes", J.P. Lafarge, Rachilde, R. Dunan, G. Fourest...
Minor worming, otherwise a handsome copy.

First edition, one of 30 numbered copies on Holland paper, the only deluxe copies.
Contributions by M. David, M. Lübeck, M. Sauvage, and a survey proposing to discover the "most pompous of current writers" among Willy, H. Duvernois, Saint-Georges de Bouhélier, F. de Croisset...
Minor worming, otherwise a handsome copy.

First edition.
Contributions by G. Kahn, M. Martin du Gard, le Prince des pompiers élu, L. Pierre-Quint...
Fine copy.

First edition.
Contributions by F. Carco "Montmartre", R. Radiguet "les fiancés de treize ans", G. Gabory, R. Honnert...
Handsome copy.

First edition.
Contributions by P. Mac Orlan, A. Salmon, R. Chalupt, M. Lübeck...