Paris

Second edition, published three months after the first edition.
Handsome copy.
In this edition, the text is notably modified on page 121: the "Espace du possible" campsite, near Royan, becoming the fictional campsite, "Lieu du changement," near Cholet to avoid legal action by the establishment's owners.

First edition, of which there were no deluxe copies.
Handsome copy.
Dated autograph inscription signed by Pierre Vidal-Naquet to Réjane and Pierre Le Bat.

New edition published a few months after the first edition.
Handsome copy.
Autograph inscription signed by François Mitterrand to Monsieur Gnée.

The first edition, of which there were no deluxe copies.
Small stains on fore edge, otherwise handsome copy complete with dust jacket.
Autograph inscription dated and signed by Lucien Bodard to Madame Devillers: "... en la remerciant de son travail si précis et si raffiné, en la remerciant aussi de son infinie gentillesse. Très respectueusement." ["...thanking her for her work so precise and so refined, thanking her also for her infinite kindness. Most respectfully."]

The first edition, of which there were no deluxe copies.
Handsome copy despite a small lack at head of spine.
Autograph inscription signed by Valéry Giscard d'Estaing to a man named Julien.

New illustrated edition with first printing by Eisen of a frontispiece, an engraved title with the author's portrait in medallion, 10 figures and 10 headpieces, all engraved by De Longueil. Volume II contains variants and notes: L'essai sur la poésie épique, poème sur le désastre de Lisbonne; Poème sur la loi naturelle, etc. This edition was partly revised by Voltaire. The publishers' notice announces this edition as the only complete one, since there are more than 50 new verses scattered throughout the work.
Contemporary full red morocco binding. Smooth spine decorated in grotesque style. Brown morocco title label, olive morocco volume label. Triple fillet frame on covers with corner fleurons. Interior fillet. All edges gilt. Traces of rubbing. Some light foxing in margins and verso of certain engravings.
Superb copy, rare in this condition.
Very fine illustration by Eisen. Complete and critical edition, with notes from different editions for each canto, Marmontel's preface, the author's letter of thanks to Eisen...

The first edition, of which there were no deluxe copies.
Handsome copy.
Fine autograph inscription dated and signed by Elie Wiesel to a couple of friends named Françoise and Pierre: "Pour Françoise, si sage - et Pierre, si fou - et tous deux, si merveilleux. de vos amis : Marion et Elie. le 4.2.99." ["For Françoise, so wise - and Pierre, so crazy - and both of you, so wonderful. from your friends: Marion and Elie. 4.2.99."]

The first edition, of which there were no deluxe copies.
Handsome copy despite some worming to the verso of the covers.
Autograph inscription signed by Joseph Joffo to a woman named Clodie: "A Clodie et... un sac de bises" ["To Clodie and... a bag of kisses"] accompanied by a drawing representing a flower.

The first edition, of which there were no deluxe copies.
Handsome copy.
Cover illustrated in the style of Victor Vasarely.
Autograph inscription signed by Victor Vasarely to André Lafargue.

First edition.
Rich iconography.
Fine copy complete with its cellophane wrapper but lacking its soft case and dust jacket.

First edition.
This issue comprises 4 pages and is illustrated with a drawing by Adolphe Willette.
Literary contributions by Emile Goudeau "L'avenir est aux louches", Constant Chanouard "Grisel l'ouverrier", Charles Pitou, Léo Trezenik "Un ivrogne", Paul Arène "Mistral parisien", Edmond Haraucourt "Brune"...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It is, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition of this French translation by Madame Le Givre de Richebourg, initialed on the title pages: L. G. D. R.
Contemporary full marbled calf binding. Smooth spine decorated. Garnet morocco title label, red morocco volume label. Volume I headcaps missing. A lack along the lower joint of volume I and 2 on the upper board (wormhole damage). Lack at head of volume II. Half-title and title pages with browning in margins. 2 corners slightly bumped.
Cervantes' last work completed 4 days before his death and published posthumously in 1617. In his epistle, Cervantes declares he had never written anything better. The novel is a sort of rewriting of Heliodorus's Latin novel: The Aethiopica, but Cervantes placed his heroes in the north and each of the trials of the separated couple takes place in a spiritual and Christian journey. This work would not have many editions over the centuries, eclipsed by the success of Don Quixote.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: "Les mésaventures d'Auguste".
Literary contributions by Alphonse Allais "L'avancement", Maurice Mac Nab "La vue de Naples", Eugène Godin "Ronds de cuir"...
Fine copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it intended to be the record. It published texts declaimed during the performances. It is, moreover, an important literary and artistic testimony of the late nineteenth century, around the bohemia and the Parisian effervescence that was its own.

The first edition, of which there were no deluxe copies.
Spine and covers very slightly and marginally lightened, handsome copy.
Dated autograph inscription signed by Pierre Vidal-Naquet to Réjane and Pierre Le Bat: "... en souvenir d'une rencontre sympathique à la Hune" ["... in memory of a pleasant meeting at La Hune"].

The first edition, of which there were no deluxe copies.
Some light foxing affecting mainly the endpapers.
Rare autograph inscription signed by Abbé Pierre on the front endpaper: "A Jacqueline Pujol fraternellement tous ensemble dans l'espérance sur le chemin à la rencontre de Jésus qui nous aime et nous apprend la joie d'aimer." ["To Jacqueline Pujol fraternally all together in hope on the path to meet Jesus who loves us and teaches us the joy of loving."]

First edition by Samuel Constant de Rebecque according to Barbier (Dictionnaire des anonymes).
Contemporary full marbled sheep binding. Smooth spine decorated. Brown morocco title label; black morocco volume label. Lacks to all headcaps. Upper joint of volume 1 cracked at head, lower joint with crack at foot. Upper joint of volume 3 cracked at head for 12 cm. Upper joint of volume 4 cracked at foot for 8 cm.
Swiss author born in Lausanne, the author devoted himself to a literary career after leaving the army, he made his name from 1783 with 3 sentimental and epistolary novels, then in vogue, which we find in Baculard d'Arnaud and whose origin goes back to Richardson. His 3 novels enjoyed a certain renown, in France and in Switzerland. Camille is a novel where psychological analysis plays a major role, we see the romantic journey of two friends who are complete opposites, one is thoughtful and reasoning, melancholic, the other prides herself on simplicity and gaiety and sees no interest in reflection. The most loving will not be the one we think. The work is interesting not only because we follow the character of two young girls and their sentimental adventures but because it exposes the condition and life of educated young girls at the end of the 18th century.

First edition.
Rich iconography.
Handsome copy complete with its glassine wrapper but lacking its slipcase.

Pléiade library edition printed on Bible paper.
Publisher's binding in full blue grained sheep, blue top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with its protective film but lacking its dust jacket and soft slipcase.

First edition.
This issue consists of 4 pages.
Literary contributions by Edmond Haraucourt, Félicien Champsaur, Vingtscholle, Emile Goudeau.
Some minor marginal tears of no consequence.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It is, moreover, an important literary and artistic testimony of the late 19th century, centered on bohemia and the Parisian effervescence that characterized it.

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette "C'est un conte blanc - C'est un conte noir".
Literary contributions by Georges Auriol, Rodolphe Salis, Xernand Fau, Adolphe Willette...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: "Monstres de Paris. Les peintres incompris : M. Carolus Durand".
Literary contributions by Alphonse Allais "Moeurs de ce temps-ci", Georges d'Esparbès "Les juges", Jean Lorrain "Miss Miser", Camille de Sainte-Croix "La chanson de la mer de Victor Margueritte" under the semi-pseudonym of Xernand Fau "La guerre aux abus"...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Louis Blombed: "Un coup de roulis".
Literary contributions by Alphonse Allais "La mère", Rodolphe Salis, Victor Meusy, Albert Tinchant "Passe-temps"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemia and the Parisian effervescence characteristic of that era.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: "John Bull au Congo".
Literary contributions by Albert Samain "Tsilla", Georges Auriol "Les neiges de Bretagne", Maurice Montégut "Les confidences de l'abîme"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemia and the Parisian effervescence characteristic of that era.

First edition.
The issue consists of 4 pages and is illustrated with a drawing by Latude.
Literary contributions by Jules de Marthold, Amélie Villetard, Constant Chaouard, A. Kempis for the funeral eulogy of Rodolphe Salis who was still alive...
A few small marginal tears of no consequence.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.

First edition.
The issue consists of 4 pages and is illustrated with a drawing "Le Chat noir. Oui !! mort aux lapins !... qu'on voudrait lui poser !!!".
Literary contributions by Edmond Haraucourt, A' Kempis, Félix Decori...
Handsome copy.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.

Pléiade library edition printed on Bible paper.
Publisher's binding in full green grained sheep, blue top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper but lacking its slipcase and dust jacket.

First edition, one of the rare copies on laid paper.
The issue is illustrated with a drawing by Adolphe Willette "Il est né le divin enfant ! ".
Other contributions by Alphonse Allais "Le veau", Rodolphe Salis, Auguste Marin...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. It published the texts declaimed during the shows. It is, moreover, an important literary and artistic testimony of the end of the 19th century, around the bohemian life and the Parisian effervescence that was its own.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen "La rose".
Literary contributions by Charles Cros "Un drame interastral", Caran d'Ache "Carnet de la semaine", Albert Tinchant "Philanthropie"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name of which it considered itself the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the late nineteenth century, around the bohemia and the Parisian effervescence that was characteristic of it.

The first edition, of which there were no deluxe copies and bearing the correct imprint of July 2010.
Fine copy despite light and minor soiling to the first cover.

The first edition, of which there were no deluxe copies.
Spine sunned.
Autograph inscription dated and signed by Maurice Girodias to Hubert Comte.

First edition of this catalogue presenting 61 works by Hermann-Paul, lithographs, pastels and drawings, exhibited at the Galerie Bernheim jeune in Paris from 1 to 20 February.
A handsome and rare copy.
Catalogue illustrated with 6 drawings by Hermann-Paul.
Text by Arsène Alexandre.

First edition of this exhibition catalogue of works by Camille Bryen at the Galerie des deux îles in Paris from 24 May to 18 June 1949.
A handsome copy.
Text by Jacques Audiberti.

First edition of this catalogue presenting 52 paintings by Charles Guérin exhibited at the E. Druet gallery in Paris from February 27 to March 18, 1905.
Handsome and rare copy.
Catalogue illustrated with a reproduction of a painting by Charles Guérin.

First edition of this catalogue presenting 40 paintings by Charles Guérin exhibited at the E. Druet gallery in Paris from March 3 to 15, 1913.
Handsome and rare copy despite some light stains in the left margin of the back cover.
Catalogue illustrated with a reproduction of a painting by Charles Guérin.

First edition of this catalogue presenting works by the painter Enrique Zanartu exhibited at the Galerie du Dragon in Paris on June 3rd, 1955, one of 1000 numbered copies, ours unnumbered.
A handsome and rare copy.
Catalogue illustrated with reproductions of works by Enrique Zanartu.

Invitation card to the ball celebrating the centennial of Victor Hugo's birth, held at the Salle des Ingénieurs civils, rue Blanche in the ninth arrondissement of Paris, on Saturday, February 22nd, 1902.
A handsome and rare copy despite a very small stain in the upper left corner of the card.
The ball was organized by the committee of the "Société littéraire Victor Hugo" presided over by P. Heuzey.

Pléiade library edition printed on Bible paper.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper but lacking its dust jacket and soft slipcase.

Pléiade library edition printed on Bible paper.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its cellophane wrapper but lacking its dust jacket and soft slipcase.

First edition of this catalogue presenting 53 paintings, studies and drawings by Alfred Pichon exhibited at the Galerie des Feuillets d'art in Paris from 7 to 19 June 1920.
Fine and rare copy.
Catalogue illustrated with a reproduction of a work by Alfred Pichon.
Text by Louis Hourticq.

First edition of this catalogue presenting 70 sketches and drawings by Maxime Dethomas having notably served for the illustrations of "Le trust" by Paul Adam and "La turque" by Eugène Montfort and exhibited at the E. Druet gallery in Paris from March 27 to April 8, 1911.
Handsome and rare copy despite two minor stains of no consequence on the first cover.
Catalogue illustrated with a reproduction of a painting by Maxime Dethomas.

First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers.
Spine split with angular lacks to the covers.
Each issue consists of four pages.
Texts by Emile Goudeau, Alphonse Allais, Jean Richepin and Paul Verlaine ("Le Chat noir", "Langueur", "La Princesse Bérénice", "Pantoum négligé", "Paysage", "Conseil falot", "L'Aube à l'envers", "Un pouacre", "Madrigal") notably.
Drawings by Willette, Rodolphe Salis, Henri de Sta, Tiret-Bognet, Henri Pille, Caran d'Ache etc.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its record. It published the texts recited during performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemian life and the Parisian effervescence characteristic of it.

First edition.
Boards marginally discolored and lightly sunned.

Pléiade library edition printed on India paper.
Publisher's full red grained sheepskin binding, blue top edge, smooth spine decorated with gilt fillets.
The cellophane wrapper has two tiny tears at the head of the spine and is sunned at the edges of the boards.
Complete with its cellophane wrapper, lacking slipcase and dust jacket.

First edition.
This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen "Le chat et la grenouille" ["The cat and the frog"].
Literary contributions by Georges Auriol "Fleur d'orange" ["Orange blossom"], Rodolphe Salis, Léo Niversac "Bulletin du Chat Noir" ["Chat Noir bulletin"], Jules Jouy...
A few minor marginal tears of no consequence.
Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it served as the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around the bohemian lifestyle and the Parisian effervescence that characterized it.

Pléiade library edition printed on Bible paper.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with protective cover but lacking soft case.

Each volume in its first edition: one of 30 numbered copies on Pur fil paper for the first, one of 14 numbered copies on Hollande for the second and third, one of 36 numbered copies on Hollande from the fourth to the ninth, one of 35 numbered copies on Hollande for the tenth and last.
Each work is presented in a brown half morocco slipcase, smooth spine slightly sunned, gilt date at the foot of spine, marbled paper boards, wood-like paper inside.

A very nice complete set in 10 volumes and a very rare collection of first editions. There were only 14 copies ever printed on Hollande paper of the second and third volumes, meaning that there are possibly only 14 complete sets in existence.

Pléiade library edition printed on Bible paper.
Publisher's full brown grained sheep bindings, orange top edges, smooth spines decorated with gilt fillets.
Handsome complete set with protective covers but lacking dust jackets and cases.

First edition on ordinary paper.
Spine lightly sunned with a small stain, rear board stained at lower right corner.
Rare autograph inscription signed by Kateb Yacine to Christian Juin: "... en attendant qu'on chante ensemble !" ["... while waiting to sing together!"]

Edition from the Pléiade library printed on Bible paper.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper, lacking slipcase and dust jacket.

First edition, a Service de Presse (advance) copy.
Spine lightly sunned, covers marginally soiled.
Autograph inscription signed by Jean d'Ormesson to Anne Segalen.

First edition in French.
A light circular stain to lower left corner of front cover.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young lady named Adélaïde.

Pléiade library edition printed on Bible paper.
Publisher's binding in full brown grained sheepskin, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its cellophane wrapper but lacking its soft slipcase.

First edition of this collection of ferociously anti-Semitic caricatures presented in the form of a booklet of 24 checks.
Bradel binding in full olive cloth, smooth spine decorated with gilt fillets, very light scratches of no importance to the right margin of the front cover, endpapers and pastedowns of decorative patterned paper, front cover preserved.
Some inevitable minor restorations to the check stub area, some foxing at the end of the volume, handsome copy.

First edition illustrated with 15 etched portraits by Jeanron. The portrait of Camille Desmoulins appears before letters.
A few discreet marginal pencil annotations, likely in Champfleury’s hand.
Some occasional foxing.
Bradel binding in olive green half cloth, flat spine decorated with a gilt fleuron, double gilt fillet and date at foot, tan shagreen label, marbled paper boards, original wrappers preserved despite some marginal losses, corners rubbed.
This copy includes all 15 engravings depicting the most illustrious figures of the Montagne.
Provenance: From the library of Champfleury (no. 519 in the catalogue published by Léon Sapin in 1890), then from the library of Archibald Philip Primrose, fifth Earl of Rosebery, with his engraved bookplate mounted on a pastedown: "Honi soit mal y pense" and his "Rosebery / Durdans" stamp at the top right of the title page. He served as Prime Minister of the United Kingdom.

First edition illustrated with a drawing by Georges Rochegrosse engraved as frontispiece.
Occasional foxing.
Bradel binding in red half-cloth, smooth spine decorated with a central gilt fleuron, double gilt fillet at foot, brown shagreen title-label, marbled paper boards, contemporary binding.
Signed autograph inscription from Théodore de Banville to Edouard Pailleron.

Second edition.
Foxing.
Bradel binding in red half cloth, smooth spine slightly faded decorated with central gilt fleuron, double gilt fillet at tail, brown shagreen title label with scratches, marbled paper boards, upper corners bumped.

Pléiade library edition printed on Bible paper.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Complete with rhodoid but lacking its slipcase and dust jacket.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue condemning American bombing in Vietnam.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this triple special issue in honor of Léon Trotsky.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition in French, of which no deluxe copies are mentioned.
Half navy blue shagreen binding, spine with four raised bands underlined with gilt fillets, a trace of discoloration at foot of spine, marbled paper boards, marbled endpapers and pastedowns.
Some foxing, a name inscribed in ink on the title page.

Pléiade library edition printed on Bible paper.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its cellophane wrapper but lacking its dust jacket and soft slipcase.

First edition of this issue partly devoted to supporting the National Liberation Front of South Vietnam.
Texts by S. Niemetz, C. Michaloux, J. Pesquet, C. Scalabrino and various correspondents of the review.
Handsome and rare copy.
The front page is illustrated with a drawing by Giroud.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

Illustrated edition with first printing of a title vignette, 140 half-page vignettes, all by Tony Johannot, engraved by Brevière. Moorish-style bandeaux and drop capitals. Text framed with a double black fillet.
The original frontispiece has been replaced by an original signed watercolor by Adolphe Lalauze (1838-1906) for an illustration of Le Diable boiteux, and an original ink drawing by the painter and illustrator Henri Pille (1844-1897), dedicated to his friend Dr. Laffont and dated May 3, 1896. Furthermore, the copy has been enhanced with 9 etchings engraved by Louis Monziès after drawings by Henri Pille for the Lemerre edition of 1879, in two states, on vellum before letters and on chine before letters (the 9 proofs on chine bear Pille's autograph signature); and with a portrait of the author and 7 etchings by Adolphe Lalauze for the Jouaust edition of 1880, before letters on laid paper (each proof has been signed in red by the artist). Copy assembled by Dr. Laffont, dedicatee of Henri Pille's drawing, who noted in his hand the list of added pieces opposite the cover. The binding was also executed at his request by Charles Meunier in 1899.
Full lavender morocco binding signed Charles Meunier at the bottom of the pastedown (with morocco-edged slipcase). Spine with raised bands decorated with 2 tools and the same mirrored in the center. Covers with a wide frame repeating the motif used on the spine. Decorative border frame inside on the pastedowns. Edges gilt. Covers and spine preserved. Some pale foxing only from p. 304 to 312. Traces of rubbing to joints and headcaps. Some offsetting from the engravings.
Superb copy in very rare condition.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition illustrated with woodcuts by Raphaël Drouart. Copy no. 728 (66 to 1050 on Vélin d'Arches). 18 full-page color plates printed in different tones: sepia, grey, blue, gold, green...), 7 black and white vignettes at chapter beginnings, 3 at chapter ends and one at text end.
Contemporary signed full brown marbled calf binding by René Kieffer, with his label at top of first endpaper. Raised band spine decorated with 2 diamond shapes with stylized foliage panel in blind. Boards decorated with 2 large panels with alternating foliage in blind, one darker brown, the other lighter. The spine and edges are lighter, only the panels and tools are dark brown. Minor rubbing. Some occasional foxing on an otherwise fresh set.
Superb Art Deco binding by Kieffer. This binding has already been used on several copies of this edition (generally on first paper copies), so it is likely a publisher's commission for this work.

First edition of this issue.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

The first edition, of which there were no deluxe copies.
Half red cloth binding, spine with gilt fillets, marbled paper boards, marbled endpapers and pastedowns, top corners very slightly bumped, contemporary binding.
Foxing.
Preface by Gustave Hervé.

First edition.
Covers discolored, a tear to upper right corner of second cover, minimal corner losses to covers lightly soiled.

Pléiade library edition printed on Bible paper.
Publisher's full red grained sheep binding, grey top edge, smooth spine decorated with gilt fillets.
Copy complete with its cellophane wrapper but lacking its soft slipcase.

First edition of this issue.
Texts by Jean Metais, Jean-François Dumas and various correspondents of the review.
Handsome and rare copy.

The first edition, of which there were no deluxe copies.
Iconography.
Foxing to edges.
Rare autograph inscription dated and signed by André Wogenscky to Goy Weelen.

First edition of this issue.
Texts by Michel Thomas, Maurice Buzard, Boris Coutlat and various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue partly devoted to the Franco dictatorship.
Texts by Michel Rotman, C. Scalabrino and various correspondents of the magazine.
Handsome and rare copy.
The front page is illustrated with a drawing by Giroud.

First edition of this issue celebrating on its front page the ever-living memory of the Paris Commune, also devoted to the revolutionaries of Sri Lanka.
Texts by Michel Lesquenne, Patrick Fresnel, Gérard Vergeat, Alain Krivine, and various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by R. Norman, A. Bertrand and various correspondents of the journal.
Handsome and rare copy.
The last page of issue N°63 is a scathing critique of the film adaptation of "L'aveu" by Artur and Lise London by Costa-Gavras and Jorge Semprun.

First edition of this issue.
Texts by Michel Lenoir, Christiane Tilier and various correspondents of the review.
Handsome and rare copy.

The first edition, of which there were no deluxe copies.
Spine and boards marginally sunned without gravity.
Cover illustrated with a drawing by Raoul Ubac.
Retaining publisher's wraparound band.
Fine autograph inscription dated and signed by Jean Lescure to Georges Goldfayn: "A toi mon cher Georges ce 1848 dont la révolution n'a pas empêché la gauche d'être gauche et ne l'a pas pas rendu adroite pour autant. Avec l'amitié de Karl. J. Lescure" ["To you my dear Georges this 1848 whose revolution did not prevent the left from being left and did not make it skillful for all that. With the friendship of Karl. J. Lescure"].
Jean Lescure crossed out, at the very end of the volume, the last intervention of the Game Leader, one of the characters of this dramatic poem in three days, to add, in manuscript this remark for the attention of Georges Goldfayn: "Et comme il n'y pas (mot illisible) que cela arrive jamais pourquoi voulez-vous que la révolution finisse. Budapest nov. 1956" ["And as there is no (illegible word) that this ever happens why do you want the revolution to end. Budapest Nov. 1956"]

First edition of this issue.
Texts by Christiane Tilier, Philippe Sabathé, Hélène Bertau and various correspondents of the review.
Handsome and rare copy despite minor tears of no consequence at the foot of the last page.

First edition of this issue.
Texts by J. Tonnac, M.S. Cherbourg and various correspondents of the review.
Handsome and rare copy complete with its double-leaf insert "L'Italie après Brescia" placed in the middle of the journal.

First edition of this issue denouncing the Franco dictatorship.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue denouncing the visit to France of a minister from General Pinochet's dictatorial regime.
Texts by various correspondents of the magazine.
Handsome and rare copy.