Paris

First edition on ordinary paper.
Handsome autograph inscription from Louis Aragon to Françoise Sagan.
Spine slightly sunned, a trace of fold and a tear to foot of upper cover, a clear dampstain to head of lower cover.

First edition in French, translated by Charles Baudelaire, of which there were no large paper copies.
Contemporary half red shagreen over marbled paper boards, spine in five compartments with blindruled fillets and gilt fleurons, corners bumped.
Occasional insignificant light foxing.

First edition in French, translated by Charles Baudelaire, of which there were no large paper copies.
Contemporary half black shagreen over marbled paper boards, spine in five compartments with blindruled fillets and gilt fleurons, small tears to edges of covers.
Clear, insignificant stain to head of first leaves, occasional foxing.

First edition, one of 100 numbered copies on vélin paper de Renage, the only large paper copies.
A very good copy.

First edition, one of the copies of the press service.
Signed autograph of the author Gaston (Baissette): "Gaston, unforgettably his friend Louis."
Back slightly insolated.

First edition, one of 52 numbered copies on Montval paper, the tirage de tête.
Endpapers very slightly and partly sunned, not serious, a good copy.

First edition, one of 30 numbered copies on alfa, the only large paper copies with 16 on pur fil.
A nice copy.

First edition, one of 34 numbered copies on vélin de Rives paper, this copy one of 14 hors commerce, the only large paper copies.
A good copy.

First edition, one of 97 numbered copies on pure yarn, our scholars out a trade, drawing on large sheets of paper 17 the smaller 109 before reimposed.
Precious autograph dedication signed by the author Raymond Gallimard.
Tiny bites minor foot in the second flat, nice copy.

First edition published under the semi-pseudonym of Jacques Kessel, one of 520 numbered copies on vélin d'Arches paper.
A good copy.

Madame BovaryFirst edition.
Elegant contemporary purple shagreen (uncommon according to Clouzot), spine in five compartments with gilt fillets and triple blind-ruled compartments, blindstamped fillets to head- and tail-pieces and edges of covers, quintuple gilt fillet frame and large blindruled fillet to covers, gilt dentelle frame to pastedowns, cream moirée silk endpapers and pastedowns, a little light spotting to endpapers and pastedowns, all edges gilt, ex-libris to one pastedown, light dampstain to foot of first few leaves.
A very rare autograph inscription...

First edition, one of the copies of the press service.
Signed autograph from the author to Louis Mignon.
Nice copy.

First edition on ordinary paper.
Autograph inscription from Samuel Beckett to a friend.
Spine slightly sunned, a marginal tear to head of the last text page.

First edition in French, one of 26 numbered copies on pur fil paper, this one of a few hors commerce copies, the only large paper ones.
Spine faded as usual, internally good.

First edition, one of the numbered copies on Arches, only draw with Japan.
Signed autograph of Edward Champion Jacques Boulenger editor.
Few bites without gravity.

First collected edition, one of 33 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 20 numbered copies on vélin paper de Renage, the only large paper copies.
A very good copy.

First edition, one copy of the press.
Signed autograph Michel Deon Henry Gouhier enriched with the handwritten signature of Felicien Marceau.
Nice copy.

First editionon ordinary paper.
Autograph inscription in pencil from Pierre Drieu la Rochelle to the writer José Germain.
Spine sun,ned and slight marginal lacks to upper cover.
Rare.

New edition in the original part because revised and expanded.
Signature autograph Georges Brassens a photograph representing the 129 page.
Iconography.
Marginal abrasions on the dishes, a trace of the second label foot flat that caused a lack of paper.