Paris

New edition.
Spine wrinkled, traces of adhesive paper and annotations in pencil to endpapers.

First edition, one of 270 numbered copies on Rives laid paper, the only deluxe copies after 15 Japan and 20 Holland.
Work illustrated with an original frontispiece and headpiece by Marcel Vertès.
Signed autograph inscription to de Rocquigny.
A small tear at foot of slightly sunned spine.

First edition on ordinary paper.
Autograph inscription from Rachilde to Henri Béraud.
Provenance : the library of Henri Béraud.

A la recherche du temps perdu [In Search of Lost Time]
Grasset & Nrf | Paris 1913-1927 | 12 x 19 cm for the first volume & 13 x 19.5 cm
for the second & 14.5 x 19.5 cm for the following ones | 13 volumes in original wrappers
First edition for all the volumes. Du côté de chez Swann, first printing on ordinary paper with all the characteristics (fault to Grasset, upper cover dated 1913, no contents table, publisher's catalogue at end); à l'ombre des jeunes filles en fleurs, first printing on ordinary paper without false statement; the other volumes, numbered on pur fil paper, the only grand papier (deluxe) copies, after the reimposed one.

With original illustrations by Albert Robida.
A spot to upper cover, internally good.

First edition of which there were no large paper copies.
Iconography.
Plats slightly yellowed, not serious, internally good.

First edition, one of 75 numbered copies on Hollande, tirage de tête after 10 Chine and 30 Japon.
Small trace of sunning, not serious, to head of spine, endpaper and some edges slightly sunned to head and foot.
Good copy with edges preserved.

First edition, one of 300 numbered copies on alfa paper, an advance (service de presse) copy.
Handsome autograph inscription from Irène Némirovsky to Henri Béraud.
A few small spots mostly affecting the first and last leaves.
Provenance : the library of Henri Béraud.

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...

First collected edition, one of 12 numbered copies on Mûrier d'Annam, tirage de tête.
A very good copy.

First edition, one of 106 numbered copies on alfa mousse.
A very good copy.

First edition, one of 35 numbered copies on Hollande, tirage de tête.
A fine copy.

First edition, one of 36 numbered copies on Hollande, tirage de tête.
A fine copy.

The definitive edition, one of 55 numbered copies on Hollande paper, the tirage de tête.
A fine copy.

First edition, one of 1050 numbered copies on vélin labeur.
Publisher's paper boards with an original design by Paul Bonet.
A very good copy.

First edition, one of 85 numbered copies on Hollande, tirage de tête after 16 Japon.
A fine copy.

First edition, a numbered copy on alfa paper, the only large paper copies after 50 on pur fil paper.
Two slight traces of sunning to head and foot of spine.

First edition, one of 25 numbered copies on Japan paper, the tirage de tête.
Elegant Bradel binding of paper boards with African patterns by Thomas Boichot, black morocco title piece, covers preserved.
A good copy in an attractive binding.