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Paris (France)
  1. Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)
    Maurice TAQUOY

    Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|36.50 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  2. Le Miroir ancien. Robe du soir de Paquin (pl.5, La Gazette du Bon ton, 1912-1913 n°3)Le Miroir ancien. Robe du soir de Paquin (pl.5, La Gazette du Bon ton, 1912-1913 n°3)
    Maggie SALCEDO (Jeanne PAQUIN)

    Le Miroir ancien. Robe du soir de Paquin (pl.5, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  3. L'Embarras du choix. Costume tailleur de Paul Poiret (pl.6, La Gazette du Bon ton, 1912-1913 n°3)L'Embarras du choix. Costume tailleur de Paul Poiret (pl.6, La Gazette du Bon ton, 1912-1913 n°3)
    Georges LEPAPE (Paul POIRET)

    L'Embarras du choix. Costume tailleur de Paul Poiret (pl.6, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  4. Blanc et Noir. Robe et manteau de théâtre de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°3)Blanc et Noir. Robe et manteau de théâtre de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°3)
    Francisco Javier GOSE (John REDFERN)

    Blanc et Noir. Robe et manteau de théâtre de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Coloured print, printed on bond paper and signed at the bottom left of the board.
    One of the finest and most influential fashion magazines of the twentieth century, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and...
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  5. La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)
    André-Edouard MARTY (Charles-Frederick WORTH)

    La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Coloured print, heightened with gold, printed on paper and signed very top left of the board.
    One of the finest and most influential fashion magazines of the twentieth century, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for...
    Sold
  6. La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)
    André-Edouard MARTY

    La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  7. La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)
    Charles-Emile CARLEGLE

    La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  8. La Volière. Costume fantaisie de Paquin (pl.4, La Gazette du Bon ton, 1912-1913 n°4)La Volière. Costume fantaisie de Paquin (pl.4, La Gazette du Bon ton, 1912-1913 n°4)
    Charles MARTIN (Jeanne PAQUIN)

    La Volière. Costume fantaisie de Paquin (pl.4, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  9. Les Jardins de Versailles. Costume de Paul Poiret dans le goût de Louis XIV (pl.5, La Gazette du Bon ton, 1912-1913 n°4)Les Jardins de Versailles. Costume de Paul Poiret dans le goût de Louis XIV (pl.5, La Gazette du Bon ton, 1912-1913 n°4)
    Georges LEPAPE (Paul POIRET)

    Les Jardins de Versailles. Costume de Paul Poiret dans le goût de Louis XIV (pl.5, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  10. Un loup en cage. Costume de "Maya" par Worth (pl.7, La Gazette du Bon ton, 1912-1913 n°4)Un loup en cage. Costume de "Maya" par Worth (pl.7, La Gazette du Bon ton, 1912-1913 n°4)
    Francisco Javier GOSE (Charles-Frederick WORTH)

    Un loup en cage. Costume de "Maya" par Worth (pl.7, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  11. Une Chinoise. Costume de Divertissement par Doeuillet (pl.9, La Gazette du Bon ton, 1912-1913 n°4)Une Chinoise. Costume de Divertissement par Doeuillet (pl.9, La Gazette du Bon ton, 1912-1913 n°4)
    Pierre BRISSAUD (Georges DOEUILLET)

    Une Chinoise. Costume de Divertissement par Doeuillet (pl.9, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  12. Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)
    Jacques DRESA (Jacques DOUCET)

    Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  13. Le Conseiller des Dames. Robe et Manteau pour le Théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°5)Le Conseiller des Dames. Robe et Manteau pour le Théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°5)
    George BARBIER

    Le Conseiller des Dames. Robe et Manteau pour le Théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Coloured print, enhanced palladium, printed on paper and signed very top left of the board.
    One of the finest and most influential fashion magazines of the twentieth century, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for...
    Sold
  14. Les Premières Roses - Costume Tailleur pour le matin (pl.2, La Gazette du Bon ton, 1912-1913 n°5)Les Premières Roses - Costume Tailleur pour le matin (pl.2, La Gazette du Bon ton, 1912-1913 n°5)
    Francisco Javier GOSE

    Les Premières Roses - Costume Tailleur pour le matin (pl.2, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  15. L'Arbre en fleurs. Robe d'été de Paul Poiret (pl.4, La Gazette du Bon ton, 1912-1913 n°5)L'Arbre en fleurs. Robe d'été de Paul Poiret (pl.4, La Gazette du Bon ton, 1912-1913 n°5)
    Georges LEPAPE (Paul POIRET)

    L'Arbre en fleurs. Robe d'été de Paul Poiret (pl.4, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  16. Vous dites... Cancan II. Robe pour les courses de Redfern (pl.5, La Gazette du Bon ton, 1912-1913 n°5)Vous dites... Cancan II. Robe pour les courses de Redfern (pl.5, La Gazette du Bon ton, 1912-1913 n°5)
    Charles MARTIN (John REDFERN)

    Vous dites... Cancan II. Robe pour les courses de Redfern (pl.5, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  17. Nocturne. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1912-1913 n°5)Nocturne. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1912-1913 n°5)
    Louis STRIMPL (Charles-Frederick WORTH)

    Nocturne. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  18. Regarde là-haut...Toto. Costume de promenade de Chéruit (pl.7, La Gazette du Bon ton, 1912-1913 n°5)Regarde là-haut...Toto. Costume de promenade de Chéruit (pl.7, La Gazette du Bon ton, 1912-1913 n°5)
    Pierre BRISSAUD (Louise CHERUIT)

    Regarde là-haut...Toto. Costume de promenade de Chéruit (pl.7, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  19. Diane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1912-1913 n°5)Diane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1912-1913 n°5)
    André-Edouard MARTY (Georges DOEUILLET)

    Diane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  20. La Chaîne fleurie. Robe de dîner de Doucet (pl.9, La Gazette du Bon ton, 1912-1913 n°5)La Chaîne fleurie. Robe de dîner de Doucet (pl.9, La Gazette du Bon ton, 1912-1913 n°5)
    H. Robert DAMMY (Jacques DOUCET)

    La Chaîne fleurie. Robe de dîner de Doucet (pl.9, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  21. Nez à nez. Costumes Tailleur pour la promenade (pl.10, La Gazette du Bon ton, 1912-1913 n°5)Nez à nez. Costumes Tailleur pour la promenade (pl.10, La Gazette du Bon ton, 1912-1913 n°5)
    Bernard BOUTET DE MONVEL

    Nez à nez. Costumes Tailleur pour la promenade (pl.10, La Gazette du Bon ton, 1912-1913 n°5)

    Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  22. Mamouche se met à tableMamouche se met à table
    Alphonse BOUDARD

    Mamouche se met à table

    Flammarion|Paris 1975|14 x 20 cm|broché
    first edition on the current paper.
    Precious autograph signed Alphonse Boudard his friend Auguste Le Breton: "To Auguste Le Breton invited among my friends lorque" Manouche starts to table "glass pogne, salvation and fellowship." enriched with a signed autograph autograph dedication of the author Manouche "full argomuche".
    Photo coverage of Edward Boubat.
    Sold
  23. Chère visiteuseChère visiteuse
    Alphonse BOUDARD

    Chère visiteuse

    Editions du Rocher|Paris 1999|15.50 x 24 cm|broché
    first edition on the current paper.
    Precious autograph signed Alphonse Boudard his friend Auguste Le Breton: "For you my dear Auguste last giant green bragging ... this" dear visitor "that will amuse you a little I hope my friendship.. "
    Nice full copy of his illustrated jacket.
    Sold
  24. Le café du pauvreLe café du pauvre
    Alphonse BOUDARD

    Le café du pauvre

    La Table Ronde|Paris 1983|15 x 21.50 cm|broché
    First edition, review copy.
    Precious autograph signed Alphonse Boudard his friend Auguste Le Breton: "To Auguste Le Breton who knows how to do his" poor coffee "without teacher sex education His buddy.."
    A hitch in the back middle, small spots in margins flat.
    Sold
  25. Ma vie pleine de trousMa vie pleine de trous
    Alphonse BOUDARD

    Ma vie pleine de trous

    Plon|Paris 1988|14 x 22.50 cm|broché
    Edition of wich no leading copies exists.
    Precious autograph signed Alphonse Boudard his friend Auguste Le Breton: "To my friend Auguste Le Breton who was also a" life full of holes "Sincerely.."
    Nice copy.
    Sold
  26. Gérard de NervalGérard de Nerval
    Francis CARCO

    Gérard de Nerval

    Albin Michel|Paris 1953|12 x 19 cm|broché
    First edition, one of 55 numbered copies on vélin du Marais paper, the only large paper copies.
    A frontispiece photographic portrait of Gérard de Nerval by Nadar.
    A very good copy.
    Sold
  27. Montmartre à vingt ansMontmartre à vingt ans
    Francis CARCO

    Montmartre à vingt ans

    Albin Michel|Paris 1938|12 x 19 cm|broché
    First edition, review copy.
    Signed autograph Francis Carco to Jacques Mawas: "... to remind him of the beautiful days ..."
    A small tear without gravity environment of the first flat.
    Sold
  28. La question transsexuelleLa question transsexuelle
    Joseph, Pasteur DOUCE

    La question transsexuelle

    Lumière & Justice|Paris 1986|16 x 24 cm|broché
    Edition of wich no leading copies exists.
    Rare and precious autograph signed and dated Pastor Joseph Doucé: "A dedication ... But yes as requested (sic) a toast of friendship to my dear friend and colleague of service to others. Helen Timoleontos"
    Pastor Joseph was a strong advocate for gay rights and other sexual minorities in the 80s.
    He was mysteriously abducted and found murdered in forest of Rambouillet.
    Light spots and marginal stitching heads and feet flat.
    Sold
  29. L'école des cadavresL'école des cadavres
    Louis-Ferdinand CÉLINE

    L'école des cadavres

    Denoël|Paris 1942|14 x 22.50 cm|broché
    Sold
  30. Bagatelles pour un massacreBagatelles pour un massacre
    Louis-Ferdinand CÉLINE

    Bagatelles pour un massacre

    Denoël|Paris 1942|14 x 22.50 cm|broché
    Sold
  31. Par la taillePar la taille
    Alfred JARRY

    Par la taille

    E. Sansot & Cie|Paris 1906|9.50 x 15.50 cm|broché
    First edition, one of 400 copies on vergé teinté paper, the only printing after 200 on Hollande paper.
    Spine and covers marginally sunned as usual, internally good.
    Sold
  32. Ethnologie régionale IIEthnologie régionale II
    COLLECTIF

    Ethnologie régionale II

    Gallimard • , Bibliothèque de La Pléiade|Paris 1978|10.50 x 17.50 cm|reliure de l'éditeur sous étui souple
    Sold
  33. Le diable à ParisLe diable à Paris
    Honoré de BALZAC, George SAND

    Le diable à Paris[The Devil in Paris]

    Hetzel|Paris 1845 -1846|18 x 28 cm|2 volumes reliés
    First edition of the 212 full-page wood engravings by Gavarni (with the exception of the final four, executed by Bertall), together with 800 wood-engraved vignettes within the text.
    Contemporary romantic bindings in half red shagreen, spines with four raised bands finely decorated with triple gilt panels and gilt arabesques, red paper-covered boards, marbled endpapers and pastedowns, corners a trifle rubbed.
    The volume features a remarkable diversity of typographical elements, including elaborate text borders and tailpieces.
    Gavarni’s captioned and satirical wood engravings offer a strikingly abundant illustrative display—almost a precursor to the comic strip.
    Scattered...
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  34. Gibiers de notre paysGibiers de notre pays
    Joseph OBERTHÜR

    Gibiers de notre pays

    Librairie des Champs-Elysées|Paris 1936-1941|22.50 x 28 cm|7 volumes brochés
    Sold
  35. AtalaAtala
    Gustave DORE, François René de CHATEAUBRIAND

    Atala

    Hachette & Cie|Paris 1863|31.50 x 44 cm|reliure souple de l'éditeur
    Sold
  36. Apologie de Mort à crédit suivi de "Hommage à Emile Zola" par Louis-Ferdinand CélineApologie de Mort à crédit suivi de "Hommage à Emile Zola" par Louis-Ferdinand Céline
    Louis-Ferdinand CÉLINE, Robert DENOËL

    Apologie de Mort à crédit suivi de "Hommage à Emile Zola" par Louis-Ferdinand Céline

    Denoël & Steele|Paris 1936|13.50 x 20.50 cm|broché
    First edition, an advance (service de presse) copy, there were only 20 pur fil paper large paper copies.
    Small angular lacks to head of final leaves, ex-dono in biro on top of title page.
    Sold
  37. Peindre c'est aimer à nouveauPeindre c'est aimer à nouveau
    Henry MILLER

    Peindre c'est aimer à nouveau

    Buchet / Chastel|Paris 1962|14 x 20.50 cm|broché
    Sold
  38. Dictionnaire des symbolesDictionnaire des symboles
    Alain GHEERBRANT, Jean CHEVALIER

    Dictionnaire des symboles

    Robert Laffont|Paris 1969|-|reliure de l'éditeur
    first edition.
    Binding to bradel editor with full canvas mustard, smooth back, full copy of his jacket and his rhodoïd that have small tears and some angular gaps without gravity.
    Bel autograph signed Alain Gheerbrant to his friend the painter and engraver Jacques Castex: "The paths of knowledge, so we kept looking for them, why would we live, Jacques, and what is a symbol ? Your brother. Alain. "
    Illustrated book of drawings by Bernard Gandet.
    Nice copy.
    Sold
  39. Les fleurs du malLes fleurs du mal
    Leonor FINI, Charles BAUDELAIRE

    Les fleurs du mal

    Le cercle du livre précieux|Paris 1964|32 x 43 cm|en feuilles sous chemise et étui
    Edition with 24 original coloured lithographs and hors-texte of Léonor Fini, one of 481 numbered copies on Hollande.
    A good copy.
    Sold
  40. HeliconHelicon
    Michel BERNARD, Max SCHOENDORFF

    Helicon

    Michel Cassé|Paris 1974|11 x 15 cm|en feuilles sous chemise et étui
    Printed Edition of 50 numbered and justified by the publisher on vellum.
    Book illustrated by 9 original lithographs in black Schoendorff Max.
    Written signatures of Michel Bernard and Max Schoendorff to the justification of the draw.
    Nice copy.
    Sold
  41. AdolpheAdolphe
    Benjamin CONSTANT

    Adolphe

    Brissot-Thivars|Paris 1824|10 x 17.50 cm|relié
    Sold
  42. Histoire de l'Empire Othoman, où se voient les causes de son aggrandissement et de sa décadenceHistoire de l'Empire Othoman, où se voient les causes de son aggrandissement et de sa décadence
    Demetrius, prince de Moldavie CANTEMIR, M. de JONCQUIERES

    Histoire de l'Empire Othoman, où se voient les causes de son aggrandissement et de sa décadence

    Chez Barois|à Paris 1743|20.50 x 26 cm|2 tomes reliés en un volume
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  43. Le feu (Journal d'une escouade)Le feu (Journal d'une escouade)
    Henri BARBUSSE

    Le feu (Journal d'une escouade)

    Flammarion|Paris 1916|13 x 19 cm|relié
    Sold
  44. Comme un semis de lacunesComme un semis de lacunes
    Max CLARAC-SÉROU, Roberto Antonio Sébastian MATTA

    Comme un semis de lacunes

    Editions du dragon|Paris 1986|15.50 x 24.50 cm|broché
    First edition, one of 300 numbered copies on Johannot.
    Signed autograph Max Clarac-Sérou painter and engraver Jacques Castex and his wife.
    Illustrated book 6 reproductions of etchings by Sebastian Matta.
    Sold
  45. Dictionnaire technique de l'estampeDictionnaire technique de l'estampe
    André BÉGUIN

    Dictionnaire technique de l'estampe

    Chez l'auteur|Paris 1998|21 x 29.50 cm|broché
    New revised and expanded edition.
    Signed autograph Andre Beguin to the painter and engraver Jacques Castex: "... with all our common memories, it would make an additional chapter in this dictionary ..."
    Rich illustration.
    Nice copy.
    Sold
  46. Du spirituel dans l'artDu spirituel dans l'art
    Wassily KANDINSKY

    Du spirituel dans l'art

    Editions de Beaune|Paris 1963|14 x 21.50 cm|broché
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  47. La forest nuptiale où est représentée une variété bigarrée, non moins esmerveillable que plaisante, de divers mariages, selon qu'ils sont observez et pratiquez, par plusieurs peuples et nations estranges, avec la manière de policer, régir, gouverner et administrer leur familleLa forest nuptiale où est représentée une variété bigarrée, non moins esmerveillable que plaisante, de divers mariages, selon qu'ils sont observez et pratiquez, par plusieurs peuples et nations estranges, avec la manière de policer, régir, gouverner et administrer leur famille
    Nicolas de CHOLIÈRES

    La forest nuptiale où est représentée une variété bigarrée, non moins esmerveillable que plaisante, de divers mariages, selon qu'ils sont observez et pratiquez, par plusieurs peuples et nations estranges, avec la manière de policer, régir, gouverner et administrer leur famille

    Jules Gay|Paris s. d. [1865]|9.50 x 16.50 cm|relié
    Sold
  48. Les jeux d'esprit ou la promenade de la princesse de Corti à Eu par mademoiselle de la ForceLes jeux d'esprit ou la promenade de la princesse de Corti à Eu par mademoiselle de la Force
    Charlotte-Rose CAUMONT DE LA FORCE

    Les jeux d'esprit ou la promenade de la princesse de Corti à Eu par mademoiselle de la Force

    Auguste Aubry|Paris 1862|11 x 18 cm|relié
    Sold
  49. L'ordre de chevalerie des cocus reformez nouvellement establis à Paris. La cérémonie qu'ils tiennent en prenant l'habit, les statuts de leur ordre, et un petit abrégé de l'histoire de ce peupleL'ordre de chevalerie des cocus reformez nouvellement establis à Paris. La cérémonie qu'ils tiennent en prenant l'habit, les statuts de leur ordre, et un petit abrégé de l'histoire de ce peuple
    ANONYME

    L'ordre de chevalerie des cocus reformez nouvellement establis à Paris. La cérémonie qu'ils tiennent en prenant l'habit, les statuts de leur ordre, et un petit abrégé de l'histoire de ce peuple

    Chez la veuve du Carroy|Paris 1870|13 x 19.50 cm|relié
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  50. La cheminée de madame de La PoupelinièreLa cheminée de madame de La Poupelinière
    Émile CAMPARDON

    La cheminée de madame de La Poupelinière

    Charavay frères|Paris 1880|9.50 x 13.50 cm|relié
    Sold
  51. Le juif errant est arrivéLe juif errant est arrivé
    Albert LONDRES

    Le juif errant est arrivé

    Albin Michel|Paris 1930|12 x 19 cm|broché
    Sold
  52. Propos sur l'esthétiquePropos sur l'esthétique
    ALAIN

    Propos sur l'esthétique

    Stock|Paris 1923|9.50 x 14.50 cm|broché
    First edition on ordinary paper.
    A good copy despite small spots, not serious.
    Sold
  53. ParolesParoles
    Jacques PRÉVERT

    Paroles

    Les éditions du point du jour|Paris 1947|14 x 19.50 cm|broché
    New edition, first in part, as reviewed and expanded.
    Slight marginal tears, not serious, to covers, a good copy.
    Sold
  54. On tue pour moinsOn tue pour moins
    Germaine BERAUD

    On tue pour moins

    Plon|Paris 1950|12 x 19 cm|broché
    Sold
  55. L'Agence Thompson and CoL'Agence Thompson and Co
    Jules VERNE

    L'Agence Thompson and Co

    Hetzel|Paris s. d. [1908-1914]|18 x 28 cm|cartonnage de l'éditeur
    Sold
  56. L'invasion de la mer. Le phare du bout du mondeL'invasion de la mer. Le phare du bout du monde
    Jules VERNE

    L'invasion de la mer. Le phare du bout du monde

    Collection Hetzel|Paris 1905|18 x 27.50 cm|relié
    Sold
  57. La métamorphose des dieuxLa métamorphose des dieux
    André MALRAUX

    La métamorphose des dieux

    Gallimard|Paris 1957|18 x 23 cm|reliure de l'éditeur
    First edition, one of the numbered copies.
    Cardboard Editor connected from the original artwork of Paul Bonet.
    autograph dedication of the author autograph signed and dated Malraux Fernand Picard.
    rich iconography.
    Some small minor foxing, two corners slightly horny.
    Sold
  58. Discours de SuèdeDiscours de Suède
    Albert CAMUS

    Discours de Suède

    Gallimard|Paris 1958|12 x 19 cm|broché
    Sold
  59. Le rappelLe rappel
    Boris VIAN, LOUSTAL

    Le rappel

    Les cent une|Paris 2009|28.50 x 24 cm|en feuilles sous étui
    New edition with original illustrations in color by Loustal and printed in 101 numbered copies on B.F.K. de Rives paper, this copy not justified.
    A rare and good copy.
    Sold
  60. ChancahChancah
    Jean-Marie Gustave LE CLÉZIO, Tony SOULIÉ

    Chancah

    Les bibliophiles de France|Paris 2012|32.50 x 25.50 cm|en feuilles sous chemise et étui
    Sold
  61. Seeing voice welsh heartSeeing voice welsh heart
    Cyril Walter HODGES, Paul JENKINS

    Seeing voice welsh heart

    Editions de la galerie Karl Flinker|Paris 1965|-|en feuilles sous chemise et étui
    Edition with 6 original lithographs by Paul Jenkins and of 265 numbered copies on vélin pur chiffon de Rives paper, this copy one of 25 hors commerce reserved for the printers, the authors ans the artists.
    The original lithograph on the slipcase of cloth has no faults.
    A good copy.
    Sold
  62. MazasMazas
    Maximilien LUCE, Jules VALLÈS

    Mazas

    L'Estampe originale|Paris s. d. [1894]|29.50 x 36 cm|en feuilles retenues par un lacet

    With 9 original lithographs by Maximilen Luce, one of 10 numbered copies on vergé de Hollande and justified by the illustrator, the tirage de tête.
    This copy retains its suite on Japon ancien paper. Three miniscule lacks to edges of upper cover.
    These are portraits of friends in prison, of which three are of the “eminence grise of symbolism,” the anarchist journalist and art critic Félix Fénéon. Maximilien Luce (1858-1941) was himself imprisoned at Mazas. The former engraver never stopped vigorously asserting his Socialistic ideas in his work, as well as his sympathy for the anarchist movement.
    A good and rare copy.

    Sold
  63. Les Oeuvres de Monsieur SarasinLes Oeuvres de Monsieur Sarasin
    Jean-François SARASIN

    Les Oeuvres de Monsieur Sarasin

    chez Louis Billaine|à Paris 1663|8.50 x 15.50 cm|relié
    Sold
  64. Du repos de la tranquilité de l'Ame; De la constance du Sage, et de la Briefveté de la vie, De la version de P. du RyerDu repos de la tranquilité de l'Ame; De la constance du Sage, et de la Briefveté de la vie, De la version de P. du Ryer
    SÉNÈQUE

    Du repos de la tranquilité de l'Ame; De la constance du Sage, et de la Briefveté de la vie, De la version de P. du Ryer

    chez Antoine de Sommaville|à Paris 1657|7.50 x 13 cm|relié
    Sold
  65. SmokeSmoke
    Will HENRY, Paul-Émile VICTOR

    Smoke

    Les Presses de la Cité|Paris 1973|13.50 x 20.50 cm|reliure de l'éditeur
    First edition of the French adaptation established by Paul-Emile Victor and why it was not drawn large papers.
    Publishers'binding with full canvas burgundy, smooth back, full copy of his illustrated jacket that has only very slight marginal tears.
    autograph dedication of the author autograph signed and dated by Paul-Emile Victor to a friend.
    Sold
  66. Le solitaireLe solitaire
    Eugène IONESCO

    Le solitaire

    Mercure de France|Paris 1973|14 x 20.50 cm|broché
    first edition on the current paper.
    Bel autograph signed by Eugène Ionesco at Frederick Tourvarnicki ". To my dear F. Tourvarnicki, and his wife, present and future (three in one) and for his great kindness and their"
    Nice full copy of his illustrated jacket that has slight tears in mind.
    Sold
  67. Théâtre IIIThéâtre III
    Eugène IONESCO

    Théâtre III

    Gallimard|Paris 1963|11.50 x 18 cm|broché
    Sold
  68. Théâtre IVThéâtre IV
    Eugène IONESCO

    Théâtre IV

    Gallimard|Paris 1966|12 x 19 cm|broché
    Sold
  69. Trois coups sous les arbresTrois coups sous les arbres
    René CHAR

    Trois coups sous les arbres

    Gallimard|Paris 1967|12 x 19 cm|broché
    First edition, review copy.
    Signed autograph René Char Frederick to Towarnicki: "... this theater that calls to talk without saying much ..."
    Back slightly insolated.
    Sold
  70. Le nu perduLe nu perdu
    René CHAR

    Le nu perdu

    Gallimard|Paris 1971|14 x 20.50 cm|broché
    Collective Edition, a numbered on puffing Alfa paper.
    autograph dedication of the author autograph signed and dated by René Char to Karine Towarnicki: "... with my memory of admiration and friendship as singing ..."
    Sold
  71. Chants de la BalandraneChants de la Balandrane
    René CHAR

    Chants de la Balandrane

    Gallimard|Paris 1977|14 x 20.50 cm|broché
    First edition, one of numbered copies on bouffant alfa.
    Autograph inscription dated and signed by René Char to André Brincourt.
    Sold
  72. La tête d'obsidienneLa tête d'obsidienne
    André MALRAUX

    La tête d'obsidienne

    Gallimard|Paris 1974|14 x 20.50 cm|broché
    First edition, a service de presse (advance) copy.
    Autograph inscription from André Malraux to André Brincourt and his wife.
    Spine wrinkled with one small tear to foot.
    Sold
  73. Le médianoche amoureuxLe médianoche amoureux
    Michel TOURNIER

    Le médianoche amoureux

    Gallimard|Paris 1989|14 x 20.50 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Michel Tournier to André (Brincourt).
    Sold
  74. Gaspard, Melchior & BalthazarGaspard, Melchior & Balthazar
    Michel TOURNIER

    Gaspard, Melchior & Balthazar

    Gallimard|Paris 1980|14 x 20.50 cm|broché
    First edition, review copy.
    Signed autograph Michel Tournier Andre (Brincourt).
    A small stain on back foot.
    Sold
  75. Le coq de bruyèreLe coq de bruyère
    Michel TOURNIER

    Le coq de bruyère

    Gallimard|Paris 1978|14 x 20.50 cm|broché
    First edition, an advance (service de presse) copy.
    Autograph inscription from Michel Tournier to André Brincourt.
    Spine slightly sunned.
    Sold
  76. Destins hors sérieDestins hors série
    Anatole de MONZIE

    Destins hors série

    Les Editions de France|Paris 1927|12 x 19 cm|broché
    First edition, review copy.
    Signed autograph of Anatole de Monzie Alin Laubreaux.
    Our copy is enriched by an autograph note signed duplex author sent the same to the Senate header and thanking his benevolent critics, enclosed envelope.
    We also enclose a fragment of the autograph manuscript COMPILER on a page and a half header Senate (the second page includes a head laceration).

    Press clipping of an article by Alin Laubreaux about the works of Anatole de Monzie.
    Sold
  77. La vieillesseLa vieillesse
    Simone de BEAUVOIR

    La vieillesse

    Gallimard|Paris 1970|14 x 20.50 cm|broché
    First edition, one of numbered copies on bouffant calypso.
    With an autograph inscription from Simone de Beauvoir to Arlette Naudin.
    Small fooxings, not serious, on the upper cover.
    Sold
  78. Marie LaurencinMarie Laurencin
    Flora GROULT

    Marie Laurencin

    Mercure de France|Paris 1987|15.50 x 24 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph of Flora Groult Madeleine Naudin.
    Iconography.
    Sold
  79. Beauvoir peintreBeauvoir peintre
    Patricia NIEDZWIECKI

    Beauvoir peintre

    Côté-femmes|Paris 1991|22 x 28 cm|reliure de l'éditeur
    first edition.
    Binding of full blue cardboard editor, smooth back, full copy of his jacket.
    Signed autograph of Helene de Beauvoir Arlette Nodin.
    Iconography.
    Sold
  80. BordsBords
    Raymond QUENEAU, Georges MATHIEU

    Bords

    Hermann|Paris 1963|14 x 19 cm|broché
    first edition on the current paper.
    Signed autograph Raymond Queneau to Jean-Marc Lambert.
    Book decorated with illustrations of Georges Mathieu.
    Back slightly insolated and having a small spot on foot.
    Sold
  81. Serge GainsbourgSerge Gainsbourg
    Serge GAINSBOURG, Lucien RIOUX

    Serge Gainsbourg

    Seghers|Paris 1986|14 x 17 cm|reliure de l'éditeur
    first edition.
    Binding to the editor bradel full gray cardboard, smooth back.
    Signed autograph for a fan to Serge Gainsbourg.
    We enclose a postcard of the Rue de Verneuil where Serge Gainsbourg lived from 1968 to 1991.
    Iconography, nice copy.
    Sold
  82. Maître du monde - Un drame en LivonieMaître du monde - Un drame en Livonie
    Jules VERNE

    Maître du monde - Un drame en Livonie

    Hetzel|Paris 1904|18 x 28 cm|cartonnage de l'éditeur
    Sold
  83. La Chasse au météore. Le Pilote du DanubeLa Chasse au météore. Le Pilote du Danube
    Jules VERNE

    La Chasse au météore. Le Pilote du Danube

    Hetzel|Paris s. d. [1908]|18 x 28 cm|cartonnage de l'éditeur
    Sold
  84. Mistress BranicanMistress Branican
    Jules VERNE

    Mistress Branican

    Hetzel|Paris 1891|18 x 28 cm|cartonnage de l'éditeur
    Sold
  85. [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus[Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus
    Marc CHAGALL

    [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus

    Léon Amiel|Paris • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
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  86. [Moïse sauvé des eaux] Then the daughter of Pharaoh opened the arke, and saw it was a childe (Et la fille du Pharaon ouvrit l'arche et vit que c'était un enfant) - The Story of Exodus[Moïse sauvé des eaux] Then the daughter of Pharaoh opened the arke, and saw it was a childe (Et la fille du Pharaon ouvrit l'arche et vit que c'était un enfant) - The Story of Exodus
    Marc CHAGALL

    [Moïse sauvé des eaux] Then the daughter of Pharaoh opened the arke, and saw it was a childe (Et la fille du Pharaon ouvrit l'arche et vit que c'était un enfant) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
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  87. Ils partiront dans l'ivresseIls partiront dans l'ivresse
    Lucie AUBRAC

    Ils partiront dans l'ivresse

    France Loisirs|Paris 1985|13.50 x 20.50 cm|reliure de l'éditeur
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  88. Le Superbe OrénoqueLe Superbe Orénoque
    Jules VERNE

    Le Superbe Orénoque

    Hetzel|Paris 1898|18.50 x 28 cm|relié
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  89. Cinq semaines en ballon - Voyage au centre de la terreCinq semaines en ballon - Voyage au centre de la terre
    Jules VERNE

    Cinq semaines en ballon - Voyage au centre de la terre

    Hetzel|Paris s. d. [1905-1914]|18 x 28 cm|cartonnage de l'éditeur
    Sold
  90. Claudius Bombarnac - Le Château des CarpatesClaudius Bombarnac - Le Château des Carpates
    Jules VERNE

    Claudius Bombarnac - Le Château des Carpates

    Hetzel|Paris 1892|18 x 28 cm|cartonnage de l'éditeur
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