Paris

First edition, review copy.
Signed autograph of Henry Lefebvre in a couple of his friends.
Back slightly insolated without gravity.

First edition, one of 22 numbered copies on vélin d'Arches paper, the only large paper copies.
A very good copy.

First edition of which there were no large paper copies.
Illustrated cover.

First edition, one of 30 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 30 numbered copies on pur fil paper, the only large paper copies.
A very good copy despite two small traces of sunning to head and foot of spine.

First edition, one of 40 numbered copies on pur fil paper, the only large paper copies.
A very good copy despite a small trace of sunning to foot of spine.

First edition, one of 73 numbered copies on vellum Marais ours one of 60 reserved the club Edition only leading copies.
Signed autograph Christiane Singer.
Nice copy.

First edition, an advance (service de presse) copy.
A good copy.

First edition, one of 200 numbered copies on "pur-fil" paper Lafuma.
Binding half morocco purple with corners, back thinned with five nerves set with gold dotted decorated with double gilded boxes fortified parts of morocco mosaic brown, golden tail date traces of friction on the fragile joint, frame nets gilded on the boards marbled paper, guards and contreplats of handmade paper, gilded head, bookplate of Edward the Gandara pasted on a contreplat, contemporary binding signed Yseux.
Signed autograph of Rosemonde Gérard to actor Edouard de La Gandara, brother of the painter Antionio.

first edition of the first book by Joseph Kessel, one of 750 numbered copies on "pur-fil" paper, only large paper after 108 reimposed.
Binding half chocolate brown sheepskin, smooth back with a gold cartridge embellished with gilded finials, marbled paper plates, guards and contreplats of handmade paper, preserved covers, corners lightly bumped, modest contemporary binding.
Signed autograph of Joseph Kessel to Jacques Darnetal: "... that I" discovered "one of the first in gratitude and sincere sympathy ..."

First edition in French by Claude Sernet, one of 26 lettered copies on chiffon de Lana paper, the tirage de tête.
A very good copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Maxime Alexandre to the Mercure de France.

First edition of the French translation by Jean-Louis Curtis and why it was not drawn large paper, review copy.
Signed autograph of Jean-Louis Curtis Lise Eline.
Nice copy.

First edition, one of 100 copies on numéroéts Alfa paper and reserved to the press service.
Signed autograph Edward Peisson Robert Kemp.
Warped back with small gaps without gravity.

First edition, one of 43 numbered copies on pur fil, the only large paper copies after 8 Hollande.
A good copy.

First edition in French, one of 20 numbered copies on chiffon de Lana paper, this copy hors commerce and not justified, the only large paper copies.
A very good copy.

First edition, one of 35 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, review copy.
Bel autograph signed Antoine Blondin Peter Andre: "... this book where half do not have the same length in memory of his first communion, I wonder just what she has done. here, and remember the time when he drank fruit juice with my father. that's a time that prepares others, at least I hope so. with my good friends. "
A small glued tear and a slight lack in foot of the back, two small spots ahead of the second flat.
Nice copy.

First edition on ordinary paper.
Autograph inscription from René Fallet to Roger Caillois.
A rare and good copy.

First edition, one of 99 numbered copies on Arches paper, this copy one of 3 lettered hors commerce, the only large paper copies after 1 on Madagascar paper.
A very good copy.

First edition on ordinary paper.
One small clear stain to spine, paper yellowed as usual.

First edition in French, one of 225 numbered copies on alfa paper, the only large paper copies after 25 on Hollande paper.
Spine sunned, otherwise a good copy.

First edition, one of 32 numbered copies on Imperial Japan, deluxe edition.
Illustrated book of 65 original watercolors by Auguste Vimar.
Our copy, as it is stated in the justification of the draw is full of his two original watercolors by Auguste Vimar he signed as his double suite in black on China illustrations.
Nice copy.

First edition, one of 54 numbered copies on pur fil paper, the only large paper copies.
A faded strip to the first free endpaper (left by a press clipping).
A good copy.

First edition, one of 80 numbered copies on pur fil paper, the only large paper copies after 15 on Hollande paper.
Spine sunned, otherwise a good copy.

First edition.
With 66 etchings by the author.
Spine and upper cover marginally sunned, internally good.

First edition, one of 55 numbered copies on pur fil paper, the tirage de tête after 20 on Hollande paper.
A good copy.

First edition of which there were no large paper copies.
Retaining its advertising band (with one marginal tear).

First edition, one of 894 numbered copies on pur fil paper, the only large paper copies after 109 reimposed.
Spine slightly sunned, otherwise a good copy.

First edition, one of 80 numbered copies on pur fil paper, the only large paper copies.
A fine copy.

First edition of the French translation, one of 20 numbered copies on pur fil, the only large paper copies.
One small tear to foot of spine.

first edition on the current paper.
Signed autograph of Georges Ribemont-Dessaignes Elizabeth Carmelt.
Iconography.
Two small marginal miss on the second flat.

First edition, one of 24 numbered copies on chiffon de Lana paper, the only large paper copies.
A good copy.

First edition, one of 10 numbered copies on vergé ivoire paper, the only large paper copies.
A very good copy in new condition.

First edition, one of 10 numbered copies on offset Centaure, the only large paper copies.
A very good copy in new condition.

First edition, one of 15 numbered copies on vergé ivoire paper, the only large paper copies.
A very good copy in new condition.

First edition, one of 10 numbered copies on offset centaure, the only large paper copies.
A very good copy in new condition.

First edition, one of 20 numbered copies on vergé d'Arches paper, the only large paper copies.
A very good copy in new condition.

First edition of the French translation and adaptation established by Paul Eluard, one of 50 numbered on "pur-fil" paper only leading copies.
Handwritten signature of Paul Eluard enriched to a Christo Botev and initials of the Bulgarian poet on the half-title page.
Second handwritten signature of Paul Eluard under the justification of the draw.
Biography of the Bulgarian poet Elsa Triolet.
Rare copy and pleasant.

first edition on the current paper.
Signed autograph of Romain Gary to a couple of friends.. "A Pierre and Marie-Pierre, very affectionately (*) These kites that get the hell ... Romain Gary * In the second I touch autograph dedication of the author ... ! (I hope so ! ).
Tiny bites on the back, otherwise fine copy.

First edition, one of 26 numbered copies on vélin de Renage paper, the only large paper copies.
A good copy.

First edition of which there were no large paper copies.
One small tear to foot of spine.

First edition of which there were no large paper copies.
A good copy.

First edition of which there were no large paper copies.
A good copy retaining its illustrated dust jacket.

first edition on the current paper.
Precious autograph signed Ramon Fernandez to Mr. and Mrs. Marcel Jouhandeau.
Insolated with two back tears at the head and foot, small bites affecting mainly the last guard.

First edition, an advance (service de presse) copy.
Autograph inscription from Ramon Fernandez to Claude Aveline.
Spine warped.

Second edition published the same year as the first edition, one of 25 copies hors commerce and lettered on pur fil paper.
A good copy.

First edition of which there were no large paper copies.
Spine sunned, one small lack to head of first free endpaper.

New edition.
A good copy.

First edition of which there were no large paper copies.
A good copy.

The second edition, first in parts (as revised and augmented), one of 15 numbered copies on alfama paper, the tirage de tête.
A fine copy.