Paris

First edition, one of 32 numbered copies on pur fil paper, this copy n°1, the only large paper copies.
Tiny and clear spots to spine.
A good copy.

First edition, one of 34 numbered copies on vélin de Rives paper, the only large paper copies.
Spine yellowed.

First edition of the French translation, one of 110 numbered copies on vergé pur fil paper Lafuma-Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A very good copy.

First edition of the French translation, one of 110 numbered copies on vergé Lafuma Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé Lafuma Navarre re-imposed in Tellière quarto format, tirage de tête.
Spine very lightly sunned, a good copy.

First edition, one of 950 numbered copies on Ingres paper, this copy not justified.
A good copy.

First edition.
Navy blue and orange papier glacé, the upper cover with an abstract geometric pattern of gilt and blindruled fillets, author's name and title in gilt to head and foot of cover, covers preserved, top edge gilt, rhodoid cover protecting the binding, an elegant abstract binding signed by Pierre-Lucien Martin and dated 1955.
A little light insignificant rubbing to head of one pastedown.
A very good copy nicely bound.

First edition.
Other contributions from Jean Cocteau, Joseph Delteil, François Di Dio, Louis Pauwels...
A good copy retaining its advertising band.

First edition, one of the numbered copies on large sandstone.
autograph dedication of the author autograph signed and dated by Alain Simon to Marcel Pierre and Etiennette.
spine wrinkled, otherwise good copy.

First edition, one of 150 numbered copies on Holland paper, and reimposed in turquoise cover, ours unjustified.
Signed autograph of Princess Bibesco Madame Henri Lilloz: "... this piece has the secret of the heart as it can die ..."
spine and boards marginally discolored, small traces of moisture at the pinout of the book, very lightly shaded guards.

first edition.
Half shagreen binding, back with four nerves set with golden threads and adorned with triple gilded boxes, volume number gilded on the back, some slight friction on the caps, marbled paper plates, guards and contreplats of handmade paper, sprinkled edges, contemporary binding.
Signed autograph of Emile Zola: "To my dear friend Ballé, his devoted."
Some foxing.
Nice copy pleasantly established.

First edition, review copy.
Signed autograph Andre Beucler Madame Lancel enriched with a beautiful drawing in full page, color pencils, Maw representing Love in uniform, a flower on her lips.
This novel was masterfully adapted to film a few years later by Jean Grémillon, with Jean Gabin creating Maw Love.
Back slightly insolated with a small tear in mind.

first edition on the current paper.
Signed autograph of Jacques de Lacretelle Alfred Johr.
spine and boards evenly insolated, papeir yellowed.

First edition, one of 230 numbered copies on Hollande paper, the only large paper copies after 16 on Japan paper.
Iconography.

First edition, one of 95 numbered copies on vélin d'Arches paper, the only large paper copies after 45 on Hollande paper.
A very good copy.

First edition, one of 210 numbered copies on Madagascar paper.
A very good copy.

Edition illustrated with 17 original etchings of Abel Renault, one of 440 numbered copies on Rives vellum.
Preface of Jerome and Jean Tharaud.
Signed autograph Abel Renault to a friend.
Some spots on the flaps of the shirt, otherwise nice copy.

First edition, one of 1500 numbered copies on vellum, one draw with 20 Rives.
Signed autograph Eugene Guillevic to Mr. R. Montbel.
Back insolated not passed illustrated cover.

first edition on the current paper.
Signed autograph of Charles Lapicque Doctor Mawas: "... in memory of our good conversations and research on the eye ..."
Illustrations hors-texte.

First edition, a numbered copy on alfa paper.
One tear to head of upper cover, a good copy.

First edition of the French translation, one of125 numbered copies on pur fil, the only large paper copies.
A good and rare copies.

First edition, one of 48 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First collected edition, one of 112 numbered copies on pur fil paper, the tirage de tête.
A very good copy retaining its advertising slip.

First edition, one of 70 numbered copies on Lafuma Voiron re-imposed in Tellière quarto format, the only large paper copies.

A good and rare copy without foxing.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper.
A good copy.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper for each volume.
A good set.

First edition, one of 55 numbered copies on pur fil paper, the only large paper copies after 35 on Hollande paper.
A good copy.

First edition.

Two small tears to head of spine and to edge of lower cover.

First edition, one of copies on châtaignier paper, the only printing with 550 Bonet binding.
Spine slightly sunned, otherwise a very good copy.

First edition, one of 1160 numbered copies on Alfa paper, ours one of 60 reserved to the press service.
Small traces of minor folds on upper cover.

Edition illustrated with a frontispiece by Victor Brauner and a text-off Jacques Herold.
spine and boards slightly and marginally cleared as usual.

Edition for which he was not drawn large paper, review copy.
Signed autograph of Leo Moussinac John Piqueras.
A split in the foot joints, small tears on the back and flat margins, a tiny lack margins in the first pages, enclosed press clipping.

Edition after a few months to the first edition.
Bound in red half shagreen with corners, back with five nerves, red cloth covers, guards and contreplats of handmade paper, cover preserved.
Signed autograph of Louise de Vilmorin to his friend Maurice Aveline accompanied by a small four-leaf clover.
A poorly cut sheet that caused small gaps minor legs of 61-62 pages.
Nice copy.

First edition, one of 675 numbered copies on vellum of Savoy, ours one of the few trade off.
Signed autograph of Jean Galtier-Boissière John Piqueras to Mr. Dorbon: "... (with apologies for Pichegru case) and good wishes 1945".
Back and front cover discolored, nice interior state.

First edition, review copy.
Precious autograph signed by Jean-Louis Curtis Alexander Vialatte.
Back slightly insolated and second flat, nice interior state.

First edition française, a numbered copy on alfa paperma.

A good copy despite one small tear to head of spine.

Edition illustrated with 7 colored plates by Paul Eluard and 32 reproductions of Max Ernst's collages, one of 610 numbered copies on alma Marais, the only printing.
Spine and covers marginally sunned, internally good.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition, one of 108 numbered copies on Lafuma Navarre paper reimposed in quarto, the tirage de tête.
Half blue morocco over ostrich-patterned paper by Semet & Plumelle, spine in six compartments with fillets and double gilt decorated compartments, gilt date at foot, gilt fillet frame to covers, covers and spine preserved, top edge gilt. A very good copy, nicely bound.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.

Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.

A very good copy nicely bound.

First edition of the French translation, one of 118 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 125 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Occasional foxing, not serious, a very good copy.

First edition in French, one of 109 numbered copies on vergé pur fil paper Lafuma-Navarre and re-imposed in Tellière quarto, the tirage de tête.
Spine slightly sunned, otherwise a good copy.

First edition in French, one of 108 numbered copies on vergé pur fil Lafuma-Navarre, re-imposed in Tellière quarto, the only large paper copies.
Spine slightly sunned, small marginal spots to the first free endpaper.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Spine with tiny stains, not serious, a good copy.

First edition of the French translation, one of 25 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A rare and very good copy.

First edition of the French translation, one of 30 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Some foxing on some leaves, to the edges.
A rare and very good copy.

First edition of the French translation, one of 110 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A very good copy.

Edition of wich no leading copies exists.
Binding of the editor in full blue fabric, smooth back, full copy of his illustrated jacket that has a small Tear won the first board.
autograph dedication of the author autograph signed and dated by Maurice Bellonte to Jacques Pierrot.
Nice copy.

New edition.

Autograph inscription from Louis Aragon to Françoise Le Stir : "... ce que je peux signer comme si c'était de moi..."

First edition, one of 48 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 100 numbered copies on Hollande paper, the tirage de tête after 10 on China and 21 on Japan paper.
Splendid grey morocco binding by Noulhac, spine in six compartments (very slightly faded), gilt date to foot, gilt roulettes to headpieces, red morocco pastedowns, endpapers of moiré paper and later marbled paper, double gilt fillets to edges of covers, covers preserved, all edges gilt, paper slipcase lined in brown felt.
This copy retaining the color frontispiece by Pierre Roche, printed on églomisé paper and the etching by Eugène Delâtre of an unpublished portrait of Joris-Karl Huysmans.
A very good copy in a lined morocco binding by Noulhac.

First edition, one of 500 numbered copies on vélin blanc, the only printing with 15 Japon.
A very good copy.

First edition in French by andré Bay, one of 500 numbered copies on vélin blanc paper, the only printing with 15 on Japan paper.
A good copy.

First edition, one of 300 numbered copies on vélin blanc paper, the only printing with 15 Japan paper.
A good copy.

Collective edition largely original, 10 poems appear for the first time: Les Étrennes des orphans, Patience, Young household, Memory, Is it almée, Fairy, War, Genius, Youth, Balance - the last 5 "attached" to the Illuminations .
Important original preface by Paul Verlaine.
Illustrated book frontispiece of two drawings after Verlaine representing Arthur Rimbaud.
Small tears restored margins of the boards, a tiny angular lack at the head of the second board.
Our copy is presented in a shirt and a case in black half morocco, marbled paper plates, date golden tail, set signed Boichot.