Paris

Edition illustrated with 8 original lithographs in colors of Andre Beaudin, one of 90 numbered copies on Rives, one draw after 10 and 12 Japan Chapel.
Written signatures of Georges Limbour and Andre Beaudin to the justification of the draw.
Nice copy.

First edition of the françaie Translation by Serge Persky and for which there is no mention of leading copies.
Binding to bradel half red calico, smooth back, as part of shagreen blue with scratches, name of the author of shagreen brown, net gilded on the boards of marbled paper, upper corners bumped, contemporary binding.
autograph dedication of the author autograph signed and dated by Serge Persky in A. Brisson.

First edition of the French translation, one of 990 numbered copies on pure vellum ful only leading copies after 125 reimposed.
Bound in half red shagreen with corners, back with four nerves crimped nets cold decorated triple cold boxes, golden tail date gilded nets coaching marbled paper plates, guards and contreplats marbled paper, wrappers and back preserved and bound in , gilded head.
Rare spots without gravity, nice copy.

First edition of the French translation by Louis Fabulet.
Signed autograph of Louis Fabulet Pierre Hamp.

Second edition, one of 50 copies numbered on Arches paper, ours bearing the No. 1, only leading copies.
Signed autograph Eric Losfeld his friend Paul Aveline.
Nice copy.

first edition for which there is no mention of leading copies.
Our copy is enriched by an autograph letter of a signed and dated page Jean-Pierre Brisset at Henri-Buriot Darsiles about this book and requesting from him an article for its latest publications.
Nice copy.

first edition on the current paper.
Signed autograph of Georges Bataille to filmmaker Jean Grémillon.
Back insolated, yellowed paper as usually.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

First edition, one of 188 numbered copies on wove paper, the only deluxe copies.
Work illustrated with original color illustrations by Valentine Hugo.
Handsome copy unfortunately lacking the suite of illustrations as specified in the justification page.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

First edition.
Contemporary half blue cloth over marbled paper boards, double gilt fillets to spine, red shagreen title-piece, corners bumped.
Rare autograph inscription signed by Jules Vallès to Madame Bonniaire.
A little scattered foxing.

First edition, review copy.
Signed autograph of René Laforgue to Fraigneau.
spine and marginally insolated boards, some spots mainly affecting the margins of the leaves.

First edition of 106 copies, this one of 99 numbered copies on Rives peper.
With a previously unpublished poem by Tita Reut set in Garamond and specially written based on original drawings by Arman, for this album.
With 4 original lithographs and a collage cover, all signed and numbered by Arman .
Marginal dampstains to collage cover.
Cloth case (some yellowing) with Pounou mask drawn by Arman to centre of upper cover. Internally very good.