Paris

First edition, review copy.
Signed autograph Jean Chalon Alexander Vialatte.
Nice full copy of his prayer to insert.

First edition, one of 500 numbered copies on Holland paper, ours one of the few trade off.
Signed autograph of the publisher Victor Ilona: "... in memory of our friendly relations ..."
upper shrouds lightly rubbed with no gravity, first guard and clearly partially shaded, nice copy.

First edition, one of 712 numbered copies on select "bouffant" paper, ours one of 112 copies reserved for the library of Editions de Minuit, only large paper.
autograph dedication of the author autograph signed and dated Tony Duvert Paul Aveline.
Nice copy.

First edition printed 1500 copies numbered on "pur-fil" paper.
Binding of the editor in full cardboard back of silent green cloth, illustrated boards.
Signed autograph of Jacques Prévert Max-Philippe Delatte.
Illustrated book of drawings by Elsa Henriquez.
Nice copy.

Edition illustrated with 51 drawings of Albert André, one of 1100 numbered copies on Rives vellum.
Bound in red half shagreen with corners, back with four nerves with small black spots, boards, and marbled paper guards contreplats, wrappers and back preserved and bound in, gilded head, contemporary binding.
Signed autograph of Madame Claude Farrère and Mr. J. Pauly.
Nice copy.

First edition of 199 copies, this one of 50 copies numbered in Roman numerals with a cover multiple on paper especially produced by the Moulin de Larroque.
Text by Bernardo Pinto De Almeida.
With 4 lithographs on handmade paper by José de Guimaraes, all signed and numbered in pencil.
Cloth box (a few marginal dampstains) with a reproduction of the cover drawn by Guimaraes. Small tear of a few centimeters to head of joints of box, internally good.

First edition, review copy.
Signed autograph Odilon-Jean Perier to Raoul Ponchon.
Pitting on the boards, a few freckles.

First edition, one of 150 copies "bouffant" paper reserved to the press service.
Signed autograph of George Fourest to miss Turet.
Nice copy.

First edition, one of 50 numbered copies on Japan bamboo from Navarre, only large papers.
Very nice copy.

First edition, one of 75 numbered copies on vergé Ingres blanc paper, the only large paper copies.
A fine copy.

Edition now rare.
Bound in red half shagreen, spine slightly thinned with four nerves, golden tail date marbled paper plates, guards and contreplats of handmade paper, stored and lined blankets.
Introduction and notes by Paterne Berrichon and facsimile of a letter from Ménélick Rimbaud.
Signed autograph of Paterne Berrichon, the name of the dedicatee was scraped.
The sheet comprising the first guard which include the ENOI Paterne Berrichon page of half-title and bibliography dérelié.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original lithograph in colors, one of 15 proofs on Japon Impérial paper reserved for the artist and his collaborators, the only printing along with 20 more on Japan and 250 on Arches paper. Unsigned proof, as with all the proofs in this series except the frontispiece.

A superb proof on Japan paper produced especially for The Story of Exodus, which appeared in 1966 ; the 24 hors-texte lithographs printed by Mourlot were by Chagall.
Fernand Mourlot was undoubtedly the finest lithographer of the 20th century and was thus both printer to, and friend of, the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...enriched both their...

CHAGALL Marc. Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses – The Story of Exodus
Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf
Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs...

CHAGALL Marc. And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them – The Story of Exodus
Amiel Léon, Paris, New-York 1966, 36 x 49,5 cm, one single leaf
Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An...

first edition of which he was not drawn large paper, review copy.
Signed autograph of Roger Caillois Gabriel Marcel.

first edition on the current paper.
Signed autograph Gide in Franc-Nohain.
A slight shadow around autograph dedication of the author manuscript.

First edition of this film scenario that was never made, one of 975 numbered copies on offset snow paper.
Cover illustrated by Max Ernst and Dorothéa Tanning.
Preface by Henri-Georges Clouzot.
Handsome copy despite the spine very slightly faded.

Edition of wich no leading copies exists.
Signed autograph Eric Losfeld his friend Paul Aveline: "... holding the triangle in this sentimental éric losfeld Jazz band, fraternally."
Photo coverage.

First edition, review copy.
Bound in red half shagreen with corners, back with four nerves set with black nets, plates, guards and contreplats, marbled paper, wrappers and back preserved and bound in, gilded head on witnesses, contemporary binding.
Signed autograph Henri Barbusse to Frantz Funck-Brentano.
Nice copy.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...