Paris

original print in color, printed on laid paper, signed lower left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desig

original print in color, printed on laid paper, signed lower left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desig

original print in color, printed on laid paper, signed lower right of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desi

original print in color, printed on laid paper, signed lower left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desig

original print in color, printed on laid paper, signed lower left of the board.
The Gazette has good taste, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "

original print in color, printed on laid paper, signed lower dgauche in the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion de

original print in color, printed on laid paper, signed upper left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desig

original print in color, printed on laid paper, signed lower right of the board.
The Gazette has good taste, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publicati

original print in color extensively enhanced palladium, printed on laid paper, signed upper right of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches d

First edition, one of 23 numbered copies on vieux Japon paper with a colored suite of woodcuts on China paper, the tirage de tête.
Illustrated with 6 original lithographs by Marise Rudis.
A rare and very good copy retaining its suite on China paper.

(Marie-Louise de HABSBURG-LORRAINE, Empress of France) [LAMOTHE-LANGON Etienne-Léon, baron de]
Mémoires et souvenirs d'une femme de qualité sur le Consulat et l'Empire – Mémoires d'une femme de qualité sur Louis XVIII, sa cour et son règne – Mémoires d'une femme de qualité depuis la mort de Louis XVIII jusqu'à la fin de 1829
Mame et Delaunay-Vallée, Paris 1829-1830, 14 x 22 cm, 10 volumes, half morocco
First edition for these three texts which appeared separately – they have been brought together here as a trilogy. A rare collection of these apocryphal anecdotal memoirs spanning thirty or so years of life at Court.
Unifor

First edition, one of copies 90 numbered copies on vélin d'Arches paper, the tirage de tête.
Autograph inscription from Françoise Sagan to Monsieur Denuzet.
A fine copy.

First edition, one of 25 numbered copies on Holland paper, head print.
Very nice copy.

First edition, review copy.
Friendly autograph signed jean dutourd: "To my old Lalus I have not forgotten and I hope to see one of those healed and dashing days as when we were soldiers all His friend jean dutourd..."
Two snags on the back, slightly dirty boards.

First edition, review copy.
Signed autograph Jean Chalon Alexander Vialatte.
Nice full copy of his prayer to insert.

First edition, one of 500 numbered copies on Holland paper, ours one of the few trade off.
Signed autograph of the publisher Victor Ilona: "... in memory of our friendly relations ..."
upper shrouds lightly rubbed with no gravity, first guard and clearly partially shaded, nice copy.

First edition, one of 712 numbered copies on select "bouffant" paper, ours one of 112 copies reserved for the library of Editions de Minuit, only large paper.
autograph dedication of the author autograph signed and dated Tony Duvert Paul Aveline.
Nice copy.

First edition printed 1500 copies numbered on "pur-fil" paper.
Binding of the editor in full cardboard back of silent green cloth, illustrated boards.
Signed autograph of Jacques Prévert Max-Philippe Delatte.
Illustrated book of drawings by Elsa Henriquez.
Nice copy.

Edition illustrated with 51 drawings of Albert André, one of 1100 numbered copies on Rives vellum.
Bound in red half shagreen with corners, back with four nerves with small black spots, boards, and marbled paper guards contreplats, wrappers and back preserved and bound in, gilded head, contemporary binding.
Signed autograph of Madame Claude Farrère and Mr. J. Pauly.
Nice copy.

First edition, review copy.
Signed autograph Odilon-Jean Perier to Raoul Ponchon.
Pitting on the boards, a few freckles.

First edition, one of 150 copies "bouffant" paper reserved to the press service.
Signed autograph of George Fourest to miss Turet.
Nice copy.

First edition, one of 50 numbered copies on Japan bamboo from Navarre, only large papers.
Very nice copy.

First edition, one of 75 numbered copies on vergé Ingres blanc paper, the only large paper copies.
A fine copy.

Edition now rare.
Bound in red half shagreen, spine slightly thinned with four nerves, golden tail date marbled paper plates, guards and contreplats of handmade paper, stored and lined blankets.
Introduction and notes by Paterne Berrichon and facsimile of a letter from Ménélick Rimbaud.
Signed autograph of Paterne Berrichon, the name of the dedicatee was scraped.
The sheet comprising the first guard which include the ENOI Paterne Berrichon page of half-title and bibliography dérelié.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “

Original lithograph in colors, one of 15 proofs on Japon Impérial paper reserved for the artist and his collaborators, the only printing along with 20 more on Japan and 250 on Arches paper. Unsigned proof, as with all the proofs in this series except the frontispiece.

A superb proof on Japan paper produced especially for The Story of Exodus, which appeared in 1966 ; the 24 hors-texte lithographs printed by Mourlot were by Chagall.
Fernand Mourlot was undoubtedly the finest lithographer of the 20th century and was thus both printer to, and friend of, the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...enriched both their ow

CHAGALL Marc. Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses – The Story of Exodus
Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf
Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs

CHAGALL Marc. And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them – The Story of Exodus
Amiel Léon, Paris, New-York 1966, 36 x 49,5 cm, one single leaf
Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingl

first edition of which he was not drawn large paper, review copy.
Signed autograph of Roger Caillois Gabriel Marcel.