Paris

First edition on current paper, there is no mention of leading copies.
Autograph dedication dated and signed by Elie Wiesel to his publisher Jean Bardet.
Nice copy.

First Edition, one of 7 copies out of trade on Japan marked HC, leading edition.
Similar bindings signed by Jean-Paul Miguet in full icy brown box, kromekote paper plates light gray, smooth backs with six boxes separated by golden nets and adorned box applications of different colors according to the volumes, title, author and golden tomatoes, hulls likewise.
Signed autograph of Julien Green "to Robert Mainguet, Sincerely". Robert Mainguet was the director of the publishing house Plon, renowned for his conservatism, he will nevertheless publish
Very nice copies of one of the most important auteur journals of the twentieth century, central point of the work of...

First edition.
Full blonde sheep binding, smooth spine decorated with star tools, fleurons and gilt fillets, dark brown morocco title-label, gilt fillet highlighting the leading edges, gilt roulettes on headcaps, marbled paper pastedowns and endpapers, all edges speckled.
Corners bumped, joint cracked at head, joints and headcap missing at foot with loss of leather, one impact to front board, two lacks of leather to rear board.

First edition, one of advance (service de presse) copy .
Half vellum Bradel binding, covers and spine preserved, binding signed Gauché.
Pale foxing on the lower cover.
Handsome autograph inscription signed by André Gide to Sacha Guitry.
A nice copy.

First edition, one of the review copies service.
Precious autograph dedication signed by Jean-Paul Sartre to Yves-Gérard le Dantec.
Pleasant copy, full of his prayer to insert, presented under shirt and signed case.

Souvenir des Grâces, Étrennes aux Dames


Chez Rosa | Cabinet Littéraire | Paris 1819 | 7.8 x 12.3 cm | publisher's binding
First edition, with a title vignette and 6 plates.
Gilded paper boards, slipcase. Covers and spine decorated with pink paper showing countryside and maritime scenes surrounded by floral friezes on boards, lyres and crowns on spine. White paper case. Lavender endpapers and pastedowns, all edges gilt.
wo library labels, one to front pastedown, one to title.
The pink paper slightly peeling on spine, case soiled, edges of covers slightly rubbed, a little spotting.

First edition on current paper, one of the review copies service.
Autograph signed by the author "to Pierre Benoît this book of nightmares ... faithfully Ahong!"

First edition, one of 10 numbered copies on vellum snow, ours one of the 3 out of trade, only leading copies.
Nice copy.
Autograph dedication dated and signed by Elie Wiesel Jean Bardet, co-founder with Paul Flamand editions of Seuil.

Ferrements [Iron Chains]

Seuil | Paris 1960 | 13.5 x 19.5 cm | original wrappers

First edition, one of 25 numbered copies on pur fil paper, the tirage de tête.
Rare and nice copy.
Autograph inscription signed by Aimé Césaire to Jean Bardet, co-founder with Paul Flamand of the éditions du Seuil.

First edition, one of 10 numbered copies on vélin neige, this copy one of 3 hors commerce, the only grand papier (deluxe) copies.
Rare and nice copy.
Autograph inscription signed by Edouard Glissant to Jean Bardet, co-founder with Paul Flamand of the Editions du Seuil.

First edition for which it was not drawn from great papers, false mention of third mile.
Back slightly insolated, burnished paper as generally.
Full copy of his trailer.
Signed autograph of Vladimir Jankélévitch to Yvette Ménaché.

First edition.
Binding half shagreen tawny, back with five nerves, golden date tail, marbled paper plates, guards and contreplats of handmade paper, covers and back preserved, gilded head.
Nice copy.
Autograph signed by André Theuriet to Auguste Lacaussade.

First edition on current paper
Braid binding in half red canvas, smooth back decorated with a golden floral pattern, double golden net tail, title piece of black shagreen, marble paper plates, preserved covers, Contemporary binding.
Autograph signed by René Bazin Georges Goyau.

First edition of the French translation for which there is no mention of leading copies.
Iconography.
Autograph signed by Louis Malle to a friend named Philippe.

First edition on ordinary paper.
Spine very slightly sunned.

First edition.
Binding half brown sheepskin, smooth back adorned with triple golden threads, marbled paper plates, guards and contreplats of handmade paper, corners slightly blunted, speckled slices, Contemporary binding.
Autograph signed by Emile Zola Henri Maret.

First edition.
Binding half brown sheepskin, smooth back adorned with triple golden threads, marbled paper plates, guards and contreplats of handmade paper, corners slightly blunted, speckled slices, Contemporary binding.
Autograph signed by Emile Zola Henri Maret.

First edition.
Binding half brown sheepskin, smooth back adorned with triple golden threads, marbled paper plates, guards and contreplats of handmade paper, corners slightly blunted, speckled slices, Contemporary binding.
Autograph signed by Emile Zola to Numa Coste.

First edition for which there is no mention of leading copies.
Half khaki bakel binder binding, smooth back decorated with a gilded floral pattern, double golden net tail, title piece of red shagreen that has small marginal scratches, marbled paper plates, a dull bottom corner, Contemporary binding.
Rare and precious autograph dedication signed by Alphonse Allais to his publisher Paul Ollendorff: "... the only publisher really worthy of the name, tribute of an author who is not in a vase either".
Provenance: Paul Ollendorff's library.

First edition for which there is no mention of leading copies.
Binding in half saffron percaline with corners, smooth back adorned with a gilded floret, double gold thread tail, piece of brown shagreen that includes scratches, marbled paper plates, preserved covers, Contemporary binding signed by Pierson.
Rare and precious autograph signed by Alphonse Allais to (Léon) Roger-Milès.