Paris

First edition in volume, one of 15 numbered copies on Hollande paper, the only grand papier (deluxe) copies.
Half morocco, covers and spine preserved, top edge gilt, binding signed by T. Boichot.
Autograph inscription signed by Georges Clemenceau to Marie Denizou to head of first cover.

First edition printed 200 copies of the second book of the author, there is no mention of leading copies.
Two small tears and a small lack on the back, nice interior state.
Autograph signed by Charles Maurras, the name of the dedicatee has been scratched.

First edition on current paper.
Small foxing at the beginning and end of the volume.
Binding full percaline gray moire, smooth back decorated with a decorative golden pattern, title piece of heartbreak blue, guards and contreplats of paper with decorative patterns, binding of the era signed Victor Wachter binder in Cairo.
Autograph signed by Maurice Barres Fernand Braun.

First edition on current paper.
Small foxing at the beginning and end of the volume.
Binding full percaline gray moire, smooth back decorated with a decorative golden pattern, title piece of heartbreak blue, guards and contreplats of paper with decorative patterns, binding of the era signed Victor Wachter binder in Cairo.
Autograph signed by Maurice Barres Fernand Braun.

First edition, one of 112 numbered copies on "pur-fil" paper and reimposed format quart quartet.
Pleasant copy under double cover and full of his shirt and his case.
Our copy is enriched by an autograph letter, pasted on a guard, dated May 29, 1929 and signed by Jacques Chardonne in which he asks his correspondent to intercede with Maurice Donnay he reads the copy of "Varais" that he sent her recently to support him in the imminent awarding of a literary prize.

First edition, one of 180 numbered copies on Japan, only leading copies.
Binding in full black morocco, smooth back very slightly faded adorned with gold cartridges richly ornamented with gilded typographic motifs, date and place gilded tail, golden wheels on the headdresses, framing octuples gilded nets on the boards embellished in spandrels of gilded florets , guards and contreplats of red moire silk, framing of stylized and gilded floral motifs on the contreplats, guards following of handmade paper, blankets illustrated by René Lalique preserved, gilded head on witnesses, golden edges on the cuts, case inside brown felt, marbled paper plates, superb Contemporary binding signed by Yse

First edition illustrated with folding frontispiece as well as 46 engravings on 45 plates, at times folded. Armorial vignette on the reserve of the title leaf.

Contemporary binding in full pigskin on wooden boards, spine in four compartments decorated with blind tooling presenting the author's name, the title, as well as a library shelf mark in ink, boards framed with multiple fillets and blind-tool stamped dentelle, initials in black ink R. W. A. T. and dated 1663, upper board stamped in the centre with the Austrian Guttenstein coat of arms

First edition on ordinary paper.
Illustrated with a frontispice and a title vignette by Marold.
Half morocco, covers preserved, binding signed Goy & Vilaine.
Handsome autograph inscription signed by Alphonse Daudet to Emile Zola.
A very nice copy elegantly bound and with a remarkable provenance.

First edition on current paper.
A small discharge of adhesive paper at the bottom of the fake page and in her look.
Autograph dedication signed by Gaston Bachelard to Henri Pichette: "... the young poet ..." on the fake title page.

First edition.
Bindings in red half morocco, back with five nerves slightly burnished and with scratches, marbled paper plates, guards and contreplats of handmade paper, wrappers preserved and bound in for the first two volumes, gilded heads.
Ex-donos at the pen of a previous owner of the book on the pages of the title, some foxinges.
A complete book of his pamphlet at the end of the first volume.
Autograph signed by the son of General Dumas to Mr. Larnac at the head of the first volume.

Samuel BECKETT
Molloy
Les éditions de Minuit | Paris 1951| 12 x 19 cm | original wrappers
First edition of the French translation by Robert Pinget, one of 50 numbered copies on vélin supérieur paper, the tirage de tête.
Ex-libris to one pastedown.
Nice copy.

First edition, one of 790 numbered copies on Alfa paper.
Some small foxing mainly affecting the guards and some leaves at their margins.

First edition, one of 200 copies numbered on Arches paper, only draw after 10 Japan.
Binding half black box, smooth back, paper plates wood way enriched in their margins of triple fillets of colors, guards and contreplats of paper wood way, covers and back preserved, gilded head, binding signed by Daniel-Henri Mercher.
Nice copy pleasantly established.
Autograph signed by Valery Larbaud: "AAM Stols in friendly tribute and with all my wishes for 1934".

First edition of the French translation for which it was not drawn great papers.
boards very slightly and marginally insolated without gravity.
Signed autograph of Ilya Ehrenburg, in Spanish, to Julian Garavito.

First edition.
Binding in half percaline Siena bradel, smooth back decorated with a golden floret, double gilded nets in tail, title piece of shagreen bronze, marbled paper plates, guards and contreplats of orange paper, Contemporary binding .
Some small foxing, small black spots on the second board.
Illustrated book of 3 portraits and 2 facsimiles.
Autograph dedication signed by Paul Cottin to Captain Pineau.

New edition dated 1904 on the first cover.
Some spots to endpapers.
Handsome autograph inscription signed by Joris-Karl Huysmans to Séverine.

First edition on current paper.
Back slightly cracked without gravity and having a small angular lack in the foot.
Signed autograph of Louis Aragon to Jean-Edouard Bloch.

Notre-Dame de Paris [The Hunchback of Notre-Dame]
tCharles Gosselin | Paris 1831 | 14 x 22,5 cm | contemporary calf
First edition of 1 100 copies printed divided in four parts, the last three having on the title page, the name of the author and a false statement of the publisher (cf. Clouzot) ours with the statement «quatrième edition.»
Binding in half red calf; spine with gilt fillets and blind tooled romantic fleuron, boards in marbled paper, the endpapers and pastedown page in marbled paper, bookplates engraved and pasted on the inside board, strictly contemporary binding. Foxing, as usual.
The title pages illustrated with two wood-cut vignettes by Tony Johannot.

First Edition, one of 50 numbered copies on Holland paper, only leading copies after 10 Japan.
Binding in half morocco red corners, back with five nerves set with golden dots and adorned with triple gilded boxes decorated with golden decorative motifs, date and place gilded tail, framing of gilt fillets on the plates of marbled paper, guards and contreplats of handmade paper, gilt head on witnesses, preserved covers (first board with two angular gaps), ex-libris of doctor André Chaveau pasted at the head of a contreplat, binding signed Canape.
Our copy, at all margins, is exceptionally enriched with 6 beautiful watercolors original inset on Japan signed F. Coindre.

First edition on ordinary paper.
Bradel binding, covers preserved, binding signed by P. Goy & C. Vilaine.
A nice copy, ex-libris of Jean Lemarié pasted on endpaper.
Autograph inscription signed by Valery Larbaud to Berthe Lemarié.

First edition, one of 150 numbered copies on Hollande paper, the only grand papier (deluxe) copies.
Half morocco, covers preserved, top edge gilt.
A nice copy.

NUS Eugène & MERAY Antony
watercolor by VARIN Amédée
L'Empire des légumes. Mémoires de Cucurbitus Ier. Drôleries végétales
[The Empire of Vegetables: Memoirs of Cucurbitus Ier. Vegetable Drolleries]
G. de Gonet, Paris n. d. [1851],
19 x 26,7 cm, 20th-century full shagreen
First, rather rare edition, illustrated with a frontispiece and 24 plates finely engraved on steel with watercolor decoration (on papier fort), representing anthropomorphic vegetables in various situations, delightfully sketched by Amédée Varin. Each plate is a voyage of discovery, brimming with imagination, whimsy, and irony. One of the masterpieces of Romantic caricature.
20th-ce