Paris

André BRETON & Philippe SOUPAULT
& Guillaume APOLLINAIRE & Blaise CENDRARS & Tristan TZARA & Raymond RADIGUET
& Louis ARAGON & Max JACOB
Littérature N° 9
Littérature | Paris Novembre 1919 | 14 x 23 cm | stapled
First edition of the ninth issue of this magazine founded by Louis Aragon, André Breton and Philippe Soupault.
Issue starting to unstitch, a tear at the foot of the spine.
Contributions from André Breton & Philippe Soupault Les Champs magnétiques (suite), Guillaume Apollinaire Quelconqueries, Louis Aragon Sommeil de plomb, Max Jacob Poèmes en prose, Blaise Cendrars M. 43.57. Z, détenu (mémoires),

First edition, one of 46 numbered copies on laid Vizille, only leading copies.
Nice complete copy of his prayer to insert.
Handwritten signature of Yves Bonnefoy below the justification of the draw.

Rare catalog of the exhibition of the 57 works of Jean Colle presented at the Carmine gallery from May 1st to 15th, 1925.
Beautiful illustrated copy of a work by Jean Colle on the first board.
Text by Max Jacob.

Rare catalog of the exhibition of 100 illustrations made by Marc Chagall for an edition of "Fables" by Jean de La Fontaine and presented at the gallery Bernheim young from February 10 to 21, 1930.
Beautiful illustrated copy of a lithograph Marc Chagall on the first board.
Text by Ambroise Vollard.
Rare and beautiful copy.

Leaflet: "Ne visitez pas l'Exposition Coloniale” “Do not visit the Colonial Exhibition”

Rare first edition of this famous leaflet, published by the group of “Surréalistes,” directed against colonialism and, more precisely, the chief of police Jean Chiappe, guilty of having recently deported a Communist Indochinese student.
Rare and beautiful copy despite signs of frequent folding inherent in this type of document.
Text by André Breton, Paul Eluard, Benjamin Péret, Georges Sadoul, Pierre Unik, André Thirion, René Crevel, Louis Aragon, René Char, Maxime Alexandre, Yves Tanguy and Georges Malkine.
This leaflet is an opportunity for the “Surréalistes” to not only denoun

First edition on current paper.
Full copy of his prayer to insert.
Autograph dedication dated and signed by Jean Echenoz to Anne Sarraute.

First edition, one of the review copies service.
Nice copy.
Signed autograph of Nathalie Sarraute to his friend Georges Raillard: "To Georges Raillard, with my very kind thoughts Nathalie Sarraute."

Exposition T. Foujita Rare first edition of the catalogue of the first personal exhibition of Tsuguharu Foujita with 110 watercolours presented at the Galerie Chéron from 1^st June 1917.
Two small tears to head of lower cover, a small lack to foot of upper cover, otherwise nice copy.
Text by André Salmon.
Rare and important catalogue illustrated with a photograph of Foujita as frontispiece and a drawing of Foujita to end.

First Edition printed at 295 numbered copies on Aussédat.
Nice copy despite small marginal tears on the shirt.
Illustrated book of collages by Fabrizio Adriani.

Very rare collection of all the English Theater established and translated by La Place. All volumes bear the address of London, but we know that the volumes have appeared indifferently to the false address of London or that of Paris (same typographic material). All eight volumes appeared from 1745 to 1749, and the volumes constituting our copy are exceptionally homogeneous and follow each other, but none bears the date of 1745, date of the first edition for the first two volumes at least: Volume I ( 1746); Volume II (1746); Volume III (1746); Volume IV (1746). The following volumes seem to correspond to the dates of first publications: volume V (1747); volumes VI (1748); volumes VII

Rare greeting card, printed with 75 numbered copies on Lana vellum, illustrated with an original etching by Joan Miro.
Several prints of this etching have been made in different colors by Maeght publisher.
This engraving inspired Joan Miro for the illustration of André du Bouchet's poem, "The Light of the Blade", published in 1962, with the poems of Yves Bonnefoy "Anti-Plato" and Jacques Dupin "Saccades" at Maeght .

First edition of this Eskimo story told and illustrated by Paul-Emile Victor.
Small traces of angular creases without gravity on the boards.
Autograph dedication dated and signed by Paul-Emile Victor to Jean-Louis (Flamme).

First edition for which it was not drawn from great papers.
Pleasant copy despite the second marginally curled.
Signed autograph of Jeanne de Berg to G. (eorges) and A. (Lice) Raillard: "... where we pay homage, in the same gesture, Pollock and Battle."

First edition on current paper.
Nice copy despite a trace of crease at the head of the first board.
Ilustrated book of 225 full-color reproductions of watercolors and drawings by Pierre Alechinsky.
Texts by Pierre Alechinsky and Georges Duby, poem by Hugo Claus.
Autograph signed by Pierre Alechinsky to his friend Georges Raillard.

First edition, false mention of fourth edition, punch press service at the head of the second board.
A small tear in the head of the back, light dumps of adhesive paper in heads and feet of the guards.
A moving autograph dated and signed by Henri Bosco to his godson Henri Raillard: "For Henri Raillard my dear godson, listen well to the reed and the source because the reed says what the source thinks ..."

ANQUETIN Louis
Invitation card to the Louis Anquetin Exhibition held at Cubat Galerie Cubat, Paris 1910, 24 x 15.5cm, one leaf folded over.
Rare invitation card, printed on laid, to the exhibition of Louis Anquetin's works, collected and presented at Cubat from 11 May to 15 June 1897.
Beautiful copy.
The invitation card is illustrated with a woodcut block by Louis Anquetin.

Rare newsletter of the sixth book of the author he had printed on his account.
Nice copy despite a trace of vertical bend.
It should be noted that, in addition to the 30 Holland paper luxury draws, only Japan was planned, while the justification for the draw indicates 14.

Rare invitation card to attend the exhibition of tunics created by Raymond Duncan, in the theater-gallery he founded at 34, rue du Colisée, from April 25 to June 1, 1922.
Beautiful and rare copy.
Raymond Duncan was fascinated by ancient Greece since his childhood: the aesthetics and fashion of
The life he promoted at the Akademia was marked by this influence.
The press of the time glossed over the clothes worn
by Raymond Duncan and his disciples: "Greek-style" tunics
that he / she was making himself. Behind the supposed ridicule of
this accoutrement, these unisex tunics was a way of abolishing the
differences in gender and class. Raymo

First edition for which it was not drawn from great papers.
Nice copy.
Autograph dedication signed by Jean-François Lyotard to Anne Sarraute.

First edition on current paper.
Back and flat slightly and uniformly yellowed without gravity.
Signed autograph of Alain Robbe-Grillet to his friend Georges Raillard: "... I raise to you my big glass.The mirror that comes back, with the image of the bride! Faithful friendship."

First edition on current paper.
Small light spots without gravity on the boards.
Autograph dedication signed by Claude Simon to Henri Raillard, the son of art critic Georges Raillard.

Illustrated with 16 « réogrammes » by Fabian Loris and Roger Parry, one of 332 numbered copies on Hollande paper, the only printing after 30 Japon.
Bradel binding, covers and spine preserved.

First Edition printed 1500 copies numbered on "bouffant" paper.
Pleasant copy despite a small tear in the back of the head.
Signed autograph Jacques Dupin to his great friend and biographer Georges (Raillard) and his wife Alice: "... with all my affection ..."

First edition for which it was not drawn from great papers.
boards slightly and marginally insolated.
Autograph signed by Gérard Genette Georges Raillard.

First edition.
Nice copy.
Signed autograph from Charles Juliet to Anne Sarraute: "... a faithful reader of the QL Charles Juliet."

Complete edition of the French translation prepared by Alice Raillard and for which it was not drawn from great papers.
Nice copy.
Preface by Georges Raillard.
Signed autograph dedication of Jorge Amado, in Portuguese, to his translator Alice (Raillard) and her husband the art critic Georges.

First edition printed with 95 numbered copies on Muguet du Moulin, ours one of the 15 out of trade.
Nice copy.
Illustrated book of 2 original etchings by Josef Sima.
Handwritten signature of Yves Peyré to the colophon.

Les Peintres impressionistes. Pissarro, Monet, Sisley, Renoir, Morisot, Cézanne, Guillaumin
[History of the Impressionist Painters]
First edition printed on ordinary paper.

Bradel binding in green glazed half calico, title piece in black shagreen, marbled paper boards, wrappers and spine preserved, contemporary binding blind tool signed by Stroobants. Endpapers lightly and fully discolored, title piece marginally damaged.
Illustrated with 6 original engravings by Camille Pissarro “Les faneuses,” Claude Monet “Impression

COLLECTIF
Souvenir programme of the “Chat Noir” cabaret
Imprimerie P. Sergent, Paris s.d. (circa 1910), 13 x 19.5cm, one leaf held by a lace.
Rare original edition of this souvenir programme of the famous Montmartre cabaret that, according to Laurent Tailhade, was “L'Assommoir et la Divine Comédie amalgamés” “The Watering Hole and the Divine Comedy amalgamated.”
Beautiful copy despite two small tears from the pink silk string.
Programme decorated with illustrations by Red.
We attach a second “Chat Noir” programme showing the different attractions that brought memorable evenings at this picturesque cabaret to life.

(Francis POULENC & Georges AURIC & Guillaume APOLLINAIRE
& Jean COCTEAU & Paul CéZANNE & Auguste RENOIR et al.)
Double invitation program to a Groupe des Six concert and the second exhibition of the Jeune Peinture Française, Cézanne – Renoir from 17 June to 4 July 1920, Galerie Manzi-Joyant et Cie
Paris 1920 | 11.5 x 14.7 cm | one folded leaf
Rare first edition of the double invitation program to a “Groupe des Six” concert, held on 19 June 1920, and the second exhibition of the Jeune Peinture Française, from 17 June to 4 July 1920, at the Galerie Manzi-Joyant et Cie
This document combines the musical event (with works from Francis Poulenc, Louis Durey, Arno

Original photograph of Simon Hantaï in his workshop, contemporary silver argentic print
Original photograph, contemporary silver argentic print, of Simon Hantaï in his workshop organising, with a cigarette in his mouth, the bones for his painting-sculpture entitled “Femelle-miroir II.” This painting is on display today at the Centre Pompidou.
Stenciled inset glued on the back of the picture: “The last word of Surrealist painting. A painter produces his canvas with a skeleton. A young painter Simon Hantaï, who has just discovered André Breton, the father of Surrealism, unveils a concept

Edition printed on vellum and illustrated with 4 full-color full-page engravings of Foujita.
Pleasant copy despite a tiny tear in the back and a slight trace of sunstroke in his foot.
Translation of Kuni Matsuo and Emile Steinilber-Oberlin.
Book decorated with a portrait of Bashô by Kyoroku and a thumbnail of Kiyoshi Hasewaga on the cover.

Exposition Salvador Dalí

Galerie Pierre Colle, Paris 1932, 24 x 15,5 cm, stapled

First edition of the catalogue of Salvador Dalí's second personal exhibition, presenting 27 works by the artist (of which 2 were Surrealist objects), held at the Galerie Pierre Colle between 26 May and 17 June 1932.
Ink stains on the wrappers.

A long and beautiful poem by Paul éluard, entitled “Salvador Dalí” serves as a preface to this rare catalogue.
The poem marks éluard's cooling down and renunciation, two years after his split from his wife Gala, whom she left for Dalí. Amongst Dalí's 25 paintings cited in this catalogue, there are some that are w

[“ART NèGRE” – PRIMITIVE ARTS] GUILLAUME Paul & MODIGLIANI Amedeo & PICASSO Pablo
1st Exhibition (from 19 March to 5 December 1916) Kisling, Matisse, Modigliani, Ortiz de Zarate, Picasso, Sculptures nègresVery rare original catalogue of the first French exhibition of “Art nègre” judged according to aesthetic, and not ethnographic, criteria.
After Debussy's concert, then the concert of Satie and Ravel, in April 1916, this first artistic exhibition of the Parisian workshop “Lyre et Palette” presented