Latest Acquisitions

First edition, illustrated with 4 very attractive headpieces by Pronk, 4 tailpieces and 13 folding plates on polyps. Armorial copy with the arms stamped on the spine (ermines and macles) of the Rohan-Chabot family. The armorial bindings of the Rohan and Rohan-Chabot families have the distinctive feature of bearing the heraldic devices exclusively on the spine.

Contemporary full blonde calf binding. Spine with raised bands decorated with crowned ermines and macles. Joints entirely cracked. Headcaps worn. Corners slightly bumped from rubbing. Occasional minor worming, final plates with upper margin soiled.

It was in these memoirs that Tremblay discovered the hydra, or hydra, a freshwater polyp which he observed for several years while serving as tutor to the son of a count who owned a property with ponds and streams. He meticulously recounts his observations and experiments with a particularly enlightened mind. After initially taking the hydra for a plant, Tremblay understood that he was dealing with an animal, capable of moving with its tentacles (the horns), and which is photosensitive, instinctively directing itself toward the most luminous point. Through multiple and intelligent experiments, he established that the hydra has the power of regeneration through cell division, and finally that the hydra can reproduce asexually. Tremblay's studies found resonance among his contemporaries, but quickly fell into oblivion, certainly because they competed with those of Réaumur. Modern zoology has rehabilitated the importance of his work and the quality of his experiments.

First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L'Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d'Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.
19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inned gilt dentelle, marbled endpapers, all edges gilt. Bindings signed M. Lortic.

An exceptional copy of the famous 1682 edition housed in a very elegant binding by Marcelin Lortic, who succeeded his father Pierre-Marcellin Lortic - Baudelaire's binder.

First edition, with a frontispiece signed L.F.D.B. Title page in red and black.
Full marbled brown sheep binding. Smooth spine decorated with acorn tools framed by foliage. Red morocco title label. One lack at head. One tear with loss at tail. Corners slightly bumped. Lacking the 2 marbled endpapers at the beginning of the work.
A Turk is sent by his sovereign to the principal courts of Europe to bear witness. The narrator begins his journey through Russia, Moscow and Saint Petersburg, then passes through Poland, finally to Vienna... The letters deal with varied subjects, European affairs, the power of Austria, French affairs, opinions on eunuchs, Amsterdam and the East India Company. The work contains interesting descriptions of the cities visited, dwelling on the customs and history of the peoples, notably the Russians...

French first edition, following the English first edition of 1763.
Copy with the arms of Anne-louis-Alexandre de Montmorency, (D'or à la croix de gueules cantonnée de seize alérions d'azur ordonnés 4 et 4) lieutenant-general of the king's armies, captain of the king's guards.
Contemporary full speckled calf binding. Smooth spine decorated with 5 alérions of the Montmorency family. Arms stamped on covers. Red morocco title label. Rubbing. Spine browned. 2 corners slightly bumped. Browning to margins of half-title and title page, small worming in margins. Handsome copy.
Lady Montagu was the wife of the English ambassador to Constantinople. The principal interest of these letters lies in bearing direct witness to the customs of contemporary Turkey. The accounts contained in the correspondence are fascinating; they are undoubtedly the only feminine testimony about Turkey of that time and about the countries she crossed to reach it, notably Greece and Hungary. She addresses Turkish customs but also life in harems, which she was the first European woman to enter and visit, as well as Moorish baths. Her corset was then so tightly laced that the oriental bathers were convinced it was a sort of torture instrument in which her husband had locked her. Lady Montagu not only envied the nudity of these women, a symbol of emancipation and luxury, but was also seduced by the apparent freedom of certain aspects of their lives. She also seems to have been seduced by love and amorous poetry, and she quotes verses from the sultan to his beloved. The success of these letters was such that the author was nicknamed "the Sévigné of England." Voltaire wrote a relatively favorable review of this work in the literary gazette of 1764, praising the author's erudition and culture: "There reigns above all in Lady Montagu's work a spirit of philosophy and liberty that characterizes her nation."