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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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Maurice BLANCHOT
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  2. Maurice BLANCHOT

Maurice BLANCHOT

Born22 décembre 1907
Died20 février 2003
LanguageFrench
NationalityFrance
Maurice Blanchot (1907-2003), romancier, critique littéraire et philosophe français.
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Articles
  • Thomas the Solitary, Maurice Blanchot’s Legendary Manuscript
  • Maurice Blanchot, Thomas le solitaire by Michael Holland, Oxford's professor
  • Maurice Blanchot, l’obscura: A Remarkable Collection of Private Photographs of Maurice Blanchot within the Family Circle
  • Blanchot insurgent
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BLANCHOT, Maurice
  1. L'attenteL'attente
    Maurice BLANCHOT

    L'attente

    Botteghe Obscure|Roma [Rome] 1958|14 x 23.50 cm|agrafé
    Sold
  2. Thomas l'obscurThomas l'obscur
    Maurice BLANCHOT

    Thomas l'obscur

    Gallimard|Paris 1950|12 x 19 cm|broché
    Sold
  3. L'attente l'oubliL'attente l'oubli
    Maurice BLANCHOT

    L'attente l'oubli

    Gallimard|Paris 1962|12 x 18.50 cm|broché
    Sold
  4. L'arrêt de mortL'arrêt de mort
    Maurice BLANCHOT

    L'arrêt de mort

    Gallimard|Paris 1948|10.50 x 16.50 cm|broché
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  5. La perversion essentielle in Le 14 juilletLa perversion essentielle in Le 14 juillet
    Maurice BLANCHOT

    La perversion essentielle in Le 14 juillet

    Le 14 Juillet|Paris 18 juin 1959|24 x 31.50 cm|agrafé
    Sold
  6. La culture francaise vue par un allemand, in La Revue Française n°10 de la 27eme annéeLa culture francaise vue par un allemand, in La Revue Française n°10 de la 27eme année
    Maurice BLANCHOT

    La culture francaise vue par un allemand, in La Revue Française n°10 de la 27eme année

    in La Revue Française|Paris 27 mars 1932|24 x 31.50 cm|agrafé
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  7. Le Terrorisme, méthode de salut public in Combat n°7 de la première annéeLe Terrorisme, méthode de salut public in Combat n°7 de la première année
    Maurice BLANCHOT, Robert BRASILLACH

    Le Terrorisme, méthode de salut public in Combat n°7 de la première année

    in Combat|Paris Juillet 1936|21.50 x 28.50 cm|agrafé
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  8. Le livre à venirLe livre à venir
    Maurice BLANCHOT

    Le livre à venir

    Gallimard|Paris 1959|14 x 20.50 cm|broché
    First edition, one of the advance (service de presse) copies.
    Autograph inscription from Maurice Blanchot to Georges Blin.
    Sold
  9. L'espace littéraireL'espace littéraire
    Maurice BLANCHOT

    L'espace littéraire

    Gallimard|Paris 1955|14 x 21 cm|broché
    First edition, an advance (service de presse) copy.
    Mention of second edition to foot of title page.
    Paper yellowed as usual.
    Sold
  10. L'amitiéL'amitié
    Maurice BLANCHOT

    L'amitié

    Gallimard|Paris 1971|14 x 20.50 cm|broché
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  11. Au moment vouluAu moment voulu
    Maurice BLANCHOT

    Au moment voulu

    Gallimard|Paris 1951|12 x 19 cm|broché
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  12. Carte de presse originale de Maurice Blanchot
    (Maurice BLANCHOT)

    Carte de presse originale de Maurice Blanchot

    S. n.|Elbeuf S.d (Circa 1900)|6.50 x 10 cm|une feuille
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  13. Manuscrit et tapuscrit complet inédit constituant l'élaboration de Thomas l'Obscur à partir du tapuscrit de Thomas le SolitaireManuscrit et tapuscrit complet inédit constituant l'élaboration de Thomas l'Obscur à partir du tapuscrit de Thomas le Solitaire
    Maurice BLANCHOT

    Manuscrit et tapuscrit complet inédit constituant l'élaboration de Thomas l'Obscur à partir du tapuscrit de Thomas le Solitaire

    s. d. [1938]|13.50 x 21 cm|454 feuillets dont 322 manuscrits
    BLANCHOT Maurice
    Complete manuscript and typescript, being an early version of Thomas l'Obscur [Thomas the Obscure] 1938, 135 x 210 mm (5 5/16 x 8 1/4 ”) et 210 x 270 mm (8 1/4 x 10 5/8 ”), 454 leaves among which 322 manuscripts ones
    An exceptional complete set, for a large part unpublished, of 454 manuscript and typescript leaves with copious corrections and deletions, being an early version of Thomas l'Obscur, which sheds light on the process of the composition of the work based on the mythic earlier typescript: Thomas le Solitaire [Thomas the Solitary].
    The document is made up of two...
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  14. Photographie originale de Maurice Blanchot assis tenant dans ses bras le masque mortuaire de l'"Inconnue de la Seine"
    (Maurice BLANCHOT)

    Photographie originale de Maurice Blanchot assis tenant dans ses bras le masque mortuaire de l'"Inconnue de la Seine"

    S. n.|Elbeuf S.d (Circa 1900)|9 x 9 cm|une feuille
    Sold
  15. Le dernier homme. Jeu d'épreuves corrigéesLe dernier homme. Jeu d'épreuves corrigées
    Maurice BLANCHOT

    Le dernier homme. Jeu d'épreuves corrigéesCorrected proofs of 9 parts of Dernier homme

    Gallimard|s. l. 1956|15 x 19.50 cm|en feuilles
    Corrected proofs of 9 parts of Dernier homme (parts 1, 5, 11 and 12 missing) , comprising numerous typographical and layout corrections as well as textual corrections and deletions.
    Printer's stamp to half title: "Imprimerie de Lagny/ 21 novembre 1956/ Epreuve".
    The parts are composed of 12 pages recto and 15 pages for the last, a contemporary advertisement serving as a cover.
    A unique and important author's working copy, showing above all Blanchot's attention to layout for his novel and his final deletions and changes to the text before publication.
    Sold
  16. Tapuscrit original de « De Lautréamont à Miller »Tapuscrit original de « De Lautréamont à Miller »
    Maurice BLANCHOT

    Tapuscrit original de « De Lautréamont à Miller »

    s. d. [1946]|27 x 21 cm|en feuilles
    Sold
  17. L'écriture du désastreL'écriture du désastre
    Maurice BLANCHOT

    L'écriture du désastre

    Gallimard|Paris 1980|14 x 20.50 cm|broché
    First edition, an advance (service de presse) copy.
    A very handsome and moving autograph inscription from Maurice Blanchot to his sister: "Pour ma chère soeur, en toute affection. Maurice [For my darling sister, with all love. Maurice]."
    A good copy.
    Sold
  18. L'attente l'oubliL'attente l'oubli
    Maurice BLANCHOT

    L'attente l'oubli

    Gallimard|Paris 1962|12 x 19 cm|broché
    First edition, an advance (service de presse) copy.
    A very handsome, moving autograph inscription signed by Maurice Blanchot to his sister : "Pour ma chère Marg, avec ma profonde affection. Maurice. Que l'oubli repose en toute parole. "Aller implique éloignement, éloignement implique retour. Tao te King [For my dear Marg, with my profound affection. Maurice. That forgetting should be in every word. ‘Going implies distance, distance implies return. Tao te King’]" as well as a further manuscript inscription, describing the work, opposite "Que l'oubli repose en toute parole": "Vestiges d'un cheminement, prémisse d'une parole [Vestiges of wandering, the premise of some words]."
    A good...
    Sold
  19. Le dernier hommeLe dernier homme
    Maurice BLANCHOT

    Le dernier homme

    Gallimard|Paris 1957|12 x 19 cm|broché
    First edition, one of 30 numbered copies on pur fil, the only large paper copies.
    Provenance : of the bibliothèque de Marguerite Blanchot, la soeur de l'auteur.
    A fine copy.
    Sold
  20. Thomas l'obscurThomas l'obscur
    Maurice BLANCHOT

    Thomas l'obscur

    Gallimard|Paris 1950|12 x 19 cm|broché

    Partly first edition, an advance (service de presse) copy.
    Very precious and moving autograph inscription from Maurice Blanchot to his mother and sister: "Car pour nous, au sein des jours quelque chose peut-il apparaître qui ne serait pas le jour, quelque chose qui dans une atmosphère de lumière et de limpidité représenterait le frisson d'effroi d'où le jour est sorti? Pour la chère maman et la chère Marg, en toute reconnaissance et affection. Maurice [Because for us, could something appear amongst our days that isn’t the day, something that – in an atmosphere of light and softness – will represent the frisson of dread from which the day is born? For darling mother and dear Marg, with...

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  21. L'attenteL'attente
    Maurice BLANCHOT

    L'attente

    Botteghe Obscure|Roma [Rome] 1958|14 x 23.50 cm|agrafé
    First edition of this offprint, printed in a small number of copies.
    Handsome autograph inscription from Maurice Blanchot: “Que votre amitié veuille bien accepter passagèrement ce commencement extrait d'un récit, peut-être destiné à rester inachevé, votre Maurice [I hope that you will, in friendship and in passing, accept this beginning, taken from a narrative that is – perhaps – meant to stay unfinished. Yours, Maurice].”
    A good and rare copy.
    Sold
  22. Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.
    Maurice BLANCHOT

    Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.Maurice Blanchot's complete correspondence with his mother, his sister Marguerite, his brother René and his niece Annick

    S. n.|s. l. s. d. [1940-1991]|Formats divers|ensemble constitué d'environ 1000 lettres complètes et 400 lettres amputées
    BLANCHOT Maurice
    Maurice Blanchot's complete correspondence with his mother, his sister Marguerite, his brother René and his niece Annick
    1928-1991, various sizes, a collection comprising more than 1200 complete letters
    An exceptional set of more than 1200 autograph letters signed by Maurice Blanchot addressed mostly to his mother Marie, his sister Marguerite and his niece Annick, as well as a few to his brother René and his sister-in-law Anna. Some of Anna Blanchot's written parts have been excised, but the letters remain complete of Maurice Blanchot's writings. To the 1200 complete letters, we join a few incomplete additional...
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  23. Kafka et l'idolâtrie subtile, la vie amoureuse de KKafka et l'idolâtrie subtile, la vie amoureuse de K
    (Maurice BLANCHOT) Yoram BAR-DAVID

    Kafka et l'idolâtrie subtile, la vie amoureuse de K

    Annales de l'Université d'Abidjan|Abidjan 1973|15 x 24 cm|agrafé
    Edition of wich no leading copies exists.
    autograph dedication of the author signed autograph Yoram Bar-David Maurice Blanchot.
    Nice copy.
    Sold
  24. Aminadab : Jeu complet d'épreuves abondamment corrigées par l'auteurAminadab : Jeu complet d'épreuves abondamment corrigées par l'auteur
    Maurice BLANCHOT

    Aminadab : Jeu complet d'épreuves abondamment corrigées par l'auteurAminadab. Complete set of proofs with numerous manuscript corrections and one deleted paragraph

    S. n.|s. l. s. d. [1942]|18.50 x 41 cm|en feuilles
    Maurice BLANCHOT
    Aminadab. Complete set of proofs with numerous manuscript corrections and one deleted paragraph
    [1942] | 18.5 x 41 cm | loose leaves
    Small tears without lacks on some leaves and some pages bumped, final leave teared in two pieces, but complete.
    Unique document showing Maurice Blanchot's corrections and modifications before the publication of his second novel considered to be the foundation of his future writing.
    Sold
  25. Aminadab. Manuscrit originalAminadab. Manuscrit original
    Maurice BLANCHOT

    Aminadab. Manuscrit original

    S. n.|s. l. s. d. [ca. 1941]|13.50 x 21 cm|en feuilles
    BLANCHOT Maurice
    Aminadab. Original manuscript N. d. [circa 1941], 135 x 210 mm (5 5/16 x 8 1/4 ”), 348 loose leaves “Any account that is not satisfied with realistic goals requires a secret meaning whose slow exposition is linked to the peculiarities of the narration. If that meaning corresponds unambiguously to the anecdote, but can also be completely fulfilled outside it, it's an allegory. If, on the contrary, it can only be grasped through the fiction and slips away when we seek to understand it in and of itself, it's a symbol...The meaning of story is the story itself. It seems mysterious, because it says precisely all that cannot be said,” (from the...
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  26. Tapuscrit inédit de deux versions courtes de Thomas l'Obscur précédant l'édition de 1950, dite version Chapelain.Tapuscrit inédit de deux versions courtes de Thomas l'Obscur précédant l'édition de 1950, dite version Chapelain.
    Maurice BLANCHOT

    Tapuscrit inédit de deux versions courtes de Thomas l'Obscur précédant l'édition de 1950, dite version Chapelain.

    (1941)|21 x 29.50 cm|212 feuillets
    An exceptional collection of two unpublished short versions of Thomas the Obscure written between 1941 and 1945.
    This unique document made up of 12 Roneo pages (typewritten copies using a stencil). It consists of 3 pages of handwritten manuscripts and 200 pages of typescript coming from the printing of the proof of Thomas the Obscure in 1941 (with still some errors in the correction of the manuscripts present at the time of this first publication), it was transmitted to Blanchot who reworked and it is filled with his handwritten correction.

    It is divided in two independent sections:
    The first is a group of 12 complete Roneo pages, opening on the first...
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  27. Documents tapuscrits et manuscrits concernant la création de la Revue InternationaleDocuments tapuscrits et manuscrits concernant la création de la Revue Internationale
    Maurice BLANCHOT

    Documents tapuscrits et manuscrits concernant la création de la Revue Internationale

    1962|21 x 27 cm|en feuilles
    Important set of 51 sheets in A4 format typescripts and mimeographed and 12 handwritten pages in-8, partly retracing the genesis of the International Journal tormented led by Maurice Blanchot between 1961 and 1963. The company will fail during this Last year, for lack of a sufficiently strong link between the different players. Blanchot come out very affected.
    This corpus includes many handwritten personal notes and tapuscrites Blanchot about the spirit, content and funding of the magazine, the French version of Article typescript "Locus Solus" translated into Italian by Guido Neri under the title " La Conquista dello Spazio "but also...
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  28. Dessin caricature à l'encre représentant Maurice Blanchot.Dessin caricature à l'encre représentant Maurice Blanchot.
    (Maurice BLANCHOT) René BLANCHOT

    Dessin caricature à l'encre représentant Maurice Blanchot.

    s. d. [1950]|-|une feuille
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  29. [Faux Pas] Digressions. Tapuscrit original avec corrections manuscrites.[Faux Pas] Digressions. Tapuscrit original avec corrections manuscrites.
    Maurice BLANCHOT

    [Faux Pas] Digressions. Tapuscrit original avec corrections manuscrites.

    1943|-|en feuilles
    Sold
  30. André Gide et Goethe. Manuscrit autographeAndré Gide et Goethe. Manuscrit autographe
    Maurice BLANCHOT

    André Gide et Goethe. Manuscrit autographe

    1943|21.20 x 13.60 cm|en feuilles
    Sold
  31. L'Honneur des poètes. Manuscrit autographe.L'Honneur des poètes. Manuscrit autographe.
    Maurice BLANCHOT

    L'Honneur des poètes. Manuscrit autographe.

    1946|20.70 x 13.30 cm|en feuilles
    Sold
  32. tapuscrits corrigés de plusieurs articles de Faux Pas.tapuscrits corrigés de plusieurs articles de Faux Pas.
    Maurice BLANCHOT

    tapuscrits corrigés de plusieurs articles de Faux Pas.

    1943|-|en feuilles
    Sold
  33. Mémoria Poetique de l'enfanceMémoria Poetique de l'enfance
    (Maurice BLANCHOT) A. Boniface

    Mémoria Poetique de l'enfance

    Jules Delalain|Paris 1846|9.50 x 15.50 cm|broché
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  34. Lettre tapuscrite de démission de Jeune France et manuscrit originalLettre tapuscrite de démission de Jeune France et manuscrit original
    Maurice BLANCHOT

    Lettre tapuscrite de démission de Jeune France et manuscrit original

    1941|21 x 13.60 cm|en feuilles
    Sold
  35. Lettre tapuscrite à Breton plus questionnaire signé par BretonLettre tapuscrite à Breton plus questionnaire signé par Breton
    Maurice BLANCHOT

    Lettre tapuscrite à Breton plus questionnaire signé par BretonTypescript draft of a letter to André Breton, with autograph corrections and one line written by hand, with a questionnaire addressed to Blanchot by André Breton concerning magical art, with one line written by hand and signed.

    22 juillet 1955|26.50 x 20.70 cm|un feuillet
    Typescript draft of a letter to André Breton, with autograph corrections and one line written by hand, with a questionnaire addressed to Blanchot by André Breton concerning magical art, with one line written by hand and signed.
    One 4to leaf, recto only, with corrections and a line in black ink in the hand of Maurice Blanchot, and another 4to leaf (27,5 x 21,5 cm) printed and illustrated in black, recto-verso, with a hand-written line and signature by André Breton in purple ink.

    When, in 1955, André Breton wrote to Maurice Blanchot, the two men already knew each other and had spent time together, developing a mutual appreciation but always keeping a...
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  36. Le ressassement éternelLe ressassement éternel
    Maurice BLANCHOT

    Le ressassement éternel

    Les Editions de Minuit|Paris 1951|11.50 x 19 cm|relié
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  37. Réunion de documents scolaires (Collège Chalon-sur-Saône)
    Maurice BLANCHOT

    Réunion de documents scolaires (Collège Chalon-sur-Saône)

    S. n.|s. l. S.d 1921-1924|formats divers|en feuilles
    Sold
  38. Oeuvres de Leconte de Lisle. - Poèmes barbares. - Poèmes tragiques. - Derniers poèmes.Oeuvres de Leconte de Lisle. - Poèmes barbares. - Poèmes tragiques. - Derniers poèmes.
    Charles-Marie LECONTE DE LISLE, Maurice BLANCHOT

    Oeuvres de Leconte de Lisle. - Poèmes barbares. - Poèmes tragiques. - Derniers poèmes.

    Librairie Alphonse Lemerre|Paris s. d. [circa 1890]|9.50 x 16 cm|3 volumes brochés
    New edition.
    A few reader's marks and notes from the hand of the author Maurice Blanchot in the margins of some leaves of Poèmes barbares.
    Spine slightly wrinkled, otherwise a good copy.
    Sold
  39. Le Mythe d'Ulysse, tapuscrit inéditLe Mythe d'Ulysse, tapuscrit inédit
    Maurice BLANCHOT

    Le Mythe d'Ulysse, tapuscrit inéditThe Ulysses Myth Unpublished typescript

    S. n.|s. l. s. d. [circa 1936]|21 x 26.50 cm|en feuilles
    BLANCHOT Maurice
    Le Mythe d'Ulysse [The Ulysses Myth] Unpublished typescript N. d. [circa 1936], 49 leaves 210 x 265 mm (8 1/4 x 10 7/16 ”), loose leaves
    Unique complete document comprising 49 A4 leaves, of which 47 mimeographed and 2 typescript (being 1 title page and 48 leaves numbered from 1 to 47, including one page numbered 9 bis. Pages 19 and 46 typescript), entitled: Le Mythe d'Ulysse [The Ulysses Myth] with very occasional manuscript corrections. A faint mark to upper margin of title and traces of a paper clip to head, a few marginal folds.
    An exceptional typescript of the first fiction work by Maurice Blanchot, a veritable...
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  40. Sade et Restif de la Bretonne. Tapuscrit avec de nombreux ajouts autographes [Ensemble] Un livre vivant. Manuscrit préparatoire [ensemble] Les plaisirs et les jours, tapuscrit final.Sade et Restif de la Bretonne. Tapuscrit avec de nombreux ajouts autographes [Ensemble] Un livre vivant. Manuscrit préparatoire [ensemble] Les plaisirs et les jours, tapuscrit final.
    Maurice BLANCHOT (Nicolas-Edme RESTIF DE LA BRETONNE)

    Sade et Restif de la Bretonne. Tapuscrit avec de nombreux ajouts autographes [Ensemble] Un livre vivant. Manuscrit préparatoire [ensemble] Les plaisirs et les jours, tapuscrit final.

    S. n.|s. l. 1948|21 x 27 cm
    Original typescript of 50 leaves, comprising Blanchot’s collected writings on Restif de la Bretonne, which appeared successively in Critique n°22 in March 1948, under the title “Un livre vivant [A Living Book] ”, and Les Cahiers de la Pléiade n°4 in June 1948, under the title “Les plaisirs de la vertu [The Pleasures of Virtue] ”, and finally as a preface to Restif de la Bretonne’s “Sara”, published by Stock in 1949. This important collection is enriched with four manuscript leaves written recto and verso of the first outline, notes, and final typescript of “Plaisirs de la vertu”, annotated by the publisher. The first leaf has a...
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  41. Le Très-Haut. Tapuscrit complet avec de nombreux ajouts autographes.Le Très-Haut. Tapuscrit complet avec de nombreux ajouts autographes.
    Maurice BLANCHOT

    Le Très-Haut. Tapuscrit complet avec de nombreux ajouts autographes.

    1948|20.50 x 27 cm|272 feuillets
    Maurice BLANCHOT
    Le Très-Haut. Complete typescript with numerous manuscript additions
    1948 | 20.5 x 27 cm | 272 loose leaves
    A full, original typescript.
    Typescript of 272 pages with several crossings-out, corrections and highlights in ink.
    Unique known working document of this pivotal text by Maurice Blanchot. This original typescript was evidently destined for the printers, as shown by the several pencil annotations, as well as the author's handwritten signature on the title page, which presumably validates the corrections before printing.
    If, following the example of the two novels, Idylle and...
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  42. L'idylle. Première version inédite. Manuscrit autographe completL'idylle. Première version inédite. Manuscrit autographe complet
    Maurice BLANCHOT

    L'idylle. Première version inédite. Manuscrit autographe completThe Idyl First unpublished version. Complete autograph manuscript

    S. n.|s. l. S.d (1936)|-|20 pages in-8 (13,5x21cm)
    BLANCHOT Maurice
    L'Idylle [The Idyl] First unpublished version. Complete autograph manuscript N. d. [1936], 20 pages in-8: 135 x 210 mm (5 5/16 x 8 1/4 ”)
    The first unpublished version of the complete autograph manuscript, written in 1936.
    Very closely written with numerous erasures, corrections and additions.
    “L'Idylle, a youthful work of Maurice Blanchot's published for the first time in 1947 and re-published in 1951 alongside Dernier Mot in a little volume titled Le Ressassement éternel was often called ‘an insoluble enigma'...the circumstances of its writing and...
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  43. Faux pas Manuscrit original et tapuscrit de l'introduction de l'édition de 1943Faux pas Manuscrit original et tapuscrit de l'introduction de l'édition de 1943
    Maurice BLANCHOT

    Faux pas Manuscrit original et tapuscrit de l'introduction de l'édition de 1943

    S. n.|s. l. 1943|13.50 x 21 cm
    Manuscrit recto-verso complet, à l’écriture très dense, comportant de nombreuses ratures, corrections et ajouts. Tapuscrit complet, présentant des ratures et quelques corrections autographes.
     C’est Gaston Gallimard et Dionys Mascolo qui soufflent à Maurice Blanchot, dès le début de l’année 1943, l’idée de la publication en volume d’une sélection de ses chroniques littéraires qui, sous le titre de Faux Pas, deviendra son premier recueil critique.
    Le jeune auteur sélectionne alors cinquante-quatre de ses articles parus les années précédentes dans Le Journal des Débats, mais aussi dans L’Insurgé et La Revue française des idées et des œuvres, et...
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  44. En bonne voie. Tapuscrit avec suppressions ajouts autographes En bonne voie. Tapuscrit avec suppressions ajouts autographes
    Maurice BLANCHOT

    En bonne voie. Tapuscrit avec suppressions ajouts autographes

    S. n.|s. l. 1946|21 x 26.50 cm
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  45. L'Espoir, Manuscrit et tapuscrit avec corrections autographes L'Espoir, Manuscrit et tapuscrit avec corrections autographes
    Maurice BLANCHOT, André MALRAUX

    L'Espoir, Manuscrit et tapuscrit avec corrections autographes

    S. n.|s. l. s. d. [1945]|21 x 26.50 cm
    Original manuscript and typescript of article to be published in Spain free, unique number of the News Review led by Georges Bataille and Blanchot, which contributed Camus, Cassou, Battle, Grenier, Garcia Lorca, Hemingway and Quero Morales.
    Manuscript, complete with the exception of the last lines, with many erasures, corrections and underlining in ink.

    Text marking the major policy reversal Maurice Blanchot who signs a committed text away from its anti-republican convictions prewar.

    Co-director of the magazine founded by his friend Georges Bataille, Blanchot and his political fate of silence of the immediate post-war "j ['was]...
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  46. L'Arrêt de mort : Jeu complet d'épreuves abondamment corrigées par l'auteurL'Arrêt de mort : Jeu complet d'épreuves abondamment corrigées par l'auteur
    Maurice BLANCHOT

    L'Arrêt de mort : Jeu complet d'épreuves abondamment corrigées par l'auteur

    Gallimard|Paris (1948)|12.50 x 18.50 cm|en feuilles
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  47. Autour du roman.  Manuscrit autographe et tapuscrit completsAutour du roman.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Autour du roman. Manuscrit autographe et tapuscrit complets

    S. n.|s. l. • [Paris] s. d. [1945]|11.50 x 22 cm|13 pages in-4
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  48. L'art d'André Dhôtel.  Manuscrit autographe et tapuscrit completsL'art d'André Dhôtel.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (André DHÔTEL)

    L'art d'André Dhôtel. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
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  49. Le travail de Balzac. Manuscrit autographe, tapuscrit complets et un feuillet autographe de notesLe travail de Balzac. Manuscrit autographe, tapuscrit complets et un feuillet autographe de notes
    Maurice BLANCHOT (Honoré de BALZAC)

    Le travail de Balzac. Manuscrit autographe, tapuscrit complets et un feuillet autographe de notes

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
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  50. Le secret de Chateaubriand.  Manuscrit autographe et tapuscrit completsLe secret de Chateaubriand.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (François René de CHATEAUBRIAND)

    Le secret de Chateaubriand. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
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  51. Le bonheur de conter. Manuscrit autographe et tapuscrit completsLe bonheur de conter. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (Marcel AYMÉ)

    Le bonheur de conter. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 ½ pages 4to published in the issue dated March 2, 1944 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary Chronicle published on the occasion of the publication of The Wyvern Marcel Ayme full typescript is attached.
    "The books of Marcel Ayme have this happiness to make coarse the most subtle criticism explanations," says Blanchot in the introduction. Yet this column tribute to the poetic and light literature of the storyteller, none the less an analysis of "magical realism" own writing by Marcel Ayme.
    Between April 1941 and August 1944, Maurice...
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  52. Romans fantastiques.  Manuscrit autographe et tapuscrit completsRomans fantastiques.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Romans fantastiques. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Unavailable
  53. Romans. Manuscrit autographe et tapuscrit completsRomans. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Romans. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 pages in-8
    Sold
  54. Les quatre Evangiles.  Manuscrit autographe et tapuscrit completsLes quatre Evangiles.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Les quatre Evangiles. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Sold
  55. De Jean-Paul à Giraudoux. Manuscrit autographe et tapuscrit complets. De Jean-Paul à Giraudoux. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT

    De Jean-Paul à Giraudoux. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Sold
  56. Autour du langage. Manuscrit autographe et tapuscrit completsAutour du langage. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Autour du langage. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Sold
  57. La poésie religieuse. Manuscrit autographe et tapuscrit complets. La poésie religieuse. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT

    La poésie religieuse. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Sold
  58. Le livre. Manuscrit autographe et tapuscrit completsLe livre. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Le livre. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] 1943|13.50 x 21.50 cm|5 pages in-8
    Autograph manuscript of the author of 5 pages 8vo published in the issue dated 20 January 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Full typescript is attached.
    This article is regularly cited as a result of the incipit against the burning "fire libraries remains the misfortune that announces the end of the mind. Burning a book, write, are two acts between which culture entered its oscillations contrary. "It is indeed a position against a strong identifiers of Nazism, which clearly marks the failover Blanchot.
    But beyond these historical considerations, this chronic "free" is also a...
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  59. Sur un monde en ruines. Manuscrit autographe et tapuscrit completsSur un monde en ruines. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Sur un monde en ruines. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 ½ pages 8vo published in the issue dated 30 December 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions.
    Typescript is complete seal.

    Blanchot finds the gap between the ruined world "which is the truth of the world" that literature is forced to confront and personality of writers who do not seem to live this tragedy. "Feeling too obvious that the author [...] is happy to write, it is fortunate for him," contrast with characters who "through the desolation of events [...] hit some something deeper that they can no...
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  60. Mystère de la critique. Manuscrit autographe et tapuscrit complets. Mystère de la critique. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Jean PAULHAN)

    Mystère de la critique. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 6 January 1944 the Journal of Debates.
    Complete manuscript writing very dense, with many erasures, corrections and additions.
    Complete typescript with a few deletions and additions autograph of the author is attached.
    Inspired by the flowers of Tarbes Jean Paulhan, this short article is for Blanchot, the opportunity to reflect on the position and work of criticism. Well beyond literary analysis of a work, this column is probably a key to the theoretical work of Blanchot and wider confrontation with his creation.
    The...
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  61. Le premier roman de Joyce. Manuscrit autographe et tapuscrit completsLe premier roman de Joyce. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (James JOYCE)

    Le premier roman de Joyce. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|21 x 13.40 cm

    (JOYCE James) BLANCHOT Maurice. Le premier roman de Joyce. Complete autograph manuscript and complete typescript
    N. n. [Journal des débats], n. p. [Paris] n. d. [1944], 1 leave in-8 (21 x 13,4 cm)
    and ½ leave in-8 (10,4 x 13,4 cm) and 2 leaves in-4 (26,8 x 20,9 cm) numbered
    Author’s autograph manuscript, two and a half pages, 8vo, published in the Journal des Débats on 18 May 1944.
    Full manuscript, written both sides, densely spaced, with a number of erasures, corrections and additions.
    With the complete typescript.
    A review on the occasion of the republication of Joyce’s Portrait of the Artist as a...
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  62. Sur la chanson de Roland. Manuscrit autographe et tapuscrit completsSur la chanson de Roland. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Sur la chanson de Roland. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Sold
  63. Roman et récit de guerre. Manuscrit autographe et tapuscrit complets. Roman et récit de guerre. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Alexandre VIALATTE)

    Roman et récit de guerre. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] 1943|13.50 x 21.50 cm|5 pages in-8
    Autograph manuscript of the author of 5 pages 8vo published in the issue dated 27 January 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Chronic literary published on the occasion of the publication by Gallimard of the book "The faithful shepherd" Alexander Vialatte and also referring to the works of Antoine de Saint-Exupéry. Typescript is complete seal.
    At the heart of the Occupation Blanchot focuses on two accounts of the French debacle of 1940 and the absurdity of the world it reveals. But the madness in which immerses the autobiographical character Vialatte is not for Blanchot, equivalent to that of war:
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  64. La religion de Rabelais. Manuscrit autographe et tapuscrit complets. La religion de Rabelais. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT

    La religion de Rabelais. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages 8vo published in the issue dated August 4, 1943 of the Journal of Debates.
    Complete manuscript writing very dense, with many erasures, corrections and additions.
    Typescript is complete seal.
    In this critical review of the problem of unbelief in the sixteenth century, the religion of Rabelais by Lucien Febvre, Blanchot takes us on an amazing journey of the humanist Renaissance. lacking the anachronistic interpretation of historians "who in modern rethinking what can be understood only by abandoning our habits of thought," the Renaissance appears as an enigmatic universe where atheistic...
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  65. Poésie et langage. Manuscrit autographe et tapuscrit complets. Poésie et langage. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Raymond QUENEAU)

    Poésie et langage. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages in-8 published in the issue dated 1 September 1943 the Journal of Debates and resumed the same year in Faux-Pas. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary review published on the occasion of the releases of "High Evil" by Michel Leiris and "The ziaux Raymond Queneau. Complete typescript is attached.
    In this fundamental test of poetic theory (integrated corpus Faux appeared immediately after) Blanchot makes a deconstruction of traditional hermeneutic categories poetry Leiris renders inoperative:
    "The role of images in the poetic universe is not always assume...
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  66. Romancières d'aujourd'hui. Manuscrit autographe et tapuscrit completsRomancières d'aujourd'hui. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Romancières d'aujourd'hui. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Sold
  67. Lecture de Phèdre. Manuscrit autographe et tapuscrit completsLecture de Phèdre. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Lecture de Phèdre. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Sold
  68. L'art de la nouvelle. Manuscrit autographe et tapuscrit completsL'art de la nouvelle. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    L'art de la nouvelle. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages 8vo published in the issue dated 21 July 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Chronic literary published on the occasion of the publication, among other collections of Marcel Ayme (Le Passe-wall) and Colette (The cap). Typescript is complete seal.
    Through the analysis of new Colette, Marcel Ayme, Marcel Arland and Richard Marius, Blanchot focuses on the need for unity between the news of a book "to give the impression of a real world" .
    Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of...
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  69. L'arrêt de mortL'arrêt de mort
    Maurice BLANCHOT

    L'arrêt de mort

    Gallimard|Paris 1948|10.50 x 16.50 cm|relié
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  70. Le dernier mot. Première version inédite. Manuscrit autographe et tapuscrit complets inéditsLe dernier mot. Première version inédite. Manuscrit autographe et tapuscrit complets inédits
    Maurice BLANCHOT

    Le dernier mot. Première version inédite. Manuscrit autographe et tapuscrit complets inédits

    S. n.|s. l. S.d (1935)|-|17 pages in-8
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  71. Celui qui ne m'accompagnait pasCelui qui ne m'accompagnait pas
    Maurice BLANCHOT

    Celui qui ne m'accompagnait pas

    Gallimard|Paris 1953|12 x 19 cm|broché
    First edition, one advance (service de presse) copy.
    Very handsome and moving autograph inscription, dated and signed, from Maurice Blanchot to his sister and mother : "Pour toi, bien chère maman / et pour toi, chère Marg / ce récit qui voudrait d'abord vous parler de mon affection avec toute ma reconnaissance." A good copy, retaining its advertising band.

    Marguerite Blanchot, organiste de renom à la cathédrale de Chalon, demeura toute sa vie dans la maison familiale, avec sa mère et sa tante."

    Elle deviendra peu à peu, pour la famille, comme la mémoire des origines." Très proche de Maurice, elle correspond régulièrement avec l'écrivain qui lui témoigne...
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  72. Thomas l'obscurThomas l'obscur
    Maurice BLANCHOT

    Thomas l'obscur

    Gallimard|Paris 1941|14.50 x 21 cm|broché
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  73. Au moment vouluAu moment voulu
    Maurice BLANCHOT

    Au moment voulu

    Gallimard|Paris 1951|12 x 19 cm|broché

    First edition, one advance (service de presse) copy.
    Very handsome and moving autograph inscription from Maurice Blanchot to his sister and mother : "Pour vous mes très chères,  ce livre, peut-être dangereux à écrire  peut-être dangereux à lire,  parce que lié au lointain,  en toute affection et reconnaissance. Eze, le 24 Décembre 1951."
    A good copy.
    Marguerite Blanchot, organiste de renom à la cathédrale de Chalon, demeura toute sa vie dans la maison familiale, avec sa mère et sa tante. "Elle deviendra peu à peu, pour la famille, comme la mémoire des origines." Très proche de Maurice, elle correspond régulièrement avec l'écrivain qui lui témoigne une grande...

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  74. Une voix venue d'ailleurs. Sur les poèmes de Louis-René des ForêtsUne voix venue d'ailleurs. Sur les poèmes de Louis-René des Forêts
    Maurice BLANCHOT

    Une voix venue d'ailleurs. Sur les poèmes de Louis-René des Forêts

    Fin de siècle|Plombières-les-Dijon [Plombières-lès-Dijon] 1992|14 x 21 cm|broché
    First edition, one of 300 numbered copies on vergé blanc paper, the tirage de tête.
    Signed by the publisher on the justification page.
    Sold
  75. L'espace littéraireL'espace littéraire
    Maurice BLANCHOT

    L'espace littéraire

    Gallimard|Paris 1955|14.50 x 20.50 cm|broché
    Sold
  76. Le dernier hommeLe dernier homme
    Maurice BLANCHOT

    Le dernier homme

    Gallimard|Paris 1957|12 x 19 cm|broché
    First edition, one of 30 numbered copies on pur fil paper, this one of 5 lettered hors commerce copies (this copy A, reserved for Maurice Blanchot), the only large paper copies.
    Provenance : collection of Maurice Blanchot.
    Sold
  77. L'entretien infiniL'entretien infini
    Maurice BLANCHOT

    L'entretien infini

    Gallimard|Paris 1969|14.50 x 21.50 cm|broché
    Sold
  78. La bête de LascauxLa bête de Lascaux
    Maurice BLANCHOT

    La bête de Lascaux

    GLM|Paris 1958|12 x 18.50 cm|broché
    Sold
  79. Thomas l'obscur
    Maurice BLANCHOT

    Thomas l'obscur

    Gallimard|Paris 1976|12 x 19 cm|broché
    Sold
  80. La folie du jour
    Maurice BLANCHOT

    La folie du jour

    Fata Morgana|Montpellier 1975|12.50 x 21.50 cm|broché
    Second edition printed to 1000 copies on vergé.
    A good copy.
    Sold
  81. Le dernier à parler
    Maurice BLANCHOT

    Le dernier à parler

    Fata Morgana|Montpellier 1986|12.50 x 21.50 cm|broché
    Sold
  82. La bête de Lascaux
    Maurice BLANCHOT

    La bête de Lascaux

    Fata Morgana|Montpellier 1982|12.50 x 21.50 cm|broché
    Sold
  83. L'arrêt de mortL'arrêt de mort
    Maurice BLANCHOT

    L'arrêt de mort

    Gallimard|Paris 1948|10.50 x 16.50 cm|broché
    Sold
  84. Après coup suivi précédé par Le ressassement éternel
    Maurice BLANCHOT

    Après coup suivi précédé par Le ressassement éternel

    Les Editions de Minuit|Paris 1983|14.50 x 19.50 cm|broché
    Sold
  85. Michel Foucault tel que je l'imagine
    Maurice BLANCHOT

    Michel Foucault tel que je l'imagine

    Fata Morgana|Montpellier 1986|12.50 x 21.50 cm|broché
    Sold
  86. La communauté inavouable
    Maurice BLANCHOT

    La communauté inavouable

    Les Editions de Minuit|Paris 1983|13.50 x 18.50 cm|broché
    Sold
  87. L'attente l'oubliL'attente l'oubli
    Maurice BLANCHOT

    L'attente l'oubli

    Gallimard|Paris 1962|12 x 19 cm|broché
    Sold
  88. Le dernier hommeLe dernier homme
    Maurice BLANCHOT

    Le dernier homme

    Gallimard|Paris 1957|12 x 19 cm|broché
    First edition, one of 30 numbered copies on pur fil, the only large paper copies.
    A rare and fine copy.
    Sold
  89. Ars nova - In la Nrf N°125 de la 11ème année
    Maurice BLANCHOT

    Ars nova - In la Nrf N°125 de la 11ème année

    Nrf|Paris 1er Mai 1963|13.50 x 21.50 cm|broché
    First edition.
    Other contributions by J. Chardonne "Liaisons", A. Metraux & F. Schulman "Jeux du sexe et de la mort dans le Vaudou", J. Tanizaki "Le tatouage", R. Cailleux, R. Caillois "Ecorchés et squelettes"...
    Handsome copy.
    €20
  90. L'attrait, l'horreur du jeu - In la Nrf N°65 de la 6ème année
    Maurice BLANCHOT

    L'attrait, l'horreur du jeu - In la Nrf N°65 de la 6ème année

    Nrf|Paris 1er Mai 1958|13.50 x 21.50 cm|broché
    Sold
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