First Editions

First edition for which no deluxe copies are mentioned.
Half marbled sheep binding, spine with four raised bands decorated with gilt friezes and typographical motifs, traces of rubbing to joints, marbled paper boards, marbled endpapers and pastedowns, illustrated wrapper preserved, contemporary binding.

First edition in French, one of 125 numbered copies on superior vellum, the only deluxe copies.
A crease mark at head of first endpaper, a light dampstain of no concern at foot of spine.

WHITE Lilian (pseud. for BETTENCOURT Pierre)
illustration by SAVIGNAC Raymond
Midi à 14h [Here for Ever]
Gallimard [Pierre Bettencourt], Paris [Saint-Maurice d'Etelan] 1945, 16 x 25,5 cm, original wrappers
First edition of 200 copies printed on Arches paper.
The book is illustrated with 3 original compositions in color by Savignac.
A deception by Pierre Bettencourt, the work is supposedly illustrated by Jean Hugo and translated by Jean-Paul Sartre, the statement of publisher, author, translator, illustrator and printing is false.
The spine and cover lightly and marginally sunned, a little stain on the foot of the first cover, the interior is in a good condition.
$ 380

First edition of the French translation printed in small numbers on vellum.
Nice copy.
Book decorated with 2 illustrations of Tudor Banus.
Signed autograph dedication of Mioara Créméné to Nicole Vieussat.

First edition, one of 300 numbered copies on matte coated paper, only leading copies.
Illustrated book of photographs.
Rare and nice complete copy of his prayer to insert.
Signed autograph Pierre Melet to a friend named Laurent: ".... when the shepherd becomes a poet ..."

First edition on current paper.
Text preceded by a popular song adapted by Sembène Ousmane.
Autograph dedication dated and signed by Pierre Bamboté to Armand Monjo.

First edition.
Binding half red sheepskin, slightly burnished back with five nerves, dotted and double gilded boxes on the back, piece of black sheepskin, traces of friction on the joints, flat, guards and contreplats of handmade paper, preserved covers.
Some small foxing.
Beautiful autograph dated, rhymed and signed by Alexis Martin to the painter Edmond Morin: "... To Mr. Edmmond Morin, illustrator of the bibliophile in love.The nightingale answers the blackbird / the warbler the cuckoo / You gave me a pearl / And I bring you a pebble. "

First edition.
Work illustrated with a portrait of Vincente Huidobro by Juan Gris.
Handsome copy.

Partly first edition on current paper.
Ex-dono of the dedicatee at the head of a guard.
Illustrated book of 8 wood inserts Walch Le Tannois.
Signed autograph dedication of Jean Suberville to Louis Viossat.

First edition, one of 25 numbered copies on Holland paper, only leading copies.
A bit split in the foot, some small marginal tears on the boards, pleasant interior state.
Signed autograph of Stany Orbier to Mary Hesse.

First edition.
Bradel binding in full grey cloth, smooth spine, black shagreen title-label, gilt date, gilt monogram and coat of arms at head of front board, original wrappers preserved.
Some foxing, pale dampstain to margins of leaves.
Rare.

First edition, one of 60 numbered copies on alfa paper, the only deluxe copies after 35 on vélin du Marais.
Handsome copy.

First edition on current paper of the French translation.
Pleasant full copy of his prayer to insert.
Signed autograph dedication from Stephen Spender: "To Denise and Roland Tuale (sic) with gratitude for their friendship."

First Edition, one of 30 numbered copies on Holland paper, only leading copies after 12 China, 12 Japan and 1 vellum skin.
Nice copy at all margins.
Autograph signed by Alexandre Dumas son to Mademoiselle Maremon.

First edition printed on laid one of the first works of the author he later renounced.
Nice and rare copy.
Signed autograph of Pierre Jean Jouve to René Georgin.

First edition, one of 162 numbered copies on pur fil paper, deluxe copies after 52 on Montval.
Light foxing affecting mainly the edges, handsome copy.

First edition, one of 400 numbered copies on alfa paper.
A nice copy.
Ex libris to upper inside cover.

Very rare and highly sought-after first edition of Balzac's first novel signed by his name. Published a small number of copies, this first novel whose original title is inspired by the last of the Mohicans James Cooper, reappeared, reworked in 1834 under a new title: The Chouans .
This first important work of Balzac also marks the beginning of the comedy Humaine which she constitura since 1845 a scene of the military life .
Bindings in half red Russian leather, smooth backs adorned with gilt and black threads, gold friezes in heads and tails, marbled paper plates, Contemporary binding.
A restored bit and a flap sheet of the first volume changed, some small foxing.

Exceptional exemplary set in a charming Contemporary binding.

First edition, one of 100 numbered copies on pur fil paper, after 32 Japon and 50 Hollande paper.
Half morocco, covers and spine preserved, top edge gilt, binding signed by Semet & Plumelle.
A nice copy elegantly bound.

First edition of the French translation by Valery Larbaud and Noémi Larthe.
Binding in black half box, smooth back, golden date in tail, wooden paper plates, guards and contreplats paper wood way, covers and back preserved, gilded head, binding signed by Daniel-Henri Mercher.
Nice copy pleasantly established.
Signed autograph signed Valéry Larbaud Jules Romains enriched by the signature of Noémi Larthe.

First edition, one of 300 numbered copies on laid Holland paper, single draw after 15 Japan and 35 Holland paper.
Binding in full percaline sand, smooth back, title piece of morocco olive, paper plates decorated with a large color map of Paris, covers and back preserved, gilded head, binding signed by Gauché.
Nice copy pleasantly established.
Autograph signed by Valery Larbaud: "To Madame de Harting thankful tribute and friendly Scévien Valery Larbaud".

First edition on ordinary paper after 25 numbered copies on Holland paper. A blank invitation card mounted on a stub for a dinner offered on the occasion of the book's publication, to be sent to Mercure de France or Revue Blanche. From MM. Paul Adam, Paul Fort, Stéphane Mallarmé, etc.
Autograph inscription signed by Gustave Kahn to his friend, Belgian painter and artist Georges Lemmen: "A mon vieil ami George Lemmen le bon imagier. Gustave Kahn." ["To my old friend George Lemmen the good imagemaker. Gustave Kahn."]
(The following year (1897), the two friends would collaborate with Brussels publisher Deman on a small editorial gem: Limbes de lumière.
Contemporary binding in half black coarse-grained shagreen, smooth Jansenist spine with raised bands, author's name, title and date gilt, fine marbled paper extended to the endpapers, original wrappers preserved (the first showing traces of rubbing).
Handsome copy.
Bookplate of Belgian poet Georges Marlow on the front pastedown.

First edition in part.
Bradel binding, covers preserved, modern pastiche binding.
Handsome autograph inscription signed by Alfred Jarry to René Emery, fonder of the periodical "Fin de siècle" and author of "Amour à toutes les sauces".

First edition for which it was not drawn large papers.
Loving and beautiful autograph signed by Jacques Sternberg to a woman named Yvonne: "For Yvonne whose sweet eyes have been so often my city rest of the dark sea looks Love love."

First edition, one of 50 copies on Holland paper, deluxe copy.
Half black shagreen binding, spine lightly faded with four raised bands, small traces of rubbing to spine, black paper boards, one scratch to front board, marbled endpapers and pastedowns, original wrappers preserved, contemporary binding.
Work illustrated with 8 drawings mounted on China paper including 5 chromolithographs, the sixth chromolithograph appears to be lacking in our copy.
Handsome and rare copy.

First edition, one of the review copies service.
Autograph dedication signed by Nathalie Sarraute to Adrien Jans.

First edition, one of 485 numbered copies on white "bouffant" paper, only draw after15 papers Voiron.
A slight hitch in the foot of the back and a tiny spot without gravity in the foot of the first board.
Illustrated book of a drawing of Yves Tanguy in frontispiece.
Autograph signed by Gui Rosey to Benjamin Crémieux.

First edition for each of the volumes with print runs varying from 297 to 1,250 numbered copies on pure laid paper, the only deluxe copies along with the reimposed ones.
Two spines slightly sunned, rare light worming on four endpapers, otherwise handsome set.

Edition largely in first printing, rare, decorated with a portrait of the Marquise de Sévigné in volume I and another of the Comtesse de Grignan in volume V. In the copy described by Rochebillière, volumes V and VI from 1737 are in different bindings, as is often the case. Our copy presents them in uniform binding, only the title and volume labels differ: they are in red morocco for volumes V and VI and in beige morocco for the first four volumes.
Contemporary bindings in full speckled brown sheep, raised spines richly decorated - notably with animal stamps at foot (greyhounds and knights) - title and volume labels in beige morocco for the first four volumes, in red morocco for the last two.
One lack at foot of volume VI. Discreet almost invisible restorations at head of volumes I, IV and VI, as well as at foot of volumes II, III, V. Some joints also finely restored. Eight corners slightly bumped, the others rubbed. Rubbing on some joints.
Important edition in the bibliography of first editions of the Marquise de Sévigné. Indeed, it is the first presenting a considerable number of letters (614 versus 134 for the two-volume edition of 1726) and the first authorized by the Marquise's goddaughter, Pauline de Simiane. The latter asked Perrin, a publisher from Aix-en-Provence, to establish an edition based on the manuscripts. Only the letters to the Comtesse de Grignan were retained. The 1754 edition would contain 712 letters, as it was expanded with letters to various correspondents. The manuscript letters were then destroyed after being selected according to interest and style. A very useful index at the end of volume VI allows one to find the characters scattered throughout the letters.
Fine copy.

First edition, an advance (service de presse) copy.
Bradel binding in half morocco, covers and spine preserved, top edge gilt, modern binding.
Handsome autograph inscription signed by Alfred Jarry to Charles-Henry Hirsch : "... un admirateur de "la Possession"..."

First edition, one of 64 numbered copies on Hollande paper, the only grand papier (deluxe) copies.
Rare and nice copy.

First edition, one of 15 numbered copies on Hollande, the tirage de tête.
Spine very lightly sunned at head and foot.
Rare and nice copy.

First edition, one of 25 numbered copies on Hollande paper, the tirage de tête.
A nice copy.

First edition in French, one of 210 copies numbered in Roman numerals on alfa paper, the only deluxe copies.
Preface by Valéry Larbaud.
Minor light foxing at head of first endpaper.
Handsome copy.

First edition of this issue entirely devoted to China.
Back gauchi.
Contributions of René Guénon, André Préau, Patrice Genty ...
Our copy belonged to Henry Miller who then offered it to Raymond Queneau with this signed autograph that he sent to him at the head of the first cover: "To Raymond Queneau from Henry Miller 3/39".

First edition, one of 135 numbered copies on laid paper Lafuma-Navarre and reimposed in Tellière quarto format, deluxe copy.
Reproduction of an autograph quatrain as frontispiece.
Half red morocco binding with corners, smooth spine decorated with quintuple gilt cartouches, gilt date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, binding signed by Pierre-Lucien Martin.
Handsome copy elegantly bound.

First edition.
Binding in half red percaline, smooth back decorated with a golden floral pattern, double gilded nets in tail, title piece of blue shagreen, boards of marbled paper, guards and contreplats of orange paper.
Some small foxing.
Autograph signed by Edmond Théry: "To my friend Pinot ...", the feather having caused a small hole in the "p" of the surname of the dedicatee.

First edition.
Half sienna cloth Bradel binding, smooth spine decorated with a gilt floral motif, double gilt fillets at foot, black shagreen title-label, marbled paper boards, orange paper endpapers and pastedowns, contemporary binding.
Some light foxing mainly affecting the edges.

First Edition printed on Alfa paper.
Small traces of minor folds in the margins of the boards.
Autograph signed by Henri Béraud to Gaston Chérau.
Our copy is enriched by an autograph letter signed half-page Henri Béraud to Gaston Chérau, dated September 22, 1925, in which he thanked for his benevolent criticism and at the end of which he deplores the inexorable popularity of Communism which he fought in "I saw Moscow" published recently, envelope attached.

First edition, one of 30 numbered copies on vellum of the Marais, only leading copies.
Nice copy.
Autograph dedication signed by Robert Sabatier to Georges Dupont.

First edition, one of 400 numbered copies on Alfa paper and reserved for the press service.
Pleasant full copy of his prayer to insert.
Autograph dedication dated and signed by Robert Sabatier to Marcel Arland.

First edition, one of 40 numbered copies on Rives laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 200 numbered copies on Alfa paper and reserved for the press service.
Pleasant full copy of his prayer to insert.
Autograph dedication dated and signed by Robert Sabatier to Philippe Soupault.

First edition, one of 200 numbered copies on Alfa paper and reserved for the press service.
Back slightly insolated, complete copy of his prayer to insert.
Autograph dedication dated and signed by Robert Sabatier to Philippe Soupault.

First edition, one of the numbered copies, only draw after 10 Holland paper.
Illustrated book of drawings by André Masson.
Insolated back, nice interior state.
Autograph signed by Alain Bosquet: "To the poet Dobzynski."

First edition published under the direction of François Chapon, one of 50 numbered copies on Arches vellum, the only deluxe copies.
Preface by Dominique Aury.
Spine very lightly sunned without consequence, handsome copy.

New edition of the French translation for which it was not drawn from great papers, mention of third edition.
Back and flat slightly and marginally discolored and insolated without gravity.
Presentation of Louis Aragon.
Signed autograph of Louis Aragon to Julian Garavito.

First edition, one of 15 numbered copies on Holland paper, deluxe copy.
Handsome full-margined copy.

First edition, one of 10 numbered copies on Holland paper, ours bearing N°1, deluxe copy.
Spine with some creasing and a small tear reglued at foot.
Handsome full-margined copy.

First edition, one of 50 numbered copies on bibliophile vellum, the only deluxe copies.
Handsome copy.

First edition, one of 20 numbered copies on vellum, the only deluxe copies.
Fine copy.

First edition, one of 26 copies in sheets and hors commerce hand-lettered on white conqueror, only leading copies after 4 Chapel.
Pleasant copy of his complete black cloth shirt.
Autographs signed by Claude Bourdois and Claudine Boulouque.

First edition, one of 500 copies on ivory laid, ours unjustified.
Illustrated book of drawings by Camille Bryen.
Autograph dedication dated and signed by Jean Frémon to Aline and Jean-François Prat.

First edition printed in a numbered edition of 180 copies on Larroque et Pombié paper.
Rare and handsome copy retaining publisher's wraparound band.
Work illustrated with 10 original photographs by Thérèse Vian-Mantovani.
Manuscript signatures on the justification page by Jacques Lacarrière and Thérèse Vian-Mantovani.

First edition, one of the review copies service.
Back very slightly insolated, complete copy of his prayer to insert.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "Dear Jean, would you be sad my last letter would have pained you? MJ"

First Edition, one of 112 numbered copies on "pur-fil" paper, ours one of 17 out of trade literary, only leading copies with 109 reimposed.
Back slightly insolated, nice interior state.
Precious autograph signed by Marcel Jouhandeau to Jean Paulhan: "Dear Jean Marcel friend."

First edition, one of the 200 copies of the press service numbered on Alfa paper.
Pleasant copy despite two minor tears without serious margin of the first guard.
A precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "Dear Jean, why were not you with me in Guéret, but you would have intimidated me, I regretted last night that I did not obey the Dominique's invitation, we missed you, your Marcel. "

First edition, one of the review copies service.
Back very slightly insolated without gravity.
Precious and beautiful autograph dedication dated and signed, full page, from Marcel Jouhandeau to Jean Paulhan: "Dear Jean, when I turn to the past and measure the look the long way we have traveled together, I can not admit that 'no shadow tarnishes our friendship, my words may be free, they never want to sadden you, if I did not know you, I would lose my own esteem.'

First edition, one of the review copies service.
Back slightly insolated without gravity, complete copy of his prayer to insert.
Precious autograph dated and signed by Marcel Jouhandeau to Jean Paulhan: "My Jean, you do not need to read my books, you guess them Marcel."

First edition, one of the review copies service.
Nice copy despite the back very slightly insolated.
Precious autograph dated and signed by Marcel Jouhandeau to Jean Paulhan: "My Jean, write to me, I need to know you are calm, Marcel."

First edition, one of the 200 copies of the press service numbered on Alfa paper.
Insolated back, complete copy of his prayer to insert.
Precious autograph signed by Marcel Jouhandeau to Jean Paulhan: "My Jean, is it possible? MJ Thanks to you"

First edition, one of the review copies service.
Back slightly insolated, complete copy of his prayer to insert.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "For Jean son Marcel".

First edition, one of the review copies service.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "For Jean his friend Marcel".

First edition on current paper.
Back very slightly insolated.
Precious autograph dated and signed by Marcel Jouhandeau Jean Paulhan: "Dear Jean, I have two manuscripts for you, not me, but indifferent, you can not remain or you would surprise me. I'll bring them to you soon, do not write to me, you're so tired, Marcel. "

VERNE Jules
Le Superbe Orénoque
[The Mighty Orinoco]
Hetzel, Paris 1898, 18,5 x 28 cm, publisher's binding
First illustrated edition by George Roux, completed with 20 plates; most are polychromes, but some are black and white or sepia. Catalogue AJ at end. There is only one cover au globe doré for this title.
Publisher's binding au globe doré in type 3. Plate by Blancheland, binding by Engel. The second cover of the type Engel's e, red vertical letters on a black background.
Written in 1894 and appearing for the first time in 1898, Le Superbe Orénoque is an adventure novel about a girl in search of her father. The novel is based on the stories of the explorer Jean Chaffanjeon who made several trips to Orinoco River and in this part of the world (South America) from 1884-1886.
$ 700

First edition, one of the review copies service.
Back very slightly insolated.
Precious and beautiful autograph signed by Marcel Jouhandeau Jean Paulhan: "My Jean, you can not know what fear it was for me to learn from your mouth yesterday that my poor Celine is reduced to begging. In spite of myself, I believe that I have done everything possible and beyond, I kiss you.

First edition, one of the review copies service.
Marginal and slightly shaded boards without gravity.
Autograph dedication signed by Jean Dutourd to Jean-François Revel.

First edition, one of 20 numbered copies on Alfa paper, only leading copies.
Dirty boards, nice interior state.
Touching signed autograph of Bernadette Liger-Belair: "To you darling, this sketch of a young author for which your indulgence always had equal your affection".

First edition without false statement of edition and with the right justification page dated 25 septembre 1951.
Spine very slightly sunned, not serious and with a small slight stain, tiny foxings on covers.

First edition illustrated with 80 drawings by Benett and 12 hors-texte in colors. Catalogue D for 1895 attesting to the first edition.
Publisher's binding known as "Au portrait collé". Signed Paul Souze plate on the cannonball. Lenègre et cie at foot of spine and on the anchor. Very fine first plate. Corners very slightly turned. Spine good, with a white stain on the title-label and a scratched area on the lighthouse vignette. Headcaps sunken. It should be noted that the lighthouse vignette is no longer sky blue but midnight blue. Second cover good, but with darker areas and a whitish spot. Warped copy, one leaf protruding.
Remarkably fresh paper, completely free of foxing, very appreciable.
Very handsome copy, despite minor defects.
Science fiction novel in which an island containing an entire city is propelled by propellers. The protagonists are a quartet of musicians, allowing Verne to convey his love of music. Several acerbic remarks about Wagner can be read. A large part of the novel takes place in French Polynesia.

Rare French first edition, illustrated with 3 frontispieces by Eisen engraved by Pinssio.
Contemporary full brown calf, marbled and glazed. Red morocco title label, beige morocco volume label. Head of volume I torn away. Joints of volume I narrowly split at head and tail. Rubbing. Title pages browned, as well as some pages. Good copy.
The novel appeared in England in 1748 unsigned, Smollet assumed authorship once success was achieved. This picaresque novel declared a model, which it followed and transgressed, that of Gil Blas by Lesage, which according to Smollet lacks psychology and a tighter narrative linking events together. The work quickly achieved success and was finally translated into France in 1761 under Fielding's name, who was at the height of his success in France; one should not be surprised, for commercial reasons, to find his name attached to the work, especially since the translator did not know the true name of the author. This is one of the greatest English novels of the 18th century in which the hero, in a picaresque and sometimes burlesque vein, tries all conditions to achieve a condition, that of gentleman: in turn sailor on all seas, soldier in France, fortune hunter, the vicissitudes of existence dear to the English novel (Robinson Crusoe, Tom Jones) allow the author a severe critique of the society of his time. In a skillful balance, Smollet manages to transgress and blend all the literary genres of his era: travel narrative, autobiography, sentimental novel, critique of morals, satire of society, denunciation of hypocrisy, prostitution of bodies and minds, etc. One could not finish detailing the richness of the book.

The first edition, of which there were no deluxe copies.
Spine very lightly sunned without significance.
Handsome copy.

First edition, one of 35 numbered copies on Hollande paper, the tirage de tête.
Spine very slightly discolored, not serious, first free endpaper partially and slightly shaded.
A nice copy.

First edition, one of the review copies service.
First cover plate illustrated with a portrait of André Salmon by Amedeo Modigliani.
Back and flat slightly and marginally insolated without gravity, if not nice copy.
Autograph signed by André Salmon to Monsieur de Sacy.

First edition, one of the review copies service.
Insolated back.
Rare autograph dedication signed Marcel Aymé Gaston Rageot on this text he disavowed.

First Edition, one of 185 copies numbered and justified by Paul Fort on laid Arches paper and reserved for his friends.
Binding half morbid taupe morocco corners, smooth back adorned with double golden nets, marbled paper plates, guards and contreplats of handmade paper, preserved covers, gilded head, ex-libris Georges Rouma pasted on a contreplat.
Illustrated book of a frontispiece in colors, vignettes and banners of Ginette D'Yd.
Nice copy.
The book is also illustrated with a beautiful portrait of Paul Fort by Gino Severini at the foot of which Paul Fort has cracked a dated and signed autograph to Georges Rouma.
Autograph signed by Paul Fort to his friend Georges Rouma wishing him a happy new year 1933.

First edition on current paper.
Pleasant copy of his trailer.
Autograph signed by Michel Tournier to a friend named Pierre.

First edition, one of 40 numbered copies on Holland paper, the deluxe issue after 20 Japan paper copies.
Small tears at foot of spine at the deckled edges, slight foxing on some deckled edges, otherwise a handsome full-margined copy.

First edition, one of the review copies service.
Insolated back.
Autograph dedication dated and signed by Pierre Klossowski to Georgette and Gilbert Minazzoli.

First edition of the first book published by Vincent Muselli.
Small gaps filled on the back that also include light restorations, a clear wetness at the head of the first board.
Autograph dedication signed by Vincent Muselli to Mrs. Lichnérowicz.
Our copy is exceptionally of a three-page manuscript poem, entitled "Three lieds", signed by Vincent Muselli.

First edition, one of 300 numbered copies on laid Arches paper, single draw after 10 Japan.
Illustrated book of 5 original etchings by Mariette Lydis.
Some small foxing margins slightly insolated boards and some leaflets.
Bookplate pasted next to the fake title page where the autograph is sent.
Beautiful autograph signed by Joseph Delteil: "To Mr. Paul Lallemand, I offer my first book to my oldest friend Delteil editor".

First edition, one of the review copies service.
Nice copy despite the back slightly insolated.
Autograph signed by André Salmon to Hugues Fouras.

First edition illustrated with in-text and full-page illustrations by Vogel and ornaments by Giraldon (typographic etching). Printed on large glazed vellum. Title page in red and black.
Publisher's binding in full chocolate shagreen. Spine with false raised bands decorated with interlaced figures 30 and 40. Boards decorated with a pattern of figures 30 and 40, with a border frieze. This pattern is repeated on the green endpapers. Spine uniformly faded to tawny. Light rubbing to corners. One nick at head.
Very fine copy, perfectly fresh.
Art critic and political journalist, his comic and satirical novels earned him great renown, notably Le roi des montagnes. Le Trente et quarante is a game around which loves will form and dissolve. This vaudeville later became a musical comedy filmed by Grangier in 1946 with Martine Carol. Carteret: "Interesting publication".

First edition, one of 18 numbered copies on Rives vellum, deluxe copies after 12 on Montval.
Rare and handsome copy.

First edition of the French translation by Philippe Jaccottet, one of 85 numbered copies on Alfa paper, only leading copies.
Nice copy despite a stain at the bottom of the first board.
Autograph signed by Carlo Cocciolo, in French, Maurice Bourdel: "... this little puppet theater ..." '

First edition in French, one of 200 numbered copies on alfa paper, ours one of 10 hors commerce copies, the only deluxe copies.
Handsome copy.

First edition, one of 36 numbered copies on vélin chiffon de Lana, the only grand papier (deluxe) copies.
A very nice copy.

First edition, one of 85 numbered copies on vélin d'Arche papers, the only grand papier (deluxe) copies.
A very nice copy.

First edition, one of 30 numbered copies, the only deluxe copies.
Handsome copy.