Fermé la nuit[Closed at night]
Bound in half green long-grain morocco, flat spine very slightly faded, wrappers and spine preserved.
A handsome copy.

First edition, one of 32 numbered copies on Japon nacré, the tirage de tête.
Illustrated covers with an original lithograph by Alberto Giacometti.
Slight worming to spine.
A good, well-margined copy.
First edition on ordinary paper.
Half-forest green shagreen contemporary binding, spine with five raised bands, marbled paper board and endpapers, bookplate pasted on one guard.
Some slight, minor foxing.
Rare signed and inscribed copy by Gustave Flaubert to (Louis) de Carné, journalist and historian, several of whose works were listed in the inventory of Flaubert's personal library.
Flaubert's interest in de Carné's work was not always benevolent, however. Critical notes on his articles can be found in the Bouvard and Pécuchet files.
Moreover, the publication of Salammbô coincided with the controversial election of Louis de...
First edition.
Contemporary full brown calf binding. Spine with raised bands decorated with 5 fleurons. Red morocco title-label. Triple gilt fillet frame on boards. Rubbing to headcaps, joints, edges and corners. 2 corners slightly bumped. Good copy.
Treatise on the courtier, and the manner of conducting oneself with princes.
Fragility of the courtier's position and utility of diplomacy.
First edition.
Authorial presentation inscription signed by Guy de Maupassant “to Monsieur [Amaury] Renoul,” manager of the Librairie Nouvelle, located at 15 boulevard des Italiens. The back room of this celebrated Parisian bookshop served as a literary salon frequented by many of the capital’s foremost artistic and intellectual figures.
Spine slightly cocked, joints rubbed, otherwise a very good copy in its original condition.
First edition, one of 110 numbered copies on China paper, the only printing along with 12 copies on Japon nacré paper and 1 on Chine, variously enriched.
Illustrated with 11 original color lithographs by Jean Fautrier.
Autograph inscription from Robert Ganzo to a couple of his acquaintance.
Manuscript signatures of the author and illustrator on the justification page.
This copy retains its original glassine wrapper showing spiders wandering in the webs they've woven
Occasional very light spotting, a good copy.