First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

First collected edition, one of 950 numbered copies on alfa paper.
Handsome copy.
Signed autograph inscription from René Char to art critic and writer Charles Estienne.
Provenance: from the library of Georges Goldfayn with his blind stamp at head of an endpaper as bookplate.

First edition, one of 80 numbered copies on Ingres laid paper by Lana, the only deluxe copies.
Very handsome copy.

First edition, one of 32 numbered copies on Hélio neige Libert paper, ours being one of the 12 hors commerce copies, deluxe issue.
Very handsome copy.

First edition, very rare, illustrated with 12 lithographs by Deveria and Johannot (men and women in period costumes). Not listed in Carteret who nevertheless records all romantic collections. In the Bibliographie Sommaire Des Keepsakes (Frédéric Lachèvre) and other collective collections of the romantic period, on this album listed: "Exceptionally, given the rarity of this work, we give the titles of the pieces that compose it."
Full cardboard Bradel binding early 20th century in glazed tender green signed Lavaux at the top of the first endpaper. Superb pastiche of a period binding using romantic tools. Smooth spine decorated with rocaille ornaments. Brown morocco title label...

First edition, one of 80 numbered copies on Ingres de Lana laid paper, the only deluxe copies.
Very handsome copy.

First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
Very handsome copy.

First edition. Edition of 1,075 copies according to Clouzot.
Half-calf binding with lavallière corners from the early 20th century signed Lavaux at the top of the first endpaper. Smooth spine decorated with 5 tools, gilt and blind fillets. Red edges. Spine uniformly faded. Foxing on the first 4 leaves and in the notes and some scattered foxing throughout. Handsome copy.
Hugo's play, of unusual length at 6,920 verses, was reputed to be unplayable, notably due to its numerous changes of scenery. It breaks definitively with classical theater. The famous preface to the play would remain as a manifesto of romantic theater.

First edition, one of 80 numbered copies on Lana laid Ingres paper, the only deluxe copies.
A very handsome copy.

First edition, one of 65 numbered copies on Lana laid Ingres paper, the only deluxe copies.
A very handsome copy.

First edition, one of 65 numbered copies on Lana Ingres laid paper, the only deluxe copies.
A very handsome copy.

First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
A very handsome copy.

First edition of the French translation by Yves Bonnefoy, one of 35 numbered copies on Arches vellum, ours one of the few hors commerce copies, the only deluxe copies after 10 on Holland paper.
Handsome copy.
Precious autograph inscription signed by Yves Bonnefoy to Gilbert Lély.

First edition, one of 28 numbered copies on Madagascar paper, deluxe copy.
Very handsome copy.

First edition, a Service de Presse (advance) copy.
Handsome copy complete with publisher's slip and a large part of its wraparound band: "... ou soyez communiste"
Signed autograph inscription from Paul Sérant to Georges Goldfayn.

The first edition, of which there were no deluxe copies.
Iconography, handsome copy.
Precious signed autograph inscription from Claude Levi-Strauss to Jean-Claude Carrière: "... le jour où nous fimes connaissance et qui, j'espère sera suivi par d'autres." ["... the day we met and which, I hope, will be followed by others."]
Reading notes by Jean-Claude Carrière written in black and blue ink throughout the final endpaper.

First edition, one of 110 numbered copies on Rives laid paper.
Half red morocco binding, smooth spine, gilt date at foot, boards covered with abstract patterned paper, red paper endpapers and pastedowns, covers and spine preserved, top edge gilt, signed binding by P. Goy & C. Vilaine.
Autograph inscription signed by Jean Cocteau to a friend named Roger enhanced with a drawing in blue ink representing the face of a young man facing forward.

During the first performance in 1930, L'Echo de Paris already prophesied: "The best actresses in the world will want to interpret La voix humaine."
Indeed, on stage and screen followed Berthe Bovy, Anna Magnani...

First edition.
Work illustrated with illustrations.
Handsome copy despite the missing slipcase, a small tear at the foot of the first cover.
Autograph inscription signed by Francis Ponge to Roger Caillois: "... c'est à dire pour et contre les imostures de la poésie..." ["... that is to say for and against the impostures of poetry..."]
Our copy is expanded with a manuscript correction by Francis Ponge on page 7.

The first edition, of which there were no deluxe copies.
Spine wrinkled and slightly sunned as usual.
Iconography.
Precious signed autograph inscription from Gérard Legrand to Robert Benayoun enriched with an original collage.

The first edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription doubly signed by San Antonio-Frédéric Dard to a couple of friends named Cosette and Philippe.

Œuvres complètes with an autograph letter:
Les Fleurs du Mal – Curiosités esthétiques – L'Art romantique – Petits Poèmes en prose – Histoires extraordinaires – Nouvelles Histoires extraordinaires – Aventures d'Arthur Gordon Pym
“Extremely important” edition according to Clouzot: “More and more sought after, rightly so, it includes in first edition: part of Fleurs du Mal, Petits Poèmes en prose, Curiosités esthétiques (except the two Salons), L'Art romantique (except Gautier and Wagner).”
The Fleurs du...

First edition, one of 52 numbered copies on Montval paper, deluxe issue.
Handsome full-margined copy.
Bookplate pasted to front pastedown.

First editions of the issues of this review edited by Lucien Jacques.
Boards marginally sunned.
Boards illustrated with two woodcuts by Lucien Jacques.
Other contributions by EMillard, C. Galtier.

First edition of this issue of the review edited by Lucien Jacques.
Boards marginally sunned.
Boards illustrated with two woodcuts by Lucien Jacques.
Other contributions by Suzanne Rochat, Giovanni Pascoli...

First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to the crisis affecting the people's democracies. : J. Cep & Abbé Boulier: "The religious struggle in Czechoslovakia", François Fetjö: "The Rajk affair is an international Dreyfus affair", Claude Bourdet: "Journey to the second USSR"
Other contributions by J.J. Brieux "Mao Tse-Tung's China, II: the men", André Bazin "The victorious test of Italian neo-realism"...
Occasional foxing mainly marginal.

First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue largely devoted to the subject "From coexistence to peace, twenty years of history": The confrontation: "American and Soviet positions", "economic systems", "between writers" by Pierre Emmanuel, André Fontaine, Claude Gruson notably. ; "The socialist camp": "The socialist bloc and détente", "China" by Bernard Feron and Stuart Schram ; "The trials of coexistence": "Laos", "Iraq", "Cuba", "Berlin", "Formosa" by Robert Guillain, Louis Péronne and Pierre Rondot notably ; "From coexistence to cooperation": "A new...

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by L. Vandermeersch: "Les frontières sino-soviétiques" ["The Sino-Soviet borders"], Dina Dreyfus "Télévision et enseignement" ["Television and teaching"], Gamé Guilao: "La mort des fétiches" ["The death of fetishes"], "Socialisme et développement en Zambie et au Cambodge" ["Socialism and development in Zambia and Cambodia"] by René Dumont and Thierry de Beaucé...
Occasional foxing mainly to margins.

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to Yugoslavia: J.M. Domenach: "Une révolution rencontre le mensonge" ["A revolution encounters lies"], J. Baboulène: "Le sens de l'édification socialiste en Yougoslavie" ["The meaning of socialist construction in Yugoslavia"], H. Queffelec: "Perspectives" ["Perspectives"].
Other contributions by JH. Duméry "L'athéisme sartrien" ["Sartrean atheism"], E. Mounier "Notes scandinaves ou du bonheur" ["Scandinavian notes or on happiness"]...
Occasional foxing mainly to margins.

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to the French army: L. de Villefosse: "Armée nationale ou armée de guerre civile ?", J. Lacroix: "L'armée et la politique", A. Berger: "L'armée de nos moyens", Colonel X: "Positions et propositions", J.M. Domenach: "Pour la défense nationale"...
Occasional light foxing mainly marginal.

Handwritten letter dated and signed with 11 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A handwritten note inscribed in blue ballpoint pen by André Tillieu at the head of the letter: "reçue le 5 mai 72" ["received May 5th 72"], another of several lines on the envelope explaining the absence of a piece of the latter.
Envelope included.
"Cher André Tillieu,
de première votre article ! chaleureux, juste, bien composé... un des meilleurs consacré à ce livre... ça...

Handwritten letter dated and signed with 21 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the folding of the letter for mailing, envelope included.
"ami,
bien reçu "Relax"... Mille mercis... Je suis toujours un peu confus par tout ce que tu écris sur mes livres. Je ne suis peut-être pas si haut ? Tu me forces à me poser des questions. Enfin, je fais de mon mieux. J'espère te voir bientôt à Paris avec Georges Brassens et Louis... A moins que j'aille faire un tour vers Lille puis...

Handwritten letter dated and signed with 22 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the letter being placed in an envelope.
"vieux,
merci de m'envoyer des articles belges. En général je ne les reçois pas. condescendants... ils le sont tous... descendants et surtout cons ! N'importe ! Je pars tout à l'heure pour le salon du livre de St Etienne où je verrais sans doute Louis (si sa femme continue d'aller un peu mieux). Je le saluerai de ta part bien sûr. Si tu descends à Paris...

First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
Our copy is presented in a slipcase and chemise in full paper in the colors of Editions de Minuit.
Handsome copy of this work adapted for cinema in 1960 by Peter Brook with Jeanne Moreau and Jean-Paul Belmondo in the leading roles.

First edition, one of 20 numbered copies on Dujardin vellum, ours bearing No. 1, the only deluxe copies.
Handsome copy.

First edition, one of 120 numbered copies on Lana rag paper, the only deluxe copies.
Handsome illustrated copy with a frontispiece portrait of Jean Giono by Jean-Claude Goossens.
Signed autograph inscription from Henri Frossard to Claude Schneeberg.

First edition on ordinary paper.
Spine warped, one tear reglued on a joint, some minor foxing, paper yellowed as usual.
Work illustrated with a photographic portrait of Henri de Régnier as frontispiece, a manuscript facsimile as well as typographical ornaments by Manuel Orazi.
Signed autograph inscription by Paul Léautaud: "A Henri Chatelain, cet exercice." ["To Henri Chatelain, this exercise."]

The first edition, of which there were no deluxe copies.
Two lacks at head and foot of spine, small marginal lacks to boards, one tear re-adhered at foot of one joint.
Rare autograph inscription signed by Jan-Topass to Professor Louis Eisenmann, bookseller's label pasted just above the inscription.

First edition, of which there were no deluxe copies, statement of one thousand copies.
Handsome copy.
Bilingual autograph inscription in French and Spanish, dated and signed by Henri Collet to his close friend Jean Claval: "... distingué hispaniste y lector asiduo del quijote afectuoso homenaje del autor. Henri Collet. Noviembre de 1942." ["distinguished hispanist and assiduous reader of Don Quixote, affectionate homage from the author. Henri Collet. November 1942."]

First edition.
Work illustrated with 13 drawings by Henry de Sta including the cover.
Spine with restorations as well as lacks to head and foot, small corner lacks to boards, some foxing.
Rare.

The first edition, of which there were no deluxe copies.
Unlettered spine lightly sunned.
Autograph inscriptions signed by Madeleine Ozeray and René Lacôte to the poet Charles Dobzynski.

The first edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription dated and signed by Pedrag Matvejevitch.

Illustrated New Year's card signed with 13 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in blue ballpoint pen at the head of the card.
Envelope included.
"Merci de tes voeux vieux frère... je te renvoie la balle... santé, sérénité, pognon pour le bi centenaire... pour toi et les tiens. Un livre me conduira peut-être à Bruxelles en mars et bien entendu je te ferai signe. Avec ma vive amitié. ABoudard." ["Thank you for your wishes old brother... I'm returning the favor...

Signed manuscript card of 16 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A year (92) added in blue ballpoint pen in the upper right corner of the card to specify the date.
Envelope included.
"Vieux,
merci mille et une fois pour tes petits mots et les articles découpés dans la Presse belge. Avec mon éditeur ça voir le jour moins vite ! On ne peut être partout. meilleure santé à ta femme et bonnes vacances tout de même. A partir de demain je rejoins la rue Smolett (à...

Signed manuscript card of 15 lines by Alphonse Boudard, on a bristol card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Envelope included.
"merci mon cher Tillieu, de ce formidable papier sur Julien Blanc et ses joyeux. il en faudrait beaucoup de cette encre-là ! Hélas ! elle est rare il faut croire... les journalistes en place préfèrent tremper leur plume dans l'ersatz d'encre mélangée avec un peu d'eau croupissante. à bientôt j'espère... Je finis un gros bouquin "Les combattants du petit bonheur'... l'accouchement comme toujours...

Illustrated greeting card signed with 12 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in black ballpoint pen in the upper right corner of the card.
Envelope included.
"Tous mes meilleurs voeux aussi... santé, fric, bonne fourchette et surtout qu'on puisse se retrouver entre amis... On va organiser ça avec Louis (Nucéra), le gros Georges (Georges Brassens) etc... Je publie "Le corbillard de Jules" fin février... ma pogne amie. ABoudard."...

First edition, one of 45 numbered copies on pure rag vellum, the only deluxe copies.
Very handsome copy.

First edition, one of 106 numbered copies on Vizille laid paper, the only deluxe copies.
Handsome copy.

First edition in French, one of 30 numbered copies on pure laid paper, the only deluxe copies.
Two small dampstains on the verso, at head and foot, of the second cover and on the last endpaper, otherwise a handsome copy.

First edition, a Service de Presse (advance) copy.
Spine sunned, handsome interior condition.
Signed autograph inscription from Francis Jammes to Robert de Flers.

First edition printed on esparto paper.
Handsome copy.
Signed and inscribed by Francis Jammes to the Marquise de Flers, wife and widow of Robert de Flers.

First edition, with printed service de presse statement at foot of title page.
Spine very lightly sunned.
Signed and inscribed by Francis Jammes to Robert de Flers.

First edition, one of the numbered copies on alfa.
Handsome copy despite two fold marks on the first cover.

First edition, one of 35 numbered copies on laid paper, ours one of 10 hors commerce copies, the only deluxe copies.
Handsome copy despite a transversal fold on the front cover and spine slightly sunned.
Signed autograph inscription from Anne Green to Gérard Mainguet.

First edition in French, of which there were no deluxe copies.
Handsome copy, with newspaper clipping included.
Autograph inscription dated and signed by Saul Bellow to his friend Nadine Nimier, wife and widow of Roger Nimier.

Handwritten letter dated and signed, 20 lines by Alphonse Boudard to his great friend and companion of boozy lunches, Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens as well as Louis Nucéra.
Two fold marks inherent to placing the letter in its envelope, envelope included.
"Old friend,
yes indeed, I'm working... screenplays... television... and I no longer have time for friends.. alas! finally I'm releasing "La lanterne magique" in September under the title "Vulcanos" (name of the main character) for "Le gala", it's Balland who republished it. Without success... so he remaindered it. I must have a few...

Amusing handwritten letter dated and signed, 30 lines by Alphonse Boudard to his great friend and companion of boozy lunches, Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens as well as Louis Nucéra.
Two fold marks inherent to placing the letter in its envelope, envelope included.
"Old friend,
your letter is precious to me... no you're not playing the teacher! Some errors have already been noted for a reprint. The most curious thing is that most come from people who correct the proofs and make new ones. Félicien Rops for example or this parket.bombing (I had written carpet in my manuscript though)...

Dated and signed manuscript letter of 28 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the envelope folding of the letter, envelope included.
"Vieux,
merci de ta petite carte... il n'est pas encore trop tard pour te renvoyer la balle des meilleurs voeux pour 86... souhaitons que toute se passe le mieux possible. aujourd'hui Louis (Nucéra) est entré à l'hosto... juste q.qs jours... on va lui pulvériser un calcul au laser. Le dernier cri de la...

Dated and signed manuscript letter of 17 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the envelope folding of the letter, envelope included.
"J'ai reçu ta formidable lettre, vieux frère, et elle m'a procuré un sacré plaisir. Hier j'ai fait enregistrer tes corrections chez Laffont pour une réimpression très prochaine. Pas le temps de t'écrire plus longuement, je suis un peu débordé, tu te doutes. As-tu reçu en même temps que Monsieur Joseph, le livre d'entretiens de Lucien d'Azay...

Manuscript dated and signed letter of 37 lines by Alphonse Boudard to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the letter's insertion in the envelope, envelope included.
"Vieux,
Je deviens de + en + niçois sous la protection, bien sûr, du cher Louis (Louis Nucéra) qui arrive tout de même à pédaler dans les collines malgré les ennuis de santé de Suzanne. Un mal difficile à cerner mais qui la fait souffrir beaucoup. Merci de ta chaleureuse lettre. Là, j'ai voulu faire du pur...

Manuscript signed letter of 14 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in blue ballpoint pen at the head of the card.
Envelope included.
"Mon cher André
bien reçu Le Rail... et comme toujours ton papier amical et percutant. Quel dommage que tu ne sois pas critique au Nouvel Obs ou à l'Express ! J'espère (ou espère Louis aussi) que tu viendras un de ces quatre te propulser sur les derniers trottoirs fréquentables de Pantruche. Porte-toi le mieux possible...

Handwritten letter dated and signed, 26 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the folding of the letter for mailing, envelope included.
"old friend,
magnificent your piece on Louis's book! (Louis Nucéra) It is written with friendship and competence... and then the one on Arland... bravo! We would need people like you in the Parisian literary press.. Alas, it is in the hands of pedants! I'm out of the woods... I'm getting back on my feet... a few more bandages...

First edition in French, of which there were no deluxe copies.
A tear with loss at the head of one joint, a small blue ballpoint pen inscription in the upper left corner of the title vignette on the front cover.
Rare dated manuscript signature by Dymphna Cusack on this work denouncing the ostracism and racism suffered by Aborigines in their native land of Australia.

The first edition, of which there were no deluxe copies.
Minor stains of no consequence on the edges, handsome copy complete with its wraparound band.
Signed autograph inscription by Bernard Giraudeau to Nadine Nimier, wife and widow of Roger Nimier, with a drawing representing a bouquet of marsh plants.

Signed manuscript card of 21 lines by Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
An erroneous date (4.1.91) written in blue ballpoint pen on the card by André Tillieu whereas the date of 4.1.90 is indicated at the top of the envelope.
Envelope included.
"Dear André,
good wishes serve mainly not to forget friends too much. I wish you of course health, cash, clear sight, lively step... etc... I'm invited on March 14th to Brussels for a book fair. I'll keep you informed and we could probably grab...

Signed manuscript letter on Bristol card of 15 lines by Alphonse Boudard, on letterhead from his Parisian address in Nouvelle Athènes in the 9th arrondissement, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A date (4.2.99) written in blue ballpoint pen at the top of the envelope.
Envelope included.
"Merci, mon cher André, de ta magnifique lettre. J'ai parfois des doutes sur l'intérêt de ma production, eh bien tu me rassures. Je sais que j'ai en Belgique un lecteur attentif et qui pige mes moindres intentions, qui apprécie mes...

Signed manuscript letter on Bristol card of 8 lines by Alphonse Boudard, on letterhead from his Parisian address in Nouvelle Athènes in the 9th arrondissement, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
Envelope included.
"Merci, vieux pote, de ta bonne lettre. Je sais que tru es un amateur éclairé... alors tout ce que tu me dis me touche dans le mille. J'espère bien aller te saluer un de ces quatre en Bruxellie. Mon amitié. Ab." ["Thank you, old friend, for your good letter. I know that you are an enlightened amateur...

Signed manuscript bristol of 22 lines by Alphonse Boudard, on letterhead of his Parisian address in Nouvelle Athènes in the 9th arrondissement, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
Envelope enclosed.
"Vieux frère, merci de tes deux dernières lettres, je suis un peu débordé (par le succès entre autres) et j'ai laissé le courrier s'accumuler. J'ai pas vu "Mémoire de la France" si j'y suis cité c'est déjà pas si mal, d'habitude dans ce genre de bouquin je n'existe pas. Ni pour la Cerise, l'Hôpital, le prix Renaudot, ni pour le...

Signed manuscript bristol of 17 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A date and the mention "les enfants de choeur" written in black ballpoint pen at the top of the bristol.
Envelope enclosed.
"Vieux,
comme toujours ton papier me va droit au coeur. Et tu dis juste... si c'était Beckett ! Hélas... le petit clan des snobs et de l'intelligentzia fait la loi, le bon goût et la réputation... Les vendredis soir Louis Nucera part à la campagne faire du vélo et travailler à son...

First edition in French, one of 100 numbered copies on American laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 40 numbered copies on vellum, deluxe copies after 20 on China paper.
A small black stain at upper left corner of front cover.
Fine copy.

First edition printed in a small number of copies on laid paper.
Rare and handsome copy, with bookplate pasted at foot of verso of front cover.
Autograph inscription signed by François Bernouard to the poet Adolphe Lacuzon: "... A monsieur Lacuzon, en témoignage de ma double admiration, celle du poète et de l'homme..." ["... To Mr. Lacuzon, in testimony of my double admiration, that of the poet and of the man..."]

First edition of each volume, with print runs varying from 297 to 1,250 numbered copies on pur fil paper, the only deluxe copies along with the reimposed editions.
Spine of the fifth volume split, printed "nrf" mention scratched on the back cover of the first volume of the seventh part.
Rare and handsome complete set with publisher's slip.
Autograph inscription dated 1929 and signed by Roger Martin du Gard, on a loose leaf: tribute from the author, absent from Paris, to Robert de Saint-Jean.

First edition, one of 30 numbered copies on deluxe paper, ours unnumbered, the only deluxe copies.
Handsome copy.

First edition, one of 60 numbered copies on royal Lana wove paper, the only deluxe copies.
Texts preceded by an interview of Serge Gainsbourg with Alain Coelho.
Illustrated with 10 plates hors texte.
A small light stain on the spine.
A rare and appealing copy.

First edition, one of 225 numbered copies on pur fil paper, deluxe issue.
A transverse fold at head of front cover, otherwise a handsome full-margined copy.
Contributions by Georges Bernanos: "Lettre à Frédéric Lefèvre", Max Jacob: "Renoncer à toute richesse" & "Jeunesse lacustre" & "Angoisses et autres", Henri Massis: "Charles Maurras et le sentiment de la mort" & "Paul Valéry et sa pensée", Nicolas Berdiaeff "Le destin de la culture", Jean Cocteau: "Daisy en France", Daisy Ashford: "Les jeunes visiteurs ou le plan de Mr Salteena", Julien Green: "La traversée inutile"...

First edition printed in 70 numbered copies on Normandy vellum, ours unnumbered and unsigned by Guy Lévis-Mano.
Work illustrated with an etching by Kurt Séligmann as frontispiece.
A handsome copy.

First edition illustrated with photographs, one of 200 numbered and named copies.
Publisher's full brown cloth binding, smooth spine, smooth spine.
Handsome copy complete with its folding map at the beginning of the volume.

The first edition, of which there were no deluxe copies.
Some traces of rubbing to the joints and to the back cover.
Iconography.
Autograph inscription signed by André Lajoinie to a woman named Annick.

First edition on ordinary paper.
Handsome copy.
Beautiful autograph inscription dated and signed by Pierre Béarn to Nadine Nimier, wife and widow of Roger Nimier: "Pour Nadine Nimier dont la gentillesse m'émeut - sans doute qu'elle a su garder en elle la lumineuse clarté de l'âme - en la remerciant" ["For Nadine Nimier whose kindness moves me - no doubt she has been able to keep within herself the luminous clarity of the soul - with thanks"]

The first edition, of which there were no deluxe copies.
Work illustrated with drawings by Georges Wolinski.
Nostalgic signed autograph inscription from Claude Confortès to a friend named Matilda: "... ce livre rare et épuisé des folles années. Grâce à toi je suis redevenu dingue. Vive l'EPROUVETTE ! Claude Confortès." ["... this rare and out-of-print book from the crazy years. Thanks to you I've gone crazy again. Long live L'EPROUVETTE! Claude Confortès."]

First edition on ordinary paper.
Handsome copy despite two small stains in the margin of the back cover and on an inner flap.
Fine autograph inscription dated and signed by Yves Peyré to Nadine Nimier, wife and widow of Roger Nimier.

First edition, one of 109 numbered copies on laid paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy despite some light rubbing to the joints and a light discoloration to the upper right corner of the front cover.
Half tawny morocco binding, smooth spine, boards covered with cream vellum-style cardboard, wood-grain paper endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by Alain Lobstein.

First edition of the French translation, of which there were no deluxe copies.
A handsome copy despite the spine being slightly sunned.

First edition, one of 37 numbered copies on Vizille laid paper, the only deluxe copies.
A very handsome copy of this work which earned its author the Robert Walser Prize for first novel.

The first edition, of which there were no deluxe copies.
Publisher's full grey cloth binding, smooth spine, with the illustrated dust jacket which has some minor marginal tears and tiny corner chips of no consequence.
Signed autograph inscription from André Dhôtel to Monsieur Pittner.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 125 numbered copies on Ingres paper, the only deluxe copies after 25 on Hollande paper.
A handsome copy.

First edition of this issue of the magazine consisting of two folded sheets.
Handsome copy.
On the first, a color woodcut depicting Alphonse Karr by Emile Cohl.
On the following, text by Pierre and Paul in first edition titled "Alphonse Karr".

First edition of this issue of the magazine founded by writer Félicien Champsaur and illustrator Alfred Le Petit, consisting of two folded sheets.
Handsome copy.
On the first, a color woodcut depicting Albert Robida by Alfred Le Petit.
On the following, text by Félicien Champsaur in first edition titled "Albert Robida".

First edition of this issue of the magazine consisting of two folded sheets.
Handsome copy.
On the first, a color lithograph representing Daubray by Emile Cohl.
On the following ones, text by Pierre et Paul in first edition entitled "Daubray".

First edition of this issue of the magazine consisting of two folded sheets.
Handsome copy despite some minor worming.
On the first, a color woodcut representing Paul Bourget by Emile Cohl.
On the following ones, text by Jules Laforgue in first edition entitled "Paul Bourget".