First edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Bradel binding, spine slightly faded with a small spot to head, small stains on the covers, covers and spine preserved,
Contemporary binding signed by M.P. Trémois.
Exceptional and handsome autograph inscription signed by André Breton to Man Ray: “à Man Ray, dans la lumière qu'il a recréée, de tout cœur. André Breton” (“To Man Ray, in the light that he recreated, with all my heart. André Breton”)
First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.
First edition, rare, first issue with the 8 lines of errata on one leaf. The illustration, executed according to the author's very precise instructions, comprises a frontispiece, an engraved title with a vignette and 38 plates by Hablot Knight Browne, including one in mezzotint: On the dark road. Text on tinted laid paper.
Contemporary half red shagreen binding. Raised bands spine, decorated. Author and title in gilt. Top edge gilt. Margins of the frontispiece, engraved title and engravings browned, as is usually the case in English editions of Dickens. Clean text, free from foxing. Light rubbing. Handsome copy.
A novel written in a distinctly darker vein f
