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Cinema

Cinema books and archives: typed screenplays, film posters, first edition shooting photographs, signed first editions, actors, screenwriters, directors

217 results
Cinema
  1. Le testament d'Orphée
    Lucien CLERGUE, Jean COCTEAU

    Le testament d'Orphée

    Editions du Rocher|Monaco 1961|13.50 x 19 cm|reliure de l'éditeur
    First edition on ordinary paper illustrated with photographs by Lucien Clergue.
    Publisher's full grey cloth binding, smooth spine, front cover illustrated with a photographic vignette.
    Handsome copy.



    €120
  2. La madone à Hollywood
    Maurice DEKOBRA

    La madone à Hollywood

    Editions Baudinière|Paris 1952|13 x 19 cm|broché
    New edition.
    Handsome copy.
    Autograph inscription signed by Maurice Dekobra to Madame Xhignesse: "... ce roman écrit en Californie..." (this novel written in California)
    €80
  4. Le marin de Gibraltar
    Marguerite DURAS

    Le marin de Gibraltar[The Sailor from Gibraltar]

    Gallimard|Paris 1952|12 x 19 cm|broché
    First edition, one of 55 numbered copies on pure thread paper, the only deluxe copies.
    Fine and rare copy of this work which was adapted for cinema in 1967 by Tony Richardson, assisted by Christian de Chalonge and Norman J. Warren, starring Jeanne Moreau, Orson Welles, Ian Bannen and Vanessa Redgrave.
    €4,500
  5. 97 photographies originales du tournage du film de Carlo Rim "L'armoire volante"
    Carlo RIM (Pauline CARTON)

    97 photographies originales du tournage du film de Carlo Rim "L'armoire volante"

    s. l. 1948|16 x 21.50 cm|97 photographies sous une boîte cartonnée

    L'armoire volante is a film directed by Carlo Rim who was also its screenwriter and dialogue writer; the main roles were played by Fernandel, Berthe Bovy and Pauline Carton.
    Set of 97 original photographs, silver gelatin prints of the period, in three different formats: 11x8.5, 18x13.5cm and 23.5x18.5cm depicting scenes from the filming of the movie.
    The set is presented in a cardboard box from the Crumière establishments with manuscript notations by Carlo Rim on the first cover and one edge.

    €3,500
  6. 38 photographies originales du tournage du film "Le mort en fuite" dont Carlo Rim fut le dialoguiste et l'adaptateur
    Carlo RIM (Michel SIMON)

    38 photographies originales du tournage du film "Le mort en fuite" dont Carlo Rim fut le dialoguiste et l'adaptateur

    s. l. 1936|24 x 30 cm|Photograph|38 photographies

    Set of 38 original photographs, silver gelatin prints of the period, in 24x30cm format depicting scenes from the filming of the movie.
    Le mort en fuite is a film by André Berthomieu, assisted by André Zwobada with Carlo Rim as dialogue writer and adapter; the main roles were played by Michel Simon, Jules Berry and Marie Glory.

    €1,200
  7. Histoires de ma vie
    Jean MARAIS

    Histoires de ma vie

    Albin Michel|Paris 1975|15.50 x 24 cm|broché
    First edition on ordinary paper.
    The work also includes a Poetic Suite composed of one hundred and fifteen unpublished poems by Jean Cocteau.
    Iconography and drawings by Jean Cocteau.
    Spine slightly creased as usual, otherwise handsome copy.
    Autograph inscription signed by Jean Marais to Claude Wingerter.
    €120
  8. Les fantômes du chapelier
    Georges SIMENON

    Les fantômes du chapelierThe Hatter's Ghost

    Presses de la Cité|Paris 1949|12 x 19 cm|broché
    First edition, one of 200 numbered copies on white laid paper, the only deluxe copies.
    Covers partially sunned, light foxing to endpapers.
    Rare copy complete with its illustrated dust jacket which shows minor marginal tears of no consequence.
    The work was magnificently adapted for cinema in 1982 by Claude Chabrol with Michel Serrault and Charles Aznavour in the leading roles.
    €1,500
  9. "Ce n'est pas pour rien que notre étoile nous a rapprochés l'un de l'autre"
    Jean COCTEAU (to Jean MARAIS)

    "Ce n'est pas pour rien que notre étoile nous a rapprochés l'un de l'autre"Autograph letter addressed to his great love Jean Marais

    Perpignan juillet 1940|21 x 27 cm|deux pages sur un feuillet

    Autograph letter by Jean Cocteau, signed with his famous star, addressed to his great love, the actor Jean Marais. Dated by the author July 1940. One and a half pages in black ink on a sheet.
    Two small marginal tears not affecting the text. Traces of transverse folds inherent to posting.
    Magnificent love letter from Cocteau to Marais, who formed one of the most legendary artistic couples of the 20th century. Against the backdrop of defeat and German Occupation, their unbreakable bond is embodied in this letter from the writer with its desperate accents.
    Published in the Lettres à Jean Marais, 1987, p. 157.
    This missive from a...

    €2,000
  10. Le voleur
    Georges DARIEN

    Le voleur

    P.V. Stock|Paris 1898|12 x 19 cm|relié
    First edition on ordinary paper and without statement of edition.
    Bradel binding in orange half cloth, smooth spine very slightly darkened decorated with a central gilt floral motif, double gilt fillet at foot, navy blue shagreen title label, some rubbing to headcaps, marbled paper boards, original wrappers preserved very slightly trimmed, corners slightly bumped, contemporary binding.
    Some light foxing, particularly on the cover boards.
    We include a correspondence of 5 letters and telegrams, spanning the year 1955, between two admirers of Georges Darien's work who wish to preserve his memory and have his works republished: Georges Quesnel whose father served as model...
    €1,700
  11. Paris au mois d'août
    René FALLET

    Paris au mois d'août[Paris in August]

    Denoël|Paris 1964|12.50 x 19.50 cm|broché
    First edition, one of 20 numbered copies on pure wove paper, the only deluxe copies.
    A fine copy of this work adapted for the cinema in 1966 by Pierre Granier-Deferre, starring Charles Aznavour and Susan Hampshire, with dialogue by Henri Jeanson.
    €1,500
  12. Le feu follet
    Pierre DRIEU LA ROCHELLE

    Le feu follet

    Nrf|Paris 1931|12 x 19 cm|broché
    First edition, one of 647 copies on pur fil, the only deluxe issues along with 109 copies printed on large paper.
    Bookplate affixed to the verso of the front cover.
    A pleasant copy.
    €2,500
  13. Lettre autographe datée et signée au jeune poète artésien Roger Valuet à propos de l'adaptation au cinéma de son ouvrage Marguerite de la nuit
    Pierre MAC ORLAN

    Lettre autographe datée et signée au jeune poète artésien Roger Valuet à propos de l'adaptation au cinéma de son ouvrage Marguerite de la nuit

    S. n.|Saint-Cyr-sur-Morin 4 Mai 1955|21 x 27 cm|une feuille
    Autograph letter dated and signed by Pierre Mac Orlan (13 lines in turquoise ink) to his young friend the beginning poet Roger Valuet.
    Fold marks inherent to postal handling, a small tear at the head of the letter at the letterhead.
    Pierre Mac Orlan must decline the presidency of a meeting to which Pierre Nord and Roger Valuet had invited him because he will be detained in Honfleur, where scenes from one of his novels will be filmed, probably Marguerite de la nuit, adapted for cinema: "Il s'agit d'un film inspiré d'un de mes livres et il faut que je sois là entre le 5 et le 9 juin pour participer à ce travail..." ["It is a film inspired by one of...
    €180
  14. Lettre autographe signée adressée à Carlo Rim concernant la bonne réception de son film Justin de Marseille
    LUGNE-POE [Aurélien-Marie LUGNE]

    Lettre autographe signée adressée à Carlo Rim concernant la bonne réception de son film Justin de Marseille

    Paris 20 Mai 1935|15.50 x 17.50 cm|une feuille
    Autograph letter, 7 lines in purple ink on a leaf, signed by Lugné-Poe addressed from his Parisian home to his friend Carlo Rim in his telegraphic and laconic style:
    Fold marks inherent to mailing.
    "May 20, 1935
    Very sincerely my dear comrade, I saw last night, on Radio Luxembourg, praise given to the quite superior dialogue of Justin de Marseille - of the film as well, for that matter - Your faithful, LugnePoe."
    Provenance: from the Carlo Rim collection, who was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André...
    €120
  15. "Hercule vaut Justin et vous pouvez croire que Jeannot et moi avons applaudi de bon coeur."
    André SALMON

    "Hercule vaut Justin et vous pouvez croire que Jeannot et moi avons applaudi de bon coeur."Signed autograph letter addressed to his friend Carlo Rim about the success of the film entitled Hercules, for which the latter is the screenwriter

    Paris Mars 1938|15.50 x 17.50 cm|une feuille
    Autograph letter, 33 lines in black ink on one leaf, signed by André Salmon congratulating his friend Carlo Rim on his screenplay for the film Hercule, directed by Alexandre Esway:
    Fold marks inherent to mailing. In the upper right margin, Carlo Rim inscribed in pencil the date "Mars 1938" ["March 1938"], probably the date he received the letter.
    "Cher Carlo Rim,
    En vain ai-je espéré pouvoir vous féliciter un soir même d'un si grand et si légitime succès. Mais vous tardiez beaucoup, retenu sans doute par ceux qui ayant eu la chance de vous saisir les premiers ne vous lâchaient pas volontiers. Merci d'avoir offert la primeur d'Hercule, au spectateur...
    €250
  16. Lettre autographe signée à son grand ami Carlo Rim à propos d'un projet réunissant Raimu, Albert Willemetz, Carlo Rim et Vincent Scotto
    Vincent SCOTTO

    Lettre autographe signée à son grand ami Carlo Rim à propos d'un projet réunissant Raimu, Albert Willemetz, Carlo Rim et Vincent Scotto

    S. n.|Paris 2 Septembre 1941|13.50 x 21.50 cm|une feuille
    Autograph letter signed by the composer Vincent Scotto, sent from Marseille to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (16 lines in blue ink) regarding a joint project with the director of the Bouffes Parisiens Albert Willemetz, Raimu, Carlo Rim and Vincent Scotto.
    Fold mark inherent to mailing.
    "Mercredi le 2 septembre 1941,
    Mon cher Carlo, as-tu vu Raimu ? Je pars vendredi matin pour Paris, j'aurais aimé avoir une réponse. Voici une nouvelle lettre de Willemetz pour toi. J'espère que tu seras content de ton collègue Vincent...
    €120
  17. [PHOTOGRAPHIE] Portrait photographique de John Steinbeck pris sur le tournage du film "O. Henry's Full House"
    (John STEINBECK)

    [PHOTOGRAPHIE] Portrait photographique de John Steinbeck pris sur le tournage du film "O. Henry's Full House"[PHOTOGRAPH] Photographic portrait of John Steinbeck taken during the filming of "O. Henry's Full House"

    s. d. [1952]|20.80 x 25.50 cm|une photographie
    Original silver print portrait of the American writer John Steinbeck in front of a library.
    This beautiful photograph was taken on the set of O. Henry's Full House in 1952, an anthology film narrated by Steinbeck, who introduces a quintet of five of O. Henry's most celebrated stories.
    The author of The Grapes of Wrath made his only on-camera appearance in this role of narrator.
    Some very slight marginal traces of folding. Handwritten annotations in pencil on the back.
    Rare.
    €750
  18. "La cigale que je suis écrit au lion de la forêt que vous êtes en l'occurrence... pour vous dire que mon prochain hiver s'annonce mal... "
    Abel GANCE

    "La cigale que je suis écrit au lion de la forêt que vous êtes en l'occurrence... pour vous dire que mon prochain hiver s'annonce mal... "An alarming autograph letter signed and addressed to Carlo Rim in which the filmmaker is concerned about his professional future

    Paris 21 mai 1954|21 x 27 cm|une feuille
    Pessimistic and handsome autograph letter signed by Abel Gance addressed to Carlo Rim, 37 lines in blue ink, in which the director of "Napoléon" worries about the vacuity of his professional future and the resulting financial difficulties: "My dear Carlo, like brother ass - I see nothing precise taking shape, from the top of my ruined tower - in this leaden cinema horizon which smells of storm as much as that of politics. The grasshopper that I am writes to the lion of the forest that you are in this instance - as our President - to tell you that my next winter looks bad. I therefore cling, perhaps naively, to the promise you were kind enough to make me of this gala for the...
    €500
  19. "... Willemetz demande, dans notre intérêt, que Edith Piaf soit épaulée par une vedette homme faisant affiche. Si nous avons Raimu ou Charpin, nous sommes sûrs d'un succès."
    Vincent SCOTTO

    "... Willemetz demande, dans notre intérêt, que Edith Piaf soit épaulée par une vedette homme faisant affiche. Si nous avons Raimu ou Charpin, nous sommes sûrs d'un succès."Autograph postcard signed to his great friend Carlo Rim concerning a film project with Edith Piaf and Raimu or Charpin

    S. n.|Paris 16 septembre 1941|14.50 x 10.50 cm|une feuille
    Autograph postcard dated and signed by composer Vincent Scotto, addressed from his Parisian home, to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (15 lines in black ink)
    "Le 16 sept. 41
    Mon cher Carlo,
    Il faudrait que nous ayons au plus tôt une réponse soit de Raimu soit de Charpin ou bien encore de Delmont quoique pour ce dernier l'affaire sera difficile à Paris car Willemetz demande, dans notre intérêt, que Edith Piaf soit épaulée par une vedette homme faisant affiche. Si nous avons Raimu ou Charpin, nous sommes sûrs...
    €200
  20. Lettre autographe signée adressée à Carlo Rim concernant ses écrits sur le cinéma ravivant la mémoire de Jacques Audiberti
    Jacques AUDIBERTI

    Lettre autographe signée adressée à Carlo Rim concernant ses écrits sur le cinéma ravivant la mémoire de Jacques Audiberti

    S. n.|Paris 25 décembre 1959|21 x 27 cm|une feuille
    Autograph letter dated and signed by the playwright Jacques Audiberti addressed to Carlo Rim (19 lines in blue ink) about his film chronicles acting as a memory box for Jacques Audiberti:
    "25 décembre 1959,
    Cher Carlo Rim, avec bien de l'amusement je lis vos souvenirs de cinéma dans "France Soir". Il m' été piquant de retrouver, dans vos souvenirs, l'idée d'une pièce, où vous présentez Mistinguett, que j'ai écrite et fait jouer aux "Noctambules" - ah ! qu'André ryba y brillait ! - quelque part vers 1947     ["25 December 1959,
    Dear Carlo Rim, with great amusement I read your cinema memoirs in "France Soir". It was piquant for me to find, in your memories, the idea of a...
    €200
  21. "... L'interprète idéal eu été Raimu. Je le lui avais demandé fin 42. Il parait que c'est impossible. Alors qui verriez-vous dans le rôle ? Qui exigeriez-vous si vous aviez fait le film? Pourriez-vous, en même temps, me donner une liste des meilleurs artistes méridionaux ?
    Roland DORGELÈS

    "... L'interprète idéal eu été Raimu. Je le lui avais demandé fin 42. Il parait que c'est impossible. Alors qui verriez-vous dans le rôle ? Qui exigeriez-vous si vous aviez fait le film? Pourriez-vous, en même temps, me donner une liste des meilleurs artistes méridionaux ?Signed autograph letter addressed to Carlo Rim to whom he asks advice for the role of Tartarin, after Raimu withdrew from his film adaptation of Tartarin in the Alps

    Paris 8 février 1943|21 x 27 cm|une feuille
    Autograph letter signed by Roland Dorgelès addressed to Carlo Rim, written in blue ink (50 lines in blue ink) seeking advice from the latter for the casting of his film adaptation of "Tartarin dans les Alpes":
    "Cher Carlo,
    vous êtes retiré, m'a-t-on dit dans les Alpes. Moi dans les Pyrénées. D'une montagne à l'autre je vous dit bonjour. J'ai besoin d'un conseil que vous seul pouvez me donner. Il s'agit de Tartarin dans les Alpes, dont j'ai fait l'adaptation (nous aurions été encore marseillais que je vous aurai demander de collaborer...) L'interprète idéal eu été Raimu. Je le lui avais demandé fin 42. Il parait que c'est impossible. Alors qui verriez-vous dans le...
    €300
  22. Humoristique dessin original signé faisant référence au film Fanny de Marc Allégret et Marcel Pagnol réalisé à l'aide de plusieurs crayons de couleurs et adressé à ses amis Alice et Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Humoristique dessin original signé faisant référence au film Fanny de Marc Allégret et Marcel Pagnol réalisé à l'aide de plusieurs crayons de couleurs et adressé à ses amis Alice et Carlo Rim

    s. l. 1937|14 x 9 cm|une feuille
    Original signed drawing titled "Alice au pays des merveilles" ["Alice in Wonderland"] in comic strip form, created with several colored pencils and addressed to his friends Carlo Rim and his wife Alice.
    The drawing references the film "Fanny" by Marc Allégret and Marcel Pagnol with, in the leading roles, Raimu (César Ollivier), Pierre Fresnay (Marius, son of César), Orane Demazis (Fanny), Charpin (Honoré Panisse, husband of Fanny); indeed Alice Rim is represented with the features of a benevolent and protective Orane Demazis and Carlo Rim with those of an infantile and mischievous Charpin.
    On the verso, Carlo Rim noted: Dessin de H.P. Gassier Juillet 1937 ["Drawing by H.P...
    €200
  23. "Je ne saurais oublier que vous avez été le bon sourcier de cette oasis inattendue qui s'est dressée vers mes pas à l'heure de la soif - dans ce sombre désert du cinéma dans lequel je m'avance en solitaire depuis 8 ans ! "
    Abel GANCE

    "Je ne saurais oublier que vous avez été le bon sourcier de cette oasis inattendue qui s'est dressée vers mes pas à l'heure de la soif - dans ce sombre désert du cinéma dans lequel je m'avance en solitaire depuis 8 ans ! "Lyrical Signed Autograph Letter of Thank You to Carlo Rim

    Paris 18 décembre 1952|21 x 27 cm|une feuille
    Grateful and beautiful signed autograph letter from Abel Gance addressed to Carlo Rim, 25 lines in blue ink in which the director of "Napoleon" praises the salvific friendship that the author of "Ma belle Marseille" has always shown him: "Je ne saurais oublier que vous avez été le bon sourcier de cette oasis inattendue qui s'est dressée vers mes pas à l'heure de la soif - dans ce sombre désert du cinéma dans lequel je m'avance en solitaire depuis 8 ans ! " , "Grâce à vous & mes confrères, j'y reprendrai des forces pour aller défricher plus loin - et, peut-être est-ce là ma providence & ma fatalité - je veux espérer que "lorsque le grand froid aura pris mes...
    €400
  24. "... L'arlésienne ne pourra pas se faire parce que monsieur gendre Prouvost et cie sont des couillons. Et des gens sans aucune descisions"
    RAIMU

    "... L'arlésienne ne pourra pas se faire parce que monsieur gendre Prouvost et cie sont des couillons. Et des gens sans aucune descisions"Virulent signed autograph letter addressed to his great friend Carlo Rim about an aborted film project

    S. n.|Paris 13 juin 1941|14 x 19.50 cm|trois feuilles recto-verso
    Autograph letter dated June 13th (Carlo Rim having specified in pencil at the head of the first leaf 1941) and signed by Raimu addressed to his great friend Carlo Rim, 98 lines in black ink, on three leaves recto-verso.
    Folds inherent to mailing.
    Raimu rails against the incapacity and indecision of those responsible for a film project entitled l'Arlésienne (quite a symbol!) of which Carlo Rim was part: "L'arlésienne ne pourra pas se faire parce que monsieur gendre Prouvost et cie sont des couillons. Et des gens sans aucune descisions. Donc affaire morte." ["l'Arlésienne cannot be made because monsieur son-in-law Prouvost and company are fools. And people...
    €1,200
  25. "... tu connais assez les exigences de notre métier pour m'excuser et pour ne voir en cette absence rien qui démente l'amitié..."."
    René CLAIR

    "... tu connais assez les exigences de notre métier pour m'excuser et pour ne voir en cette absence rien qui démente l'amitié..."."Signed autograph letter addressed to Carlo Rim apologizing for not being able to respond favorably to an invitation from the latter

    S. n.|s. l. s. d. [circa 1940]|13.50 x 21 cm|une feuille
    Autograph letter signed by René Clair addressed to Carlo Rim, 22 lines in blue ink.
    He cannot honor an invitation and presents his apologies to his friend : "... je t'embrasse, je te donne l'accolade - mais hélas, de loin. Je pars demain matin en "extérieur" et il est probable que je dorme sur place. Je suis navré de ne pouvoir être près de toi demain soir mais tu connais assez les exigences de notre métier pour m'excuser et pour ne voir en cette absence rien qui démente l'amitié très ancienne et bien vive que je te porte. Affectueusement. René." ["... I embrace you, I give you an accolade - but alas, from afar. I leave tomorrow morning for location shooting and it is...
    €300
  26. Lettre autographe signée adressée à Carlo Rim à propos du tournage de son film "La maison Bonnadieu"
    Jean COCTEAU

    Lettre autographe signée adressée à Carlo Rim à propos du tournage de son film "La maison Bonnadieu"

    Nice 9 février 1952|21 x 27 cm|une feuille
    Autograph letter signed by Jean Cocteau addressed from Nice to Carlo Rim, 11 lines in blue ink, regarding the filming of "La maison Bonnadieu" which Carlo Rim is directing and for which he sought advice from Jean Cocteau who responds:
    "Mon cher Carlo Rim,
    je reçois la lettre Bonnadieu trop tard et sur la côte. Je vous souhaite notre soleil si vous avez des extérieurs et je vous félicite de travailler avec mon admiarble Hayer. Bonne chance ! Votre Jean Cocteau" ["My dear Carlo Rim, I received the Bonnadieu letter too late and from the coast. I wish you our sunshine if you have exterior shots and I congratulate you on working with my admirable Hayer. Good luck!...
    €350
  27. "Rarement, en effet, je n'ai senti, comme ce jour-là, un tel esprit de solidarité, une telle estime affectueuse..."
    Marcel CARNÉ

    "Rarement, en effet, je n'ai senti, comme ce jour-là, un tel esprit de solidarité, une telle estime affectueuse..."Signed autograph letter addressed to Carlo Rim

    s. l. 27 juin 1966|21 x 27 cm|une feuille
    Autograph letter signed by Marcel Carné addressed to Carlo Rim, 25 lines in blue ink, thanking him for the speech he delivered concerning notably the work of Marcel Carné but also the laws governing the cinema milieu.
    Marcel Carné praises the clairvoyance and moral elevation of Carlo Rim's speech: "... indépendamment des éloges, trop flatteurs, que vous avez bien voulu me décerner, j'ai admiré son courage tranquille, sa fermeté dans sa concision et, par-dessus tout, son grand désir que les lois régissant la profession accordent, enfin, à chacun ce que devrait logiquement leur valeur leur travail..." ["... independently of the praise, too flattering...
    €500
  28. Importante lettre autographe signée adressée à Carlo Rim à propos d'un différend regardant le droit de propriété intellectuelle du film "Hercule"
    RAIMU

    Importante lettre autographe signée adressée à Carlo Rim à propos d'un différend regardant le droit de propriété intellectuelle du film "Hercule"

    Paris 5 avril 1938|20.50 x 26.50 cm|une feuille
    Autograph letter signed by Raimu addressed from his Parisian home to Carlo Rim, 25 lines in black ink, assuring him of his support and providing his epistolary testimony, being unable to be physically present at a legal appointment concerning the film Hercule for which Carlo Rim claims authorship: "Je regrette de ne pouvoir me rendre en tant que témoin, à l'arbitrage que tu as solliciter (sic) de la société des auteurs. Mais ce que je puis te rappeler c'est que je connais Hercule depuis que je te connais toi même. Que tu m'as toujours parlé de ce film que tu me destinais d'ailleurs et que les évènements ne m'ont pas permis de tourner. Et surtout que tu m'as donné...
    €600
  29. Affectueuse lettre autographe signée adressée son grand ami Carlo Rim à propos du droit d'auteur au cinéma
    Marcel PAGNOL

    Affectueuse lettre autographe signée adressée son grand ami Carlo Rim à propos du droit d'auteur au cinéma[Warm autograph letter signed addressed to his close friend Carlo Rim concerning copyright in the film industry]

    Paris 19 mai 1959|21 x 27 cm|une feuille

    Touching autograph letter signed by Marcel Pagnol addressed from Monte Carlo to his great friend Carlo Rim, 9 lines in blue ink, : "Petit Carlo, Où es-tu? Donne-moi ton adresse, car il faut que je t'écrive sérieusement à propos du droit d'auteur au cinéma. C'est urgent, et important pour tous. Je t'embrasse et aussi Alice, Marcel. Monte Carlo" ["Little Carlo, Where are you? Give me your address, as I need to write to you seriously about film copyright. It's urgent, and important for everyone. I embrace you and also Alice, Marcel. Monte Carlo"]
    Central folds inherent to postal handling, Carlo Rim having inscribed a date in pencil, probably that of receiving the letter...

    €450
  30. Du Cinéma - Revue de critique et de recherches cinématographiques N°1 de la 1ère série
    Jean Georges AURIOL, Pierre KÉFER

    Du Cinéma - Revue de critique et de recherches cinématographiques N°1 de la 1ère série

    Librairie José Corti|Paris Décembre 1928|24 x 29 cm|agrafé
    First edition of this important cinema review founded by Pierre Kéfer and Jean George Auriol (under the pseudonym Jacques Niel).
    Two tears repaired with adhesive pieces at head of verso of covers, two small angular lacks to second cover, printed collection stamp at head of first page.
    Contributions by Philippe Soupault "Quand Chaplin apparut", the editors "Avez-vous peur du cinéma?", Jean George Auriol "Le cinéma et les moeurs : la fenêtre magique", Bernard Brunius "Le cinéma et les moeurs : le cinéma et l'amour", André Delons "Chronique des films perdus", Louis Chavance "Le décorateur et le métier", Pierre Audard and Jean George Auriol "La critique des films", André R. Mauge...
    €1,200
  31. Constantes du cinéma français in Le Point N°LIX
    Louis ARAGON, Georges SADOUL

    Constantes du cinéma français in Le Point N°LIX

    Le Point|Souillac 1962|19.50 x 25.50 cm|broché
    First edition illustrated with photographs
    Handsome copy.
    Texts by Louis Aragon "Du décor", Georges Sadoul "A la recherche de quelques fils conducteurs", Boisyvon "L'exemplaire de René Clair", Alain Resnais "Les serpents et les caducées".

    €50
  33. Le livre de Ran
    Akira KUROSAWA

    Le livre de Ran

    Seuil|Paris 1985|24 x 29 cm|broché
    First edition in French.
    Some inevitable lacks to the protective film covering the work, an angular crease mark at the head of the front cover.
    Text by Bertrand Raison, work illustrated with photographs from the film.
    Rare and precious autograph signature by Akira Kurosawa on the half-title page.
    €2,500
  34. Lettre dactylographiée et signée à son grand ami et biographe Carlo Rim à propos de sa filmographie et d'un article écrit par Alice Rim, la femme de Carlo, que Fernandel n'a toujours pas "digéré"
    FERNANDEL

    Lettre dactylographiée et signée à son grand ami et biographe Carlo Rim à propos de sa filmographie et d'un article écrit par Alice Rim, la femme de Carlo, que Fernandel n'a toujours pas "digéré"

    S. n.|Marseille 9 Janvier 1952|21 x 27 cm|une feuille
    Typed letter dated and signed in blue ink by Fernandel, addressed from his Marseilles property "Les milleroses" to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim, who was also his biographer.
    (24 lines, creases inherent to folding for mailing as well as in the left margin).
    Fernandel first conforms to the courtesies of New Year wishes: "Obligé de commencer ma lettre comme la tienne (par correction), je te présente mes meilleurs voeux pour toi et tous ceux que tu aimes." ["Obliged to begin my letter like yours (out of courtesy), I present my best wishes for you and all those you love."] before signifying that he will not delay in...
    €150
  35. Mémé
    Philippe TORRETON

    Mémé

    L'iconoclaste|Paris 2013|13.50 x 18.50 cm|broché
    First edition.
    Covers slightly and marginally sunned, otherwise handsome copy complete with its wraparound band and publisher's slip.
    Autograph inscription dated by Philippe Torreton.
    €50
  36. Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim
    FERNANDEL, Carlo RIM

    Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim

    R. Bègue photo|Paris 1948|11 x 8.50 cm|une feuille
    Original photograph taken on the set of "L'armoire volante", a humorous police intrigue, with Fernandel in the leading role.
    The photograph shows Carlo Rim standing to the right of Fernandel, giving him advice, with three people involved in the filming present in the background, period silver gelatin print.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."
    Manuscript annotations, in pencil, by Carlo Rim, on the verso of the photograph: "Carlo Rim Fernandel L'armoire volante...
    €300
  37. Fernandel
    Carlo RIM

    Fernandel

    Calmann Lévy|Paris 1952|14 x 19 cm|broché
    First edition, one of 170 numbered copies on Alfama paper, the only deluxe copies announced.
    Copy lacking its illustrated dust jacket which has minor marginal tears and three stains at the foot of the spine.

    €60
  38. Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim
    FERNANDEL, Carlo RIM

    Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim

    R. Bègue photo|Paris 1948|11 x 8.50 cm|une feuille
    Original photograph taken during the filming of "L'armoire volante," a humorous police intrigue, starring Fernandel.
    The photograph shows Carlo Rim from behind, his hands resting on a window balcony, offering his advice to Fernandel facing him, vintage silver gelatin print.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."
    Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: "Carlo Rim Fernandel L'armoire volante 1948."
    €300
  39. "En 1954, année où le cinéma a été placé sous le signe des cuisses de Lollobrigida et des boites à lait de Martine Carol..."
    Saturnin FABRE

    "En 1954, année où le cinéma a été placé sous le signe des cuisses de Lollobrigida et des boites à lait de Martine Carol..."Humorous autograph letter dated and signed addressed to filmmaker and screenwriter Carlo Rim

    s. l. 10 Janvier 1955|21 x 27 cm|une feuille
    Humorous autograph letter dated and signed addressed to filmmaker and screenwriter Carlo Rim (17 lines in blue ink) presenting his wishes for the beginning of 1955.
    Fold marks inherent to postal handling, a small tear at the head of the letter at the fold level.
    Saturnin Fabre lavishes praise on the resistance of humor cinema embodied by Carlo Rim's achievements against the eroticization of cinema: "... in 1954, a year when cinema was placed under the sign of Lollobrigida's thighs and Martine Carol's milk boxes, you remained one of the last talented authors, a survivor of the funny ones. You stayed afloat!"
    Carlo Rim was a Provençal writer "Ma belle...
    €100
  40. Et le souvenir que je garde au coeur
    Jean-Pierre DARROUSSIN

    Et le souvenir que je garde au coeur

    Fayard|Paris 2015|13.50 x 21 cm|broché
    The first edition, of which there were no deluxe copies.
    Small light stains on the fore edge and on the back cover, a handsome copy.
    Autograph inscription signed by Jean-Pierre Darroussin to a woman named Stéphanie.
    €50
  41. Carte postale photographique dédicacée par Orane Demazis
    Orane DEMAZIS

    Carte postale photographique dédicacée par Orane Demazis

    Studio Pathé Natan|Paris s. d. [1934]|9 x 14 cm|une feuille
    Photographic postcard from Pathé Natan studio showing Orane Demazis slightly in profile, with a pensive expression.
    Autograph inscription dated and signed by Orane Demazis to Mademoiselle Coppio.
    Handsome copy.
    €80
  42. Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre

    s. l. s. d. [circa 1930]|15 x 21 cm|une feuille
    Original drawing in black ink heightened with white corrector fluid captioned in pencil "Saturnin Fabre" representing the actor Saturnin Fabre in bust and profile.
    A mention "Vol II" in red felt-tip pen in the lower right margin of the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  43. Lettre autographe signée à Carlo Rim à propos de démarches épistolaires à entreprendre auprès des Archives Françaises du Film (A.F.F.)
    René CLAIR

    Lettre autographe signée à Carlo Rim à propos de démarches épistolaires à entreprendre auprès des Archives Françaises du Film (A.F.F.)

    S. n.|s. l. 29 Novembre 1951|13.50 x 21 cm|une feuille
    Autograph letter signed by René Clair addressed to his friend the Provençal writer, caricaturist, screenwriter and filmmaker Carlo Rim.
    (14 lines in black ink),     fold marks inherent to being placed in an envelope.
    "29 Nov. 51
    Dear Carlo I thank you for your letter. Yes, I think it would be good for you to send a letter in the name of the A.F.F. to the Director General, a letter which could be inspired by the one signed by de Sica and by me. That would help us greatly. Thank you in advance and no less very affectionately René Clair."



    €150
  44. Dessin original au feutre noir représentant son ami le cinéaste René Clair
    Carlo RIM

    Dessin original au feutre noir représentant son ami le cinéaste René Clair

    s. l. s. d. [circa 1940]|16 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen, lightly heightened with white correction fluid, captioned in black felt-tip pen "René Clair Carlo Rim" depicting in profile with his head turned to the right his friend the filmmaker René Clair, hands in his pockets.
    The drawing on tracing paper is captioned a second time in pink felt-tip pen "René Clair".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  45. La guerrière
    Nicole CALFAN

    La guerrière

    Edition N°1|Paris 1986|12.50 x 20.50 cm|broché
    First edition.
    One crease to upper left corner of second cover.
    Photographic section at end of volume.
    Signed and inscribed copy from Nicole Calfan to Jean-Pierre Richard.





    €50
  46. Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir
    Carlo RIM

    Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir

    s. l. 1950)|21 x 14.50 cm|une feuille
    Original drawing in black felt-tip pen heightened with red felt-tip pen by Carlo Rim depicting filmmaker Jean Renoir in bust, head turned to the left.
    The drawing is captioned in black felt-tip pen Jean Renoir on a sheet of tracing paper folded in half.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  47. La Planète des singes
    Pierre BOULLE

    La Planète des singes

    Cercle nouveau du livre|Paris 1963|14 x 20 cm|reliure de l'éditeur
    First edition printed at "Cercle nouveau du livre" before the deluxe edition by Julliard a few months later, one of the numbered copies, the only printing.
    Very handsome copy.
    Publisher's binding in full green cloth, smooth spine, title and author's name stamped in gold on the front cover.

    €800
  48. Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier
    Carlo RIM

    Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier

    s. l. s. d. [circa 1930]|10.50 x 21 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Marcel L''Herbier" in pencil, depicting the filmmaker in bust portrait.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €90
  49. Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline
    Carlo RIM

    Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline

    s. l. 1959|17 x 21.50 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Max Linder au tennis" in pencil, depicting the actor and director Max Linder hopping about, using a tennis racket like a mandolin.
    The drawing is ruled in blue pencil and includes annotations by Carlo Rim regarding dimensions, the latter having added a piece from another sheet which he glued to the lower right margin of the drawing and which bears his name.
    Finally, a printed stamp from France-Soir appears below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as...
    €90
  50. Lettre autographe signée adressée à son ami Carlo Rim à propos de la lecture du "Grenier d'arlequin", les mémoires de Carlo Rim
    Félicien MARCEAU

    Lettre autographe signée adressée à son ami Carlo Rim à propos de la lecture du "Grenier d'arlequin", les mémoires de Carlo Rim

    S. n.|Neuilly-sur-Seine 3 octobre 1981|21 x 30 cm|une feuille
    Dated and signed manuscript letter from Félicien Marceau addressed to Carlo Rim (19 lines in blue ink) about his enthusiastic reading of his memoir Le grenier d'Arlequin.
    Fold marks inherent to postal mailing. Carlo Rim having inscribed Félicien Marceau in the upper left corner in pencil.
    "Neuilly, October 3rd, 81",
    "Dear Sir,
    your Grenier d'Arlequin delighted me. I read it with extreme pleasure (and often bursting into laughter, so skillfully do you express - with the talent of a dialogue writer - the replies you have noted) and also with extreme interest. These snapshots give an excellent portrait of an era, of a...
    €120
  51. Dessin original au feutre noir représentant Robert Lamoureux
    Carlo RIM

    Dessin original au feutre noir représentant Robert Lamoureux

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing signed in black felt-tip by Carlo Rim depicting Robert Lamoureux smiling in profile.
    The drawing is captioned in pencil Robert Lamoureux.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  52. Arletty
    Michel PERRIN

    Arletty

    Calmann Lévy|Paris 1952|14.50 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    With the illustrated dust jacket which has small marginal tears.
    Iconography.
    Signed autograph inscriptions from Michel Perrin and Roger Gaillard, who directed the "Masques et visages" collection at Calmann Lévy, to the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as André Salmon and Max Jacob: "A Carlo Rim dont j'aime tant le Fernandel, cette Arletty qui l'aime aussi, en hommage bien symapthique à son talent. Michel Perrin." ["To Carlo Rim whose Fernandel I love so much, this...
    €50
  53. Carte de Visite dédicacée de René Clair à Carlo Rim
    René CLAIR

    Carte de Visite dédicacée de René Clair à Carlo Rim

    S. n.|s. l. s. d. [circa 1950]|10.50 x 8 cm|une feuille
    Printed visiting card of the director, theater director and writer René Clair on which he has added for the attention of his friend Carlo Rim: "Merci cher Carlo. Je t'embrasse." ["Thank you dear Carlo. I embrace you."]
    Handsome copy.
    Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

    €60
  55. Bristol autographe signé à Carlo Rim
    René CLAIR

    Bristol autographe signé à Carlo Rim

    S. n.|Cannes Janvier 1976|13.50 x 10.50 cm|une feuille
    Autograph signed carte de visite from René Clair, at his Parisian address, addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim.
    (9 lines in black ink).
    Carlo Rim added a date in the lower right margin of the verso of the card.
    "Pardonne moi, cher Carlo de répondre si tard à ta gentille lettre que je n'ai lue que d'un oeil (opération de la cataracte) et trouve, ici, je te prie, les voeux retardataires et les amitiés affectueuses pour vous de ton fidèle René." ["Forgive me, dear Carlo, for replying so late to your kind letter which I have read with only one eye (cataract operation) and find, here, please accept my belated wishes and affectionate...
    €120
  56. Un Maître du Cinéma René Clair
    Georges CHARENSOL, Roger RÉGENT

    Un Maître du Cinéma René Clair

    La Table Ronde|Paris 1952|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Spine sunned with two small lacks to foot.
    Iconography.
    Autograph inscriptions signed by Georges Charensol and Roger Régent to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.
    €50
  57. Gaby Morlay
    Pierre DESCAVES

    Gaby Morlay

    Calmann Lévy|Paris 1951|14 x 19 cm|broché
    First edition, one of the service de presse (advance) copies.
    Spine very lightly sunned.
    Iconography.
    Autograph inscription signed by Pierre Descaves to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.
    We include an autograph note signed by Gaby Morlay on "Théâtre des Nouveautés" letterhead addressed to Carlo Rim: " Mon Carlo, l'amie que je t'envoie a grand besoin de travailler... un petit bout de rôle, même de la figuration lui rendrait grand service. Merci pour elle. Je t'embrasse affectueusement. Gaby." ["My Carlo, the friend I'm sending to you...
    €120
  58. Note d'hôtel de Raymond Queneau pour le Festival de Cannes 1952
    (Raymond QUENEAU's copy)

    Note d'hôtel de Raymond Queneau pour le Festival de Cannes 1952

    S. n.|Cannes 1952|22.10 x 23.40 cm|une feuille
    Hotel bill for Raymond Queneau for the 1952 Cannes Festival. A form from the Hôtel Martinez on the Croisette filled out in blue ballpoint pen.
    Attached is a bill from the same hotel's concierge service.
    €150
  59. Cyrano de Bergerac
    Edmond ROSTAND

    Cyrano de Bergerac

    Charpentier & Fasquelle|Paris 1898|13.50 x 19.50 cm|relié sous étui
    First edition, one of the rare leading copies on Japan paper limited to 50 numbered copies and a few name-specific copies, the tirage de tête.

    Binding in full green morocco, spine in five compartments set with gilt stippling and adorned with double gilt panels decorated with gilt fleurons intheir centres, recolouring and discreet restoration to a joint, gilt roll tooling on the spine ends, frame of double gilt fillets on the boards brightened in the corners with a set of interlacings and gilt fleurons, iridescent green silk endpapers, frame of five gilt fillets and gilt floral motifs in the corners of the pastedown endpapers, covers preserved...
    €25,000
  60. Touchez pas aux Souvenirs
    André POUSSE

    Touchez pas aux Souvenirs

    Robert Laffont|Paris 1989|15 x 23 cm|broché
    The first edition, of which there were no deluxe copies.
    Spine and boards lightly and marginally sunned without gravity.
    Handsome copy, iconography.
    Signed autograph inscription from André Pousse to Claude-Jean Philippe.

    €70
  61. Moderato Cantabile
    Marguerite DURAS

    Moderato Cantabile[Moderato Cantabile]

    Les Editions de Minuit|Paris 1958|14 x 19.50 cm|broché sous chemise et étui
    First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
    Our copy is presented in a slipcase and chemise in full paper in the colors of Editions de Minuit.
    Handsome copy of this work adapted for cinema in 1960 by Peter Brook with Jeanne Moreau and Jean-Paul Belmondo in the leading roles.
    €4,500
  62. Bernard Blier
    Annette BLIER, Claude DUFRESNE

    Bernard Blier

    Solar|Paris 1989|14 x 22.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Some foxing on the endpapers.
    Touching autograph inscription signed by Annette Blier: "A Marc ce souvenir de son ami qui doit être très touché que vous soyiez fidèle à sa mémoire. Mille bravos Marc, et merci pour Bernard. Bien affectueusement. Annette le 28.02.92." ["To Marc this memory from his friend who must be very touched that you remain faithful to his memory. A thousand bravos Marc, and thank you for Bernard. Most affectionately. Annette 28.02.92."]
    €50
  63. Cher Amour
    Bernard GIRAUDEAU

    Cher Amour

    Editions Métailié|Paris 2009|14 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Minor stains of no consequence on the edges, handsome copy complete with its wraparound band.
    Signed autograph inscription by Bernard Giraudeau to Nadine Nimier, wife and widow of Roger Nimier, with a drawing representing a bouquet of marsh plants.



    €60
  65. Prospectus pour l'exposition intitulée "Films réalisés par des peintres" au Musée d'Art Moderne de la ville de Paris les 14&15 et 29&30 Octobre 1970
    Christian BOLTANSKI, COLLECTIF

    Prospectus pour l'exposition intitulée "Films réalisés par des peintres" au Musée d'Art Moderne de la ville de Paris les 14&15 et 29&30 Octobre 1970Prospectus for the exhibition entitled "Films realises par des peintres" at the Musee d'Art Moderne in the city of Paris on 14 & 15 and 29 & 30 October 1970

    Arc cinéma|Paris 1970|21 x 29.50 cm|une feuille

    First roneo edition of the prospectus for the exhibition organized by the A.R.C. (Animation Recherche Confrontation) cinema section at the instigation of Christian Boltanski.
    Signs of folding due to having been placed in an envelope.

    The event was attended by Edmund Alleyn, Gianni Bertini, Christian Boltanski, Guðmundur Guðmundsson said Erró, Gérard Fromanger, Ipousteguy, Jean Le Gac, Tamas Zanko, Bruce Nauman, Pesce, Martial Raysse, Peter Stämpfli.

    A rare document.

    €500
  67. Le Surréalisme au Cinéma
    Jacques B. BRUNIUS, Marcel DUCHAMP

    Le Surréalisme au Cinéma

    Arcanes|Paris 1954|14 x 19.50 cm|broché
    First edition with illustrated cover by Marcel Duchamp.
    Iconography.
    Handsome copy.
    €100
  68. Marilyn Monroe
    Maurice ZOLOTOW

    Marilyn Monroe

    Gallimard|Paris 1961|14.50 x 20.50 cm|broché
    First edition in French, of which there were no deluxe copies.
    Handsome copy.
    Iconography.

    €50
  69. Harpo Marx
    Harpo MARX

    Harpo Marx

    Editions Charles Mandel|Paris 1963|14 x 20 cm|broché
    First edition of the French translation, of which there were no deluxe copies.
    Handsome copy.
    Photographic wrappers with flaps.

    €50
  70. Jean Giono et le Cinéma
    Bernard ROY, Jacques MÉNY

    Jean Giono et le Cinéma

    Jean-claude Simoën|Paris 1978|15.50 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Iconography.
    Autograph inscription dated 1995 and signed by Jacques Mény to Claude Schneeberg: "... en cette année du centenaire de Giono...".
    We also include an autograph thank-you card from Jacques Mény to the same recipient.
    €50
  71. Histoire du Cinéma
    Robert BRASILLACH, Maurice BARDÈCHE

    Histoire du Cinéma

    Denoël & Steele|Paris 1935|14.50 x 23 cm|broché
    First edition, a Service de Presse (advance) copy.
    Spine and boards marginally and slightly browned, paper fragile at margins of some leaves as usual.
    Our copy is presented in a sand-colored full cardboard slipcase.
    Precious autograph inscription by Robert Brasillach on this text which is one of the very first histories of cinema born a few decades earlier: "A Ramon Fernandez en bien sincère et reconnaissant hommage. Robert Brasillach" ["To Ramon Fernandez with very sincere and grateful homage. Robert Brasillach"] enhanced with the signature of Maurice Bardèche.
    €1,700
  72. Queneau's Awards List
    Dossier des fiches du jury remplies par Raymond Queneau pour le Festival de Cannes de 1952 - et résultats autographes des scrutins
    Raymond QUENEAU

    Dossier des fiches du jury remplies par Raymond Queneau pour le Festival de Cannes de 1952 - et résultats autographes des scrutins[File of the jury score sheets completed by Raymond Queneau for the 1952 Cannes Film Festival — with autograph voting results]

    Cannes 1952|20.90 x 27 cm|90 feuillets
    File of jury sheets completed by Raymond Queneau for the 1952 Cannes Film Festival, comprising 90 leaves almost all filled in by his hand. Only one film is unfortunately missing, Dans la tempête (Arashi no naka no hara) by Kiyoshi Saeki; otherwise the set is complete with reviews of all 35 feature films and 50 short films in the official competition that year. Included as well are 4 pages in pencil and one page in ink of autograph notes recording the results of every vote for all prizes awarded.
    An entertaining collection of Raymond Queneau’s reviews, as a member of the Cannes jury. These sheets capture the...
    €3,800
  73. Vingt-Quatre Images à la Seconde
    Léon POIRIER

    Vingt-Quatre Images à la Seconde

    Maison Mame|s. l. 1953|13.50 x 20.50 cm|broché
    First edition.
    Iconography.
    Light dampstains to spine and board margins, handsome interior condition.
    Autograph inscription signed by Léon Poirier to Madame Charles Gaumont: "... dont le souvenir est inséparable des miens..." ["...whose memory is inseparable from my own..."]
    €70
  74. Bristol de S.A.S. la Princesse de Monaco signé de Grace Kelly
    Grace, Princesse de Monaco KELLY

    Bristol de S.A.S. la Princesse de Monaco signé de Grace KellySigned bristol of Grace Kelly, Princess of Monaco

    S. n.|s. l. s. d. [circa 1980]|13.50 x 9 cm|une feuille
    Signed bristol of Grace Kelly, Princess of Monaco
    [ca 1980] | 13,5 x 9 cm | one card
    Specimen visiting card with the signature of Her Serene Highness Princess of Monaco Grace Kelly.
    Pleasant copy, stamp printed “specimen” on the verso of the visiting card.
    Handwritten signature of Grace Kelly in blue felt pen.
    €1,500
  75. [PHOTOGRAPHIE] Portrait photographique de Charlton Heston
    KEYSTONE (Charlton HESTON)

    [PHOTOGRAPHIE] Portrait photographique de Charlton Heston

    Photo Keystone|s. l. s. d. [juillet 1964]|18 x 13 cm|une photographie
    Photographic portrait of Charlton Heston, vintage silver gelatin print in sepia.
    Keystone studio stamps to verso. Mimeographed slip pasted to verso: "Charlton Heston sera Michel Ange... Le grand acteur américain Charlton Heston incarnera l'immortel artiste dans la "Vie de Michel Ange" la nouvelle super-production dont le tournage va commencer très prochainement à Rome. Déjà quelques scènes d'extérieurs ont été tournées en Toscagne (sic). Le film évoquera fidèlement la vie de Michel Ange. npm/ Charlton Heston, qui s'est laissé pousser la barbe, examinant la maquette de la Chapelle Sixtine du Vatican." ["Charlton Heston will be Michelangelo... The great American actor Charlton Heston will...
    €120
  77. La défense
    ARLETTY

    La défense

    La Table Ronde|Paris 1971|15 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    A handsome copy despite a small discolored band in the margin of the second cover.
    Signed autograph inscription from Arletty to a couple of friends: "A Monsieur et Madame Goumy en souvenir de Belle-Isle, Arletty" ["To Mr. and Mrs. Goumy in memory of Belle-Isle, Arletty"]

    €250
  78. Balzac 00.01
    Jean MINEUR

    Balzac 00.01

    Plon|Paris 1981|14 x 22.50 cm|broché
    First edition, of which there were no deluxe copies.
    Some occasional light foxing.
    Preface by Jean Anouilh.
    Handsome copy of the memoirs of the creator of advertising films shown in movie theaters.
    Autograph inscription signed by Jean Mineur: "Hommage de l'auteur, un ancien confrère, qui espère vous apporter avec ce livre quelques moments de détente et d'entracte..." ["Tribute from the author, a former colleague, who hopes to bring you with this book some moments of relaxation and intermission..."]
    €100
  81. [PHOTOGRAPHIE] Portrait photographique de Sacha Guitry et Sarah Bernhardt réalisée pendant le tournage du film "Ceux de chez nous"
    Sacha GUITRY, Sarah BERNHARDT

    [PHOTOGRAPHIE] Portrait photographique de Sacha Guitry et Sarah Bernhardt réalisée pendant le tournage du film "Ceux de chez nous"

    Août 1915|18 x 12.60 cm|une feuille
    Original photograph of Sacha Guitry and Sarah Bernhardt taken during the filming of "Ceux de chez nous" in August 1915.
    Period silver gelatin print.     Pencil annotation on verso of the photograph.
    Precious shot taken during the filming of this documentary celebrating the glory of French spirit, made in the midst of war as a response to a proclamation by German intellectuals exalting Germanic culture.
    Sacha Guitry, already known as a dramatic author, decided to use an amateur camera to "engrave in images," for future generations, the great personalities who contribute to France's radiance. Among others, one discovers Edgar Degas, Anatole France, Lucien Guitry...
    €600
  82. [PHOTOGRAPHIE] Portrait photographique de Sacha Guitry et Sarah Bernhardt les bras en croix réalisée pendant le tournage du film "Ceux de chez nous"
    Sacha GUITRY, Sarah BERNHARDT

    [PHOTOGRAPHIE] Portrait photographique de Sacha Guitry et Sarah Bernhardt les bras en croix réalisée pendant le tournage du film "Ceux de chez nous"

    Août 1915|18 x 12.60 cm|une feuille
    Original photograph of Sacha Guitry laughing and Sarah Bernhardt in a theatrical pose taken during the filming of "Ceux de chez nous" in August 1915.
    Period silver gelatin print, minor weakness to lower right corner.
    Precious shot taken during the filming of this documentary celebrating the glory of French spirit, made in the midst of war as a response to a proclamation by German intellectuals exalting Germanic culture.
    Sacha Guitry, already known as a dramatic author, decided to use an amateur camera to "engrave in images," for future generations, the great personalities who contribute to France's radiance. Among others, one...
    €600
  83. "Guerre de deux maisons de disques qui sont enlisées dans des méthodes antiques de vente"
    Boris VIAN

    "Guerre de deux maisons de disques qui sont enlisées dans des méthodes antiques de vente"Unpublished autograph manuscript of a draft film script by Boris Vian recounting the war between two record companies

    s. d. [circa 1950]|21 x 27 cm|3 pages sur 3 feuillets perforés agrafés
    Unpublished autograph manuscript of a film screenplay project by Boris Vian. 3 pages on 3 leaves written in black and blue ink and blue ballpoint pen. Deletions, corrections and marginal notes.
    Central fold without damage. One vertical cut on the first leaf, without loss of text.
    Amusing film project mocking the ruthless world of record companies while Boris Vian was getting to know Jacques Canetti who would open the doors of Polydor (which would become Philips) to him.
    The second page presents a few lines outlining the synopsis of the project: « Deux maisons de disques rivales se trouvent enlisées dans une guerre de concurrence acharnée. Chacune...
    €1,800
  84. Constantes du cinéma français in Le Point N°LIX
    Louis ARAGON, Georges SADOUL

    Constantes du cinéma français in Le Point N°LIX

    Le Point|Souillac 1962|19.50 x 25.50 cm|broché
    First edition illustrated with photographs
    Handsome copy.
    Texts by Louis Aragon "Du décor" ["On Decor"], Georges Sadoul "A la recherche de quelques fils conducteurs" ["In Search of Some Connecting Threads"], Boisyvon "L'exemplaire de René Clair" ["René Clair's Copy"], Alain Resnais "Les serpents et les caducées" ["The Serpents and the Caducei"].

    €50
  85. Arletty
    Philippe ARIOTTI, Philippe de COMES

    Arletty

    Henri Veyrier|Paris 1978|21.50 x 28 cm|broché
    First edition.
    Handsome copy.
    Work illustrated with numerous photographs.





    €50
  86. Vipère au poing
    Hervé BAZIN

    Vipère au poing

    Grasset|Paris 1948|12 x 19 cm|broché
    First edition, one of the 175 numbered copies on pur fil, the "tirage de tête" (first deluxe copies).
    Nice copy.
    €1,300
  87. La madone à Hollywood
    Maurice DEKOBRA

    La madone à Hollywood

    Editions Baudinière|Paris 1946|13 x 19 cm|broché
    First edition, one of 600 numbered copies on vellum, the only deluxe copies.
    Handsome copy.
    €80
  88. De Tom Mix à James Dean ou le mythe de l'homme dans le cinéma américain
    Raymond de DE BECKER

    De Tom Mix à James Dean ou le mythe de l'homme dans le cinéma américain

    Arthème Fayard|Paris 1959|14.50 x 19.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Iconography.
    Spine slightly creased.
    Fine autograph inscription signed by Raymond de Becker: "En hommage à Alain Delon pour lui dire mon admiration et ma sympathie et le désir que j'ai de le connaître autrement que sur les écrans." ["In homage to Alain Delon to tell him of my admiration and sympathy and my desire to know him other than on screen."]



    €120
  89. Midi-minuit fantastique N°6. La chasse du comte Zaroff
    COLLECTIF

    Midi-minuit fantastique N°6. La chasse du comte Zaroff

    Revue Midi-minuit fantastique|Paris 1963|16 x 22.50 cm|broché
    First edition of issue 6 of this magazine devoted to the film "The Most Dangerous Game".
    Handsome copy.
    Illustrated.
    In this issue 6: unpublished story and film stills, interview with Merian C. Cooper, filmography of E.B. Schoedsack.


    €40
  90. Midi-minuit fantastique N°17
    COLLECTIF

    Midi-minuit fantastique N°17

    Le terrain vague|Paris Juin 1967|21.50 x 27.50 cm|broché
    First edition of issue 17 of this magazine.
    Handsome copy.
    Illustrated.
    In this issue 17: Marat / Sade and Peter Brook by Raymond Durgnat, interview with Jean-Pierre Mocky, Belgian cinema: "Bagatelles pour deux vampires", le mystère bricolo by Raymond Borde...


    €30
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